A deeply poetic account of love and resistance through a young girls eyes by acclaimed writer, Sahar Khalifeh, called the Virginia Woolf of Palestinian literature (Brsenblatt)Nidal, after many decades of restless exile, returns to her family home in Nablus, where she had lived with her grandmother before the 1948 Nakba that scattered her family across the globe. She was a young girl when the popular resistance began and, through the bloodshed and bitter struggle, Nidal fell in love with freedom fighter Rabie. He was her first and only real lovehim and all that he represented: Palestine in its youth, the resistance fighters in the hills, the nation as embodied in her family home and in the land.Many years later, Nidal and Rabie meet, and he encourages her to read her uncle Amins memoirs. She immerses herself in the details of her family and national past and discovers the secret history of her absent mother.Filled with emotional urgency and political immediacy, Sahar Khalifeh spins an epic tale reaching from the final days of the British Mandate to today with clear-eyed realism and great imagination.
Winner of the Saif Ghobash Banipal Prize for Arabic Literary TranslationThe lives of two women living centuries apart are connected by an enigmatic painting in this mesmerizing debut based on historical eventsArt historian, Yasmine, is restoring an unsigned portrait of a strikingly beautiful girl from the Napoleonic Era, when she discovers that the artist has embedded a lock of hair into the painting, something highly unusual. The mysterious painting came into the museums possession without record, and Yasmine becomes consumed by the secret concealed within this captivating work.Meanwhile, at the close of the French Campaign in Egypt, sixteen-year-old Zeinab, the daughter of a prominent sheikh, is drawn into French high society when Napoleon himself requests her presence. Enamored by the foreign customs of the Europeans, she finds herself on a dangerous path, one that may ostracize her from her family and culture. Seamlessly merging fiction with history, art, and politics, modern day Cairo with its opulent past, this compelling story of two women caught between worlds and entangled in matters of the heart launches an entrancing new literary voice.
Classic Egyptian favorites from one of Cairo's leading restaurants, in a new soft cover edition Traditionally, Egyptian cooking has been best practiced and enjoyed at home, where generations of unrecorded family recipes have been the sustaining repertoire for daily meals as well as sumptuous holiday feasts. Abou El Sid, one of Cairo's most famous restaurants, here presents more than fifty of its most classic recipes in a cookbook for the enjoyment of home cooks all over the world. Egyptians will recognize their favorites, from holiday dishes such as Fettah to the arrays of appetizers like aubergine with garlic, special lentils, and tahina; those new to Middle Eastern food will find the recipes simple and simply delicious, and enjoy the Egyptian table even if they don't have the heritage of the pharaohs in their family backgrounds.
During the half-millennium from the eleventh through the sixth centuries BC, the power and the glory of the imperial pharaohs of the New Kingdom crumbled in the face of internal crises and external pressures, ultimately reversed by invaders from Nubia and consolidated by natives of the Nile Delta following a series of Assyrian invasions.Much of this era remains obscure, with little consensus among Egyptologists. Against this background, Aidan Dodson reconsiders the evidence and proposes a number of new solutions to the problems of the period. He also considers the era's art, architecture, and archaeology, including the royal tombs of Tanis, one of which yielded the intact burials of no fewer than five pharaohs. Afterglow of Empire is extensively illustrated with images of this material, much of which is little known to non-specialists.By the author of the bestselling Amarna Sunset and Poisoned Legacy.
The latest discoveries about the royal mummies and what they reveal about the life and death of ancient Egyptians, with 340 high quality illustrations.
The city of a thousand minarets is also the city of eclectic modern constructions, turn-of-the-century revivalism and romanticism, concrete expressionism, and modernist design. Yet while much has been published on Cairo's ancient, medieval, and early-modern architectural heritage, the city's modern architecture has to date not received the attention it deserves. Cairo since 1900: An Architectural Guide is the first comprehensive architectural guide to the constructions that have shaped and continue to shape the Egyptian capital since the early twentieth century.From the sleek apartment tower for Inji Zada in Ghamra designed by Antoine Selim Nahas in 1937, to the city's many examples of experimental church architecture, and visible landmarks such as the Mugamma and Arab League buildings, Cairo is home to a rich store of modernist building styles. Arranged by geographical area, the guide includes entries for more than 220 buildings and sites of note, each entry consisting of concise, explanatory text describing the building and its significance accompanied by photographs, drawings, and maps. This pocket-sized volume is an ideal companion for the city's visitors and residents as well as an invaluable resource for scholars and students of Cairo's architecture and urban history.
