Böcker utgivna av University of Alberta Press

Bodies of Art, Bodies of Labour by Kate Beaton, award-winning author of Ducks: Two Years in the Oil Sands and Hark! A Vagrant, explores connections between class, literature, and art from Cape Breton Island. In this thought-provoking book, Beaton addresses the often overlooked impact of class on the Canadian arts scene. The book highlights the reality that people from poor or working-class backgrounds face significant barriers to becoming artists, limiting their ability to share their stories and contribute to the collective culture. This lack of representation in art, music, and literature can empower or stereotype, edify or diminish, or worse, erase entire communities. Beaton emphasizes that if working-class and poor people do not write themselves into stories, others will, often with damaging results. Drawing on examples from work published about Cape Breton, Beaton sheds light on the portrayal of working-class lives. She juxtaposes this with her personal experiences, her family's stories, and the inspiring work of other Cape Bretoners. Despite economic hardships, her community has long valued and created art: art for no money, for each other, for themselves, for memory, for joy. Bodies of Art, Bodies of Labour thoughtfully examines personal and working class legacies, celebrating the authenticity and power of truly seeing ourselves and each other in the art that we create.With an introduction by Julie Rak.

"The book is an exhibition catalogue of rare angling books, which are housed in the University of Alberta's Bruce Peel Special Collections."--

After assignments as a Canadian diplomat in Mexico, Colombia, Sudan, and South Africa, Nicholas Coghlan and his wife Jenny unwind by sailing Bosun Bird, a 27-foot sailboat, from Cape Town across the South Atlantic and into the stormy winter waters of the Beagle Channel, Tierra del Fuego, and the Strait of Magellan. Coghlan recalls earlier adventures in Patagonia during the late seventies when he and his wife explored the region over three successive summers. Now, as they negotiate the labyrinth of channels and inlets around snow-covered Fireland, he reflects on the voyages of past explorers: Magellan, Cook, Darwin, Slocum, and others. Sailing enthusiasts and readers of true adventures will want to add Coghlan's world-wise narrative to their libraries.

Shelter in Text examines how writing can create, illuminate, and complicate ideas about dwelling, belonging, or finding safe harbour.

This biography explores the fascinating trajectory of amateur naturalist Frank Farley (1870-1949), who in the first half of the twentieth century made significant contributions to the fields of ornithology and environmental conservation. An enthusiastic booster for rural development in western Canada, and Camrose, Alberta, in particular, Farley was also a passionate naturalist at a time when few others held such views. He supported and managed newly designated migratory bird sanctuaries, networked with expert ornithologists across the continent, mentored young people (including famous Canadian writer and grand-nephew Farley Mowat), and published widely to scientific and popular audiences. The book's description of Farley's career shows how a single individual can make substantive contributions to wildlife conservation while acknowledging tensions between amateur and professional ornithologists. The wide range of activities in which Farley engaged shows the complexities of rural life in Alberta and also reveals that concern over environmental change is not new. Frank Farley and the Birds of Alberta adds a stimulating new layer to a complex western Canadian past, and is an invaluable resource for scholars and readers versed in Canadian environmental history, climate change, and ecological activism.

Secularism, Race, and the Politics of Islamophobia shows the ways secularism produces and enables racism and normalizes the racial categorization of "Muslim."

This Sweet Rupture unflinchingly explores interwoven themes of family secrets, diaspora, food culture, and the impact of war on personal stories. Rooted in Omar Ramadan's experiences as a son of Lebanese immigrants, and set in Canada, Lebanon, and the United Arab Emirates, the collection brings together intergenerational exchanges and present-day realities, from sweetened tea preparations to conversations about conflict zones to investigations of Canadian blizzards. The book speaks to Arab father-son relationships and incorporates Arabic, reflecting the hybridity of its speakers and their shifting sense of place. Resonant and intricate, This Sweet Rupture thoughtfully navigates cultural identity, war, memory, and family.

In this critical edition of a manuscript previously thought lost, Parker applies McLuhan's medium theory and reimagines museums as catalysts for cultural engagement and empathy.

Steely, tender, and sensual, Lisa Baird's When Whales Went Back to the Water creates a reverent container for a broken world. These poems are hymns to living in wonder through loss, joy, motherhood's sleepless nights, domestic violence, and isolation. Offering a courageous account of queer intimate partner violence, including the impacts of femme erasure in queer communities, this book is also grounded in the tastes and textures of a new parent's everyday--keenly interested in our capacities during personal and global catastrophe amidst diaper changes and playground dramas. Haunted by hawks, coyotes, frogs, and forests, the collection also speaks to the power of the beyond-human sphere in the translation and transformation of pain and sorrow. Reaching beyond stories of survivorship to touch on personal and collective pain with tension, nuance, and care, Baird's poems remind us that grief is inextricably intertwined with love and joy.

Python Love weaves together experiences of childhood abuse, birth trauma, and recovery from the perspective of a medical doctor who is also a mother. In her debut collection, Shannon Arntfield delves into the many ways in which the body recalls what has been done to it. Long, breathtaking sequences set within medical facilities during labour and delivery are juxtaposed with spare, lyrical reflections on ideas of memory, natural spaces, implicit love, and the relationships between parents and children. Full of precise observations, careful renderings, and visceral originality, Python Love is focused on how the body and mind are inextricably linked, how the past can overwhelm and inform the present, and how recovery is tied to love and connection.