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In what follows can be found the doors to a house of words and stories. This house of words and stories is the Archive of New Mexico and the doors are each of the documents contained within it. Like any house, New Mexico's archive has a tale of its own origin and a complex history. Although its walls have changed many times, its doors and the encounters with those doors hold stories known and told and others not yet revealed. In the Archives, there are thousands of doors (4,481) that open to a time of kings and popes, of inquisition and revolution. "These archives," writes Ralph Emerson Twitchell, "are by far the most valuable and interesting of any in the Southwest." Many of these documents were given a number by Twitchell, small stickers that were appended to the first page of each document, an act of heresy to archivists and yet these stickers have now become part of the artifact. These are the doors that Ralph Emerson Twitchell opened at the dawn of the 20th century with a key that has served scholars, policy-makers, and activists for generations. In 1914 Twitchell published in two volumes The Spanish Archives of New Mexico, the first calendar and guide to the documents from the Spanish colonial period. Volume Two of the two volumes focuses on the Spanish Archives of New Mexico, Series II, or SANM II. These 3,087 documents consist of administrative, civil, military, and ecclesiastical records of the Spanish colonial government in New Mexico, 1621-1821. The materials span a broad range of subjects, revealing information about such topics as domestic relations, political intrigue, crime and punishment, material culture, the Camino Real, relations between Spanish settlers and indigenous peoples, the intrusion of Anglo-Americans, and the growing unrest that resulted in Mexico's independence from Spain in 1821. As is the case with Volume One, these documents tell many stories. They reflect, for example, the creation and maintenance of colonial society in New Mexico; itself founded upon the casting and construction of colonizing categories. Decisions made by popes, kings and viceroys thousands of miles away from New Mexico defined the lives of everyday citizens, as did the reports of governors and clergy sent back to their superiors. They represent the history of imperial power, conquest, and hegemony. Indeed, though the stories of indigenous people and women can be found in these documents, it may be fair to assume that not a single one of them was actually scripted by a woman or an American Indian during that time period. But there is another silence in this particular collection and series that is telling. Few pre-Revolt (1680) documents are contained in this collection. While the original colonial archive may well have contained thousands of documents that predate the European settlement of New Mexico in 1598, with the Pueblo Indian Revolt of 1680, all but four of those documents were destroyed. For historians, the tragedy cannot be calculated. Nevertheless, this absence and silence is important in its own right and is a part of the story, told and imagined.Let this effort and the key provided by Twitchell in his two volumes open the doors wide for knowledge to be useful today and tomorrow.--From the Foreword by Estevan Rael-Gálvez, New Mexico State Historian

In what follows can be found the doors to a house of words and stories. This house of words and stories is the Archive of New Mexico and the doors are each of the documents contained within it. Like any house, New Mexico's archive has a tale of its own origin and a complex history. Although its walls have changed many times, its doors and the encounters with those doors hold stories known and told and others not yet revealed. In the Archives, there are thousands of doors (4,481) that open to a time of kings and popes, of inquisition and revolution. "These archives," writes Ralph Emerson Twitchell, "are by far the most valuable and interesting of any in the Southwest." Many of these documents were given a number by Twitchell, small stickers that were appended to the first page of each document, an act of heresy to archivists and yet these stickers have now become part of the artifact. These are the doors that Ralph Emerson Twitchell opened at the dawn of the 20th century with a key that has served scholars, policy-makers, and activists for generations. In 1914 Twitchell published in two volumes The Spanish Archives of New Mexico, the first calendar and guide to the documents from the Spanish colonial period. Volume Two of the two volumes focuses on the Spanish Archives of New Mexico, Series II, or SANM II. These 3,087 documents consist of administrative, civil, military, and ecclesiastical records of the Spanish colonial government in New Mexico, 1621-1821. The materials span a broad range of subjects, revealing information about such topics as domestic relations, political intrigue, crime and punishment, material culture, the Camino Real, relations between Spanish settlers and indigenous peoples, the intrusion of Anglo-Americans, and the growing unrest that resulted in Mexico's independence from Spain in 1821. As is the case with Volume One, these documents tell many stories. They reflect, for example, the creation and maintenance of colonial society in New Mexico; itself founded upon the casting and construction of colonizing categories. Decisions made by popes, kings and viceroys thousands of miles away from New Mexico defined the lives of everyday citizens, as did the reports of governors and clergy sent back to their superiors. They represent the history of imperial power, conquest, and hegemony. Indeed, though the stories of indigenous people and women can be found in these documents, it may be fair to assume that not a single one of them was actually scripted by a woman or an American Indian during that time period. But there is another silence in this particular collection and series that is telling. Few pre-Revolt (1680) documents are contained in this collection. While the original colonial archive may well have contained thousands of documents that predate the European settlement of New Mexico in 1598, with the Pueblo Indian Revolt of 1680, all but four of those documents were destroyed. For historians, the tragedy cannot be calculated. Nevertheless, this absence and silence is important in its own right and is a part of the story, told and imagined.Let this effort and the key provided by Twitchell in his two volumes open the doors wide for knowledge to be useful today and tomorrow.--From the Foreword by Estevan Rael-Gálvez, New Mexico State Historian

