Böcker utgivna av Transcript Verlag

Hate is being reinvented. Over the last two decades, online platforms have been used to repackage racist, sexist and xenophobic ideologies into new sociotechnical forms. Digital hate is ancient but novel, deploying the Internet to boost its allure and broaden its appeal. To understand the logic of hate, Luke Munn investigates four objects: 8chan, the cesspool of the Internet, QAnon, the popular meta-conspiracy, Parler, a social media site, and Gab, the »platform for the people.« Drawing together powerful human stories with insights from media studies, psychology, political science, and race and cultural studies, he portrays how digital hate infiltrates hearts and minds.

What do planners need to know in order to use narrative approaches responsibly in their practice? This practical field guide makes insights from narrative research accessible to planners through a glossary of key concepts in the field of narrative in planning. What makes narratives coherent, probable, persuasive, even necessary - but also potentially harmful, manipulative and divisive? How can narratives help to build more sustainable, resilient, and inclusive communities? The authors are literary scholars who have extensive experience in planning practice, training planning scholars and practitioners or advising municipalities on how to harness the power of stories in urban development.

In the genre of horror, elderly people are often used as a trope to evoke both a fear of death and a fear of aging. Old age is therefore equated with bodily, mental, or social decline. The contributors of this book investigate what exactly we are afraid of when we posit old age as a source of horror. The aim is to harness the thrills and pleasures of horror to think about how quality of life can be improved in old age and how elderly people can be better integrated in our ever fearful and suspicious societies.

How were the concepts of the observer and user in architecture and urban planning transformed throughout the 20th and 21st centuries? Marianna Charitonidou explores how the mutations of the means of representation in architecture and urban planning relate to the significance of city's inhabitants. She investigates Le Corbusier and Ludwig Mies van der Rohe's fascination with perspective, Team Ten's interest in the humanisation of architecture and urbanism, Constantinos Doxiadis and Adriano Olivetti's role in reshaping the relationship between politics and urban planning during the postwar years, Giancarlo De Carlo's architecture of participation, Aldo Rossi's design methods, Denise Scott Brown's active socioplactics and Bernard Tschumi's conception praxis.

What role can the humanities play in shaping our common future? What are the values that guide us in the 21st century? How can we unleash the potential the humanities offer in a time of multiple crises? This volume tackles some of these fundamental questions, acknowledging and developing the changing role of academic discourse in a turbulent world. This timely book argues that the humanities engender conceptual tools that are capable of reconciling theory and practice. In a bold move, we call for the humanities to reach beyond the confines of universities and engage in the most urgent debates facing humanity today - in a multidisciplinary, transformative, and constructive way. This is a blueprint for how societal change can be inclusive and equitable for the good of humans and non-humans alike.

To date, the relationship between Otto Kirchheimer and Carl Schmitt has invariably been described as friendly, despite their political differences. Kirchheimer has even been attributed the role of the godfather of today's left-Schmittianism. With reference to previously unknown archival materials, conversations with personal contacts, and through a new reading of the theoretical works of both authors, including an analysis of the Nazi vocabulary used by Schmitt, Hubertus Buchstein exposes this view as a politically motivated legend. Buchstein claims that the best way to characterize their relationship from their first meeting in Bonn in 1926 up until Kirchheimer's death in 1965 is as enduring enmity - in a political, a theoretical, and even a personal sense.

The imaginaries of northern landscape have not remained static in the era of ecological crisis but play a pivotal function within the geopolitics of visual representation. Such imaginaries can sanction those dominant discourses that frame environmental catastrophe as the consequence of undifferentiated human activity, but, it is argued, they also have the capacity to represent a complexity and heterogeneity frequently absent from this broad discursive field. The contributors to this volume engage with the practice, curation and utilization of photography and other lens-based media, to examine the critical role of visual culture in shaping and interrogating conceptions of environmental catastrophe.

