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Fleeing her family, a woman finds unexpected solace in an empty hotel. A therapist struggling to make sense of a shattering professional failure becomes convinced someone is watching his every move. A coach's disciplinary tactic doesn't so much backfire as it implodes his players' lives. Inhabiting a (mostly) midwestern landscape, Alex Pickett's characters specialize in breaking rules. Believing themselves to be good people, they try to bend their situations to fit their needs or fulfill their desires. The results are rarely completely disastrous or successful, but are tinged with a humor that rides comfortably alongside embarrassment, regret, and longing. Pickett's tensely modulated world hums with the vitality of its characters, balancing restraint and impulse. Again and again, with wry wisdom and rich prose, he leads us to imagine what an individual should do versus what they want to do--and in the process reminds us that it is achingly hard to live up to expectations.

Supplying both a gripping mystery story and an authoritative portrait of the fabled architect, William Drennan wades through the myths surrounding the massacre at Wrights landmark residence, Taliesin, and casts fresh light on the cataclysmic effects these murders exerted on his life and subsequent designs.University of Wisconsin Press

In May of 1939 the Cuban government turned away the Hamburg-America Line's MS St. Louis, which carried more than 900 hopeful Jewish refugees escaping Nazi Germany. The passengers subsequently sought safe haven in the United States, but were rejected once again, and the St. Louis had to embark on an uncertain return voyage to Europe. Finally, the St. Louis passengers found refuge in four western European countries, but only the 288 passengers sent to England evaded the Nazi grip that closed upon continental Europe a year later. Over the years, the fateful voyage of the St. Louis has come to symbolize U.S. indifference to the plight of European Jewry on the eve of World War II. Although the episode of the St. Louis is well known, the actual fates of the passengers, once they disembarked, slipped into historical obscurity. Prompted by a former passenger's curiosity, Sarah Ogilvie and Scott Miller of the United States Holocaust Memorial Museum set out in 1996 to discover what happened to each of the 937 passengers. Their investigation, spanning nine years and half the globe, took them to unexpected places and produced surprising results. Refuge Denied chronicles the unraveling of the mystery, from Los Angeles to Havana and from New York to Jerusalem. Some of the most memorable stories include the fate of a young toolmaker who survived initial selection at Auschwitz because his glasses had gone flying moments before and a Jewish child whose apprenticeship with a baker in wartime France later translated into the establishment of a successful business in the United States. Unfolding like a compelling detective thriller, Refuge Denied is a must-read for anyone interested in the Holocaust and its impact on the lives of ordinary people.

Of the legions of wayfarers who shared in the tall ship Sofia's diverse and colorful history, only seventeen were on board when she went down. Of those who survived to tell the tale, none has . . . until now. More than twenty-five years ago, Pamela Bitterman began her journey on board a 123-foot, sixty-year-old sailing ship being readied for its second global circumnavigation. Bitterman's initial voyage, during which Hurricane Kendra chased the schooner miles off course to Bermuda, did not impel her to retreat home. Instead, she immersed herself in this created space between the life of a tall ship sailor, world traveler, and adventurer. Her narrative describes rare gatherings with Cuna Indians in the Gulf of San Blas, the discovery of original ancient tikis hidden away in the Marquesas, and a treasured offering of traditional tapa cloth from island natives. Bitterman's experiences also give readers insight into a time of civil unrest in Latin America, including a frightening road trip through Mexico and Central America, and the chaos during the final stages of the treaty that returned control of the Canal Zone back to Panama. The drama ensues with the arrest of the entire Sofia crew in two different countries, a bout with dengue fever, and a near-mutiny in New Zealand before the final voyage. The details of events from this journey endure as vividly today as when Bitterman was a naive "shellback" swabbie, later ship's bos'un, and finally acting first mate. In the end, she was merely one on a life raft of grateful survivors. Sailing to the Far Horizon draws on original journal entries, photographs, and excerpts from official Coast Guard documents that chronicle the fascinating enigma that was the Sofia and its dramatic end.

