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Mushrooms in the wild present an enticing challenge: some are delicious, others deadly, still others take on almost unbelievable forms. This field guide introduces 650 mushrooms found in the Carolinas-more than 50 of them appearing in a field guide for the first time-using clear language and color photographs to reveal their unique features.

"Latin America and the Global Cold War analyzes more than a dozen of Latin America's forgotten encounters with Africa, Asia, and the Communist world, and by placing the region in meaningful dialogue with the wider Global South, this volume produces the first truly global history of contemporary Latin America. It uncovers a multitude of overlapping and sometimes conflicting iterations of Third Worldist movements in Latin America, and offers insights for better understanding the region's past, as well as its possible futures, challenging us to consider how the Global Cold War continues to inform Latin America's ongoing political struggles"--

Covering everything from the Old Well to the Speaker Ban and more, UNC A to Z is a concise, easy-to-read introduction to the nation's first public university, the University of North Carolina at Chapel Hill.

The Great Migration of African Americans from the South to northern and western cities between 1915 and 1970 fundamentally altered the political, social, and cultural landscapes of major urban centers like New York, Chicago, Philadelphia, and Detroit, and changed the country as well. By the late twentieth century, Black people were mayors, police chiefs, and school superintendents, often at parity and sometimes overrepresented in municipal jobs in these and other cities, which were also hubs for Black literature, music, film, and politics.Since the 1970s, migration patterns have significantly shifted away from the major sites of the Great Migration, where some iconic Black communities have been replaced by mostly non-Black residents. Although many books have examined Black urban experiences in America, this is the first written by historians focusing on the post-Great Migration era. It is centered on numerous facets of Black life, including popular culture, policing, suburbanization, and political organizing across multiple cities. In this landmark volume, Jeffrey O. G. Ogbar and his contributors explore the last half century of African American urban history, covering a landscape transformed since the end of the Great Migration and demonstrating how cities remain dynamic into the twenty-first century.Contributors are Stefan M. Bradley, Scot Brown, Tatiana M. F. Cruz, Tom Adam Davies, LaShawn Harris, Maurice J. Hobson, Shannon King, Melanie D. Newport, Jeffrey O. G. Ogbar, Brian Purnell, J. T. Roane, Chanelle Rose, Benjamin H. Saracco, and Fiona Vernal.

The Great Migration of African Americans from the South to northern and western cities between 1915 and 1970 fundamentally altered the political, social, and cultural landscapes of major cities like New York, Chicago, Philadelphia, and Detroit, and changed the country as well. By the late twentieth century, Black people were mayors, police chiefs, and school superintendents, at parity or overrepresented in municipal jobs in these and other cities, which were also hubs for Black literature, music, film, and politics.Since the 1970s, migration patterns have significantly shifted away from the major urban centers of the Great Migration, leaving some iconic Black communities replaced by mostly non-Black residents. Though many books have examined Black urban experiences in America, this is the first written by historians focusing on the post-Great Migration era. It is centered on numerous facets of Black life, including popular culture, policing, suburbanization, and political organizing across multiple cities. In this landmark volume, Jeffrey O. G. Ogbar and his contributors explore the last half century of African American urban history, covering a landscape transformed since the end of the Great Migration and demonstrating how cities remain dynamic into the twenty-first century.Contributors are Stefan M. Bradley, Scot Brown, Tatiana M. F. Cruz, Tom Davies, LaShawn D. Harris, Maurice J. Hobson, Shannon King, Melanie D. Newport, Jeffrey O. G. Ogbar, Brian Purnell, J. T. Roane, Chanelle N. Rose, Benjamin Saracco, and Fiona Vernal.

Reimagining one of the oldest genres of Civil War history, this book engagingly presents the story of the war and its aftermath through the lens of a single regiment, the Sixth Wisconsin. One of the core units of the famed Iron Brigade, the Sixth was organized in July 1861 and mustered out in the summer of 1865, playing major roles at Second Manassas, Antietam, and Gettysburg, and in the Overland campaign of 1864. But the regiment's full history is found in the stories of its men learning to fight and endure far from home amid violence, illness, and death, and in the lives of families that hung on every word in letters and news from the front lines. Those stories also unfolded long after the war's end, as veterans sought to make sense of their experiences and home communities struggled to care for those who returned with unhealed wounds.Marshaling a vast archive, James Marten has crafted a compelling and highly original biography of the Sixth Wisconsin in war and peace. In seeing the fight through the eyes of the regiment's roughly 2,000 men and those connected to them, readers will understand the long history of the Civil War as never before.

