Böcker utgivna av Sunstone Press

Are you looking for a way to have fun with young people while giving them a life-long tool for self-expression, physical and mental health, relaxation techniques, and improved focus? "e;Yoga for Kids to Teens"e; is another fun and easy-to-use handbook for you, as a parent, teacher, or young person, to enjoy. The authors of "e;Create a Yoga Practice for Kids"e; (Sunstone Press, 2006) introduce Nicole Hamory's SOLA Stikk Yoga, a lively approach to yoga for all ages. Find creative games, interactive themes, mind-melting relaxation, five-minute classroom yoga breaks and more.

Imported to the United States from Europe in 1890 and released in Central Park, New York City, to fight the growing number of insect pests at that time, the starlings quickly adapted themselves to the new climate. They are now at home almost everywhere. The starling is typical of many other birds, and this book with simple text is a wealth of birdlore. The marvel of streamline design and construction which is a bird's body-a design which has been copied to a great extent in building airplanes-is carefully explained. We follow the starling from nesting time, when the female busily sets the nest to rights, until the young ones are completely independent. As in "Pinto's Journey," "Turtles" and "Coyotes," also by Wilfrid Bronson and published by Sunstone Press, the text in this book for young readers is in large, clear type, and there are many illustrations on each page.

Lucas Murdoch isn't what he seems to be: a successful New York City salesman, retired at the age of 53, and searching for his roots in the quiet New England town of Pennington. But Lucas is a man with an obsession that governs everything he says and does.

In this superbly researched WWII novel, award-winning writer, Tori Warner Shepard, captures the mood of remote Santa Fe, New Mexico as it waits out WWII for the return of her men held in Japanese prison camps. POW Melo Garcia has survived the Bataan Death March in the Philippines but his brother and father have not. Along with 1,500 other American prisoners, he is diseased, tortured, starved, and used as slave labor in a condemned coal mine outside of Nagasaki, Japan. Melo is the last living hope to continue his family's centuries old line for his war-widowed mother, Nicasia, who prays for his return alongside his sweetheart, LaBelle. They have received no reliable news since the surrender to the enemy in 1942. The novel is as much a story of the men's heroism as it is of their Hispanic community which after Pearl Harbor was a distant and a safe refuge from the war, sought out by the US Government as an internment camp for 2,000 Japanese "e;Isseii"e; barely a mile from the office of the top-secret Manhattan Project that was developing the atomic bomb to be dropped 20 miles from Melo's prison camp. Add to the mix FBI and counter-intelligence agents, Gringo fanatics opposed to Roosevelt, Melo's "e;novia"e; LaBelle and Phyllis, the redheaded bombshell, who challenges her. And Melo himself with his mother who embodies "e;gracia,"e; a word that does not translate. This gripping exposition of the Japanese atrocities is even-handed and the characters and personalities on the home front will haunt your memory. TORI WARNER SHEPARD grew up in post-war Japan and since moving to Santa Fe over thirty-five years ago has been absorbed by the story of the POWs, their welcome home, and the effects of the war on a tight isolated community. She has an M.A. in Creative Writing which she has taught, and has published poetry, articles and short stories. Winner of the Mountainland Award for Contemporary Fiction, she has three grown children and lives with her husband in an old adobe.

In 1958, thirteen year-old Harry Polk is looking forward to an idyllic summer spent visiting his Aunt Cordelia and Uncle Horace in Tuckalofa, Mississippi. Harry soon learns that beneath its placid surface, the town is not what it seems. Before the summer is over he will encounter the violence and injustice of segregated society, intolerance of religious and social class differences, and closely guarded family secrets. When a popular young black man is brutally murdered by the county sheriff, Harry, Cordelia, and Horace will be caught up in a series of events culminating in an act of revenge that leaves Harry emotionally scarred. Years later, when Harry is summoned to Tuckalofa to arrange the funeral of his formidable Aunt Cordelia, he is forced to confront the past that has lain dormant for years-a past in which he found himself embroiled in the vicious crime that had tragic consequences for the entire town. A compelling story inspired by real events, "e;The Ravine"e; evokes a South during the early years of the Civil Rights movement where a complex mixture of love and hate, ignorance and enlightenment, and guilt and innocence coexist. It promises to keep the reader on edge until its dramatic and unexpected conclusion. JAMES WILLIAMSON, a professor of architecture at the University of Memphis, was raised in the South in the days of segregation. His first novel, "e;The Architect,"e; was praised as "e;a thoughtful, moving novel about the realities of building, particularly when style collides with money, politics, and the demands of the less than enlightened...a lively treatise on architecture itself."e;

