Böcker utgivna av The University of Chicago Press

"Jane Maienschein and Kate MacCord, both researchers at the MBL, begin with a discussion of the meaning of regeneration in biological systems and connect this definition with mythological origins of the concept, historical and philosophical understandings, scientific studies of regenerating organisms, and researchers hopes to inspire similar regeneration in ecological systems and in medicine to heal injuries and fight disease. The authors have worked to make the biological concepts accessible to readers in different related disciplines, creating an essential primer on this important subject"--

"Sometimes elegiac, sometimes deadly comic, but always vivid and surprising, The Lookout Man embodies the mastery, spirit, and craft that we have come to depend upon in Stuart Dischell's poetry. In a mix of recognizable lyric forms, and set in diverse locales from the middle of the ocean to the summit of Mont Blanc, from America's back yard to the streets of international cities, there is a hesitant, almost encroaching wisdom in The Lookout Man, alternately nostalgic and fierce in nature. The poet doesn't shy away from taking on the big, risky, some would say played-out topics, but the poems never lead us where we expect to go. Rather, Dischell allows messy contradictions to exist in the drama and action of the poems, even while maintaining the beautiful form and music of polished verse. In a wonderful example that closes the book and that typifies Dischell's work, he writes, "I will ask the dogwoods to remind me // "What it means to live along the edges of the woods / To be promiscuous but bear white flowers.""--

"In this book from award-winning poet Alan Shapiro, the poet, in many ways, is coming to terms not only with his own mortality but also with the finite nature inherent in all human existence. Like the universe, it is full of strange, dark matter in its unflinching look at the unmaking of the self facilitated by our growing reliance on dehumanizing technology, something to which we can all attest in our viral-inflected era of remote living and working, and with so much of our energies focused on screens and keyboards. So much of what we are is being dumped into databases, into collective technological, medical, religious, political, and commercial languages, yet the poet continues to remind us of what's behind all of these technologies: humanity in all its frailties and virtues. Shapiro continues to evolve formally as a poet, as evidenced by the wide variety of prose poems, traditional lyrics, and experimental forms in this book, and although his abiding themes--family, human connection, and relationships--seem to come under a kind of assault in Proceed to Check Out, yet he continues to find the worth and vitality of the human endeavor and the pursuit of art. He remains committed to facing the hypocrisies and denials we'd much prefer to hide, and to exploring the social and psychological ties that bind all of us together in fully lived experience"--

"Peter Balakian's "No Sign," the centerpiece of this book, is the third multi-sequenced long poem in a trilogy begun in "A-Train/Ziggurat/Elegy" (2010) and "Ozone Journal" (2015). The three poems follow a persona whose journey is informed by a series of experiences set in New York and the surrounding Jersey Cliffs from the 1970s to the present. In the mix of a dialogue between two lovers over decades, reminiscent of an eclogue updated via the film Hiroshima Mon Amour (1959), we see an evolution of kaleidoscopic memory-from the haunted history of the Armenian Genocide to the AIDS epidemic, to climate change and the erosion of the planet-that gives the trilogy a unique historical power and psychological depth. The poems in the trilogy are defined by inventive collage-like fragmentation and elliptical, granular language. In the tradition of the American long poem from Walt Whitman and Hart Crane to Charles Olson, Balakian has created something new, what one critic has called, "a panoramic work of contemporary witness...of an unprecedented magnitude of violence and dissociation, as well as transcendent vision." Balakian rounds out this new collection with his signature lyrics and narrative poems, where seemingly minor, personal moments in one life expand into the vastness of our messy, shared history"--

Photography has transformed the way we picture ourselves. This text tracks the impact of photography on the formation of the self-image through the study of four literary autobiographers concerned with the power of photography. All four writers tried to reconcile the image with the self.

A study of Communism and a history of the myth of Communism as perpetuated by its admirers. This book illuminates how the support for Communism and its embodiment, the Soviet Union, became virtually synonymous with "anti-Fascism" and how this strategic arrangement reverberated through the West.