"e;Aguinaldos y villancicos, recetas, tradiciones de Navidad"e;-songs, recipes, and traditions of Christmas from the nineteen Spanish-speaking countries of Middle and South America, as well as from the one state that is officially bi-lingual, are included in this well-researched book. There is a wealth of Christmas music, much of it unknown to North Americans, with tunes and guitar chords, words and translations. And there are recipes from each country for holiday foods, ranging from simple beverages to complex tamales and desserts-from "e;gingebre"e; to "e;hallaca"e; and "e;tres leches."e; Also included are customs and traditions from each of the countries, some common to all, others specific to place, all reflecting the joys of Christmas. An index, glossary, and extensive bibliography make this a valuable resource for readers of all interests. VIRGINIA NYLANDER EBINGER wass a retired music teacher and a teacher trainer, researcher, and author, with special interest in the Hispanic folklore of New Mexico. Among her other publications are "e;Ninez: Spanish Songs, Games and Stories of Childhood"e; and "e;De Colores."e;

Adolph F. Bandelier, Charles Fletcher Lummis, and Father Anton Docher are names closely associated with the early colonial days in New Mexico. All of these characters appear in this narrative of Isleta Pueblo which tells the story of Father Docher's life in the Indian pueblo from the day when he first arrived along the road that was bad, but the sunset beautiful in 1891 until the time of the death of his two great friends, Bandelier and Lummis, and his own death several months later in 1928. Father Docher's job was not an easy one, but his great patience and understanding helped him through many difficulties. The story goes into many of these and into much of the legend and superstition of Isleta Pueblo which the Padre encountered during his long life there. He was particularly interested in the story of Father Padilla, the Franciscan friar who came with Coronado's band, whose body was buried in the church at Isleta but which refused to stay underground. JULIA KELEHER was a member and Professor in the English Department of the University of New Mexico from 1931 to her retirement in 1959. She was also a professional writer and edited each of her brother, William A. Keleher's books, all of which have been published by Sunstone Press in its Southwest Heritage Series. Her collaboration with Elsie Ruth Chant resulted in this fascinating collection of incidents for all readers interested in the American Southwest. She was married to Lloyd Chant and raised two children, George Ashley Chant and Julia Jane Chant.

In her large body of work that spanned more than half a century, Alice Marriott gave a wide audience fresh and lively accounts of the complex cultures of the Southwestern American Indian. Trained as an anthropologist/ethnologist, the first woman to graduate with a degree in that field from the University of Oklahoma, she coupled her scientific and creative writing skills to produce books that have become classics. Maria: The Potter of San Ildefonso, a definitive study of Pueblo Indian pottery making, has remained in print for sixty years. The memoirs that comprise this volume were written by Alice Marriott four years before her death in 1992, at the age of 82. They were her response to a request from Still Point Press for a full autobiography. Her frail health at the time-she was ill with Bell's Palsy, blind in one eye, recovering from multiple fractures from falls-prevented her from writing more. Nevertheless, the pieces she did complete are delightful personal stories, told in that unique Marriott style, still engaging and humorous today.

This story of Taos, New Mexico covers some four centuries of history. It is the story of a village that never gave up despite periods of drought, violence from unfriendly Indians and other hazards of frontier life. At one time, Taos was even the site of a short-lived but bloody rebellion against the United States government. Grant tells this and other fascinating true stories of a settlement that was home to trappers and explorers and later to artists and writers. Among its famous and best-known citizens was the mountain man, Kit Carson.