The year is 1923, and one of Ohio's most prominent judges, O'Brien O'Donnell, fathers his first and only child. Though a joyous occasion for the recently married, fifty-nine year old, the birth sets off a terrifying chain of events, beginning with blackma

Buck Garett is foreman on his brother's ranch, and goes regularly to the cantina in Las Collinas for a night with Zulinda. She is the only woman in the Arizona Territory who will share her bed with him, and even that has a price--a dollar. Although Buck is really in love with his brother's wife, whom he has rescued from the Indians, he begins to think he should have a wife of his own. He has the local scribe write a letter answering an ad in a Chicago paper from a nurse who will marry a well-to-do rancher. But Buck, no well-to-do rancher, is half drunk and doesn't remember doing this. Beautiful and young Suzy Carver accepts the offer and is soon on her way. That's when the trouble begins. And then there is the determined Frenchman, not to mention the Apaches robbing wagon trains. Buck has his hands full.

In the early days of the American West, outlaws dominated the New Mexico Territory. Such colorful characters as Black Jack Ketchum, the Apache Kid, Curly Bill, Devil Dick, Billy the Kid, Bill McGinnis, Vicente Silva and his gang, the Dalton Brothers, and the Wild Bunch terrorized the land. Feared by many, loved by some, their exploits were both horrifying and legendary. In between forays, notorious outlaws were sometimes exemplary cowboys. Singly or in gangs, they held up stagecoaches and trains and stole from prospectors and settlers. When outlaws reigned, bank holdups, shoot-outs, and murders were a common occurrence; death by hanging became a favored means of settling disputes by outlaws and vigilantes alike. Stories of outlaws later provided plots for many of our favorite Western movies. Between 1936 and 1940, field workers in the Federal Writers'' Project (a part of the government-funded Works Progress Administration, or WPA, later called Work Projects Administration) collected and wrote down many accounts that provide an authentic and vivid picture of outlaws in the early days of New Mexico. They feature life history narratives of places, characters, and events of the Wild West during the late 1800s. These original documents reflect the unruly, eccentric conditions of the New Mexico Territory as they played out in clashes and collaborations between outlaws and "the gentle people" of New Mexico before and after statehood. This book, focusing on outlaws and desperados, is the first in a series featuring stories from the New Mexico Federal Writers'' Project collection. Other books in the series include stories about ranchers, cowboys, and the wild and woolly adventures of sheepherders, homesteaders, prospectors, and treasure hunters. In them, the untamed New Mexico Territory comes to life with descriptions of encounters with Indians, travels along the old trails, cattle rustling, murders at the gambling table, and Pancho Villa''s raid on Columbus. This treasury of Federal Writers'' Project records, presented with informative background and historic photographs, also highlights Hispano folk life and Western lore in old New Mexico.

This series of line drawings by legendary Santera (saint-maker) Marie Romero Cash, depict many of the popular saints painted by the santeros of the eighteenth and nineteenth centuries in Northern New Mexico. "The saints have always been an integral part of the culture," Marie says, "so much so that in the eighteenth and nineteenth centuries in New Mexico the art of the religious folk art of the santero became a part of its history. In creating this coloring book, my goal was to not only impart knowledge about the santero culture, but to provide images that could be colored in by children or adults, and could also be used for many other purposes, including embroidery or various decorative arts." Each full-page image is suitable for coloring by children at playtime or in a classroom setting. Easy to read information on many popular patron saints is included, as is the feast day of each saint. Teachers will find this coloring book a valuable teaching tool. There is also an author preface and an article about Marie Romero Cash by well-known journalist, Kay Lockridge. Born in Santa Fe, Marie Romero Cash has been a Santera (saint-maker) for over thirty years. Her award-winning works are in major museums and private collections throughout the United States, Mexico, Africa and The Vatican. She has written several books and magazine articles on the culture and religion of Northern New Mexico and has lectured widely on the subject for the New Mexico Endowment for the Humanities.