"In Practice, Power, and Forms of Life, philosopher Terry Pinkard interprets Sartre's late work as a fundamental reworking of his earlier work, especially in terms of his understanding of the possibility of communal action as genuinely free, which the French philosopher had previously argued was impossible. Pinkard shows how Sartre figured in contemporary debates about the use of the first-person and how this informed his theory of action. Pinkard reveals how Sartre was led back to Hegel, which itself was spurred on by his newfound interest in Marxism in the 1950s. Pinkard also argues that Sartre took up Heidegger's critique of existentialism, developing a new post-Marxist theory of the way actors exhibit the class relations of their form of life in their actions, and showing how genuine freedom is present only in certain types of "we" relationships. Pinkard argues that Sartre constructed a novel position on freedom that has yet to be adequately taken up and thought through in philosophy and political theory. Through Sartre, Pinkard advances an argument that contributes to the history of philosophy as well as contemporary and future debates on action and freedom"--

A comprehensive and engaging history of a century of Polish immigration and influence in Chicago.

A series of lectures from 1965 in which Strauss laid out his views on political philosophy in the form of an introductory course.

"In this book, opera scholar Pierpaolo Polzonetti shows that the consumption of food and drink is a meaningful, essential component of opera, both on and off the stage. The book explores how convivial culture shaped the birth of opera and its development, especially through the early nineteenth century, when eating at the opera house was still common. Through analyses of convivial scenes in operas from Monteverdi to Verdi and Puccini, the book then shows how food/drink consumption and sharing, or refusal to do so, define the characters' identity and relationships. The first part of the book moves chronologically from around 1480 to the middle of the nineteenth century, when Wagner's operatic reforms put a stop to conviviality at the opera house by banishing refreshments during the performance and mandating a darkened auditorium and absorbed listening. The second part instead focuses on questions of comedy, embodiment, and indulgence in both tragic and comic operas from Monteverdi to Mozart. In the third part, Polzonetti looks at opera characters, their onstage consumption of coffee and chocolate, and what it signifies for their social standing within the opera. The book ends with an illuminating and entertaining discussion of the diet Maria Callas underwent in preparation for her famous performance as Violetta in Verdi's La traviata. Neither food lovers nor opera lovers will want to miss Polzonetti's page-turning and imaginative book"--

"Based on Enrico Fermi's Geophysics Lectures of 1941"--Cover.

A thought-provoking challenge to our ideas about philanthropy, marking it as a deeply political activity that allows the wealthy to dictate more than we think.

Bette Davis's career becomes a vehicle for a deep examination of American race relations.

"This book draws on literature, painting, and a never-before-seen cache of photographs to explore the representation of catastrophe and the targeting of civilians in war. Focusing on images of Nazi Germany's bombed-out cities, the author connects the fraught aesthetics of ruins with the problem of how to acknowledge German suffering."--Provided by

Founded in 1968, the Metropolitan Museum Journal is a blind, peer-reviewed scholarly journal published annually that features original research on the history, interpretation, conservation, and scientific examination of works of art in the Museum's collection. Its scope encompasses the diversity of artistic practice from antiquity to the present day. The Journal encourages contributions offering critical and innovative approaches that will further our understanding of works of art.

Since 1979 the Crime and Justice series has presented a review of the latest international research, providing expertise to enhance the work of sociologists, psychologists, criminal lawyers, justice scholars, and political scientists. The series explores a full range of issues concerning crime, its causes, and its cures. In both the review and the thematic volumes, Crime and Justice offers an interdisciplinary approach to address core issues in criminology.

That the president uniquely represents the national interest is a political truism, yet this idea has been transformational, shaping the efforts of Congress to remake the presidency and testing the adaptability of American constitutional government.

The story of how Latin and Arabic spread across the Mediterranean to create a cosmopolitan world of letters.