Nowhere in Africa is the extraordinary tale of a Jewish family who flees the Nazi regime in 1938 for a remote farm in Kenya. Abandoning their once-comfortable existence in Germany, Walter Redlich, his wife Jettel, and their five-year-old daughter, Regina, each deal with the harsh realities of their new life in different ways. Attorney Walter is resigned to working the farm as a caretaker; pampered Jettel resists adjustment at every turn; while the shy yet curious Regina immediately embraces the country--learning the local language and customs, and finding a friend in Owuor, the farm's cook. As the war rages on the other side of the world, the family's relationships with their strange environment become increasingly complicated as Jettel grows more self-assured and Walter more haunted by the life they left behind. In 1946, with the war over, Regina's fondest dream comes true when her brother Max is born. Walter's decision, however, to return to his homeland to help rebuild a new Germany puts his family into turmoil again. Visit the Web site for the film at www.nowhereinafrica.com

When Moniek (Morris) Goldner and his family were uprooted from their Polish farming village during a German action, the child-sized sixteen-year-old fled into the forests. He eventually met up with his father, who had also escaped, and together they managed to survive until a former friend betrayed the pair. Wounded and left for dead beneath his father's murdered body, Goldner was rescued by the enigmatic outlaw Jan Kopec, who was also in hiding, looking for ways to profit from his criminal expertise. For eighteen months Kopec hid the boy with him, moving from one area to another, often staying in hideouts he had fashioned years earlier. At first Kopec trained Goldner simply to serve as his accomplice in robberies and black market activities. But before long he pushed the training to a whole new level, making it possible for him to sell Goldner's services to a shadowy resistance group which was becoming interested in the daring young saboteur. And through it all, these two disparate personalities--the quiet, small-framed boy and the stocky, callous mercenary--forged an remarkable friendship and co-dependency born of need and desperation in a hellish time and place.

An innovative study of two of England's most popular, controversial, and influential writers, Father and Son breaks new ground in examining the relationship between Kingsley Amis and his son, Martin Amis. Through intertextual readings of their essays and novels, Gavin Keulks examines how the Amises' work negotiated the boundaries of their personal relationship while claiming territory in the literary debate between mimesis and modernist aesthetics. Theirs was a battle over the nature of reality itself, a twentieth-century realism war conducted by loving family members and rival, antithetical writers. Keulks argues that the Amises' relationship functioned as a source of literary inspiration and that their work illuminates many of the structural and stylistic shifts that have characterized the British novel since 1950.

Readers of detective stories are turning more toward historical crime fiction to learn both what everyday life was like in past societies and how society coped with those who broke the laws and restrictions of the times. The crime fiction treated here ranges from ancient Egypt through classical Greece and Rome; from medieval and renaissance China and Europe through nineteenth-century England and America.

September 1955. Six-year-old Mark O'Brien moved his arms and legs for the last time. He came out of a thirty-day coma to find himself enclosed from the neck down in an iron lung, the machine in which he would live for much of the rest of his life. How I Became a Human Being is Mark O'Brien's account of his struggles to lead an independent life despite a lifelong disability. In 1955, he contracted polio and became permanently paralyzed from the neck down. O'Brien describes growing up without the use of his limbs, his adolescence struggling with physical rehabilitation and suffering the bureaucracy of hospitals and institutions, and his adult life as an independent student and writer. Despite his weak physical state, O'Brien attended graduate school, explored his sexuality, fell in love, published poetry, and worked as a journalist. A determined writer, O'Brien used a mouthstick to type each word. O'Brien's story does not beg for sympathy. It is rather a day-to-day account of his reality--the life he crafted and maintained with a good mind, hired attendants, decent legislation for disabled people in California, and support from the University of California at Berkeley. He describes the ways in which a paralyzed person takes care of the body, mind, and heart. What mattered most was his writing, the people he loved, his belief in God, and his belief in himself.

