Böcker utgivna av The University of Chicago Press

A collection of essays that argues for the importance of paying attention to the many different cultural and historical strands that constitute love in Africa. It covers such topics as the reception of Bollywood movies in 1950s Zanzibar, and the effects of a Mexican telenovela on young people's ideas about courtship in Niger.

Bringing together a set of disciplinary approaches, this title presents an examination of the place of voluntary associations in political history and an investigation into contemporary experiments in reshaping that role. It reveals the key role nonprofits have played in the evolution of both the workplace and welfare.

With a foreword by eminent philosopher and humorist Ted Cohen, this book brings Nobel laureates, university presidents, and notable scholars together to debate whether the potato pancake or the triangular Purim pastry is in fact the worthier food. The latke and the hamantash are here revealed as playing a critical role in everything.

Sheds light on the words of Hesiod and the world of Archaic Greece. This volume includes Hesiod's "Works and Days" and "Theogony", two of the oldest non-Homeric poems to survive. It provides a glimpse into the everyday life of ordinary people in the eighth century BCE.

Bringing together leaders in the fields of climate change ecology, wildlife population dynamics, and environmental policy, this title examines the impacts of climate change on populations of terrestrial vertebrates. It also includes chapters that assess the details of climate change ecology.

How do lawyers resolve ethical dilemmas in the everyday context of their practice? What are the issues that commonly arise, and how do lawyers determine the best ways to resolve them? This book presents research on ethical decision making in a variety of practice contexts, including corporate litigation, securities, immigration, and divorce law.

The profound impact of information technology on intellectual and cultural life is universally acknowledged. This book considers how the precipitous growth of digital information and its associated technologies transform the ways we think and act.

A revolutionary approach to rhetoric that asks why audiences need persuading. What is persuasion? For some, it is the ideal alternative to violence. For others, persuasion is simply a neutral instrumentality--a valued source of soft power. Both positions rest on a fundamental belief: persuasion is a power that resides in a speaker acting on an audience. Loving the World Appropriately asks a different, more fundamental, question: why does an audience need persuasion? In shifting our focus, James Kastely delivers a provocative new history of rhetoric and philosophy, one that describes rhetoric as more than a matter of effective communication and recasts persuasion as a philosophical concern central to notions of human subjectivity. Ultimately, Kastely insists, persuasion enables us to love the world appropriately.

A biography of composer Sergei Rachmaninoff, published in collaboration with the Bard Music Festival. One of the most popular classical composers of all time, Sergei Rachmaninoff (1873-1943) has often been dismissed by critics as a conservative, nostalgic holdover of the nineteenth century and a composer fundamentally hostile to musical modernism. The original essays collected here show how he was more responsive to aspects of contemporary musical life than is often thought, and how his deeply felt sense of Russianness coexisted with an appreciation of American and European culture. In particular, the essays document his involvement with intellectual and artistic circles in prerevolutionary Moscow and how the form of modernity they promoted shaped his early output. This volume represents one of the first serious explorations of Rachmaninoff's successful career as a composer, pianist, and conductor, first in late Imperial Russia, and then after emigration in both the United States and interwar Europe. Shedding light on some unfamiliar works, especially his three operas and his many songs, the book also includes a substantial number of new documents illustrating Rachmaninoff's celebrity status in America.

"In this book, Jeffrey Saletnik explores influential artist and pedagogue Josef Albers's teaching practices. The pedagogy Albers developed at the Bauhaus, Black Mountain College, and Yale consisted in a dynamic approach to teaching that transcended modernist agendas: it involved a set of ideas and practices that cultivated a material way of thinking among his students, which included notable future artists such as Eva Hesse and Richard Serra. By using exercises including paper folding, cutting, and collage, Albers tried to generate a form of "productive disorientation" in his students, teaching them problem-solving strategies to explore new conceptions of composition and color. Saletnik begins by examining Albers's pedagogy in relation to modern aesthetic, scientific, and educational thought. He then examines his design, drawing, and color instruction, focusing on his relationship with Hesse and Serra, showing how their approach to material and scale were shaped by Albers's teaching. Featuring many novel images--including nineteenth-century children's teaching toys as well as rarely seen works by Albers, Serra, and Hesse--this book challenges art historians to consider how artists are introduced to problems of form and how pedagogy shapes their work"--

Robert Pack is one of America's most eminent nature poets, and his virtuoso talents are on glorious display in Still Here, Still Now, his nineteenth volume of verse. With styles ranging from lyric to narrative, and themes stretching from biblical concerns to meditations on contemporary science, Pack's poetry is composed in strongly rhythmic cadences and a diction that is direct and accessible. In four different sections of thematically and stylistically divergent verse, Still Here, Still Now delivers many of the elements of Pack's poetry readers have come to admire and expect--both the humorous and the elegiac. The first section of the book contains traditional lyrics that celebrate family ties and seek consolations for the passing of personal and evolutionary time. The poems in this group address a named or unnamed auditor in a voice of intimate engagement. Featuring the most narrative selections in the book, the second section consists of fable-like stories, rich with innuendo and implication. The characters in these poems make choices that press against the events and circumstances that challenge and define them. Embodying what Harold Bloom has called Pack's "courage to surmount suffering," the poems of the third section are largely devoted to biblical themes and philosophical speculations on the meaning of happiness and the uses of suffering. Here, Pack's empathy for the human condition as well as his forebodings about the prospect of human survival are on poignant display. The final section of the book turns to Pack's abiding interest in landscape and the ways in which the place one inhabits contains and animates our individual lives. Ripe with many years, Pack remains a vital presence in American letters. Still Here, Still Now is an affecting and graceful addition to the oeuvre of a poet whose compelling and distinct voice will continue to resonate among his loyal readers.

"Tuning the World tells the unknown story of how the musical pitch A 440 became the global norm. Now commonly accepted as the point of reference for musicians in the Western world, A 440 Hertz only became the standard pitch during an international conference held in 1939. The adoption of this norm was the result of decades of negotiations between countries involving performers, composers, diplomats, physicists, and sound engineers. Although musicians and musicologists are aware of the variability of musical pitches over time, as attested by the use of lower frequencies to perform early music repertoires, no study has fully explained the invention of our current concert pitch. In this book, Fanny Gribenski draws on a rich variety of previously unexplored archival sources and a unique combination of musicological perspectives, transnational history, and science studies. Tuning the World demonstrates the aesthetic, scientific, industrial, and political contingencies underlying the construction of one of the most "natural" objects of contemporary musical performance, itself the result of a cacophony of competing views and interests"--