As the companion to the exhibition, Fighting for Freedom places Black craftspeople at the forefront of American history, from before the Revolutionary War through the Civil War and beyond Reconstruction. Delving into diverse narratives of creativity, resilience, and triumph in the quest for freedom, this book underscores the evolution of freedom through the lens of material culture--by exploring how the very concept of freedom was shaped and redefined by enslaved and free craftspeople who relentlessly fought for their rights and the recognition of their humanity.Featuring ten essays by leading historians, museum curators, and material culture scholars and more than seventy color photographs of Black artistry, including paintings, metalwork, woodwork, pottery, and furniture, this book vividly illustrates how Black men and women persistently sought tangible expressions of liberty which have endured as symbols of their creators' legacies in the ongoing struggle for freedom.Contributors include Lauren Applebaum, Robell Awake, Lydia Blackmore, Aleia M. Brown, R. Ruthie Dibble, Philippe L. B. Halbert, Jennifer Van Horn, Alexandra Alevizatos Kirtley, and Susan J. Rawles.

From Nevis to Newfoundland, Catholics were everywhere in English America. But often feared and distrusted, they hid in plain sight, deftly obscuring themselves from the Protestant authorities. Their strategies of concealment, deception, and misdirection frustrated colonial census takers, and their presence has likewise eluded historians of religion, who have portrayed Catholics as isolated dots in an otherwise vast Protestant expanse.Pushing against this long-standing narrative, Susan Juster provides the first comprehensive look at the lived experience of Catholics--whether Irish, African, French, or English--in colonial America. She reveals a vibrant community that, although often forced to conceal itself, maintained a rich sacramental life saturated with traditional devotional objects and structured by familiar rituals. As Juster shows, the unique pressures of colonial existence forced Catholics to adapt and transform these religious practices. By following the faithful into their homes and private chapels as they married, christened infants, buried loved ones, and prayed for their souls, Juster uncovers a confluence of European, African, and Indigenous spiritual traditions produced by American colonialism.

Conventional narratives of the Cold War revolve around high-level diplomats and state leaders in Washington, Beijing, and Moscow, but this anthology challenges those narratives by revealing how ordinary people across Asia experienced the era. Heavily rooted in oral history, this study takes readers to the villages of rural Java; the jungles of northern Thailand; the indigenous tribal communities of Kerala, India; and many other places in this vast region.The essays in this collection demonstrate how the world took shape far away from the voluminously analyzed epicenters of the Soviet Union, the United States, and China. Masuda organizes each chapter around the theme of "many Cold Wars," or, more precisely, many local and social wars that were imagined as part of the global Cold War. These histories raise fundamental questions about standard Cold War narratives, encouraging readers to rethink why the Cold War still matters. Contributors are Mary Grace Concepcion, Simon Creak, Cui Feng, David Engerman, Prasit Leepreecha, Luong Thi Hong, Muhammad Kunhi Mahin Udma, Masuda Hajimu, Alan McPherson, Imam Muhtarom, Sim Chi Yin, Kisho Tsuchiva, Odd Arne Westad, Matthew Woolgar, Kinuko Maehara Yamazato, Bin Yang, and Taomo Zhou. InterConnections is home to innovative global, international, and transregional histories of the long twentieth century. Books emphasize interactions and connections across three principal areas of inquiry: governments, militaries, and nonstate actors, including businesses; international organizations, nation-states, and individuals; and foreign and domestic policies. The series showcases work that transcends conventional geographic, temporal, and disciplinary borders, offering fresh and original perspectives on the making of the contemporary world.

"According to popular stereotype, Bravo reality television portrays vapid, one-dimensional characters tearing each other down for viewers' enjoyment. Whether The Real Housewives taps into our voyeuristic urges, our fascination with wealth and class, or the allure of the sheer spectacle of grown women yelling at one another, the show is truly a cultural phenomenon-and a global one, with more than twenty international spin-offs. Historians on Housewives looks past the show's reputation as lowbrow, unscripted reality television and unveils deeper historical meanings behind some of Bravo's best-known programs and franchises. This collection of ten essays is both a celebration of the bizarre behavior of the Real Housewives and a critical theorizing the importance of the shows and the housewives themselves. Historians on Housewives explores relationships between historical topics and themes and some of Bravo's most iconic moments to demonstrate the usefulness of Bravo television as a tool for making history accessible. With contributions from scholars representing an impressive historical breadth, from the Roman Empire to the civil rights movement and beyond, the volume carves out a space for serious treatment of the franchise, fusing scholarship with pop culture to suggest interdisciplinary approaches for 'doing history' that appeal to popular and academic audiences alike."--