An acclaimed economist and lifelong Palestinian nationalist Yusif Sayigh (1916-2004) came of age at a time of immense political change in the Middle East. Born in al-Bassa, near Acre in northern Palestine, he was witness to the events that led to the loss of Palestine and his memoir therefore constitutes a vivid social history of the region, as well as a revealing firsthand account of the Palestinian national movement almost from its earliest inception. Family and everyday life, co-villagers, landscapes, pleasures, outings, schooling, and political figures recreate the vanished world of Sayigh's formative years in the Levant. An activist in Palestine, he was taken prisoner of war by the Israelis in 1948. Later, as an economist, he wrote extensively on Arab oil, economic development, and manpower, teaching for many years at the American University of Beirut and taking early retirement in 1974 to work as a consultant for a number of pan-Arab and international organizations. A single chapter on Palestinian politics provides insights into his later activist work and experiences of working as a consultant with the Palestine Liberation Organization to produce an economic plan for an eventual Palestinian state.This fascinating memoir by a pioneer and major figure of the Palestinian national movement is a welcome addition to the growing literature on Palestinian life during the first half of the twentieth century as well as an account of some of the most pressing political and economic issues to have faced the Arab world for the better part of the twentieth century.
Modern Standard Arabic (MSA) is the literary language of today's books, media, and formal communication throughout the Arab world, the region's principal shared language of written and official discourse. The fourth book in this new series for the classroom is designed for the middle to high intermediate Arabic learner. The aim of this book is to help students to read and write articles, essays, and texts, using a range of tenses, in correct Arabic grammar. Students will also learn how to communicate orally in a number of different situations, discussing current events, leisure activities, and practical matters.The students' facility with sentence structure and vocabulary is increased by reading newspapers and listening to news broadcasts, and by writing about real-life interests such as social, economic, political, and gender issues, technological advancements, and education. The chapters guide students through the gradual acquisition of vocabulary and grammar. Exercises at the end of each chapter cover all essential skills and translation, with emphasis on reading and writing. The accompanying DVD includes audio material for all listening activities, dialogs, and reading exercises. The book is further supported by online interactive reading, writing, and grammar drills.
A stunning collection of vintage studio photographs from Egypt, including princes, pashas, and members of the now vanished ruling class, presented in a sumptuous edition From the invention of the camera, photographers, like painters, have sought to portray other people, and early studio photographs, with their highly stylized props, poses, and costumes, offer a beguiling window onto the prevailing fashions, tastes, and attitudes of their time. The portraits in this book, Egyptian studio photos from the mid-nineteenth century to the Second World War, tell such a story, their popularity and art then driven by the burgeoning presence of photo studios across the country. In their rich variety, they offer vivid evidence of the democratization of the image as access to the technology spread from members of Egypt's royalty to an ever-wider circle of subjects. But, more than that, they freeze time, by capturing human subjects that are no longer there. These portraits, and the studios that created them, evoke haunting fragments of a vanished past and invite us to endless speculation and contemplation. In the age of the selfie, their power to speak to us from the mists of time cannot be overstated. Includes over 200 stunning images, from the work of 81 photographic studios.
The definitive scholarly book on Arab documentary filmmaking in the Middle East North African (MENA) region. There is nothing like it for the period covered: neither celluloid nor digital periods, as well as the breadth of region-wide inclusivity.Editor, Viola Shafik ,is extremely respected in the field and a leading name in Arab film studies. Includes a wide range of prominent contributors. Shafik is the author of Arab Cinema: Culture and Identity66 b/w photographs
A richly illustrated guide to the Egyptian temple, its history, and the story of its goddess, Mut, as told by the preeminent archaeologists directing the excavationsMut was an important deity perhaps best known as the consort of Amun-Re and the mother of Khonsu, but her earlier and far more independent role was as the daughter of the sun god, much akin to Hathor. Like Nekhbet and Wadjet and the other lioness goddesses (referred to as Sekhmet) she was the "Eye of Re," who could be both benign and dangerous. In human form, Mut protected the king and his office; as Sekhmet she could destroy Egypt if not pacified. The Mut precinct was a major religious center from the Eighteenth Dynasty to the Roman Period, but evidence suggests the existence of an even earlier temple. It expanded during the reign of the Kushite king, Taharqa and attained its present size during the fourth century BCE, sheltering three major temples, several small chapels, and eventually, a village within the protection of its massive enclosure walls. One of its most striking features is the hundreds of Sekhmet statues.In 1976, the Brooklyn Museum began the first systematic exploration of the precinct as a whole. Since 2001, Brooklyn has shared the site with an expedition from the Johns Hopkins University, both teams working cooperatively toward the same goal.This richly illustrated guide seeks to bring the goddess and her temple precinct the attention they deserve.
