Böcker utgivna av Sunstone Press

His name is Henry McCarty. One day the lad will be christened Billy the Kid and achieve world fame. But in 1875 he is just an obscure orphaned runaway traveling the Southwestern frontier. Enthralled with Hispanic culture and immersed in the twin arts of gambling and gunplay, Henry McCarty comes of age in boomtowns and barrios, in the wilds of the Chihuahua desert and the rugged high country of pine clad mountains. After two years on the fertile training ground of an outpost named Camp Grant, a deadly encounter sends Henry back into the desert. An ominous journey follows, ultimately delivering him to Lincoln County, New Mexico, looking for redemption. He finds honest employment cowboying for a resolute young Englishman named John Tunstall, a twenty-three-year-old with an Oxford education and the world-weary look of a poet. But Henry quickly becomes entangled in the Londoner's wildly escalating mercantile dispute. To survive, he must navigate a Russian novel's wealth of characters and follow the tit for tat of a complex range war to its fiery conclusion. Haunted by an Irish childhood in the slums of New York City, this strange boy possesses a stinging IQ and an epic grin, soaring ambitions and a fine tenor voice. When thrown into a hurricane of violence, Henry McCarty rises with an impassioned cause and a farsighted awareness of the machinery of fame and fate.

As the Confederacy celebrates its victory over Fort Sumter, Socrates Best and his wife, Ellen, are living in Northeast Texas where Socrates has been teaching school for five years. Educated in the philosophy of Plato and the religion of Knox, Socrates hopes to ignore the war and continue developing ruler guardians who will help make Texas great. But two former students, Buck Malneck and Billy Morse, seize this chance to put their former teacher to the test. Join the conflict or hang-those are their demands. Meanwhile, a thousand miles to the north stands Socrates'' cousin Swift. Raised with Plato''s Republican philosophies, but steeped in the passionate abolitionism of the Northern Methodists, Swift leaves law school to be part of the Second Wisconsin Infantry Regiment. Portage City explodes with joy as they send Swift''s company off to war, but all the well wishing in the world could never prepare Swift for what awaits him at Bull Run. Amidst the revelry, Socrates'' youngest brother, Ed, watches with bated breath. This crowd will one day cheer him, he decides, and everyone will know that he is finally a man. Fighting with the Army of the Cumberland across the Southeast, he will learn there is a far greater challenge in life than being a man-staying alive. This novel is based on the true story of a Wisconsin family caught up in the American Civil War, but it is also the story of the multidimensional human soul-spiritual, philosophical, and physical-and how it is affected by war. It is the story of man''s ability to love, endure, survive, and find a meaningful purpose for life in a world turned upside down with hate.

In 1920, my mother and my aunt, who were just thirteen and fourteen years old, went on an all-summer odyssey with a group of artists, led by their art teacher, renowned Texas artist Frank Reaugh, traveling in a vehicle called the "e;Cicada,"e; from Dallas, Texas, to the Grand Canyon, which had been designated a National Park in November 1919. My aunt's lively diary of the trip is the basis for my account, which has been expanded into a longer narrative. The title Seeing the Elephant was chosen because the travelers' experiences fit the old story of "e;seeing the elephant."e; They had car engine problems, had flat tires, got stuck in mud, ran out of money, and were visited by tarantulas-but none of it mattered because of the thrilling wonders of the trip, the breathtaking scenery and the opportunity to try to capture it on paper. Toward the end of my writing process on this manuscript, I reflected on the two-month odyssey of the Cicada in 1920 and realized that it was a metaphor for life itself-the joys, challenges, sorrows, and people met along the journey-embraced by an overriding beauty. The story is told in first person, from my aunt's point of view.

Father Richard has settled into his new parish, Our Lady of Damascus Catholic Church, in the peaceful Appalachian mountains of North Carolina. It''s a far cry from New York City, his home for most of his life, but a married couple in his parish, Janet and Curtis, welcome him with open arms. They befriend their new priest, and he begins to settle into his new surroundings with ease, thanks to them. Unfortunately, his friendship with Janet soon grows into a forbidden love affair that takes them down an atmosphere of deception and intrigue. They go to any lengths to protect what they believe is an anointed union. The discovery of the affair not only devastates Curtis, but he also gets labeled as the town''s villain, leaving him with nowhere to turn in order to save his family until an unsuspecting ally gives him hope. Are the powers behind Father Richard too much for him to overcome? Includes Reading Guide.

Corn Flower, an eleven-year-old Native American girl is a member of the Kansa tribe living along the Cottonwood River in the 1820s. She is a loyal daughter to her parents White Plume and Kicking Swan. Corn Flower and her best friend Night Sparrow are in charge of each family's herd of goats. Together they sing the “Song of the Kansa,” find excitement in their simple life, and delight in the folk tales spoken by an elderly tribal storyteller. Corn Flower enjoys the thrill of adventure as she learns the art of wildcrafting and storytelling. When heavy rains threaten to flood the village, she helps to secure the safety of her family as well as her herd of goats. In late spring, Corn Flower travels with her family to the nearby trading post near Fort Neosho. It is there that she is reunited with the blonde-haired daughter of Lieutenant Willoughby. Corn Flower spends several days at the campsite of her friend before the lieutenant and Ellie take Corn Flower back to her Kansa home. With the fair-haired visitor, she teaches her how to make a clay pot and to shoot with a bow and arrow. After Ellie departs with her father, the story ends with the arrival of a new baby boy born to Corn Flower’s brother Wanji and his wife Running Dove. With a joyful spirit, Corn Flower returns to her hillside in the warmth of springtime to tend her goats and again sing the “Song of the Kansa” with her special friend Night Sparrow. Includes Reading Guide

These stories explore the human heart in conflict with itself, created out of the human spirit and brought to life by the experiences and imagination of the writer. Each story depicts the struggles to resolve those human dilemmas that confront, confound and confuse us in making the choices that determine how we live our lives. The more troubling and controversial the questions, the more relevant and compelling the story. These are emotionally charged stories about things that matter—love and honor and pity and pride and compassion—that speak truth to life’s mysteries and perplexities, the only kind of stories worth writing or reading. Includes Readers Guide.