"According to popular stereotype, Bravo reality television portrays vapid, one-dimensional characters tearing each other down for viewers' enjoyment. Whether The Real Housewives taps into our voyeuristic urges, our fascination with wealth and class, or the allure of the sheer spectacle of grown women yelling at one another, the show is truly a cultural phenomenon-and a global one, with more than twenty international spin-offs. Historians on Housewives looks past the show's reputation as lowbrow, unscripted reality television and unveils deeper historical meanings behind some of Bravo's best-known programs and franchises. This collection of ten essays is both a celebration of the bizarre behavior of the Real Housewives and a critical theorizing the importance of the shows and the housewives themselves. Historians on Housewives explores relationships between historical topics and themes and some of Bravo's most iconic moments to demonstrate the usefulness of Bravo television as a tool for making history accessible. With contributions from scholars representing an impressive historical breadth, from the Roman Empire to the civil rights movement and beyond, the volume carves out a space for serious treatment of the franchise, fusing scholarship with pop culture to suggest interdisciplinary approaches for 'doing history' that appeal to popular and academic audiences alike."--

"For much of the twentieth and twenty-first centuries, public officials in cities like New York, Chicago, and Baltimore have criminalized uprisings-portending Black 'thugs' throwing rocks at police and plundering private property-to undermine complaints of police violence. Liberal mayors like Fiorello H. La Guardia have often been the deftest practitioners of this strategy. As the Depression and wartime conditions spurred youth crime, white New Yorkers' anxieties-about crime, the movement of Black people into white neighborhoods, and headlines featuring Black 'hoodlums' emblazoned all over the white media-drove their support for the expansion of police patrols in the city, especially in Harlem and Bedford-Stuyvesant. Though Blacks also called for police protection and for La Guardia to provide equitable municipal resources, they primarily received more punishment. This set the stage for the Harlem uprising of 1943. Shannon King uncovers how Black activism for safety was a struggle against police brutality and crime, highlighting how the police withholding protection operated as a form of police violence and an abridgement of their civil rights. By decentering familiar narratives of riots, King places Black activism against harm at the center of the Black freedom struggle, revealing how Black neighborhoods became occupied territories in La Guardia's New York"--

"People have gathered in public drinking places to drink, relax, socialize, and do business for hundreds of years. For just as long, critics have described taverns and similar drinking establishments as sources of individual ruin and public disorder. Examining these dynamics as Americans surged westward in the early nineteenth century, Kirsten E. Wood argues that entrepreneurial, improvement-minded men integrated many village and town taverns into the nation's rapidly developing transportation network and used tavern spaces and networks to raise capital, promote innovative businesses, practice genteel sociability, and rally support for favored causes-often while drinking the staggering amounts of alcohol for which the period is justly famous. White men's unrivaled freedom to use taverns for their own pursuits of happiness gave everyday significance to citizenship in the early republic. Yet white men did not have taverns to themselves. Sharing tavern spaces with other Americans intensified white men's struggles to define what, and for whom, taverns should be. At the same time, temperance and other reform movements increasingly divided white men along lines of party, conscience, and class. In both conflicts, some improvement-minded white men found common cause with middle-class white women and Black activists, who had their own stake in rethinking taverns and citizenship"--

"In the financial chaos of the last few decades, increasing wealth inequality has shaken people's expectations about middle-class stability. At the same time, demographers have predicted the 'browning' of the nation's middle class-once considered a de facto 'white' category-over the next twenty years as the country becomes increasingly racially diverse. In this book, Joseph O. Jewell takes us back to the turn of the twentieth century to show how evidence of middle-class mobility among Black, Mexican American, and Chinese men generated both new anxieties and varieties of backlash among white populations. Blending cultural history and historical sociology, Jewell chronicles the continually evolving narratives that linked whiteness with middle-class mobility and middle-class manhood. In doing so, Jewell addresses a key issue in the historical sociology of race: how racialized groups demarcate, defend, and alter social positions in overlapping hierarchies of race, class, and gender. New racist narratives about non-white men occupying middle-class occupations emerged in cities across the nation at the turn of the century. These stories helped to shore up white supremacy in the face of far-reaching changes to the nation's racialized economic order"--

Shaking up New York and national politics by becoming the first African American congresswoman and, later, the first Black major-party presidential candidate, Shirley Chisholm left an indelible mark as an "e;unbought and unbossed"e; firebrand and a leader in politics for meaningful change. Chisholm spent her formative years moving between Barbados and Brooklyn, and the development of her political orientation did not follow the standard narratives of the civil rights or feminist establishments. Rather, Chisholm arrived at her Black feminism on her own path, making signature contributions to U.S. politics as an inventor and practitioner of Black feminist powerthe vantage point centering Black girls and women in the movement that sought to transform political power into a broadly democratic force.Anastasia C. Curwood interweaves Chisholm's public image, political commitments, and private experiences to create a definitive account of a consequential life. In so doing, Curwood suggests new truths for understanding the social movements of Chisholm's time and the opportunities she forged for herself through multicultural, multigenerational, and cross-gender coalition building.

