Böcker utgivna av Transcript Verlag

How can exhibitions not only stage existing knowledge, but also raise questions that might eventually lead to new research? This question has become ever more relevant due to the museum sector's growing interest in the development of thematic exhibitions that combine narratives and objects from art, science, cultural history, and everyday life. Using theories from interdisciplinarity studies, Henriette Pleiger identifies different ways of producing knowledge during the exhibition-making process, as well as the mechanisms that are necessary for an exhibition to be considered interdisciplinary. The development of such exhibitions can be understood as collaborative research processes.

Artists always react to the times in which they live. They may celebrate them or criticize them, often trying to change them. But this is the first time in history that technology controlled by private companies is offering to replace the work of writers, musicians, illustrators and visual artists. What impact will generative AI have on how we create art and how we understand what art is for? How will it affect the role of the artist in the future and the conditions under which artists will work? Jan Svenungsson tackles these questions, investigating what AI might do for art, and what it might change, circling the core issue of what it is in human art-making that cannot be replaced.

What future challenges are we facing already today, what room for action needs to be secured and which impulses result from this for professional future action? Against the backdrop of social transformation processes that pose these questions, the contributors to this volume highlight current developments in the field of performing arts, asking for scientific references to the mode of crisis. Their international framing places different academic positions in an overarching discourse by bringing knowledge from different theatre traditions and cultural contexts into a dialogue.

Despite formal equality gains such as LGBTQ workplace protections (Bostock v. Clayton County 2020), heteronormative cultural orders still permeate queer rights discourse. Laura Borchert engages with the cultural-legal construction of sexual minorities in the US and deconstructs naturalized assumptions about ¿the Queer¿ in US law and culture and central constitutional-cultural imaginaries by conducting interdisciplinary wide readings of legal texts. She makes a strong case for utilizing suspect classification to secure queer rights and offers the first distinctively cultural studies perspective on equal protection and sexual orientation by using a queer hermeneutics of law.

'Dimensions. Journal of Architectural Knowledge' is an academic journal in, on, and from the discipline of architecture, addressing the creation, constitution, and transmission of architectural knowledge. It explores methods genuine to the discipline and architectural modes of interdisciplinary methodological adaptions. Processes, procedures, and results of knowledge creation and practice are esteemed coequally, with particular attention to the architectural design and epistemologies of aesthetic practice and research.Dimensions Issue 07/2024, edited by Eva-Maria Ciesla, Susanne Hauser, Hannah Strothmann, and Julia Weber, aims to initiate a discussion on the potentials and limitations of 'architecture as intervention' in an era when architecture faces unprecedented global challenges. Viewing architecture through the lens of intervention positions it as a transformative tool or catalyst for change. The issue presents a diverse array of strategies that exemplify how architecture and its associated discourse have evolved into dynamic forms of intervention. By showcasing these innovative approaches, readers are invited to rethink the role of architecture in shaping the future and responding to the crises of our time.

The 17 essays in this volume investigate potentials for democratizing democracies. From finding faith to reclaiming the commons, each essay aims to plant a seed, which carries the promise of democratic potentials. Dealing with topics like planetary change, AI, and plural knowledge systems, the book acts as an inspiration, calling for unorthodox, compassionate, and experimental approaches. It is an invitation to cultivate democratic futures that are as diverse, resilient, and vibrant as the societies they aim to serve.

Innovation is ubiquitous and has become a universal term that is indispensable to describe interventions, projects, or products. Franziska Sörgel argues that emotions influence innovations as they are inherent in initial ideas, expectations and habitual evaluation criteria that impact the development process. Instead of assuming that the innovation process is subject to rational and linear creativity, the study adopts the notion of ¿moral economies¿ by Lorraine Daston as a space for negotiation. Such an approach enables decision-makers to question the evaluation criteria and patterns for technological developments before implementing them in society.

The relationship between philosophy and Jewish thought has often been a matter of lively discussion. But despite its long tradition and the variety of positions that have been taken in it, the debate is far from being closed and keeps meeting new challenges. So far, research on this topic has mostly been based on historically diachronic references, analogies, or contacts among philosophers and Jewish thinkers. The contributors to this volume, however, propose another way to advance the debate: Rather than adopting a historical approach, they consider the intersections of philosophy and Jewish thought from a theoretical perspective.

Social forms of religion - the ways in which individuals and groups coordinate religious practice - produce community at the same time as they enable individual religious experiences. A mix of group, organization, market exchange, network, event, and/or other forms characterizes different traditions. Shifts in dominant social forms within a religious tradition are catalysts and expressions of religious transformation alike. The contributions to the volume test this argument by presenting Catholic, Protestant, Charismatic/Pentecostal, Orthodox, and Mormon case studies from Europe and the Americas.