The time is 1887. From any window in Georgia O'Keeffe's Sun Prairie, Wisconsin birthplace home she only saw the Wisconsin prairie with its traces of roads veering around the flat marshlands and a vast sky that lifted her soul. At twelve years of age Georgia had a defining moment when she declared, "I want to be an artist." Years later from her east-facing window in Canyon, Texas she observed the Texas Panhandle sky with its focus points on the plains and a great canyon of earth history colors streaking across the flat land.Georgia's love of the vast, colorful prairie, plains and sky again gave definition to her life when she discovered Ghost Ranch north of Abiquiu, New Mexico. She fell prey to its charms which were not long removed from the echoes of the "Wild West." These views of prairie, plains and sky became Georgia's muses as she embarked on her step-by-step path with her role models--Alon Bement, Arthur Jerome Dow and Wassily Kandinsky. In this two-part biography of which this is Part I covering the period 1887-1945, Nancy Hopkins Reily "walks the Sun Prairie Land," as if in Georgia's day as a prologue to her family's friendship with Georgia in the 1940s and 1950s. Reily chronicles Georgia's defining days within the arenas of landscape, culture, people and the history surrounding each, a discourse level that Georgia would easily recognize. The book includes bibliographical references and indes. NANCY HOPKINS REILY was a classic outdoor color portraitist for more than twenty years and has taught portrait workshops at Angelina College in Lufkin, Texas where she had a one-woman show of her portraits. Her advance studies included an invitational workshop with Ansel Adams. Reily graduated from Southern Methodist University and lives in Lufkin, Texas. She is also the author of "Classic Outdoor Color Portraits" and "Joseph Imhof, Artist of the Pueblos," both from Sunstone Press.

The American Southwest has many ghost towns and most of them are gone forever. But Cerrillos, New Mexico--a short drive from Santa Fe--isn't one of them. Even though the excitement and "e;Wild West"e; crowds no longer make this little town the hub of activity it once was, there still exists the atmosphere of the 1800s and plenty of colorful people to make Cerrillos appealing to anyone interested in western history and traditions. This book guides the reader through the history and up to the present of a town that refuses to be a ghost.

Although written for young readers, all ages will enjoy these stories of what it was like to grow up in an Indian Pueblo during the early 1900s. The central character, Rabbit, learns from his grandfather and other adults the things he need to know so that he can, in time, become a responsible adult in the Pueblo. Illustrated with black and white drawings.

"e;This is my favorite kind of history,"e; writes Dick Haeberlin in "e;Southwestern American Literature,"e; "e;the story of a person I did not know about before, one not famous but important anyway."e; And important she was, as this new Sunstone Press edition of "e;Nina Otero-Warren of Santa Fe"e; reconfirms. In many ways her life paralleled that of Santa Fe and New Mexico in the early years of the twentieth century. Born in 1881, Nina saw New Mexico change from a mostly rural territory of sheep and cattle ranches operated by a few Hispanic ricos, to become the 47th state in 1912 with increasing Anglo immigrant influences. Her own father was murdered by an Anglo, James Whitney, who disputed Manuel Otero's right to his land. Acre after acre was wrenched away from her family in the Anglo-dominated courts. But Nina viewed the change as inevitable and proceeded to make it work for her. She married an Anglo, Rawson Warren, divorced him after two years, declared herself a widow, and kept his name. Her hyphenated surname, Otero-Warren, opened doors for her in both cultures and enabled her to achieve most of her goals, which were varied and ambitious. Her book, "e;Old Spain in Our Southwest"e; was published in 1936, and is now available in a new edition from Sunstone Press.

Patrick Floyd Garrett, widely known as "e;Pat,"e; (1850-1908) had tracked down and killed the outlaw Billy the Kid but also became a victim of the tangled politics of the time. He has been maligned by writers, libeled by Hollywood and deprecated by many of his contemporaries. But despite them, all his deeds retain for him a niche in the gallery of fast shooting peace officers who helped to bring law and order to the frontier West. When he died, there was rejoicing in some quarters and relief in others--as might be expected in the case of a controversial figure. There was also genuine and profound sorrow in the rugged hearts of many in New Mexico, Texas and Arizona, as well as farther afield, and the circumstances surrounding his death, ostensibly at the hands of a most unlikely cowboy named Wayne Brazel, have puzzled and intrigued historians since that spring day in 1908 when he was shot to death and left lying in a sand drift on a lonely road. But was Pat Garrett shot by Wayne Brazel, or hired killer Jim Miller? Brazel confessed, but few believed his story and he was acquitted. Colin Rickards' book sheds light on this unhappy affair which still remains a source of controversy. Colin Rickards has done extensive research on Pat Garrett including checking official court records, investigating contemporary accounts and conducting interviews. He separates fact from fantasy in this meticulously documented account. An authority on frontier history, the author has written numerous articles and books on the Old West. A journalist by profession, Rickards has applied the same techniques to ferreting out the true stories of life and death adventures in western history. More information on this controversial period in American Southwestern history, the heroes and the villains can be found in these and other Sunstone Press books: "e;Alias Billy the Kid"e; by Donald Cline and "e;Sheriff William Brady"e; by Donald R. Lavash. www.sunstonepress.com