Democracy in Crisis explores one of the world's greatest failures of democracy in Germany during the so-called Weimar Republic, 191933a failure that led to the Third Reich. For more than a decade after World War I, liberalism, nationalism, conservatism, social democracy, Christian democracy, communism, fascism, and every variant of these movements struggled for power. Although Germany's constitutional framework boldly enshrined liberal democratic values, the political spectrum was so broad and fully represented that a stable parliamentary majority required constant negotiations. The compromises that were made subsequently alienated citizens, who were embittered by national humiliation in the war and the ensuing treaty and struggling to survive economic turmoil and rapidly changing cultural norms. As positions hardened, the door was opened to radical alternatives. In this game, students, as delegates of the Reichstag (parliament), must contend with intense parliamentary wrangling, uncontrollable world events, street fights, assassinations, and insurrections. The game begins in late 1929, just after the U.S. stock market crash, as the Reichstag deliberates the Young Plan (a revision to the Treaty of Versailles that ended World War I). Students belonging to various political parties must debate these matters and more as the combination of economic stress, political gridlock, and foreign pressure turn Germany into a volcano on the verge of eruption.

Monuments and Memory-Making immerses students in the conversations and controversies that emerged as the nation grappled with how best to memorialize what was at the time the longest military conflict in US history. As students engage in the historical process of memory-making, they will work to reconcile the varied and often contradictory voices that rose up after the fall of Saigon. Students will tackle questions such as How do we create a national memory of the past? How do we reckon with a war that was widely understood as a defeat for the United States? How do we remember the dead while honoring the living? How do we reunite a fractured nation? How do public opinion and public consciousness shape our understanding of the past, and whose voices are privileged over others?Working with primary and secondary sources, students will take command of the subject matter as they immerse themselves in their individual roles as historical actors in the debate of how best to remember and honor American participation and sacrifice in the Vietnam War.

This volume is the only collected edition of poems by Jean Toomer, the enigmatic American writer, Gurdjieffian guru, and Quaker convert who is perhaps best known for his 1923 lyrical narrative Cane. The fifty-five poems here -- most of them previously unpublished -- chart a fascinating evolution of artistic consciousness.The book is divided into sections reflecting four distinct periods of creativity in Toomer's career. The Aesthetic period includes Imagist, Symbolist, and other experimental pieces, such as "e;Five Vignettes,"e; while "e;Georgia Dusk"e; and the newly discovered poem "e;Tell Me"e; come from Toomer' s Ancestral Consciousness period in the early 1920s. "e;The Blue Meridian"e; and other Objective Consciousness poems reveal the influence of idealist philosopher Georges Gurdjieff. Among the works of this period the editor presents a group of local color poems picturing the landscape of the American Southwest, including "e;Imprint for Rio Grande."e; "e;It Is Everywhere,"e; another newly discovered poem, celebrates America and democratic idealism. The Quaker religious philosophy of Toomer's final years is demonstrated in such Christian Existential works as "e;They Are Not Missed"e; and "e;To Gurdjieff Dying."e;Robert Jones's clear and comprehensive introduction examines the major poems in this volume and serves as a guide through the stages of Toomer's evolution as an artist and thinker. The Collected Poems of Jean Toomer will prove essential to Toomer's admirers as well as to scholars and students of modern poetry, Afro-American literature, and American studies.

This collection of essays describes the genesis of ten classic works of American literature. Using biographical, cultural, and manuscript evidence, the contributors tell the "e;stories of stories,"e; plotting the often curious and always interesting ways in which notable American books took shape in a writer's mind.The genetic approach taken in these essays derives from a curiosity, and sometimes a feeling of awe, about how a work of literature came to exist -- what motivated its creation, informed its vision, urged its completion. It is just that sort of wonder that first brings some people to love writers and their books.Originally published in 1990.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Although the themes of women's complicity in and resistance to war have been part of literature from early times, they have not been fully integrated into conventional conceptions of the war narrative. Combining feminist literary criticism with the emerging field of feminist war theory, this collection explores the role of gender as an organizing principle in the war system and reveals how literature perpetuates the ancient myth of "e;arms and the man."e;The volume shows how the gendered conception of war has both shaped literary texts and formed the literary canon. It identifies and interrogates the conventional war text, with its culturally determined split between warlike men and peaceful women, and it confirms that women's role in relation to war is much more complex and complicitous than such essentializing suggests. The contributors examine a wide range of familiar texts from fresh perspectives and bring new texts to light. Collectively, these essays range in time from the Trojan War to the nuclear age. The contributors are June Jordan, Lorraine Helms, Patricia Francis Cholakian, Jane E. Schultz, Margaret R. Higonnet, James Longenbach, Laura Stempel Mumford, Sharon O'Brien, Jane Marcus, Sara Friedrichsmeyer, Susan Schweik, Carol J. Adams, Esther Fuchs, Barbara Freeman, Gillian Brown, Helen M. Cooper, Adrienne Auslander Munich, and Susan Merrill Squier.