Over the course of several evenings, in a fashionable bar and lounge situated in the foothills at the edge of a large desert city, the narrator tells his strange story. Under the guise of trying to discover the meaning of life as it should be, he instead slowly reveals life as it is. What unfolds is a story about the dilemmas faced by twenty-first-century man, the scientist-technician in the words of the narrator, and as such it becomes the moral autobiography of anyone and everyone. What renders the story provoking and compelling is the peculiar stance adopted by the narrator relative to the events of his story. There is a philosophic and parodic tone to the narrative, behind which the narrator maneuvers, poses, postures, confounds, and gradually reveals his meaning. From his youthful pursuit of truths revealed by science and technology, to his growing alienation and estrangement from society, to his eventual reconciliation with art and the role of the artist, the narrator surveys the cultural landscape of our time. What the reader witnesses is the development of a modern human consciousness. The twists and turns of the narrator’s position are on the surface paradoxical and puzzling. Is he merely an incurable romantic, a cynic or only a realist? The story related by the narrator is fairly straightforward and clear. But what meaning to ascribe to the events revealed by the narrative is posed as a problem for the reader, leaving the reader to ponder at last what, if anything, is resolved. Includes Readers Guide.

1930s Sketch Trip Diaries of Lucretia Donnell with over a hundred color reproductions of her paintings and sketches under the direction of Frank Reaugh.

Does your child struggle with a speech delay? If so, and if your child has trouble pronouncing certain letters or blends, then you have picked up the right book. Speech delay, or language delay, is when language follows the right sequence but at a slower range. This condition is not uncommon and some five to ten percent of preschoolers have this difficulty. The focus of this book in the series is to help with the pronunciation of the "r" sound. With colorful illustrations and fun dialogue, this book will help your child master making the "r" sound in a fun way. Other books in the series focus on the "f" sound and the "l" sound.

The impact of the Civilian Conservation Corps (CCC) on New Mexico is often forgotten, mainly because the subsequent cataclysm of World War II erased it from the public''s consciousness. This book is designed to document the state''s ninety CCC sites (camps) where 55,000 young men (including 32,000 state residents) actually worked and lived during the grim Great Depression of the 1930s. The impact of the CCC on the state and the nation is incalculable. This book details where the camps were located, how to recognize the sites today, and how to appreciate them in context. This book was named winner of the Historical Society of New Mexico''s 2021 Fray Francisco Atanasio Dominguez Award. This award is given annually for an outstanding publication or significant contribution to historic survey and research in New Mexico or Southwest Borderlands history.

Talent, long study, and much hard work produce great art, ordinarily the work of a single person. On the other hand, elements of greatness sometimes find each other, meld, and produce beauty greater than the sum of the parts. So it is with Winged Clouds and Cobalt Skies. Three artists, Frank Reaugh, Lucretia Donnell, and her mother Lucretia, united their talents to do what all great art does: enrich the culture and the lives of others. From 1889 until 1941 Frank Reaugh routinely sketch-tripped the vast and then wild land in the High Plains of Texas and occasionally beyond. In 1905 he began taking his students along for on-the-scene instruction, each being assigned a work detail to keep the party disciplined and moving smoothly, including the keeping of a trip log. On these sketch trips in the 1930s, the teenaged Lucretia Donnell, among other duties, kept the log with apparent thoroughness (at least enough to satisfy Frank Reaugh) but more importantly for us, with perceptivity and all the exuberance of youth, none of which she lost in the intervening years. Little did anyone know in the 1930s that she was writing a book for the ages.

         Offering an alternative to encyclopedic textbooks that confirm Henry Ford’s complaint that the study of history is just “one damned thing after another,” it provides an informal and conversational narrative history of the American experience from the Colonial period to the present day. Above all, history is a story, and the story of America is a complicated and contested tale. Rather than simply the exceptionalism of a shining city upon a hill, the American saga includes a dark stain of prejudice and nativism still present within the national fabric. Beginning with the assault upon Native lands and culture along with the introduction of racial slavery, patterns of exploitation and greed fostering gender, racial, and class inequality are an essential part of America’s story.         Themes of prejudice and inequality, however, are offset by the promise of social justice and an egalitarian America outlined by Thomas Jefferson’s Declaration of Independence, Elizabeth Cady Stanton’s Seneca Falls Declaration of Principles, Abraham Lincoln’s Gettysburg Address, Franklin D. Roosevelt’s The Four Freedoms, and Martin Luther King Jr.’s “I Have a Dream” oratory. While considering topics such as Presidential leadership, Talking American History emphasizes the efforts of American reformers, dreamers, freedom fighters, dissenters, radicals, and workers to move the nation toward the democratic promise laid out in its founding documents. The framework is a traditional political history narrative told from a progressive perspective. This is an interpretation with which not all readers will agree, but the intention is to facilitate dialogue and debate that are imperative for the survival of American democracy.

A literary work in prose and rhyme with a focus on the search of ideal love, with the mythical knight Quijóte as mentor and guide.