Böcker utgivna av Thames & Hudson Ltd

Those Passions is the careful distillation of a lifetime of writing about art's relationship to politics, by the internationally renowned art historian T. J. Clark.

The perfect armchair and gardening companion to the garden flowers of the British Isles. Christopher Stocks feeds our affection for British flowers by revealing the fascinating stories behind some of the most familiar and unusual plants to be found in our gardens today. Designed in a similar format to 'The Book of Pebbles', the book will focus on around 15 of Lewin's favourite garden flowers, and include reproductions of her paintings and illustrations, many of them created specially for the book. Tips for care and cultivation also feature. The Book of Garden Flowers will appeal to anyone who loves flowers, as well as fans of Angie Lewin, who is widely admired for her alluring images of the natural world.

Welcome to the exotic world of Istanbul in the year 1750! Palaces & mosques, coffee houses and baths - this is your pocket guide to the city of the Sultans. This entertaining and informative guide takes you on a journey back to the era of the Grand Tour, when Istanbul was a favourite destination for enterprising travellers. Learn how to gain access to the heavily guarded Topkapi Sarayi and find out the truth behind all those rumours of the charms of the concubines in the sultan's harem, and the eunuchs who guard them... Discover how to haggle with the expert salesmen in the bustling bazaars, learn what excitements await you in a Turkish bath and attend the strange rituals of the whirling dervishes. Or watch the sultan, dressed in all his finery, taking to the Bosphorus in his splendid barge. Witty and fact-filled, The Sultan's Istanbul on Five Kurush a Day will appeal to travellers, museum-goers and anyone who wonders what it would really have been like to visit the hub of the Ottoman Empire.

Offering a new perspective on Weegee's oeuvre, The Society of the Spectacle presents the photographer's iconic images beside lesser-known works. There's a mystery to Weegee. The American photographer's career seems to be split in two. One side includes his sensational photography printed in North American tabloids: corpses of gangsters lying in pools of their own blood, bodies trapped in battered vehicles, kingpins looking sinister behind the bars of prison wagons, dilapidated slums consumed by fire, and other harrowing onevidence of the lives of the underprivileged in New York from 1935 to 1945. Then come the festive photographs - glamorous parties, performances by entertainers, jubilant crowds, openings and premieres - to which we must add a vast array of portraits of public figures that Weegee delighted in distorting using a rich palette of tricks between 1948 and 1951, a practice he pursued until the end of his life. How can these diametrically opposed bodies of work coexist? Critics have enjoyed highlighting the opposition between the two periods, praising the former and disparaging the latter. The Society of the Spectacle seeks to reconcile the two parts of Weegee by showing that, beyond formal differences, the photographer's approach is critically coherent. In the first part of his career, which coincided with the rise of the tabloid press, Weegee was an active participant in transforming news into spectacle. To show this, he often included spectators, or other photographers, in the foreground of his images. In the second half of his career, Weegee mocked the Hollywood spectacular: its ephemeral glory, adoring crowds and social scenes. Some years before the Situationist International, his photography presented an incisive critique of the Society of the Spectacle.

The story of photography's first practicable colour process is also the story of fashion as it evolved from the Edwardian era to the newfound fluidity and freedom of the 1920s. 'Soon the world will be color-mad and Lumière will be responsible' Alfred Stieglitz, 1907 These words announced the arrival of the autochrome, the colour process invented by the Lumière brothers that not only transformed photography, but also recorded the transition of fashion from Edwardian elegance towards a liberating modernity. The Colour of Clothes celebrates the unique beauty of the autochrome in around 370 images that reflect the broad sweep of its usage. Couturiers embraced the way the process showcased their exquisite designs to luminous perfection - among them Fortuny, Poiret, Doucet, Vionnet, Lucile, Chanel and Lanvin. Beyond the sphere of fashion, there are also examples from the Salon du Goût Français, France's virtual autochrome exhibition of luxury items, and Albert Kahn's Archives de la Planète, a bold attempt to record the world's cultures in autochromes. Some of the photographers involved may be famous in their field - Lartigue, Stieglitz, Steichen - though very often they are lesser known, and many are women who took to the process with panache. Whoever they were, they helped to immortalize one of photography's historic moments, when the camera first revealed the world of fashion as it was - in colour.