A new history of Ottoman TunisThe first Ottoman conquest of Tunis took place in 1534 under the command of Kheireddine Barbarossa. However, it was not until 1574 that the Ottomans finally wrested control of the former Hafsid Ifriqiya (modern-day Tunisia), retaining it until the French occupation of Tunisia in 1881. The Regency of Tunis was thus born as an imperial province, and individuals originating from throughout the vast territory of the Ottoman Empire settled there, rapidly creating a new elite via marriage with women from local notable families. This book studies the former Hafsid territory's position within the Ottoman world and the social developments that accompanied the genesis of the united Regency of Tunis until the death of Hamouda Pasha.On the social plane, who were these Turko-Ottomans who were able to drive the Hafsid kings from their throne? Were they noble officers, as is so often remembered? The sources paint a different picture: one of rogues from distant Anatolia, and captives of corsairs from across the Mediterranean. These men expanded privateering for their own profit, seizing the country's riches for themselves and monopolizing exports to Europe.Leila Blili revisits the conventional historiography of Ottoman Tunisia, widely considered by historians to be an autonomous province ruled by a dominant class of Turko-Ottomans cut off from local society. She shows that the Regency of Tunis was much less autonomous than secondary scholarship has alleged and, through her analysis of the marriages of these Turko-Ottomans, that they were in fact well-integrated into the local population. In doing so, she also illuminates the place of kinship ties in the establishing of inheritances, access to spheres of power, and the very acquisition of titles of nobility.
On his 'journey from the dreams of the jinn to the love of the truth' Jaafar Ibrahim Sayyed al-Rawi is guided by his motto, 'let life be filled with holy madness to the last breath'. He goes from a life of comfort with a promising future guaranteed by his wealthy grandfather, Sayyed al-Rawi, to the life of a pauper.
A fresh perspective on the global economic influences that shaped modern Egypt through the history of an affluent Cairo suburb, MaadiIn the early years of the twentieth century, a group of Egypt's real-estate and transportation moguls embarked on the creation of a new residential establishment south of Cairo. The development was to epitomize the latest in community planning, merging attributes of town and country to create an idyllic domestic retreat just a short train ride away from the busy city center. They called the new community Maadi, after the ancient village that had long stood on the eastern bank of the Nile.Over the fifty years that followed, this new, modern Maadi would be associated with what many believed to be the best of modern Egypt: spacious villas, lush gardens, popular athleticism, and, most of all, profitability. Maadi: The Making and Unmaking of a Cairo Suburb, 1878-1962 explores Maadi's foundation and development, identifying how foreign economic privileges were integral to fashioning its idyllic qualities. While Maadi became home to influential Egyptians, including nationalists and royalty, it always remained exclusive-too exclusive to appeal to the growing number of lower-income Egyptians making homes in the capital. Annalise DeVries shows how Maadi's history offers a fresh perspective on the global economic influences that shaped modern Egyptian history, as they helped configure not only the country's politics but also the social and cultural practices of the well-to-do.Ultimately the means of Maadi's appeal also paved the path for its undoing. When foreign tax and legal privileges were abolished, Maadi, too, became untethered from a vision for Egypt's future and instead appeared more and more as a figure of the country's past.