Mice in the Freezer, Owls on the Porch is in many ways a love story--about a quiet scientist and his flamboyant wife, but also about their passions for hunting, for wild lands, and for the grouse and raptor species that they were instrumental in saving from destruction. From the papers and letters of Frederick and Frances Hamerstrom, the reminiscences of contemporaries, and her own long friendship with this extraordinary couple who were her neighbors, Helen Corneli draws an intimate picture of Fran and "Hammy" from childhood through the genesis and maturation of a romantic, creative, and scientific relationship. Following the Hamerstroms as they give up a life of sophisticated convention and comfort for the more "civilized" (as Aldo Leopold would have it) pleasures of living and conducting on-the-spot research into diminishing species, Corneli captures the spirit of the Hamerstroms, their profession, and the natural and human environments in which they worked. A nuanced account of the labors, adventures, and achievements that distinguished the Hamerstroms over the years--and that inspired a generation of naturalists--this book also provides a dramatic account of conservation history over the course of the twentieth century, particularly in Wisconsin during the eventful years from the 1920s through the 1970s.

In September, 1939, George Lucius Salton's boyhood in Tyczyn, Poland, was shattered by escalating violence and terror under German occupation. His father, a lawyer, was forbidden to work, but eleven-year-old George dug potatoes, split wood, and resourcefully helped his family. They suffered hunger and deprivation, a forced march to the Rzeszow ghetto, then eternal separation when fourteen-year-old George and his brother were left behind to labor in work camps while their parents were deported in boxcars to die in Belzec. For the next three years, George slaved and barely survived in ten concentration camps, including Rzeszow, Plaszow, Flossenburg, Colmar, Sachsenhausen, Braunschweig, Ravensbrück, and Wobbelin. Cattle cars filled with skeletal men emptied into a train yard in Colmar, France. George and the other prisoners marched under the whips and fists of SS guards. But here, unlike the taunts and rocks from villagers in Poland and Germany, there was applause. "I could clearly hear the people calling: "Shame! Shame!" . . . Suddenly, I realized that the people of Colmar were applauding us! They were condemning the inhumanity of the Germans!" Of the 500 prisoners of the Nazis who marched through the streets of Colmar in the spring of 1944, just fifty were alive one year later when the U.S. Army 82nd Airborne Division liberated the Wobbelin concentration camp on the afternoon of May 2, 1945. "I felt something stir deep within my soul. It was my true self, the one who had stayed deep within and had not forgotten how to love and how to cry, the one who had chosen life and was still standing when the last roll call ended."

In one of the most beautiful river valleys in Europe, in the region known as Périgord in southwest France, castles crown the hills, and the surrounding villages seem carved all of a piece out of the local stone. In 1985, in the shadow of one of these medieval castles, Betsy Draine and Michael Hinden fell in love with a small stone house that became their summer home. Like any romance, this one has had its ups and downs, and Betsy and Michael chart its course in this delightful memoir. They offer an intimate glimpse of a region little known to Americans--the Dordogne valley, its castles and prehistoric art, its walking trails and earthy cuisine--and describe the charms and mishaps of setting up housekeeping thousands of miles from home. Along with the region's terrain and culture, A Castle in the Backyard introduces us to the people of Périgord--the castle's proprietor, the village children, the gossipy real-estate agent, the rascally mason, and the ninety-year-old widow with a tale of heartbreak. A celebration of a place and its people, the book also reflects on the future of historic Périgord as tourism and development pose a challenge to its graceful way of life.

Published in Australia in 1995 by the translator, Elinor Morrisby, this book sold out its print-run of 2,200 pb copies with minimal marketing. In it, Jana Renée Friesová vividly recalls her adolescent years as a prisoner of the Nazis in the Czech ghetto-town of Terezín, describing delight as well as horror. She saw thousands forced onto the cattle trains heading "east" to Auschwitz, yet she fell passionately in love, and she took part in defiant concentration-camp performances of Smetana's Bartered Bride and Verdi's Requiem. Like Anne Frank, she kept a diary. Her riveting story tells how she survived and what the Iron Curtain era then brought. She was to discover from her own experience how like the weird novels of Kafka the real world can be.

