Böcker utgivna av The University of Chicago Press

"This beautifully written work unpacks the ways in which, around 1900, art scholars, critics, and-importantly-choreographers-wrote and thought about the artwork as an actual object in real time and space, surrounded and fluently connected to the viewer through the very air we breathe. In other words, they were not thinking about the work of art as a transcendent entity. Theorists such as Aby Warburg, Alois Riegl, Rainer Maria Rilke, and the choreographer Rudolf Laban drew on the science of their time to examine air as the material space surrounding an artwork, establishing its "milieu," atmosphere, "environment." Christian explores how the artwork's external space was seen to work as an aesthetic category in its own right. She starts with Rainer Maria Rilke's observation that Rodin's sculpture "exhales an atmosphere" and that Cezanne's colors create "a calm, silken air" that pervades the empty rooms where the paintings are exhibited. Writers created an early theory of unbounded form that described what Christian calls an artwork's ecstasis or its ability to engender its own space. The book rethinks entrenched narratives of aesthetics and modernism and recuperates alternative ones: thus, from this perspective, art objects complicate the now-fashionable discourse of empathy aesthetics and the attention to self-projecting subjects. Further, the book invites us to historicize the immersive spatial installations and "environments" that have arisen since the 1960s and to consider their origins in turn-of-the-twentieth-century aesthetics"--

"Within the Catholic Church, conscience was long a powerful internal guide to conduct that worked hand-in-hand with external law and authority. Yet in the 1960s in America, as the morality and fairness of institutions like government and the Church itself came into question, more and more Catholics relied only on their consciences. This turn away from authority had radical effects on American society, influencing other denominations, human rights activists, health-care professionals, lawyers, government employees, and the vocabulary of the greater culture. Today's debates over political power, religious freedom, gay rights, and more are infused by the language and concepts of conscience"--

Voice Music World. At the intersection of sound studies and affect theory, the essays inthis volumeaddressthesoundsand music that surround us in everyday lifeand theresponsestheycan provoke.

Acclaimed American photographer Mary Beth Meehan and Silicon Valley culture expert Fred Turner join forces to give us an unseen view of the heart of the tech world.

"Contemporary Jews variously configure their identity, which is no longer necessarily defined by an observance of the Torah and God's commandments. Indeed, the Jews of modernity are no longer exclusively Jewish. They are affiliated with many communities-vocational, professional, political, and cultural-whose interests may not coincide with that of the community of their birth and inherited culture. In Cultural Disjunctions, Paul Mendes-Flohr explores the possibility of a spiritually and intellectually engaged cosmopolitan Jewish identity for our time. To ground this project, he draws on the sociology of knowledge and cultural hermeneutics to reflect on the need to participate in the life of a community so that it enables multiple relations beyond its borders and allows one to balance a commitment to the local and a genuine obligation to the universal. Over the course of six provocative chapters, Mendes-Flohr lays out what this delicate balance can look like for contemporary Jews, both in the Diaspora and in Israel. Mendes-Flohr takes us through the ghettos of twentieth-century Europe, the differences between the personal libraries of traditional and secular Jews, and the role of cultural memory. Ultimately, the author calls for Jews to remain discontent with themselves (as a check on hubris), but also discontent with the social and political order, and to fight for its betterment"--

Charles Bernstein presents an original and capacious collection of poems that speak to a world turned upside-down by this time of "covidity."

"In this fourth volume in our Convening Science series with the Marine Biological Laboratory, contributors, including historians, biologists, and philosophers, explore the development of bioengineering. The essays show how engineering is both a means to a functional end and a method of learning about the world. The book is organized around three themes--controlling and reproducing, knowing and making, and envisioning--to chart the increasing sophistication of our engineering of biological systems and to change our sense of the scales at which engineering occurs, to include not just genetics but also ecosystem-level intervention. The volume will attempt to make the case for "the centrality of engineering for understanding and imagining modern life.""--

"In considering the lodestars of American neoconservative thought-among them Irving Kristol, Gertrude Himmelfarb, James Q. Wilson, and Francis Fukuyama-Antti Lepistèo makes a compelling case for the centrality of their conception of "the common man" in accounting for the enduring power and influence of their thought. Lepistèo locates the roots of this conception in the eighteenth-century Scottish Enlightenment. Subsequently, the neoconservatives weaponized the ideas of Adam Smith, Thomas Reid, and David Hume to denounce postwar liberal elites, educational authorities, and social reformers-ultimately giving rise to a defining force in American politics: the "common sense" of "the common man.""--

"We inhabit a time of crisis-totalitarianism, environmental collapse, and the unquestioned rule of neoliberal capitalism. Philosopher Jean Vioulac is interested in and worried by all of this, but his main concern is how these phenomena all represent a crisis within-and a threat to-thinking itself. In his first book to be translated into English, Vioulac radicalizes Heidegger's understanding of truth as disclosure through the notion of "the apocalypse of truth." This apocalypse works as an unveiling that reveals the finitude and mystery of truth-a full confrontation with truth-as-absence. Engaging with Heidegger, Marx, and St. Paul, as well as contemporary figures including Agamben, Badiou, and éZiézek, Vioulac's book presents a subtle, masterful exposition of his analysis before culminating in a powerful vision of what he terms "the abyss of the deity." Here, Vioulac articulates a portrait of Christianity as a religion of mourning, waiting for a god (Jesus) who has already died, a form of ever-present eschatology whose end has always already taken place. With a preface by Jean-Luc Marion, Apocalypse of Truth presents a major contemporary French thinker to English-speaking audiences for the first time"--

"In Fragile Finitude, the long-awaited follow-up to Sacred Attunement(2008), Fishbane clears new ground for theological experience and its expressions through a novel reinterpretation of the Book of Job. His reinterpretation is based on the traditional four types of Jewish Scriptural exegesis: the contextual plain sense; the rabbinic legal and theological sense; the figural philosophical and spiritual sense; and the symbolic mystical sense. The first focuses on worldly experience; the second on communal forms of life and thought in the rabbinic tradition; the third on personal development; and the fourth on transcendent and cosmic orientations. Through these four modes, Fishbane manages to transform Jewish theology from within, at once reinvigorating a long tradition and moving beyond it. What he offers is nothing short of a way to reorient our lives in relation to the Divine and our fellow humans"--

"In this classic and groundbreaking work of urban history, Arnold Hirsch argues that after the Depression, Chicago was a "pioneer in developing concepts and devices" for housing segregation. Moreover, Hirsch shows that the legal framework for the national urban renewal effort was forged in the heat generated by the racial struggles waged on Chicago's South Side. His chronicle of the strategies used by ethnic, political, and business interests in reaction to the great migration of southern blacks in the 1940s describes how the violent reaction of an emergent "white" population combined with public policy to segregate the city-and the nation. The new edition features a visionary afterword by N.D.B. Connolly"--