Böcker utgivna av University of Arizona Press

Twenty-first-century Latinx film offers much to celebrate, but as pop culture critic Frederick Luis Aldama writes, there's still room to be purposefully critical. In this book contributors offer scholarship that does both, bringing together a comprehensive presentation of contemporary film and filmmakers from all corners of Latinx culture.

Marquis Bey's debut collection, Them Goon Rules, is an un-rulebook, a long-form essayistic sermon that meditates on how Blackness and non-normative gender impact and remix everything we claim to know.

A motif of rain and water is woven throughout the poetry in When It Rains, tying in the collection's title to the importance of this life-giving and sustaining resource to the Tohono O'odham people. With the poems in both O'odham and English, the volume serves as a reminder of the beauty and changeability of the O'odham language.

Speaking to both a personal and collective loss, in Brother Bullet Casandra López confronts her relationships with violence, grief, guilt, and ultimately, endurance. Revisiting the memory and lasting consequences of her brother's murder, López traces the course of the bullet in lyrical narrative poems.

Challenging Colonial Narratives pushes postcolonial thinking in archaeology in socially and politically meaningful directions. Matthew A. Beaudoin calls for more nuanced interpretive frameworks and encourages archaeologists and scholars to focus on the different or similar aspects among sites to explore the nineteenth-century life of contemporaneous Indigenous and settler peoples.

Aileen Moreton-Robinson and the contributors to this important volume deploy incisive critique and analytical acumen to propose new directions for critical Indigenous studies in the First World. Leading scholars offer thought-provoking essays on the central epistemological, theoretical, political, and pedagogical questions and debates that constitute the discipline of Indigenous studies, including a brief history of the discipline.

The Sonoran Desert is the most biologically diverse desert in the world. Four species of columnar cacti, including the iconic saguaro and organ pipe, are among its most conspicuous plants. No Species Is an Island describes Theodore H. Fleming's eleven-year study of the pollination biology of these species at a site he named Tortilla Flats in Sonora, Mexico, near Kino Bay.

A self-proclaimed, "vessel in which stories are told from time immemorial," poet dg nanouk okpik seamlessly melds both traditional and contemporary narrative, setting her apart from her peers. The result is a collection of poems that are steeped in the perspective of an Inuit of the twenty-first century--a perspective that is fresh, vibrant, and rarely seen in contemporary poetics.

In rural Rajasthan, patriarchal ideology is upheld and reinforced through male-governed social and legal institutions. This book tells how women defy that control through acts of "domestic warfare": theft, poisoning, affairs, flights home, threats to divide the joint household, sly acts of sabotage, and refusals to work, eat, or have sex.Erin Moore details the life of an extended Muslim family she has known for twenty years. In many ways the plight of the central character, Hunni, is representative of dilemmas experienced by the majority of north Indian peasant women who are deprived of equal rights before the law.An account of cultural hegemony and defiance, Moore's work reveals how so-called "modern" state institutions and practices reinforce traditional arrangements -- and how women resist patriarchy in overt and covert ways.

Winner of the Southwest Book Award! Beneath the streets of the U.S.-Mexico border, children are coming of age. They have come from all over Mexico to find shelter and adventure in the drainage tunnels that connect the twin cities of Nogales, Sonora, and Nogales, Arizona. This book opens up the world of the tunnel kids and tells how in this murky underworld of struggling immigrants, drug dealers, and thieves, these kids have carved out a place of their own. Two parallel tunnels-- each fourteen feet wide and several miles long-- drain the summer rains from Mexico to the United States. Here and in the crumbling colonias you'll meet the tunnel kids: streetwise El Boston, a six-year veteran of the tunnels; his little pal JesAs; JesAs' girlfriend, La Flor, and her six-month-old baby; wild Negra; poetic Guanatos; moody Romel and his beautiful girlfriend, La Fanta. They form an extended family of some two dozen young people who live hard-edged lives and answer to no one in El Barrio Libre-- the free barrio. Lawrence Taylor and Maeve Hickey met these kids at Mi Nueva Casa, the safe house built to draw the youths out of the tunnels and into a more normal life. The authors spent two summers with tunnel kids as they roamed all over Nogales and beyond in their struggle to survive. In the course of their adventures the kids described their lives, talking about what might tempt them to leave the tunnels-- and what kept them there. Hickey's stunning portraits provide a heart-stopping counterpoint to Taylor's incisive prose. Story and photos together open a window into the life of the tunnel kids--a world like that of many homeless children, precarious and adaptive, albeit unique to the border. Wheremost people might see just another gang of doped-up, violent children, Taylor and Hickey discover displaced and sometimes heroic young people whose stories add a human dimension to the world of the U.S.-Mexico border. A guide to classroom use Comments from a program that's used this title

Secrets From the Center of the World is a volume in Sun Tracks, and American Indian literary series sponsored by the American Indian Studies Program and the Department of English, University of Arizona.

Around the turn of the twentieth century, most photographs of Indians pandered to shameless, insensitive stereotypes. In contrast, photographic portraits made by Frank A. Rinehart conveyed the dignity and pride of Native peoples. More than 545 Native Americans representing tribes from all over the country attended the Trans-Mississippi and International Exposition in Omaha in 1898 to be part of an event known as the Indian Congress. Rinehart, the exposition's official photographer, and his assistant Adolph Muhr made more than 500 glassplate negatives depicting Native Americans in their traditional dress, now housed at Haskell Indian Nations University and regarded as one of the best photographic documentation's of Indian leaders from this era. This book provides an unusual perspective on the Rinehart collection. It features one hundred outstanding images printed from the original negatives made by Rinehart and Muhr at the Congress and over the course of the next two years. It also includes 14 essays by modern Native American writers, artists, and educators--some of them descendants of the individuals photographed--reflecting on the place of these images in their heritage. Beyond the Reach of Time and Change is not another coffee-table book of historical Indian photographs but rather a conversation between Indian people of a century ago and today. Just as the Rinehart collection offers today's Native Americans a unique connection to the past, this book offers all readers a positive understanding of continuity and endurance within the American Indian community.