»Fact« is one of the most crucial inventions of modern times. Susanne Knaller discusses the functions of this powerful notion in the arts and the sciences, its impact on aesthetic models and systems of knowledge. The practice of writing provides an effective procedure to realize and to understand facts. This concerns preparatory procedures, formal choices, models of argumentation, and narrative patterns. By considering »writing facts« and »writing facts«, the volume shows why and how »facts« are a result of knowledge, rules, and norms as well as of description, argumentation, and narration. This approach allows new perspectives on »fact« and its impact on modernity.

Feminist movements from the Americas provide some of the most innovative, visible, and all-encompassing forms of organizing and resistance. With their diverse backgrounds, these movements address sexism, sexualized violence, misogyny, racism, homo- and transphobia, coloniality, extractivism, climate crisis, and neoliberal capitalist exploitation as well as the interrelations of these systems. Fighting interlocking axes of oppression, feminists from the Americas represent, practice, and theorize a truly 'intersectional' politics. Feminisms in Movement: Theories and Practices from the Americas brings together a wide variety of perspectives and formats, spanning from the realms of arts and activism to academia. Black and decolonial feminist voices and queer/cuir perspectives, ecofeminist approaches and indigenous women's mobilizations inspire future feminist practices and inform social and cohabitation projects.With contributions from Rita Laura Segato, Mara Viveros Vigoya, Yuderkys Espinosa-Miñoso, and interviews with Anielle Franco (Brazilian activist and minister) and with the Chilean feminist collective LASTESIS.

A World of Changemakers - how can a hybrid arts lecture series concept in e-learning create attitudes and shape skills as a playful and critical thinking navigator in an uncertain world? To re-create meaning is an interdisciplinary cross-sectional task of our zeitgeist in a civil society. The international contributors represent key roles in relevant philosophical, technical or economic debates, non-university community art & design projects or companies.

»Fictional Practices of Spirituality« provides critical insight into the implementation of belief, mysticism, religion, and spirituality into worlds of fiction, be it interactive or non-interactive. This first volume focuses on interactive, virtual worlds - may that be the digital realms of video games and VR applications or the imaginary spaces of life action role-playing and soul-searching practices. It features analyses of spirituality as gameplay facilitator, sacred spaces and architecture in video game geography, religion in video games and spiritual acts and their dramaturgic function in video games, tabletop, or LARP, among other topics. The contributors offer a first-time ever comprehensive overview of play-rites as spiritual incentives and playful spirituality in various medial incarnations.

Through a series of intricate informal processes and human-centric institutional arrangements, beneficiaries of South African government-subsidized housing force formally registered properties into informality. Sandile Mbatha explores the concept of informality in relation to how such beneficiaries challenge predominant understandings of property relations. These practices are embedded in complex urban tenure dynamics that prevail in post-colonial societies; societies, in which the state's imposition of predominantly western forms of tenure and property rights ignore the anthropological nature of housing.

What is a libidinal economy? How are we psychically hooked into the circuits of the capitalist economy? The contributors to this book question the relevance of a concept that began reappearing in critiques and analyses of capitalist societies since the financial crisis of 2007. The chapters stretch from its philosophical pre-history - including Marx, Spinoza, Cavendish and Ibn Sina - to the term's introduction with Freud and on, via Lyotard, to how online platforms put our psyches to work. Libidinal Economies of Crisis Times is a collection of essays by leading scholars about the connections among economies, pleasures, and desires.

A guided tour through the nuanced politics of architectural illusion, »The Vatican to Vegas« takes the reader from lavish Baroque fantasies of the seventeenth century to the Electronic Baroque of today. The >scripted spaces< described by Norman Klein are punctuated with devices widely used in special effects since 1500: shocks, surprise twists, grand fakes and copies. Since its publication 2004, »The Vatican To Vegas« has emerged as a classic across many fields, from media, architecture, to the fine arts and urban planning. Its timing was ironic: Klein assumed in 2004 that the future of scripted illusion was about to radically shift. This new edition brings the ironic story up to the present, and into the digitally overwhelmed >scripted spaces< of the future.