As a writer, Glenway Wescott (1901-1987) left behind several novels, including The Grandmothers and The Pilgrim Hawk, noted for their remarkable lyricism. As a literary figure, Wescott also became a symbol of his times. Born on a Wisconsin farm in 1901, he associated as a young writer with Hemingway, Stein, and Fitzgerald in 1920s Paris and subsequently was a central figure in New York's artistic and gay communities. Though he couldn't finish a novel after the age of forty-five, he was just as famous as an arts impresario, as a diarist, and for the company he kept: W. H. Auden, Christopher Isherwood, Marianne Moore, Somerset Maugham, E. M. Forster, Joseph Campbell, and scores of other luminaries. In Glenway Wescott Personally, Jerry Rosco chronicles Wescott's long and colorful life, his early fame and later struggles to write, the uniquely privileged and sometimes tortured world of artistic creation. Rosco sensitively and insightfully reveals Wescott's private life, his long relationship with Museum of Modern Art curator Monroe Wheeler, his work with sex researcher Alfred Kinsey that led to breakthrough findings on homosexuality, and his kinship with such influential artists as Jean Cocteau, George Platt-Lynes, and Paul Cadmus.

In these stimulating essays, Alan Dundes presents a history of psychoanalytic studies of folklore while also showing how folklore methodology can be used to clarify and validate psychoanalytic theory. Dundes' work is unique in its symbolic analysis of the ordinary imagination. His data are children's games, folktales, everyday speech, cultural metaphors for power and prestige, and rituals associated with childbirth.

Is learning a natural ability that schools, colleges, and universities gradually stifle in individuals, replacing it with a learning dependency? Charles A. Wedemeyer stressed that learning is a natural, idiosyncratic, and continually renewable human trait and survival resource. It is not dependent upon teaching, schooling, or special environments, although--properly used--these resources enhance learning. Learning at the Back Door examines this kind of learning and relates it to schooling, suggesting ways in which all learning--whether traditional or non-traditional--can be encouraged and improved through new kinds of educational institutions and processes.

Peter F. Murphy's purpose in this book is not to shock but rather to educate, provoke discussion, and engender change. Looking at the sexual metaphors that are so pervasive in American culture--jock, tool, shooting blanks, gang bang, and others even more explicit--he argues that men are trapped and damaged by language that constantly intertwines sexuality and friendship with images of war, machinery, sports, and work. These metaphors men live by, Murphy contends, reinforce the view that relationships are tactical encounters that must be won, because the alternative is the loss of manhood. The macho language with which men cover their fear of weakness is a way of bonding with other men. The implicit or explicit attacks on women and gay men that underlie this language translate, in their most extreme forms, into actual violence. Murphy also believes, however, that awareness of these metaphorical power plays is the basis for behavioral change: "How we talk about ourselves as men can alter the way we live as men."

THE TV-PERFECT FAMILY OF WALTER DE MILLY III was like many others in the American South of the 1950s -- seemingly close-knit, solidly respectable, and active in the community.Tragically, Walter's deeply troubled father would launch his family on a perilous journey into darkness. To the outside world, this man is a prominent businessman, a dignified Presbyterian, and a faithful husband; to Walter, he is an overwhelming, handsome monster. Whenever the two are together, young Walter becomes a sexual plaything for his father; father and son outings are turned into soul-obliterating nightmares.Walter eventually becomes a successful businessman only to be stricken by another catastrophe: his father, at the age of seventy, is caught molesting a young boy. Walter is asked to confront his father. He convenes the family, and in a private conference with a psychiatrist, his father agrees to be surgically castrated.De Milly's portraits of his relationships with his father and mother, and the confrontation that leads to his father's bizarre and irreversible voluntary "cure", are certain to be remembered long after the reader has set aside this powerful contribution to the literature of incest survival.