A no-nonsense beginner's guide to cyanotype: make your own beautiful prints and craft projects in just a weekend. One of the simplest and most elegant forms of photography, the cyanotype print gives distinctive white-on-blue results that are simultaneously graphic, intricate and mysterious. Drawing on Victoria Glover's experience running workshops for beginners, this book will walk you through the process and presents a selection of projects for you to develop your skills. You'll learn how to print onto a cushion cover, T-shirt, tote bag and lampshade. And you can take your creativity further, toning your prints and using long exposures to create surprising X-ray effects.

A dynamic visual journey through the many twists and turns of the landscape of illustration, from 1750 to the present day. Illustration: A Concise History takes the reader on a journey that consistently reflects the ever-evolving global 'ecosystem' that facilitates the creation of illustration - political events, advances in science and medicine, the environment, societal developments, fashion, and cultural innovation are all key factors in this equation. The book is organized into ten different eras, one per chapter, and uses the same five categories of discussion in each of the accompanying essays. The connection of these two factors - the global ecosystem and the illustration created - shows how these two elements are profoundly interrelated. For instance, there is no war poster without conflict, no political poster without a cause, and no advertising poster without a new product. In addition, there are eleven feature sections, outlining genres of illustration practice that one can base a career on, that include mini-histories of practice, as well as practical advice on operating as an illustrator within that field. There are also mini-biographies on 'inspirational practitioners'.

Young readers are invited to lose themselves on a journey through history, seeking people and objects with stories to tell across nine different eras.

An indispensable supplement to Francis Bacon: Catalogue Raisonné, uncovering valuable new information about the artist's practice. The manner in which Bacon's paintings evolved was misunderstood during his lifetime. Since he always painted alone in his studios, there were no witnesses to the emergence of his visceral imagery. His insistence on privacy helped generate considerable speculation about his painting process, most of it erroneous. Bacon did make one clear statement about the genesis of his paintings: 'I sketch out very roughly on the canvas with a brush, just a vague outline of something, and then I go to work ...'. Yet this fundamentally accurate summation of his technique ran counter to the received wisdom and was misunderstood or ignored. Martin Harrison's introductory essay begins by demonstrating exactly what Bacon meant, and what he did: it will show what 'rough sketching' signified. It also deploys X-ray and infrared images that reveal under-drawing, and analyses other features that elucidate Bacon's methodology. Photographs of paintings briefly arrested at intermediate points before completion - taken by the few visitors to the studio allowed the privilege - help to explain later stages in painting process. Sophie Pretorius's survey incorporates every one of the images that have hitherto remained unseen, illustrating the transitional states of all the paintings recorded in photographs, arranged thematically. A reference section includes thumbnail images of all the paintings discussed here, arranged in chronological order. This is consistent with the layout of Francis Bacon: Catalogue Raisonné (2016), to which this volume may be regarded as a supplement, publishing significant new information.

Best known for her work documenting the political upheaval in Central America during the 1970s and 80s, American photographer Susan Meiselas has been at the forefront of ethical debates around documentary photography for most of her career. Through close engagement with subjects such as war and exploitation, she has interrogated her own relationship to what she's photographing, the circulation and dissemination of these images, and the pivotal questions around social and cultural representation and memory. Her influential contribution to the way audiences approach and engage with photography is as vital and resonant today as it was 40 years ago. This new addition to the Photofile series also includes short texts by Meiselas herself accompanying each work in the volume.

The award-winning Magnum photographer turns his lens on his homeland, Belgium. Born in Belgium in 1941, Harry Gruyaert was one of the first European photographers to take advantage of colour, following in the footsteps of US pioneers like William Eggleston and Stephen Shore. Heavily influenced by Pop Art, his dense compositions are known for weaving together texture, light, colour and architecture to create filmic, jewel-hued tableaux. As a result, they often seem closer to painting than to photography. Although his wanderlust has taken him to many exotic locations, Gruyaert has frequently returned to his country of birth. Here, in the homeland that he had considered so desolate in his younger years, he found an unexpected beauty. Urban lighting, neon storefronts, glimpses behind suburban dwellings, passers-by wandering drunkenly home, ports that never sleep, countryside with seemingly infinite horizons: his lens captures the singularity of his nation, portraying everyday life in a way that unfolds like a hyper-realistic film set. As a counterpoint to these more recent colour photographs, three portfolios of black-and-white images taken in the 1970s punctuate this visual immersion and journey through the lowlands.

