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In the early sixth-century eastern Roman empire, anti-Chalcedonian leaders Severus of Antioch and Julian of Halicarnassus debated the nature of Jesuss body: Was it corruptible prior to its resurrection from the dead? Viewing the controversy in light of late antiquity's multiple images of the ';body of Christ,' Yonatan Moss reveals the underlying political, ritual, and cultural stakes and the long-lasting effects of this fateful theological debate. Incorruptible Bodies combines sophisticated historical methods with philological rigor and theological precision, bringing to light an important chapter in the history of Christianity.

Starting in the sixth century BCE, the conquests of the Persian kings Cyrus, Cambyses, and Darius transformed the lives of humans on a continental scale, as their empire reached from the Iranian plateau to as far as eastern Europe, Central Asia, and north Africa. Beyond the imperial center, the kings' vast territory was ruled by regional royal representatives known as satraps, who managed the practicalities of running the empire. In this book, Rhyne King explores how the empire was governed at an imperial level by investigating how the satraps and the structures supporting them-their "houses"-operated across great distances. Examining satrapal houses in Egypt, Anatolia, Mesopotamia, and Central Asia, King demonstrates how these systems encouraged local self-interest and advancement even as they benefited the imperial whole. Ultimately, he argues, it was these Persian forms of transregional governance that were key in enabling their vast polity to endure for more than two centuries.

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.   Focusing on the provision of gender-affirming care, Health Care Civil Rights analyzes the difficulties and potential of discrimination law in healthcare settings. The application of civil rights law could be a powerful response to health inequalities in the U.S., but conservative challenges and the complex and fragmented nature of our health care system have limited the real-world success of this strategy. Revealing deep divides and competing interests that reverberate through patient experiences, insurance claims, and courtroom arguments, Anna Kirkland explains what health care civil rights are, how they work in theory and practice, and how to strengthen them.

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In Circulations, Courtney Handman examines the surprising continuities in modernist communication discourses that shaped both colonial and decolonial projects in Papua New Guinea. Often described as a place with too many mountains and too many languages to be modern, Papua New Guinea was seen as a space of circulatory primitivity-where people, things, and talk could not move. Colonial missionaries and administrators, and even anticolonial delegations to the United Nations that spearheaded demands for Papua New Guinea's independence in the 1950s, argued that this circulatory primitivity would only be overcome through the management of communications infrastructures, bureaucratic information flows, and the introduction of English. Innovatively bringing together analyses of communications infrastructures such as radios, airplanes, telepathy, bureaucracy, and lingua francas, Circulations argues for the critical role of communicative networks and communicative imaginaries in political processes of colonialism and decolonization worldwide.

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. Moorings follows sailors from the Gulf of Kachchh in India as they voyage across the ocean on mechanized wooden sailing vessels known as vahans, or dhows. These voyages produce capital through moorings that are spatial, moral, material, and conceptual. With a view from the dhow, the book examines the social worlds of Muslim seafarers who have been rendered invisible even as they maneuver multiple regulatory regimes and the exigencies of life, navigating colonialism, neoliberalism, the rise of Hindutva, insurgency, climate change, and border regimes across the Indian Ocean. Based on historical and ethnographic research aboard ships, at ports and religious shrines, and in homes, Moorings shows how capitalism derives value from historically sedimented practices grounded in caste, gender, and transregional community-based forms of regulation.

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. Undead examines the visual culture of war, broadly understood, through the lens of animation. Focusing on works in which relational, intermedial, and variably paced practices of "inter/in/animation" generate aesthetic tactics for thinking about, feeling, and reframing war, Karen Redrobe analyzes works by artists including Yael Bartana, Nancy Davenport, Kelly Dolak and Wazhmah Osman, Gesiye, David Hartt, Helen Hill, Onyeka Igwe, Ibrahim Nasrallah, Mary Reid Kelley, and Patrick Kelley. Deftly moving between cinema and media studies, peace and conflict studies, and art history, Undead is an interdisciplinary feminist meditation on the complex relationship between states of war and the discourses, infrastructures, and institutions through which memory, change, and understanding are made.

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. Today, Morocco's hip hop artists are vital to their country's reputation as diverse, creative, and modern. But in the 1990s and 2000s, teenage amateurs shaped their craft and ideals together as the profound socioeconomic changes of neoliberalization swept through their neighborhoods. Values That Pay traces Moroccan hip hop's trajectory from sidewalk cyphers and bedroom studios to royal commendations and international festivals. Kendra Salois draws from more than ten years of research into her interlocutors' music and moral reasoning to frame this institutionalization around the constitutive tensions of hip hop aesthetics and neoliberal life. Entrepreneurial artists respond to their unavoidable complicity with an extractive state through aesthetic and interpersonal sincerity, educating their fans on the risks and responsibilities of contemporary citizenship. Salois argues that over the past forty years, Moroccan hip hop practitioners have transformed not only themselves but also what it means to be an ethical citizen in a deeply unequal nation.

Though Luis Bunuel, one of the most important filmmakers of the twentieth century, spent his most productive years as a director in Mexico, film histories and criticism invariably pay little attention to his work during this period. The only book-length English-language study of Bunuel's Mexican films, this book is the first to explore a significant but neglected area of this filmmaker's distinguished career and thus to fill a gap in our appreciation and understanding of both Bunuel's achievement and the history of Mexican film. Ernesto Acevedo-Munoz considers Bunuel's Mexican films-made between 1947 and 1965-within the context of a national and nationalist film industry, comparing the filmmaker's employment of styles, genres, character types, themes, and techniques to those most characteristic of Mexican cinema. In this study Bunuel's films emerge as a link between the Classical Mexican cinema of the 1930s through the 1950s and the "e;new"e; Cinema of the 1960s, flourishing in a time of crisis for the national film industry and introducing some of the stylistic and conceptual changes that would revitalize Mexican cinema.