In recent years there has been a shift in how diversity and representation are discussed in the German cultural sector. The PostHeimat network, a three-year-long experiment in networked solidarity between major public German theatres and migrant actors and directors, discusses in this volume how to think about Heimat after migration. The contributions document the emergence, frictions, and difficulties in migrant theatre initiatives, being reflexive, research-based, and driven by cultural-policy-developing components. Emerging from encounters and plays, this study incorporates the critical perspectives of practitioners, scholars, activists, and artists from these initiatives and does not shy away from a frank reflection on failure and disappearance.

The sustained expansion of the life span and the attendant demographic changes in the West have fuelled the production of cultural texts that explore alternative representations of aging and old age. The contributors to this volume show how artists in science-fiction, fantasy and the avant-garde develop visions of late life transformation, improvisation and adaptation to new circumstances. The studies particularly focus on perspectives on aging that challenge the predominant narratives of decline as well as fantasies of eternal youth, as defined by neoliberal notions of health, able-bodiedness, agency, self-improvement, progress, plasticity and productivity.

Berlin is increasingly emerging as a hub of Arab intellectual life in Europe. In this first study of Arab culture to zoom in on the thriving metropolis, the contributors shed light on the dynamics of transformation with Arabs as agents, subjects, and objects of change in the spheres of politics, society and history, gender, demographics and migration, media and culture, and education and research. The kaleidoscopic character of the collection, embracing academic articles, essays, interviews and photos, reflects critical encounters in Berlin. It brings together authors from inter- and multidisciplinary fields and backgrounds and invites the readers into a much-needed conversation on contemporary transformations.

Against the background of the media commercialization reform since the 1990s in China and drawing on the case of »X-Change« (2006-2019), Wei Dong investigates the affective meaning-making mechanism in the multimodal text of Chinese reality TV. The focus lies on the ways in which emotions are appropriated and disciplined by regimes of power and identity, and the ways in which affect - in this case primarily kuqing (bitter emotions) communicated by the material and the body - have the potential to challenge or exceed existing relations of power in the mediascape. Wei Dong shows how Chinese reality TV provides a historical and theoretical opportunity for understanding the affective structures of contemporary China in the dynamic process of fracture and integration.

Metropolitan research requires multidisciplinary perspectives in order to do justice to the complexities of metropolitan regions. This volume provides a scholarly and accessible overview of key methods and approaches in metropolitan research from a uniquely broad range of disciplines including architectural history, art history, heritage conservation, literary and cultural studies, spatial planning and planning theory, geoinformatics, urban sociology, economic geography, operations research, technology studies, transport planning, aquatic ecosystems research and urban epidemiology. It is this scope of disciplinary - and increasingly also interdisciplinary - approaches that allows metropolitan research to address recent societal challenges of urban life, such as mobility, health, diversity or sustainability.

Who is meant when people talk about the citizens or the activists? Often, they are implied to mean the most privileged positionalities. Simultaneously, refugees and migrants tend to be seen through their (supposed) legal status. Thus, they are neither practically nor conceptually regarded as activists. The variety of intersecting positionings in migrant rights activism results in complex inequalities and power dynamics within activist groups. Solidarities are continually challenged, negotiated, and built. Lea Rzadtki develops a conceptual view on claims, challenges, and processes that activists experience and deal with. She moves beyond dichotomies and engages in transversal dialogue.

Since the 1990s, the concern to define areas of research in design has dominated academic debates. As a result, we are now facing a multitude of understandings. This is especially true for practice-based design research. Sandra Dittenberger, Hans Stefan Moritsch and Agnes Raschauer discuss how the concept of learning by research can be integrated into product design studio teaching. They show different international approaches for integrating research into teaching and contrast the areas of design research with scientific standards. The book features study results that helped generate both a general orientation for research in design education and guidelines for students of how to integrate research into their project work.

