Isolating in Nogent-sur-Marne, Wajdi Mouawad embarks upon a spectacular inner voyage, travelling from his own microcosm to the eye of the Big Bang. We follow him from Peter Handke's office to his father's retirement home, from the banks of the Saint Lawrence to Montréal, Greece, Greenland, and the Lebanon of his childhood. Through Kafka and Star Wars, by way of French phonetics and the Temple of Apollo in Delphi, he explores the razor's edge of madness, conjures a dream shared by all humanity, and probes the bestiality of our everyday lives.Mouawad's plays, novels, and essays speak to us all, confronting our ghosts, addressing the obscure and the impenetrable, which dissipate as they are put into words. The musings in Speaking through the Night, born out of solitude, confront the mysteries of the universe with supple introspection.
Survive! Survive! transports readers to September 1935, to glorious, tragic times in the colourful company of Ti-Lou and "the Duchess" Édouard, whose sparkling exchanges hide indissoluble pain; to sombre, twilight times with Victoire and Télesphore at the bottom of the ruelle des Fortifications, and between Josaphat and Laura Cadieux, his ill-fated daughter who wants at all costs to find her mother, Imelda Beausoleil. "How to survive?" they all ask, inextricably caught in life's cycle of lost illusions and forgotten dreams. Even as this chronicle of resilience dwells in the difficulties and disenchantments of ordinary life, it reveals existences that accommodate a happiness that passes - always too fast and almost too late.The series closes with Crossing the Gulf of Misfortune, whose action unfolds in August 1941, when the families of Nana and Gabriel unhappily cram together in a new apartment. Nana, inconsolable after the loss of her two eldest children to tuberculosis, is forced to live with Victoire and Édouard, as well as with Albertine, her husband Paul, and their children, Thérèse and baby Marcel. Outside this unbearably crowded household, war rages and rationing deprives everyone of basic necessities.These characters don't know what readers of Tremblay do: that in a year, in May 1942, Nana - the Fat Woman Next Door - seven months pregnant, will open the fabulous Chronicles of the Plateau-Mont-Royal ...
A powerful new play by the author of Jabber and The In-Between, with a text exploring social issues, interclass dialogue, and the possibility of communal improvementAward-winning playwright Marcus Youssef takes his readers to the future with his riveting new play Do you mind if I sit here? Thirty years from now, three social planners visit Vancouver¿s Russian Hall, long abandoned due to earthquakes and flooding, with a seemingly straightforward task: repurpose the hall for common use. But the trio soon discover the project won¿t be as easy as they¿d thought. An eccentric squatter has made the damaged hall his home, and he not only possesses a trove of Soviet industrial films on 16-mm stock but also refuses to leave. Do you mind if I sit here? is a witty theatrical allegory about the possibilities of radical transformation, in which Youssef dares us to imagine a future borne from our most important beliefs, fears, and hope.
Three timely and provocative plays by the award-winning, internationally produced Portuguese Canadian playwright Elaine Ávila.
Witness Back at Me is personal dissection that draws on the author¿s childhood episodes of disembodiment, when, through the death of his mother from cancer at age two, he lost his ability to speak for nearly two years, which is also the time when he was placed in a foster home at a dairy farm outside Calgary, from age two to four. During this time, the author recalls not inhabiting his own body, but often floating outside it and witnessing himself as ¿other.¿
In a time of floods, fires, plagues, and famines, nothing could be more pertinent than the work of Maya/Irish writer and artist annie ross. Some People Fall in the Lodge and Eat Berries All Winter, her follow-up to Pots and Other Living Beings,gives voice to the pain of living ¿where the machine is the exalted power.¿ This new series of prose and poems, anchored by woodcuts by the author, explores extinctions, species interdependence, environmental justice, soul loss in modernity, the natural and Supernatural worlds, and animal rights and power, always keeping peace and love for Mother Earth in view.