In the face of climate change, the destruction of biodiversity or genetic experimentation, Bio Art appears as a form that is most directly grappling with the problems of the 'Anthropocene'. It develops many different approaches and explores a variety of mediums, often related to scientific research, creating art that uses plants, insects, mammals, bacteria, bird songs, forest sounds, or genetic modification. Bio Art's uniqueness comes from incorporating, rather than just representing the living in a diverse range of artworks. In discussing such works from various world regions and time periods, the contributors address the divide between human and non-human animals, between 'culture' and 'nature'.

Narrative strategies, immersion, interaction, participation, identification, multimodality, characters and the connection between physical and fictional or virtual worlds: the fields of inquiry into the complex relationship between live performance and video games are numerous and diverse. For the first time, this collection brings together international researchers and artists to explore this relationship in a variety of essays. The contributors to this volume focus on reciprocal inspirations, appropriations and transfers applied by theatre artists, game designers and researchers. They analyze several artistic forms such as VR performance, immersive theatre, speedrunning or game theatre.

The cultural practices of hip-hop have been among people's favorite forms of popular culture for decades. Due to this popularity, rap, breaking, graffiti, beatboxing and other practices have entered the field of education. At the intersection of hip-hop and music education, scholars, artists, and educators cooperate in this volume to investigate topics such as representations of gangsta rap in school textbooks, the possibilities and limits of working with hip-hop in an intersectional critical music pedagogy context, and the reflection of hip-hop artists on their work in music education institutions. In addition, the contributors provide ideas for how research and theory can be transferred and applied to music educational practice.

In exile and migration, the things that forcibly displaced people take with them become mobile testimonies of defiance, mourning, creativity, and rejuvenation. Through a series of scholarly essays and autobiographical vignettes, this richly illustrated volume draws on such observations to examine the meanings that possessions assume when they are wrenched from their original contexts. The contributors to this collection shine an intimate spotlight on those who are driven from their homes by conflict and forced into exile by authoritarian regimes. In so doing, the contributors underscore the necessity for civil societies to support academic freedom and the work done by critical thinkers worldwide.

After the revolutions in 2011, Tunisia became a symbol of freedom and justice and thus the hope of an entire region. Now, the picture has been reversed: political freedoms are being curtailed and the economy is in disarray, especially after the pandemic and the ongoing war in Ukraine. Resentment and attacks against ¿Others¿ fall on fertile ground in the face of expanding inequality. Simultaneously, particularly younger people desire to leave the country. The contributors to this volume investigate the capabilities and aspirations to comprehend their histories of erosion, but also to reveal alternative ways of imagining futures.

As algorithmic data processing increasingly pervades everyday life, it is also making its way into the worlds of art, literature and music. In doing so, it shifts notions of creativity and evokes non-anthropocentric perspectives on artistic practice. This volume brings together contributions from the fields of cultural studies, literary studies, musicology and sound studies as well as media studies, sociology of technology, and beyond, presenting a truly interdisciplinary, state-of-the-art picture of the transformation of creative practice brought about by various forms of AI.

In the early 20th century, Korean women began to manifest themselves in the public sphere. Sung Un Gang explores how the women's gaze was reimagined in public discourse as they attended plays and movies, delving into the complex negotiation process surrounding women's public presence. In this first extensive study of Korean female spectators in the colonial era, he analyzes newspapers, magazines, fictions, and images, arguing that public discourse aimed to mold them into a male-driven and top-down modernization project. Through a meticulous examination of historical sources, this study reconceptualizes colonial Korean female spectators as diverse, active agents with their own politics who played a crucial role in shaping colonial publicness.

How do video games and mental health intersect from the perspectives of psychology and game design? In recent years, the topic of mental health has gained tremendous importance for the games industry, affecting both the applied and entertainment games sectors. The former draws from established practices in diagnostics, digital medicine, therapy, and self-help to develop innovative and accessible tools; the latter follows in the tradition of games d'auteur, addressing the topic of mental health from a personal perspective. The contributors to this volume inspect current trends and future perspectives related to these phenomena to inform the work of psychologists and game designers.

Listening, experiencing, drawing or interpreting spaces: narratives, experiences, visualizations and discourses can be helpful for the empirical investigation of spaces. This interdisciplinary handbook presents a broad spectrum of established methods and innovative method development to capture and understand different facets of spaces. Instructive explanations and concrete examples make the varied qualitative methods of spatial research understandable and applicable across disciplines. The theoretical and methodological aspects of qualitative spatial research form the framework of this handbook.