An authoritative account by preeminent Egyptologist Miroslav Verner covering over 70 of Egypt's and Sudan's pyramids, their historical and political significance, updated in a magnificent new editionA pyramid, as the posthumous residence of a king and the place of his eternal cult, was just a single, if dominant, part of a larger complex of structures with specific religious, economic, and administrative functions. The first royal pyramid in Egypt was built at the beginning of the Third Dynasty (ca. 2592-2544 BC) by Horus Netjerykhet, later called Djoser, while the last pyramid was the work of Ahmose I, the first king of the Eighteenth Dynasty (ca. 1539-1292 BC).Nearly two decades have passed since distinguished Egyptologist Miroslav Verner's seminal The Pyramids was first published. In that time, fresh explorations and new sophisticated technologies have contributed to ever more detailed and compelling discussions around Egypt's enigmatic and most celebrated of ancient monuments. In this newly revised and updated edition, including color photographs for the first time, Verner brings his rich erudition and long years of site experience comes to bear on all the latest discoveries and archaeological and historical aspects of over 70 of Egypt's and Sudan's pyramids in the broader context of their more than one-thousand-year-long development. Lucidly written, with 300 illustrations, and filled with gripping insights, this comprehensive study illuminates an era that is both millennia away and vividly immediate.
An ethnographic study of how doctoral-level research in the social sciences and humanities is produced in EgyptMuch scholarship has been devoted to debates around how global inequalities of knowledge production arise from asymmetric power relations and disparities in access to material resources, as well as values and practices that prioritize certain academic disciplines and research outputs over others. The central role played by universities in producing both knowledge and researchers is similarly acknowledged, with the doctorate increasingly recognized as a crucial phase in establishing both.Bounded Knowledge: Doctoral Studies in Egypt explores these debates from a uniquely Egyptian perspective. It provides a fresh, historical analysis of how doctoral studies evolved in Egypt and an ethnographic inquiry into the actual conditions of knowledge production in the country's public universities, with focus on the humanities and social sciences. Although it is commonplace to speak of international collaborations in knowledge production, institutional settings and material conditions are so uneven as to make the fiction of equality impossible to sustain. The chapters in this book, by social scientists within and outside Egypt, look closely at how such academic hierarchies are reinforced in the context of the internationalization of research. They also look at the ways in which notions of socially responsible research, common the world over, are translated in the particularly Egyptian context: how research topics are discussed, how doctoral studies are organized, and ultimately, how society thinks about research.Contributors Mona Abaza, The American University in Cairo, Egypt Daniele Cantini, Martin-Luther-University of Halle/Wittenberg, Germany Nefissa Dessouqi, Cairo University, Egypt Hala Kamal, Cairo University, Egypt Jonathan Kriener, Ruhr-University Bochum, Germany Ola Kubbara, Cairo University, Egypt Ahmed Mansour, University of Alexandria, Egypt David Mills, University of Oxford, England
An ethnographic study of the Egyptian film industry The enormous influence of the Egyptian film industry on popular culture and collective imagination across the Arab world is widely acknowledged, but little is known about its concrete workings behind the scenes. Making Film in Egypt provides a fascinating glimpse into the lived reality of commercial film production in today's Cairo, with an emphasis on labor hierarchies, production practices, and the recent transition to digital technologies. Drawing on in-depth interviews and participant observation among production workers, on-set technicians, and artistic crew members, Chihab El Khachab sets out to answer a simple question: how do filmmakers deal with the unpredictable future of their films? The answer unfolds through a journey across the industry's political economy, its labor processes, its technological infrastructure, its logistical and artistic work, and its imagined audiences. The result is a complex and nuanced portrait of the Arab world's largest film industry, rich in ethnographic detail and theoretical innovations in media anthropology, media studies, and Middle East anthropology.