Preaching Bondage introduces and investigates the novel concept of doulology, the discourse of slavery, in the homilies of John Chrysostom, the late fourth-century priest and bishop. Chris L. de Wet examines the dynamics of enslavement in Chrysostom's theology, virtue ethics, and biblical interpretation and shows that human bondage as a metaphorical and theological construct had a profound effect on the lives of institutional slaves. The highly corporeal and gendered discourse associated with slavery was necessarily central in Chrysostom's discussions of the household, property, education, discipline, and sexuality. De Wet explores the impact of doulology in these contexts and disseminates the results in a new and highly anticipated language, bringing to light the more pervasive fissures between ancient Roman slaveholding and early Christianity. The corpus of Chrysostom's public addresses provides much of the literary evidence for slavery in the fourth century, and De Wet's convincing analysis is a groundbreaking contribution to studies of the social world in late antiquity.

Explores Wayne Thiebaud's career as a self-described "thief" who appropriated and reinterpreted old and new European and American artworks. Although artist Wayne Thiebaud (1920-2021) earned acclaim for his poetic renderings of the prosaic particulars of American life, he openly admitted that "it's hard for me to think of artists who weren't influential on me, because I'm such a blatant thief." Wayne Thiebaud: Art Comes from Art features the artist's virtuosic appropriations and reinterpretations of old and new European and American artworks, spanning from Andrea Mantegna to Édouard Manet, Henri Matisse to Richard Diebenkorn, offering crucial insights into his creative process. Thiebaud's exploration of art, artists, and art history--along with the practices of copying, appropriation, and reinterpretation--allowed him not only to see through the eyes of other artists but also to commune with them through their work, expanding his own vision. This career-long engagement with the concept of appropriation illustrates his perception of art history as an encyclopedic "bureau of standards"--a rich repository and resource that offers working artists community with their predecessors and communion with their artworks. Published in association with the Fine Arts Museums of San Francisco Exhibition dates: Legion of Honor: March 22-August 17, 2025

"Every dialogue in this anthology shares ache and joy, emotional and intellectual poignancy, a tender agony: for art, for Việt Nam, for place, space, and scale. The Cleaving is an exhibition of what the purest academic scholarship can achieve: art."--Lily Hoàng, Associate Professor of Literature and Creative Writing, University of California, San Diego

The 15,000-year story of how grass seduced humanity into being its unwitting labor force-and the science behind it.   Domesticated crops were not human creations, and agriculture was not simply invented. As Robert N. Spengler shows, domestication was the result of an evolutionary process in which people played a role only unwittingly and as actors in a numberless cast that spanned the plant and animal kingdoms. Nature's Greatest Success is the first book to bring together recent scientific discoveries and fascinating ongoing research to provide a systematic account of not only how agriculture really developed but why.   Through fifteen chapters, this book dives deep into the complex processes that drove domestication and the various roles that plants and animals, including humans, played in bringing about those changes. At the intersection of popular history, archaeology, and evolutionary biology, Nature's Greatest Success offers a revolutionary account of humanity not at the apex of nature but deeply embedded in the natural world and the evolutionary processes that continue to guide it even today.

This vivid reconstruction of one man's life of adventure reveals the harsh realities and moral ambiguities of colonial power. The Jew Who Would Be King tells the improbable true story of Nathaniel Isaacs-a nineteenth-century British Jew who helped establish the Zulu kingdom only to later become a ruthless warlord and slaveholder. Isaacs' thrilling journey begins with his shipwreck on the shores of Zululand and proceeds to ports across West Africa, including Freetown, Sierra Leone. There, tasked by the colonial governor to end the local slave trade, Isaacs brokered deals that reinforced his own power.  Adam Rovner's meticulous archival research in England, Sierra Leone, South Africa, and St. Helena, coupled with his own travels to the remnants of Isaacs' island stronghold in Guinea, brings this complex figure to life. The Jew Who Would Be King is a masterful narrative that intertwines Isaacs' personal ambition with the epic machinations of early globalization. Through Isaacs' story, Rovner exposes the entangled forces of Jewish emancipation and antisemitism, slavery and abolition, the stark dichotomies of civilization and "savagery," and the creation of whiteness versus Blackness.

Examining why society should pool and spread the financial risk that individual families now bear.   Over the past sixty years, businesses and government have increasingly offloaded financial risk onto US households. The toll has pushed tens of millions of people to the financial breaking point, worsened social inequity, and jeopardized US democracy. In Sharing Risk, consumer advocate and scholar Patricia A. McCoy draws on the nation's traditions of risk sharing to argue that society should lift up families by pooling and spreading the financial risks that they now must bear alone.    Most policy discussions of financial stress on households look at the milestones of economic well-being in isolation: making ends meet, homeownership, quality health care, financing college, and a secure retirement. McCoy offers the first integrated examination of how risk sharing can enable families to realistically achieve all five goals without sacrificing one for another. She makes specific policy recommendations and shows how risk sharing, with its long and venerable history that includes Social Security and the Affordable Care Act, would provide economic well-being for all.