In phenomenological tradition, presence has been understood as fundamental for human experience: I experience the world as my lifeworld because I am present in this world. Even more, I experience myself as 'I' only in the physical presence of the other. However, this concept of presence has become fragile through processes of medialization - especially in (post-)pandemic everyday life. Presence can no longer be experienced exclusively in physical proximity, but also digitally or virtually. With global case studies alongside theoretical discussions by both students as well as junior and senior researchers, the volume launches a conversation between social sciences and humanities on how this change affects human experience.

Technologies designed to 'assist' users with and without disabilities, such as computer interfaces, act as mediators of barriers in Digital Cultures. At the same time, these technologies, as 'assistive media', emerge into a pre-existing technological environment and add an additional level of mediation to human-machine interaction. Drawing on examples rooted in a diverse range of fields - from engineering to medical research to gaming culture - the contributors to this volume each provide a unique perspective on assistance, situated at the intersection of media studies and disability studies.

To achieve social and environmental sustainability, the performing arts' modes of production are in urgent need of significant transformation, as global crises have dramatically shown. The contributors to this volume challenge the predominant notions of professionalization that have underpinned theatre training practices and discuss the role of producers and arts managers towards changing problematic paradigms of authorship and leadership. They examine how regimes of artistic creation, production and management intersect in the field of theatre, dance and performance - and turn their attention to alternative ways of collective organization.

In 1938 gymnastics instructor Carola Spitz escaped from Nazi Germany. In New York she turned into Carola Speads, revered teacher of mindfulness. She breathed with clients in her Central Park West studio until she was 97 years old. Now Christoph Ribbat combines her gripping biography with the histories of modern bodywork and breathing experiments. He illuminates the tension between self-help fads and 20th century catastrophes. Accessible and quirky, Breathing in Manhattan speaks to experts and non-experts alike: to readers of Jewish history, students of New York City, and to anyone attracted by - or skeptical of - the promises of mindfulness.

The emergence of artificial intelligence has triggered enthusiasm and promise of boundless opportunities as much as uncertainty about its limits. The contributions to this volume explore the limits of AI, describe the necessary conditions for its functionality, reveal its attendant technical and social problems, and present some existing and potential solutions. At the same time, the contributors highlight the societal and attending economic hopes and fears, utopias and dystopias that are associated with the current and future development of artificial intelligence.

The Ethiopian textile industry is particularly affected by high labor turnover. In a compelling social study, Michaela Fink investigates the causes of this issue, focusing primarily on the voices of the (female) workforce. She illustrates the tension between rural, community-based orientations of women workers and the industrial working environment in which they find themselves. For the women, it is often a balancing act between the rural world they come from and the urban consumerist world they live and work in. They are attracted to modern values of career, consumption and urbanity. At the same time, it is hardly possible for them to achieve modest prosperity.

Russia's large-scale invasion on the 24th of February 2022 once again made Ukraine the focus of world media. Behind those headlines remain the complex developments in Ukraine's history, national identity, culture and society. Addressing readers from diverse backgrounds, this volume approaches the history of Ukraine and its people through primary sources, from the early modern period to the present. Each document is followed by an essay written by an expert on the period, and a conversational piece touching on the ongoing Russian aggression against Ukraine. In this ground-breaking collection, Ukraine's history is sensitively accounted for by scholars inviting the readers to revisit the country's history and culture.With a foreword by Olesya Khromeychuk.

Mega events are accelerators of urban transformation with lasting effects on urban environments. In the spotlight of the spectacle these crucial factors are often ignored, deliberately underestimated or underreported. They pertain every aspect of urban living, making mega-events more than instances of ambitious overspending, but ruptures in the established modes of urban production amplifying social and political inequalities. In this volume, authors with different perspectives and from different geographies and disciplines are gathered to create a unique reflection on mega-events at the intersection of culture, sports, planning and politics. Starting from the case of Tokyo 2020, the contributors bring about planetary trajectories of urban transformation today from both a theoretical and empirical perspective.

What can art and artists bring to researching the origins and biographies of objects? How do they shed new light on - or even unsettle - existing approaches to such questions? Proposing the new term - artistic provenance research - the contributors to this innovative book illuminate art's capacity to expand provenance research in critical and provocative ways. Artists, anthropologists and curators offer perspectives on a recent artwork that implicates human remains, potential histories and the politics of visibility. Through theorizing historical and contemporary examples, contributors explore knowledge-imagination dynamics, and the transformative potentials of artistic provenance research.