In what follows can be found the doors to a house of words and stories. This house of words and stories is the "Archive of New Mexico" and the doors are each of the documents contained within it. Like any house, New Mexico's archive has a tale of its own origin and a complex history. Although its walls have changed many times, its doors and the encounters with those doors hold stories known and told and others not yet revealed. In the Archives, there are thousands of doors (4,481) that open to a time of kings and popes, of inquisition and revolution. "These archives," writes Ralph Emerson Twitchell, "are by far the most valuable and interesting of any in the Southwest." Many of these documents were given a number by Twitchell, small stickers that were appended to the first page of each document, an act of heresy to archivists and yet these stickers have now become part of the artifact. These are the doors that Ralph Emerson Twitchell opened at the dawn of the 20th century with a key that has served scholars, policy-makers, and activists for generations. In 1914 Twitchell published in two volumes "The Spanish Archives of New Mexico," the first calendar and guide to the documents from the Spanish colonial period. Volume One of the two volumes focuses on the collection known as the "Spanish Archives of New Mexico, Series I," or SANM I, an appellation granted because of Twitchell's original compilation and description of the 1,384 documents identified in the first volume of his series. The Spanish Archives of New Mexico was assembled by the Surveyor General of New Mexico (1854-1891) and the Court of Private Land Claims (1891-1904). The collection consists of civil land records of the Spanish period governments of New Mexico and materials created by the Surveyor General and Court of Private Land Claims during the process of adjudication. It includes the original Spanish colonial petitions for land grants, land conveyances, wills, mine registers, records books, journals, dockets, reports, minutes, letters, and a variety of other legal documents. Each of these documents tell a story, sometimes many stories. The bulk of the records accentuate the amazingly dynamic nature of land grant and settlement policies. While the documents reveal the broad sweep of community settlement and its reverse effect, hundreds of last wills and testaments are included in these records, that are scripted in the most eloquent and spiritual tone at the passing of individuals into death. These testaments also reveal a legacy of what colonists owned and bequeathed to the next generations. Most of the documents are about the geographic, political and cultural mapping of New Mexico, but many reflect the stories of that which is owned both in terms of commodities and human lives. Archives inevitably, and these archives more than most, help to shape current debates about dispossession, the colonial past, and the postcolonial future of New Mexico. For this reason, the task of understanding the role of archives, archival documents, and the kinds of stories that emanate from them has never been more urgent. Let this effort and the key provided by Twitchell in his two volumes open the doors wide for knowledge to be useful today and tomorrow.--From the Foreword by Estevan Rael-Gálvez, New Mexico State Historian

In what follows can be found the doors to a house of words and stories. This house of words and stories is the "Archive of New Mexico" and the doors are each of the documents contained within it. Like any house, New Mexico's archive has a tale of its own origin and a complex history. Although its walls have changed many times, its doors and the encounters with those doors hold stories known and told and others not yet revealed. In the Archives, there are thousands of doors (4,481) that open to a time of kings and popes, of inquisition and revolution. "These archives," writes Ralph Emerson Twitchell, "are by far the most valuable and interesting of any in the Southwest." Many of these documents were given a number by Twitchell, small stickers that were appended to the first page of each document, an act of heresy to archivists and yet these stickers have now become part of the artifact. These are the doors that Ralph Emerson Twitchell opened at the dawn of the 20th century with a key that has served scholars, policy-makers, and activists for generations. In 1914 Twitchell published in two volumes "The Spanish Archives of New Mexico," the first calendar and guide to the documents from the Spanish colonial period. Volume One of the two volumes focuses on the collection known as the "Spanish Archives of New Mexico, Series I," or SANM I, an appellation granted because of Twitchell's original compilation and description of the 1,384 documents identified in the first volume of his series. The Spanish Archives of New Mexico was assembled by the Surveyor General of New Mexico (1854-1891) and the Court of Private Land Claims (1891-1904). The collection consists of civil land records of the Spanish period governments of New Mexico and materials created by the Surveyor General and Court of Private Land Claims during the process of adjudication. It includes the original Spanish colonial petitions for land grants, land conveyances, wills, mine registers, records books, journals, dockets, reports, minutes, letters, and a variety of other legal documents. Each of these documents tell a story, sometimes many stories. The bulk of the records accentuate the amazingly dynamic nature of land grant and settlement policies. While the documents reveal the broad sweep of community settlement and its reverse effect, hundreds of last wills and testaments are included in these records, that are scripted in the most eloquent and spiritual tone at the passing of individuals into death. These testaments also reveal a legacy of what colonists owned and bequeathed to the next generations. Most of the documents are about the geographic, political and cultural mapping of New Mexico, but many reflect the stories of that which is owned both in terms of commodities and human lives. Archives inevitably, and these archives more than most, help to shape current debates about dispossession, the colonial past, and the postcolonial future of New Mexico. For this reason, the task of understanding the role of archives, archival documents, and the kinds of stories that emanate from them has never been more urgent. Let this effort and the key provided by Twitchell in his two volumes open the doors wide for knowledge to be useful today and tomorrow.--From the Foreword by Estevan Rael-Gálvez, New Mexico State Historian