The third volume of reports on the excavations of noblemen's tombs from the Kushite PeriodThis is the third and final volume in the Tombs of the South Asasif Necropolis series dedicated to the ongoing work of the Egyptian-American South Asasif Conservation Project, under the auspices of the Ministry of Antiquities and directed by Elena Pischikova. The project was founded in 2006 to restore and reconstruct the early Kushite tombs of Karabasken (TT 391) and Karakhamun (TT 223) and the Saite tomb of Irtieru (TT 390). Tombs of the South Asasif Necropolis: Art and Archaeology 2015-2018 focuses on the conservation work in the tomb of Karakhamun and new discoveries in the tomb of Karabasken, which include the burial chamber of Karabasken, its monumental granite sarcophagus found in situ, and the Twenty-sixth Dynasty chapel and burial compartment of Padibastet built in the pillared hall of the tomb of Karabasken. Discussion of finds includes canopic jars, stelae, pottery, and animal bones among many others. Ongoing art historical research is reflected in the chapters on the artistry of the decoration of the tomb of Karakhamun and its uniquely preserved twenty-one-square grid. This volume also introduces new research on the name and titles of Irtieru.Contributors: Abdelrazk Mohamed Ali, Ramadan Ahmed Ali, Mariam Ayad, Louise Bertini, John Billman, Marion Brew, Julia Budka, Katherine Blakeney, Dieter Eigner, Hayley Goddard , Erhart Graefe, Kenneth Griffin, Salima Ikram, Fathy Yaseem Abd el Karim, Ezz El Din Kamal El Noby, Elena Pischikova, Manon Shutz
A multi-disciplinary exploration of how masculinity in the MENA region is constructed in film, literature, and nationalist discourseConstructions of masculinity are constantly evolving and being resisted in the Middle East and North Africa. There is no "e;before"e; that was a stable gendered environment. This edited collection examines constructions of both hegemonic and marginalized masculinities in the MENA region, through literary criticism, film studies, discourse analysis, anthropological accounts, and studies of military culture. Bringing together contributors from the disciplines of linguistics, comparative literature, sociology, cultural studies, queer and gender studies, film studies, and history, Constructions of Masculinity in the Middle East and North Africa spans the colonial to the postcolonial eras with emphasis on the late twentieth century to the present day. This collective study is a diverse and exciting addition to the literature on gender and societal organization at a time when masculinities in the Middle East and North Africa are often essentialized and misunderstood.Contributors: Jedidiah Anderson, Furman University, Greenville, South Carolina, USA Amal Amireh, George Mason University, Fairfax, Virginia, USA Kaveh Bassiri, University of Arkansas, Fayetteville, USA Oyman Basran, Bowdoin College, Brunswick, Maine, USA Alessandro Columbu, University of Manchester, EnglandNicole Fares, independent scholar Robert James Farley, UCLA, Los Angeles, CA, USA Andrea Fischer-Tahir, independent scholarNouri Gana, UCLA, Los Angeles, CA, USA Kifah Hanna, Trinity College, Hartford, Connecticut, USA Sarah Hudson, Connors State College, Warner, Oklahoma, USA Mohja Kahf, University of Arkansas, Fayetteville, USA John Tofik Karam, University of Illinois, Urbana-Champaign, USA Kathryn Kalemkerian, McGill University, Montreal, CanadaEbtihal Mahadeen, University of Edinburgh, Scotland Matthew Parnell, American University in Cairo, Egypt Nadine Sinno, Virginia Tech, Blacksburg, Virginia, USA
A cultural, social, and economic history of Egyptian cinema of the twentieth century Spanning a century of Egyptian filmmaking, this work weaves together culture, history, politics, and economics to form a narrative of how Egyptian national identity came to be constructed and reconstructed over time on film. It goes beyond the films themselves to explore the processes of filmmaking-the artists that made it possible, the institutional networks, structures, and rules that bound them together, the changing social and political environment in which the films were produced, and the role of the state. In peeling back the curtain to reveal the complexities behind the screen, Magdy El-Shammaa shows cinema as at once both a reflection and a producer of larger cultural imaginings of the nation.The National Imaginarium provides an in-depth description of the films discussed. It explores the construction of a populist consciousness that permeated and transcended class structures at mid-century in Egypt, and how this subsequently came undone in the face of the bewildering social, economic, and political transformations that the country underwent in the decades that followed. More than similar treatments of the topic, this book draws on theoretical ideas from outside the immediate discipline of Film Studies, including investigations into the materiality and colonial foundations of cosmopolitanism, the stakes and aesthetics of realism, policy shifts around women's rights, transnational economic contexts, and the broader history of the country and region, including insightful snapshots of everyday life.