Photographer and war reporter Robert Capa (1913-54) is a legend of photojournalism, and his work, widely recognized and sometimes controversial, shaped the history of the medium. Born Endre Friedmann to Jewish parents in Budapest, he left Hungary in the early 1930s and took the pseudonym Robert Capa, believing that it was easier to sell his work with an American-sounding name. He went on to cover the major events of the mid-20th century: from the rise of Front Populaire in France to the Spanish Civil War, the Second World War and Indochina, where he was killed by a landmine. This retrospective uses both iconic and rarely-seen images to retrace the story of Capa's life, delving into archives and presenting not only the original photographs but also the magazine features in which they first appeared, to offer valuable context and connection. Charismatic and committed, Capa redefined what it was to be a photojournalist, and his unforgettable images have lost none of their power to fascinate.

How do animals digest the food they eat? What is their favourite food? Discover how the different digestive systems of 70 different animals work... including humans! Did you know that horses can't throw up? This is because the esophagus in horses has a one-way movement. Why are flamingos usually pink? Because they eat lots of shrimp! Shrimp have carotenoids in their bodies, which are natural antioxidant pigments. In her beautiful detailed illustrations, Aina Bestard presents the digestive workings of a dizzying range of vertebrate and invertebrate animals, including starfish, honey bees, cats, ducks, giraffes and spiders. Each animal illustration is printed on a semi-transparent page, which can then be turned over onto a detailed diagram to show how each digestive system works. Full of amazing facts and disgusting descriptions, this is a book for both kids and adults alike.

The fifth volume in the acclaimed Francis Bacon Studies series, published under the aegis of The Estate of Francis Bacon Half of this volume, an unprecedented proportion in the 'Studies' series, is devoted to one topic: key parts of Bacon's responses in Interviews with Francis Bacon that were removed, either to maintain continuity or at Bacon's own insistence. This unpublished material will add immensely to this most frequently consulted resource and will require a reassessment of many of Bacon's statements and ideas. Maria Balaska considers the question: Where does a painting come from? She investigates forms and accidents in Bacon's work. Amanda J. Harrison studies chimera and liminal entities in Bacon's work. Darian Leader asks: In whose name? He turns our attention to the psychology of the imposter. Martin Harrison examines photographs of four paintings that Bacon later destroyed.

The perfect primer on American photographer Mary Ellen Mark, best known for her photojournalism, documentary photography, portraiture and advertising photography. The work of Mary Ellen Mark (1940-2015) bears witness to her fascination with the human condition and her gift for connecting intimately with her subjects. Skilled at blending into unusual or insular environments, she travelled all over the world and forged a body of work that combined photojournalism with portraiture. From Indian circus performers to American teenagers living on the streets, from Hollywood film sets to inmates in a secure hospital, her photographs are striking for their humanity and empathy.

A limited-run, special publication created to showcase the work of 10 young photography talents from top US art school SCAD, to be published in the year of T&H's 75th anniversary. Class of 2024 is a unique and deeply individual look into the future of photography, showcasing the work of ten students or recent graduates from the Savannah College of Art and Design (SCAD), USA. Introduced in their own words, and illuminated by essays from established writers, curators and editors, their photographs cross genres - from portraits to landscape, fashion commissions to private projects, collages to film stills - and offer up ten very different yet equally compelling and imaginative ways of looking at the world today, in all its complexity. Wilfully subjective and guided only by the strength of the creativity within its pages, this book, published to mark the 75th anniversary of publishing house Thames & Hudson, aims to capture a moment in time, support new talent and inspire lovers of photography, as Thames & Hudson has set out to do since it was first founded in 1949.

A revolutionary history of photography from a stellar team of writers and thinkers that challenges all existing narratives by focusing on the complex collaborations between photographer and subject. This groundbreaking and multifaceted history explores photography through the lens of collaboration, and in so doing challenges the dominant narratives around photographic history and authorship. Led by five of photography's great thinkers and practitioners, it breaks apart the 'single creator' tradition by bringing to light tangible traces of collaboration - the various relationships, exchanges and interactions which occur between all participants in the event of photography. Over 100 photography projects are surveyed in eight thematic chapters, and presented non-hierarchically alongside quotes, testimonies and concise texts by guest contributors. These networks of texts and images provide perspective on a vast array of photographic themes, from Araki's provocative portraits of women to archival files from the Spanish Civil War. With more than 550 photographs and over 80 text contributors, Collaboration is an inspiration for teaching and an open invitation to scholars, activists, photographers and others to practice always with and alongside others, and to participate actively in this engagement and enquiry.