An unexpected death in Donovan Merrill's family makes it necessary that his grandmother, Anna, and he leave the rectory in San Miguel. They move into her summer cottage in the midst of the artist colony in the Laguna Beach of 1938, starting life over. It will be difficult with their diminished resources, but Donovan and Anna prove up to the task. They find friends and mentors among the painters and bohemians, Donovan early on deciding that he will become a painter himself. After the war years, Anna encourages him to study in Paris; he paints for a summer in Provence and survives a difficult winter in Rome. On his return to the states, he finds a place in Santa Fe, starting his painting career in a rented adobe. When he meets Tomas de la Pena, a young Mexican writer, his life begins to tumble. Tomas's efforts at writing are unformed, not so flourishing as Donovan's career, so competitive troubles ensue. After building a house together, they must face Tomas's continuing disquiet. Time in Laguna is good to Anna, happy in her growing circle of artist friends. A love affair and a later marriage to a German expatriate make a striking contrast to her old life as a minister's wife in San Miguel. She worries as Donovan finds his way, and supports him emotionally and financially. But Donovan proves he can succeed on his own. This is the author's fourth book for Sunstone Press, after "e;Why I Won't Be Going to Lunch Anymore"e; in 2004, "e;The Galisteo Escarpment in 2008,"e; and "e;Creep Around the Corner"e; in 2009. DOUGLAS ATWILL grew up in California and Texas, lived in Europe and on the East Coast before moving to Santa Fe to paint. His canvases are shown in galleries thoughout the nation and his avocation is the design and construction of vernacular Santa Fe residences.

An internationally renowned scientist who fears she's taken one scientific risk too many; a distinguished archaeologist who's haunted by taking too few; a world famous financier who's lost everything except his money; an art gallery owner with a heartbreaking burden; a fugitive filmmaker; the head of a battered women's shelter-these are some of the people who find themselves at the end of the Old Santa Fe Trail at the end of the 20th century. Chance has brought them from all over to beautiful, legendary Santa Fe, New Mexico, where they shape, illuminate, and even deform each other's lives unexpectedly, as if on the very edge of chaos. This edge of chaos, a scientific term for that slender territory between frozen predictability and hopeless disorder, is a dangerously unstable place. Learning and change can only happen there, but always under threat of sliding back to frozen order-or over into the chaotic abyss. And Santa Fe's sons and daughters, even now, keep a precarious foothold on "e;The Edge of Chaos,"e; bringing their own pasts and their city's rich history into an uncertain but exhilarating future. PAMELA McCORDUCK has published eight other books, translated into most of the major European and Asian languages. She has written for magazines ranging from "e;Redbook"e; and "e;Cosmopolitan"e; to "e;Daedalus,"e; and was a contributing editor to "e;Wired."e; She was a board member and officer of the American PEN Center in New York, the authors' organization, and an officer of the New Mexico Committee of the National Museum of Women in the Arts. She has appeared on many television shows, including PBS's News Hour and the CBS Evening News. CNN based a two-part documentary on her book, "e;The Futures of Women."e;

Live again the days of the Old West when travel was not only rough but dangerous! The days when outlaws lurked behind boulders and along remote trails, ready to trap and rob the unwary drivers and their passengers. Billy LeRoy, Bill Miner, Charley Allison and Hamilton White III all shared a common bond of contempt for the law-abiding life, preferring to become stagecoach robbers. BANDIT YEARS profiles these four unforgettable outlaws who made the Barlow-Sanderson Overland Mail their special target. BOOKLIST reported: "e;Though the major events detailed in this book all took place during a 10-month period in southern Colorado and northern New Mexico, they provide a sound overview of the predatory habits of western outlaws."e;