An exploration of how young artists imagine and maintain hope in post-revolutionary Egypt Creating Spaces of Hope explores some of the newest, most dynamic creativity emerging from young artists in Egypt and the way in which these artists engage, contest, and struggle with the social and political landscape of post-revolutionary Egypt. How have different types of artists-studio artists, graffiti artists, musicians and writers-responded personally and artistically to the various stages of political transformation in Egypt since the January 25 revolution? What has the political or social role of art been in these periods of transition and uncertainty? What are the aesthetic shifts and stylistic transformations present in the contemporary Egyptian art world? Based on personal interviews with artists over many years of research in Cairo, Caroline Seymour-Jorn moves beyond current understandings of creative work primarily as a form of resistance or political commentary, providing a more nuanced analysis of creative production in the Arab world. She argues that in more recent years these young artists have turned their creative focus increasingly inward, to examine issues having to do with personal relationships, belonging and inclusion, and maintaining hope in harsh social, political and economic circumstances. She shows how Egyptian artists are constructing "e;spaces of hope"e; that emerge as their art or writing becomes a conduit for broader discussion of social, political, personal, and existential ideas, thereby forging alternative perspectives on Egyptian society, its place in the region and in the larger global context.
Based on 6 years of research in the field (2005-2011)Whereas other books on the MB focus on the organization's institutional structure or electoral strategy, this book shows how the MB operates on a day-to-day basis in society, through everyday social brokering, constituent relations, and youth outreach. Addresses the larger issues of representation and contention under semi-authoritarianism. Updated with post-2011 MB information since the original French publication
The first book to reveal the private life of an Englishwoman whose contribution to the recording of Egypt's ancient past has long been overlooked An Artist in Abydos is the first book to recognize Broome's great contribution to the work done during this golden age of excavation in Upper Egypt. In this remarkable account, Lee Young tells the story of Myrtle Broome, who died in 1978, largely through her letters. An only child and a prolific writer, Broome wanted her parents to know every facet of her life in Egypt. Her frequent letters to them vividly capture life in the villages, the traditions of the local people, the work of artisans, such as weaving and pot-making, and festivals, ceremonies, and music. In fascinating detail, the letters also depict Broome's living conditions providing us with a personal account of what it was like to be an English, working woman living abroad in Egypt in the 1930s. Myrtle Florence Broome was born in 1888 to artistically inclined middle-class parents in the district of Holborn in London. Between 1911 and 1913, she studied at University College London under the legendary Sir William Petrie. In 1927 she was invited to join the excavations at Qau el-Kebir as an artist for the British School of Archaeology in Egypt, later traveling, in 1929, to work at the now famous Seti Temple in Abydos for the Egypt Exploration Society. Broome spent eight seasons there, copying the painted scenes in the Temple. Regarded then as one of the greatest copyists working in Egypt, she left invaluable renditions of some of ancient Egypt's most beautiful monuments.An Artist in Abydos is an important book celebrating the contributions of an under-recognized woman artist during the golden age of excavation in Egypt.
A comprehensive survey of medical knowledge and practice in ancient Egypt, by leading authorities on the topic, new in paperbackAncient Egyptian medicine employed advanced surgical practices, while the prevention and treatment of diseases relied mostly on natural remedies and magical incantations. In the first of three volumes, The Medicine of the Ancient Egyptians explores these two different aspects, using textual sources and physical evidence to cast light on the state of ancient medical knowledge and practice and the hardships of everyday life experienced by the inhabitants of the land on the Nile.The first part of the book focuses on ancient Egyptian surgery, drawing mainly on cases described in the Edwin Smith papyrus, which details a number of injuries listed by type and severity. These demonstrate the rational approach employed by ancient physicians in the treatment of injured patients. Additional surgical cases are drawn from the Ebers papyrus.The chapters that follow cover gynecology, obstetrics, and pediatric cases, with translations from the Kahun gynecological papyrus and other medical texts, illustrating a wide range of ailments that women and young children suffered in antiquity, and how they were treated.Illustrated with more than sixty photographs and line drawings, The Medicine of the Ancient Egyptians is highly recommended reading for scholars of ancient Egyptian medicine and magic, as well as for paleopathologists, medical historians, and physical anthropologists.
Wonder and imagination are at the heart of this story of a friendship between a boy from New York City and the boy king, TutankhamunA boy and his stuffed bunny gaze at a star-lit New York cityscape. The great Sphinx of Egypt sleeps. A child swings joyously across a river. This book offers a tantalizing glimpse of the adventures of Arthur and his imaginary friend, Bun-Bun. Together they travel through the Temple of Dendur at the Metropolitan Museum to another time and place and befriend the lonely boy king, Tutankhamun.
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