In a neighbourhood facing massive redevelopment, racialized residents speak about stigma, social mixing, and what the island community means to them. Based on rich interviews, photographs, and archival research, Julie Chamberlain rejects the usual silence in German urban studies around racialization and examines how constructing some groups as 'not belonging' has shaped Hamburg-Wilhelmsburg's past and present. For racialized long-time residents, it is Heimat, a space of belonging in the context of exclusion. As social mix policy threatens that belonging, residents explore their hopes and their fears for the future of an urban space where gentrification looms.

The museum and heritage sector has been shaken by debates over how to address colonialism, migration, Islamophobia, LGBTI+ and multiple other forms of difference. This major multi-researcher ethnography of museums and heritage in Berlin provides new insight into how >diversity< is understood and put into action in museums and heritage. Exploring new initiatives and approaches, the book shows how these work - or do not - in practice. By doing so, it highlights ways forward - for research and action - for the future. The fieldwork locations on which this book is based include the Humboldt Forum, the Museum of Islamic Art, the Museum für Naturkunde, and the Memorial to the Murdered Jews of Europe, as well as Berlin streets and protests.

How do participatory museum projects with forced migrants impact both the museum and the participants? What happens during these projects and what is left of them afterwards? Based on interviews with museum practitioners, facilitators and project participants, Susanne Boersma brings together unique insights into museum work with forced migrants. Her study of participatory projects in Germany, the Netherlands and the UK reveals museums' limiting infrastructures, the shortcomings of their ethical frameworks, and the problems of addressing forced migrants as 'communities'. Outlining the diverging objectives, experiences and outcomes of participatory projects, she suggests how these might be united in practice.

The rise of China is ever-present in debates on globalisation and ongoing power shifts. In a time of rising international tensions, understanding the interdependencies between China's course and the world economy is ever more important. Often, the economic reforms under Deng Xiaoping after 1978 are emphasised. They initiated dramatic changes in China's economy and contributed to its ascent as a world power. In contrast, less attention has been given to the context in which these reforms were implemented. Philippe Lionnet analyses important adjustments in China's agricultural, industrial and foreign trade policies in the course of the 1970s as well as their origins. He shows how policy experiments and their limits shaped the path of the socialist state.

In September 2021 a very special academic conference took place: T2051MCC - The 2051 Munich Climate Conference. Researchers from across the academic spectrum assembled to discuss climate change. What made it special was that everyone held their lecture as if it took place in an imagined year 2051. The theatre collective Büro Grandezza had released an open call for contributions to a conference in Munich. Almost 50 researchers wrote papers on climate narratives, geoengineering, coastal adaptation and other topics. This particular framework allowed them to break out of the constraints of the current discourse without neglecting methodology or thematic sharpness.

Ties to the homeland have always been a central focus of global diaspora and migration studies. How and why do the descendants of migrants maintain their attachment to the ancestral homeland? To what extent do emotional ties bind second and later generations of migrants to that place? Tsypylma Darieva examines various actors, channels and sites of transnational Armenian engagement that generate new pathways of diasporic ¿roots¿ mobility. Drawing on long-term ethnographic observations in Armenia and in the USA, she examines transnational flows of people, money and ideas to show the social and political significance that roots mobility acquires when the mythical ¿homeland¿ becomes a real place.

What does it mean to be called an >Outsider Marion Scherr investigates structural inequalities and the myth of the Other in Western art history, examining the role of >Outsider Art< in contemporary art worlds in the UK. By shifting the focus from art world professionals to those labelled >Outsider Artists

Digital collaboration has been established in higher education for many years. But when the Covid-19 pandemic struck, digital learning and virtual mobility became of utmost importance for higher education.In the international project 'Digital and International Virtual Academic Cooperation' (DIVA), scholars from Israel, Australia, and Germany focused on intercultural learning and online collaboration. Based on their findings, they show how digital arrangements can be used in higher education, how digital teaching can be theorized, and what potential can be gained for post-pandemic teaching.