For the first time, the most important quotations from the writing of the great conservationist Aldo Leopold, author of A Sand County Alamanac, are gathered in one volume. From conservation education to wildlife ecology, from wilderness protection to soil and water conservation, the works of Aldo Leopold continue to have profound influence on those seeking to understand the land and its care.Leopold biographer Curt Meine and noted conservation biologist Richard Knight have assembled this comprehensive collection of quotations from Leopold's extensive and diverse writings. The editors have organized the quotations in twenty-one chapters under the broad themes of conservation science and practice, conservation policy, and conservation and culture. Each chapter begins with an introductory essay by a prominent conservation scholar who provides perspective on Leopold's contributions in these various fields.

One of the leading Latino writers working today offers a provocative autobiography interweaving his own story with the lives of three other gay Hispanic authors: Manuel Puig, Reinaldo Arenas, and Federico Garcia Lorca.

Wisconsin My Home is the story of Thurine Oleson, born in Wisconsin in 1866 to parents who had emigrated from Telemarken, Norway. This much-loved book was first published in 1950 when Thurine was a spry octogenarian. In it she not only vividly recalls the pioneer life of her childhood in a Norwegian American settlement but also tells her parents' stories of their life in Norway and their reasons for emigration. This new edition restores the twenty-nine photographs that appeared in the original 1950 hardcover edition and includes an introduction by emigration historian Odd Lovell.

Of Men and Monsters examines the serial killer as an American cultural icon, one that both attracts and repels. Richard Tithecott suggests that the stories we tell and the images we conjure of serial killers - real and fictional - reveal as much about mainstream culture and its values, desires, and anxieties as they do about the killers themselves. Why, for example, does Hannibal Lecter, though clearly dangerous, seem brilliant, even alluring, while his dark counterpart in Silence of the Lambs, Buffalo Bill, represents pure monstrosity? In a nation where murders occur every day, why do those we name "serial killers" seem so different, meriting a flood of public and media attention? Looking at how Jeffrey Dahmer's story was told - on the Geraldo talk show and CNN specials, in Washington Post editorials and People Weekly pictorials - Tithecott argues that the serial killer we construct for ourselves is a mythical figure in the contemporary world. Transcending boundaries between madness and sanity, civilization and savagery, the idea of the serial killer fulfills dreams of masculinity, purity, and violence.

This is the first full history of fascism - as a force and as a phenomenon - in Europe and elsewhere between the world wars. This history encompasses all the major fascist movements, as well as other forms of authoritarian nationalism, and provides in-depth analyses of these movements, the interpretative problems they pose, and previous interpretations of them. Stanley G. Payne interprets fascism as a form of revolutionary ultranationalism - a program for national rebirth based on a primarily vitalist philosophy, extreme elitism, mass mobilization, the promotion of violence, and military virtues. He traces this phenomenon through the history of ideas, previous political movements, and the events of World War I. Though his focus is chiefly on Fascist Italy and Nazi Germany, he also gives detailed attention to the Romanian Iron Guard, Franco's Spain, Japan, and protofascist movements around the globe. In view of widespread speculation about the return of fascism to Europe and the Afro-Asian World, this work is especially timely. However, Payne presents a powerful case for viewing fascism as a unique "epochal phenomenon". Conversely, he treats significant individual features of fascism as inherent aspects of revolutionary movements and nationalist dictatorships, with every likelihood of reappearing in new and different forms.

