Böcker utgivna av UEA Publishing Project

New poetry from the world-renowned UEA Creative Writing MA: Poetry 2016 student cohort.

The University of East Anglia's Creative Writing MA Prose Anthology for the 2016 cohort including Prose Fiction and Creative Non-Fiction.

Part of the Keshiki project: a series of 8 short stories translated from the original Japanese and available as separate pamphlets as well as part of an overall boxed set.

EADT "Reader's Choice" winner, The New Angle Prize for Literature 2011"Scallop is at once a monument to a great musician-composer and a celebration of the origins of his art... A robust and poetic work of art (that) stands at the thrilling edge where culture meets nature" - Mel GoodingMuch has been said and written about Maggi Hambling's Scallop on Aldeburgh beach. Here is the artist's own story, told as it happened, with interpolations by some of those who supported (and some who didn't) her exhilarating and provocative sculpture to Benjamin Britten, one of Britain's most exalted composers. Maggi Hambling traces her love of the sea back to earliest childhood and records how this lifelong passion has fired her work, culminating in the construction of a 15ft high, six-and-a-half ton stainless steel sculpture rising out of the shingle on Aldeburgh beach. Children love it. Lovers love it. Those paying tribute to lost loved ones gather around it. And there are those who would wish it melted down or carted away. The artist, and those nearest the action, tell the fascinating story of its conception, official acceptance and construction, and the unholy row that erupted after it was finally unveiled.

Part of the Keshiki project: a series of 8 short stories translated from the original Japanese and available as separate pamphlets as well as part of an overall boxed set.

A collection of essays and other texts by eleven internationally acclaimed writers, critics and artists. Over a decade after his death W.G. Sebald remains a major presence in world literature. He has a devoted readership in many different countries. This lively and accessible collection offers a series of different illuminations on why SebaldâEUR(TM)s work continues to fascinate. Follow Ali Smith as she gets loosed in the translation of his work. Discover with Robert Macfarlane the arguments for and against SebaldâEUR(TM)s reputation. Find out from Will Self why British readers might find him a "good German". Think with John Coetzee about the recurrent psychological crisis that haunts SebaldâEUR(TM)s imagination. These are just a few of the many discoveries, insights, and imaginative responses that this collection offers its readers. This is the book that readers of Sebald, new or old, need to take with them as they journey through his work. It speaks of and to the different experiences involved in reading Sebald, whether responding to the relation between word and image, or the question of what can and cannot be remembered, or the resonant character of voice and voices, or the strange networks and connections that make up SebaldâEUR(TM)s texts. And then there are personal memories by Tess Jaray of working with Sebald, Tacita Dean's own version of Sebaldian connectedness and an enigmatic memorial by Richard Long. The book is edited and has an introduction by Jon Cook, a Professor of Literature and Director of the Centre for Creative and Performing Arts at the University of East Anglia, who was for a number of years a friend and colleague of W.G. Sebald.