A fun and approachable guide to drawing cats, from the popular creator of Hirameki. Cats are funny, cheeky and simply enchanting - all of their characters and much more can be captured in expressive drawings with just a few strokes. Cartoonist and cat lover Peng reveals how it's done - and proves once again that with a little practice, anyone can do it! A wide variety of cat portraits can be created in no time at all: from minimalist sketches to complete small paintings. You will quickly be able to get your four-legged friends moving (or just let them hang out), capture their emotions and tell little stories in an uncomplicated way. It's doesn't matter if they look realistic; it's about having the courage to experiment and just start doodling.

The first comprehensive study of corporate identity design manuals from the golden era of identity design. In today's landscape, designers rely on digital templates to implement brand identities - fast, accurate and easily updatable, these digital manuals are now obligatory. But we have lost something in the transition to digital style guides, and the great printed standards manuals from the pre-digital era deserve a better fate than to be junked. This comprehensive study of corporate design manuals from the golden era of identity design makes a compelling case for their survival and continued appreciation. The 41 manuals featured have been expertly photographed, retaining all essential details, and are presented in a spacious and functional layout, allowing you to fully appreciate these wonderful examples of sophisticated information design. The photography is accompanied by a foreword by the late Massimo Vignelli, an afterword by designer Lance Wyman, and texts from Adrian Shaughnessy, Richard Danne (NASA designer), Martha Fleming (daughter of Allan Fleming, designer of the Canadian National Railway logo), Greg D'Onofrio and Patricia Belen, alongside interviews with Armin Vit, Sean Perkins, John Lloyd, Michael Burke, Sean Wolcott, Liza Enebeis and John Bateson.

In this utterly enchanting and unexpected tale from international picture book star Beatrice Alemagna, a childhood mishap is the occasion for growth and self-reflection. When a little girl falls on the street, scraping her knee, her father tells her not to worry, that 'a beautiful scab will form'. But she does worry! The scab is not beautiful and it's keeping her from bending her knee! When will it ever go away? By the time the scab - who she has named Pepper - falls off, something astonishing has happened: the girl has come to feel affection for the scab and has a hard time letting go. With an unerring understanding of a child's emotional life and a dash of absurdist wit, this picture book will stand with classics from creators like Tomi Ungerer and William Steig, who explore the weird, funny essence of childhood.

An omnibus edition collecting 15 volumes of Hokusai's dedicated drawing manuals, 'e-tehon'. Of the 300 or so printed books Hokusai created in his lifetime, a huge proportion of these were dedicated drawing manuals, known as e-tehon (drawing models). They show not only Hokusai's great proficiency as a draughtsman, but also his wealth of ideas, and his sense of humour. This omnibus edition collects 15 volumes of Hokusai's e-tehon, which feature over 800 illustrations of instructions from 1812 to 1848. With every page faithfully reproduced against the original works, the book shows Hokusai's playful approach to drawing with amusing songs, pictures comprised of letterforms (a forerunner to today's emoji), modern designs for craftsmen, and, yes, dance moves. This all-encompassing endeavour also includes a valuable work that he published just before his death. This was his magnum opus, serving to 'preserve everything I've learned'.

A collection of quotes from Vincent van Gogh on art, love, nature, colour, ambition, friendship, future, sorrow and consolation. 'There are so many people [...] who imagine that words are nothing. On the contrary, don't you think, it's as interesting and as difficult to say a thing well as to paint a thing. There's the art of lines and colours, but there's the art of words that will last just the same' Vincent van Gogh For more than a century, Vincent van Gogh's letters have been a source of inspiration to many. This book of quotes unites the exceptional and touching words of Van Gogh. Read his compelling thoughts on love, friendship, the comfort offered by art and literature, passion for work, the importance of ambition, dealing with setbacks and the beauty of nature.

A laugh-out-loud bedtime story in which a little girl imagines what it would be like to have a vampire bat for a pet. What would it be like to live a nocturnal lifestyle? What funny scenarios might one encounter trick-or-treating or at the funfair with a vampire bat as your pal? Facts about vampire bats combine with seasonal spookiness and positive messages about dental hygiene in this brilliant book for bedtime.

A vibrant infographics book designed to make facts accessible to all and to help us better understand the infinite richness of our world.