Author, photographer, historian, archeologist, and preservationist, Charles Fletcher Lummis stood tall in the affections of American Southwesterners at the turn of the 20th century. A flamboyant figure of enormous energy, he championed Indian rights and Hispanic culture, while introducing Easterners, through his many books, to the rich heritage of New Mexico, Arizona, and California. After years of fading from view, the large Lummis legacy is being rediscovered. His works are coming back into print and in 2006 the city of Los Angeles inaugurated an annual Lummis Day Festival. This little book can acquaint readers with a remarkable recorder of history and can help to reawaken interest in his efforts to preserve the distinctive cultures of the American Southwest. Additionally, this book contains, as its first chapter, the complete contents of the classic "Two Southwesterners: Charles Lummis & Amado Chaves" by Marc Simmons, originally published by San Marcos Press in 1968 and long unavailable until now. Marc Simmons, besides being an aficionado of the writings of Charles F. Lummis, is himself a historian and prolific author. In 1993 he was knighted by order of the King of Spain for his publications on Spanish colonial history of the Southwest. Among his most recent books are "New Mexico Mavericks," "Stalking Billy the Kid," and a new edition of "Southwestern Colonial Ironwork," all published by Sunstone Press.

Author, photographer, historian, archeologist, and preservationist, Charles Fletcher Lummis stood tall in the affections of American Southwesterners at the turn of the 20th century. A flamboyant figure of enormous energy, he championed Indian rights and Hispanic culture, while introducing Easterners, through his many books, to the rich heritage of New Mexico, Arizona, and California. After years of fading from view, the large Lummis legacy is being rediscovered. His works are coming back into print and in 2006 the city of Los Angeles inaugurated an annual Lummis Day Festival. This little book can acquaint readers with a remarkable recorder of history and can help to reawaken interest in his efforts to preserve the distinctive cultures of the American Southwest. Additionally, this book contains, as its first chapter, the complete contents of the classic "e;Two Southwesterners: Charles Lummis & Amado Chaves"e; by Marc Simmons, originally published by San Marcos Press in 1968 and long unavailable until now.

After four years of bitter struggles and immeasurable cost in human lives and property, the armies laid down their weapons and the country was reunited. But there was a magnitude of problems emerging from the rebellious and war-torn South and the now-freed slaves. The freed slaves, excited about their liberation, were led to believe that they would receive "forty acres of land and a mule," but this didn't happen. The politicians felt that freedom, citizenship, and the right to vote was enough for them. True equality was never pondered, and these people, emerging from servitude, were met with apathy and resentment. Who would represent these people, and who would mend the bitter feelings and destruction left by the war? John Wilson, who first appeared in the author's "Hillcountry Warriors" which was acclaimed as "an above-par work of period fiction" by "Publishers Weekly," was such a man. Wilson had fought for the Confederacy and upon returning to his home in Mississippi, felt there was room for all races. In essence, he was a man beyond his time. As long as Federal troops were stationed in the South, some order existed, but when they were removed in 1876, an internal struggle for power erupted. As time passed, Wilson was eventually appointed a district judgeship and he felt that he could make his dream of justice for all a reality. This is his story, and the story of many who labored to mend the bitter feelings and destruction left by the Civil War. Johnny Neil Smith, author of the critically acclaimed "Hillcountry Warriors" of which "Unconquered" is the sequel, is now a retired educator and has always had a deep interest in early American history. Since four of his great grandfathers served in the Confederate Army, he is fascinated with the American Civil War and has spent years of research on the subject.

Imagine yourself in a secluded green valley high in the mountains of northern New Mexico. You are one of a large family who own a sheep and cattle ranch surrounding the little village of Rociada. Your father, a Spaniard, is the revered and distinguished Jose Baca, and your mother, Dona Marguerite, is of French descent. Everyone in the village loves and respects your family as their patrones, appealing to them in times of trouble and bringing them gifts at Christmas. Out of the everyday life of the Baca family, the village people, their customs and superstitions, Oliver La Farge has drawn, for example, the touching story of young Pino's disillusionment with his hero, the horse thief Pascual. Or there is the account of the wedding shoes that pinched until the bride was in tears. Then there is Carmen's discovery of treachery in the unlit hovel of the blind religious and the amusing tale of how Pino was punished for his arrogance the night the Archbishop came to dinner. But beneath this rippling surface of adventure, tenderness, and humor rides the gradual encroachment of the outside world on Rociada, one of the last survivals of the ancient Spanish way of life in the United States. Finally, this idyllic village succumbs to the invasion of tourists and the machine, and Rociada becomes only a dream of the past. Of his many books, "e;Behind the Mountains"e; has earned the affection of Santa Feans and New Mexicans, who continue to regard the book as a regional classic. Santa Fe has changed a great deal-more than most people are prepared to acknowledge-since Oliver La Farge died. The small-town atmosphere with "e;its warmth and rewards"e; he often spoke of and admired is swiftly becoming a thing of the past. But with his name appropriately enshrined over the doorway of a library in Santa Fe, perhaps the Modern Age will not be inclined to forget his love for the city and for the people of the American Southwest.