Incendiary new poems working through the politics and theory of sexuality and desire by the author of JUST LIKE I LIKE IT.
At the crossroads that lead to the end of childhood, Nana faces the hectic passage of her adolescence and the new responsibilities that fall on her shoulders when her grandmother Josephine approaches death. In parallel, Nina's rebellious mother Maria, languishes back in Montreal, torn between conflicting desires.
Mercenary English seizes "the politics of language" and foregrounds the literal and figurative violence behind the euphemism "missing women."
'Nlaka'pamux Elder York explains the red-ochre inscriptions on rocks of the Stein Valley, a landmark in the evolution of writing.
After surviving a major accident, a man is trapped in a village buried in the snow and cut off from the world by a nationwide power failure. He is entrusted to Matthias, a taciturn old man who agrees to heal his wounds in exchange for wood, food, and eventual escape from the village. Will they manage to stand up against external threats and intimate pitfalls?
Makes available for the first time the collected works of this significant feminist, experimental prose writer and member of the renowned TISH group.
People Live Here is a collection of three exciting new plays by George F. Walker, Canada's king of black comedy and a winner of two Governor General's Literary Awards for Drama. The Chance, Her Inside Life, and Kill the Poor complete the the author's Parkdale Palace trilogy of plays that deal with issues of social justice and ally heart, humour, and a contemporary reflection on human inequalities.
Interplay of Indigenous characters from different historical periods (modern vs. First World War), different cultural groups (Cree, Coast Salish ...). Suited for younger and young-adult audiences. Introduction to Indigenous Peoples in Canadian history.
In Falling Shadows, a lone man walks in the forest towards the hunting camp where his family has taken refuge to escape the upheaval caused by a widespread power failure. He knows he is threatened. One day, having lost his way, a twelve-year-old boy, mysteriously fearless and familiar, calls out to him. The unusual duo will have to face the hostility of the wilderness and thwart the offensive groups that now inhabit the woods. This is Québec writer Christian Guay-Poliquin's much anticipated third instalment in the series of gripping post-apocalyptic novels initiated with Running on Fumes and prolonged by the international bestseller The Weight of Snow, both translated by Governor General's Award winner David Homel and published by Talonbooks in 2016 and 2019. The Weight of Snow was long-listed for the 2020 Sunburst Award and was translated into fifteen languages. Throughout these novels, Guay-Poliquin has developed a unique storytelling craft; his narratives are grounded in the demands and details of daily life and in a world ripe with experience. Adventurous and cleverly assembled, Falling Shadows questions the meaning of community and revisits the thrilling excitement associated with the wilderness and survival classics like McCarthy's The Road and King's The Stand.
"The poems in Tracery enact a lyric condensation. Many of them were written in transit: on the bus, on a bicycle, on foot, in the endless to and fro of work life. Their lyric brevity allowed composition directly in the brain, or quick jottings in a pocket notebook, primarily governed by the music of reason - "the ear's judgement" (Joachim du Bellay), the "natural music" of poetry (Eustache Deschamps). A major feature of this work is its incorporation and reworking - a translation - of other works of western literature and philosophy across the span of its brief, localized history. These are poems that barge into the arena of classic and modernist literary works with little regard for what is generally regarded as genius, with contempt for the ever-present misogyny and gender segregation of our collective past, with an ever-present critique, but also with a constantly renewable sense of wonder and humility. Written in a time of plague, through dreams and daily life, these are poems to be enjoyed by anyone who observes events occurring in time, and then wonders at them."--
Winner of 2022 Governor General's Literary Award for DramaDorothy Dittrich's The Piano Teacher is a play about loss, love, friendship, and the healing power of music. When Erin, a classical pianist, experiences the loss of the life she knew, she meets an unconventional piano teacher who gives her new hope for the future.
By the author of the award-winning Maleficium, Medusa is an incendiary tale of women's body shame and men's body shaming, phallocratic oppression, and the power of femininity, adapting the famous story of Medusa.
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