In the two decades after the turn of the millennium, Vladimir Putin's control over Russian politics and society grew at a steady pace. As the West liberalized its stance on sexuality and gender, Putin's Russia moved in the opposite direction, remolding the performance of Russian citizenship according to a neoconservative agenda characterized by increasingly exaggerated gender roles. By connecting gendered and sexualized citizenship to developments in Russian popular culture, Julie A. Cassiday argues that heteronormativity and homophobia became a kind of politicized style under Putin's leadership. However, while the multiple modes of gender performativity generated in Russian popular culture between 2000 and 2010 supported Putin's neoconservative agenda, they also helped citizens resist and protest the state's mandate of heteronormativity. Examining everything from memes to the Eurovision Song Contest and self-help literature, Cassiday untangles the discourse of gender to argue that drag, or travesti, became the performative trope par excellence in Putin's Russia. Provocatively, Cassiday further argues that the exaggerated expressions of gender demanded by Putin's regime are best understood as a form of cisgender drag. This smart and lively study provides critical, nuanced analysis of the relationship between popular culture and politics in Russia during Putin's first two decades in power.

Originally published under the titles Dictado por la jaurâia (1962), Malos modales (1965), and Las contradicciones sobrenaturales (1967) by Juan Calzadilla, copyright à Ediciones del Techo de la Ballena, Caracas.

Originally published by the University Press of New England under the title Confronting the Nation: Jewish and Western Nationalism, copyright Ã1993 by Trustees of Brandeis University.

English translation of six essays which originally appeared in the Danish journal Tilskueren (The Observer), between August 1889 and May 1890.

Political conflict in many parts of the world has been shaped by notions of who rightfully belongs to a place. The concept of autochthony--that a true, original people are born of a land and belong to it above all others--has animated struggles across postcolonial Africa. But is this sense of rootedness from time immemorial necessary to assertions of original being and thus political supremacy? Belonging, Identity, and Conflict in the Central African Republic examines how political conflict unfolds when the language of autochthony is detached from historical land claims. Focusing on violent struggles in the Central African Republic between 2012 and 2019, Gino Vlavonou explores the social practices, discursive strategies, and government policies that emerged in the relentless project of African state building. Conflict pitted Christian-animist communities, loosely organized as vigilante groups under the name anti-Balaka, against Muslim rebels known as the Séléka. Fighters of the anti-Balaka claimed that they were autochthonous, the "true Central Africans," reframing their Muslim neighbors as foreigners to be expelled. While the country had previously witnessed episodes of violence, both peoples had lived together relatively peacefully and intermarried. The speed and ferocity with which identity was weaponized puzzled many observers. To understand this phenomenon, Vlavonou probes autochthony as a category of identity that differs from ethnicity in important ways. He argues that elites and ordinary citizens alike mobilize the language of original belonging as "identity capital," a resource to be deployed. The value of that capital is lodged in what people say and do every day to give meaning to their identity, and its content changes across time and space.

Originally published under the title Propagandes et persâecutions: La Râesistance et le "probláeme juif" 1940-1944 by Renâee Poznanski, copyright à Librairie Artháeme Fayard, 2008.

In 1917, Bolshevik revolutionaries overthrew the tsar of Russia and established a new, communist government, one that viewed the Imperial Russia of old as a righteously vanquished enemy. And yet, as Pavel Khazanov shows, after the collapse of Stalinism, a reconfiguration of Imperial Russia slowly began to emerge, recalling the culture of tsarist Russia not as a disgrace but as a glory, a past to not only remember but to recover, and to deploy against what to many seemed like a discredited socialist project. Khazanov's careful untangling of this discourse in the late Soviet period reveals a process that involved figures of all political stripes, from staunch conservatives to avowed intelligentsia liberals. Further, Khazanov shows that this process occurred not outside of or in opposition to Soviet guidance and censorship, but in mainstream Soviet culture that commanded wide audiences, especially among the Soviet middle class. Excavating the cultural logic of this newly foundational, mythic memory of a "lost Russia," Khazanov reveals why, despite the apparently liberal achievement of the collapse of the Soviet Union in 1991, Boris Yeltsin (and later, Vladamir Putin) successfully steered Russia into oligarchy and increasing autocracy. The anti-Soviet memory of the pre-Soviet past, ironically constructed during the late socialist period, became and remains a politically salient narrative, a point of consensus that surprisingly attracts both contemporary regime loyalists and their would-be liberal opposition.