Böcker utgivna av Ugly Duckling Presse

Scores for loop pedal, book projects that exploit print, and critical theory...a decade of Holly Melgard.Read Me: Selected Works features a representative selection of Holly Melgard's formally experimental poetic works produced between 2008 and 2018, including scores for loop pedal, book projects that exploit print on demand, and critical talks that theorize core themes of Melgard's work.Poetry. Hybrid. Literary Criticism. Art. Women's Studies

The title of this book evokes the "other" September 11: Chile's September 11, 1973, when Augusto Pinochet led a military coup to oust the democratically elected government of Salvador Allende and inaugurated a brutal 17-year dictatorship. Assembled from found material such as declassified documents, testimonies, interviews, and media files, 11 immerses readers in the State-sponsored terror during this period and the effects it would continue to have on Chile. The poetry in this book adopts the form of collage, erasure, and appropriation, the language emerging from censorship and suffocation as experienced under military rule. Soto-Román's work asks us to understand the past through what has been covered up, to reflect on the spoken and unspoken pieces that interact to create a collective memory. How does censorship translate into another language when translation already involves so many degrees of selective removal? This collaborative version into English, taken on by eight translators, attempts to answer that question and provide a means to reflect on the relationship between writing, trauma, and politics.Contributors include Daniel Borzutzky, Alexis Almeida, Patrick Greaney, Daniel Beauregard, Robin Myers, J'ssica Pujol Duran, Whitney DeVosPoetry. Hybrid. Latinx Studies. Translation.

Queer Iranian love poems from an expat writer in Italy.Drawing extensively on Iranian poetic traditions and the history of their reception in English translation, Feast of the Ass presents a series of verses that play in the fields of love poetry's address. Khajavi irreverently ruffles the "classical grandeur & quiet dignity" of inherited forms in order to consider the poet's relationship to death, literature, race, religion, and sexuality, his "queer shoulder / set not to the wheel--so long, Solon!--but turned on to some bolder / axon."Poetry. Middle Eastern Studies.

Part autobiography, part play, part fictive dream as long poem, AWAITING begins by detaching phrases and motifs from two seemingly disparate plays (Lorraine Hansberry's What Use are Flowers? and Samuel Beckett's Waiting for Godot) and entangling them into centos or poetic remixes. Through the incorporation of these entanglements, original poetry, and a surreal landscape, what develops is a new work blurring the sightlines of narrative space by way of the spiral, by way of the fragment and the self-reflective slip of the fold into and out of itself.Poetry. Drama. Literary Nonfiction. Art. African & African American Studies. Women's Studies.

Translated by Elisa Taber. In DREAM PATTERING SOLES a voice mournfully asserts "I appear" and the world begins. Miguelángel Meza's words are signifiers without hierarchy within the lyric structure that reference the cosmological Mbyá Guaraní narratives. Thus, the origin of earth is traced to the utterance of the first ñe'ë, or word-soul. Meza's authorial style and references to a millenary Amerindian culture jointly point to another way of conceiving the world. The counterintuitive way that he renders the individual out of the communal is reminiscent of the Paraguayan embroidery technique, ñandutí, which means spider's web. Threads extracted from, rather than woven into, a fabric trace a geometric pattern. He imitates this practice by claiming authorship through his lyric synthesis of a communal narrative. The poet seems to say through those that came before him: identity lies in erasure, not mark-making.Poetry.

BEHIND THE TREE BACKS investigates a poetics of remembrance, excavating war and displacement through a constellation of animate memories carved out of deep pleasure as well as brutality, the ancient and the institutional, the everyday and the geopolitical.Translated by Jennifer Hayashida. BEHIND THE TREE BACKS investigates a poetics of remembrance through senses that hover just below and just above the skin. The text excavates war and displacement through a constellation of animate memories carved out of deep pleasure as well as brutality, the ancient and the institutional, the everyday and the geopolitical. The book insists on a poetics that recall through vibrating auratic fields, violence, love, and sexuality; these sensations tremble and cohere in a musical and tightly composed lyric.Poetry.

Across a series of sixty-four poems, each titled with the eponymous refrain, I WANT SOMETHING OTHER THAN TIME worries the problem of self-identicality--the distance between the self and the self that recognizes the self--into the socio-political sphere as a problem of temporality, as the work of our shared subjects in perceiving and projecting pasts, futures, presents.Poetry.

Poetry. In FORGET THEE, Dreiblatt's first full-length book of poetry, an anonymous narrator ruminates on the end of the world, while conversing with various historic and literary figures from the ancient Mediterranean and Mesopotamian worlds. Going behind writing to start language afresh, they observe together how often worlds end; how language is the register in time of our answerability to each other; how writing, sociality, play, violence, and transcendence flow together into the vexed semi-coherence we have come to call culture.

Poetry. LATE HUMAN is a collection of tragi-comic poems on lateness, belatedness, Weltschmerz, and borrowing (with a nod to Ernest Mandel's 1975 tome on the twilight of capitalism). The human of the title is multiple, personal, and drenched in the tears of the 21st century. Cracked children's rhymes lead onto an ethnography that takes Helen Mirren's first film appearance as seriously as Moby Dick. At the volume's center, three laments honor the "realism / that would send anyone to spasm," a sentiment that crests in the book's title poem before alighting, provisionally, in "Early Bird"--its dawn chorus.