Böcker utgivna av The University of North Carolina Press

When the Civil War began, Northern soldiers and civilians sought a framework to help make sense of the chaos that confronted them. Many turned first to Antoine Henri Jomini's classic military text, Summary of the Art of War. As Carol Reardon shows, Jomini's work was only one voice in what ultimately became a lively and contentious national discourse about how the North should conduct war.

To many observers, Anastasio Somoza, who ruled Nicaragua from 1936 until his assassination in 1956, personified the worst features of a dictator. While not dismissing these characteristics, Knut Walter argues that the regime was in fact more notable for its achievement of stability, economic growth, and state building than for its personalistic and dictatorial features.

The only full biography of Don Carlos Buell, the talented Union general who led the Army of Ohio in 1861-62. A pro-slavery Democrat, Buell was removed from command in 1862 because of his failure to pursue Union objectives.

Bringing together histories of the carceral and welfare states, as well as the civil rights and Black Power movements, Lauren Pearlman narrates the struggle for self-determination in America's capital.

Examines the racially inclusive vision of America's first abolition movement. In showcasing the activities of the Pennsylvania Abolition Society, the New York Manumission Society, and their African American allies during the post-Revolutionary era, Paul Polgar unearths this coalition's comprehensive agenda for black freedom and equality.

Challenging incarceration and policing was central to the postwar Black Freedom Movement. In this bold new political and intellectual history of the Nation of Islam, Garrett Felber centres the Nation in the Civil Rights Era and the making of the modern carceral state.

From battlefields, boxcars, and forgotten warehouses to notorious prison camps, prisoners seemed to be everywhere during the American Civil War. Living by Inches is the first book to examine how imprisoned men in the Civil War perceived captivity through the basic building blocks of human experience - their five senses.

Provides the most comprehensive overview of the American war memorial as a cultural form and reframes the national debate over Civil War monuments that remain potent presences on the civic landscape.

Much is known about America's history of Asian immigrant exclusion laws, but how did these laws end? Why did the US begin opening its borders to Asians after barring them for decades? Jane Hong argues that the transpacific movement to repeal Asian exclusion was part of US empire-building efforts and the rise of a new informal US empire in Asia.

Railroads, tourism, and government bureaucracy combined to create modern religion in the American West, argues David Walker in this innovative study of Mormonism's ascendency in the railroad era.

Documents the transformation of reproductive practices and politics on Indian reservations from the late nineteenth century to the present, integrating a localized history of childbearing, motherhood, and activism on the Crow Reservation in Montana with an analysis of trends affecting Indigenous women more broadly.

Now in English for the first time, Keila Grinberg's compelling study of the nineteenth-century jurist Antonio Pereira Reboucas (1798-1880) traces the life of an Afro-Brazilian intellectual who rose from a humble background to play a key as well as conflicted role as Brazilians struggled to define citizenship and understand racial politics.

Drawing on oral histories, letters, photographs, military records, and more, Christine Taitano DeLisle reveals how the entangled histories of CHamoru and white American women make us rethink the cultural politics of US imperialism and the emergence of new indigenous identities.

Between the invention of photography in 1839 and the end of the nineteenth century, portraiture became one of the most popular and common art forms in the United States. Sarah Blackwood tells a wide-ranging story about how images of human surfaces became understood as expressions of human depth during this era.