Böcker utgivna av Sunstone Press

If you are reading this, you are either: A) a woman, B) trying to understand a woman, or, C) thinking of becoming a woman. No matter where you find yourself in life, this book will help you. Sara Jane Coffman asks the Big Questions, like, "If we can put a man on the moon, why can't I find a comfortable bra?" and "Is my new boyfriend's ex-wife really going to kill me, or is she just bluffing?" Sara Jane Coffman can dish the dirt or fry it up on a pan, she can turn the simple purchase of a new writing chair into an entire room renovation, and she can tolerate almost any flaw in a man if he has tenure and benefits. Mostly, though, Sara Jane Coffman can make you laugh. She is a gifted observer and master storyteller. If you liked "The Misadventures of a Single Woman," you'll love "There's No Such Thing as a Comfortable Bra." Sara Jane's misadventures will feel like your own...or make you feel better about your own. SARA JANE (Sally) COFFMAN is a freelance writer, a newspaper humor columnist, and the author of "The Misadventures of a Single Woman," also from Sunstone Press. She lives in West Lafayette, Indiana.

A result of the author's own experience finding her way through a particularly traumatizing divorce, this guide includes the usual self-help aspect as well as stories and advice that other women were willing to share with the author to help any woman sail through a turbulent time. Offering a fresh and uncommon perspective beyond the already long list of books on divorce that focus on getting through a break up's emotional toll or how to deal with children, the book's usefulness covers a comprehensive list of solutions to challenges that arise from attorneys offering legal and financial advice to saving on cosmetics and holiday gifts. There is a practical list of household hints as well as methods for helping kids get through such an upsetting period and ways to confront health issues that arise as a result of a stressful time. The author stresses the importance of such a life transition and how this guide can be a safety net providing a myriad of suggestions that help women move from a victim status to regaining their strength of inner peace and wisdom. Every woman who finds herself in the middle of a break up will find this the ideal all-inclusive companion for moving on. WENDI SCHULLER is a pseudonym for a published author who has conducted classes on various subjects. She draws upon her knowledge as a nurse, Neuro-Linguistic Programmer (NLP), and hypnotherapist, providing a blueprint to guide women through this difficult transition. Schuller hired an attorney for a court divorce, but decided to go the collaborative route instead and has worked with a mediator post-divorce. Her passion is international travel and she devised savvy cost-cutting measures to achieve this dream. Schuller worked in the public schools and observed firsthand the effects of divorce on children. Her aim is to have families experience a smoother divorce, keeping their sanity intact and obtaining the healthiest outcome possible.

On a warm summer''s evening, while riding his bicycle with his girlfriend down a gentle slope something inexplicable happened. Suddenly, Adam flew over his handle bars, bounced on the street, and crushed the back of his head. TBI-traumatic brain injury. In that moment, Adam''s life and the life of his family changed forever. Like tens of thousands of other young people who probably rode their bikes that day, Adam was not wearing a helmet. "Adam''s Fall" tells a very personal story of a young man''s struggle to survive first while in prolonged coma and then to heal and to recover himself. It is a story of the heroic efforts of doctors, nurses and therapists who saved his life and of those who have since supported his healing. But mostly, it is a story of a family facing every parent''s worst nightmare, a story of faith and of hope that continues to unfold in often surprising ways.

In this collection of personal essays, clarinetist Ann McCutchan uses the metaphor of circular breathing to animate her understanding of her own life as a woman, musician, and writer. Circular breathing is a technique for wind instrument playing in which fresh air is drawn in through the nose at the same time that stored air in the lungs is released by mouth through the instrument. The process allows the player to produce a continuous line of music without breaking the curve of a melody to inhale. The questions McCutchan grapples with have universal implications. For example, how does one come to be called to a life''s work? For McCutchan, who grew up in central Florida in the 1960s, the call grew out of twin desires: to exercise a physical voice and to develop an interior one. Bringing both to fruition meant abandoning roles expected of young women in that time and place, and learning to live ever after with the conflicting claims of art and life. Questions of familial loss lie at the heart of this collection, as well. With a sure, delicate hand, McCutchan examines the impact of her parents'' untimely deaths, her inability to bear children, and the foundering of her two marriages. Art may not deliver one from sorrow, she discovers, but it may console-deeply. Finally, there are the questions that arise when one can no longer fulfill the physical demands of an art. Can a musician trade in her instrument, and a world that defined her for decades, for something else? Here, McCutchan charts her journey from the stage to the page, exploring the ways both worlds feed each other.

John Ward-pitcher turned shortstop, author, lawyer and president of the first union for professional athletes-was married to the glamorous Helen Dauvray, a child star who re-invented herself on the Paris stage and as a leading lady and a wealthy producer on Broadway. On Albert Spalding's World Tour, Ward captained a team that played by the pyramids and across the Seine from the Eiffel Tower. Coming home for the 1889 season as conquering heros, the players started their rebellion against the autocratic owners led by Spalding. This unique historical novel moves deftly between the field and the stands at actual games, turns to Ward's tangled personal life and describes the events that led to the formation of the Players League. Each chapter contains a factual biographical sketch of a featured baseball figure, such as the racist Cap Anson, the verbose Orator O'Rourke, or the incomparable King Kelly. Sections called "e;Then and Now"e; make tongue-in-cheek comparisons between the 19th Century game and baseball today, not always in favor of the latter. This novel will be unforgettable for any fan of baseball, theater, love or American history in the late 19th Century.

Alessandra "Alex" Petersen, an unhappily married woman from West Texas, is rescued from a fall into the cold waters of Holy Ghost Creek, a tributary of the Pecos River in Northern New Mexico by mysterious Mark Cassidy. After drying off at his nearby house, she goes to stay at a female friend''s house in Santa Fe. Thinking her friend gone, she is horrified to find not only her friend, but her husband, both murdered. Jeremy Radcliff, retired ex-CIA agent, is blackmailed into finding and eliminating-permanently-a fellow ex-CIA agent, a woman who happens to be Mark Cassidy''s sister, Evelyn, who is hiding out with her brother in their Holy Ghost Canyon safe house. Suspicions, lethal connections and coincidences abound, leading to a surprising finale in Holy Ghost Canyon.

A gentle wood carver whose santos are stolen; an old hunchback who, with the help of Our Lady, comes into her own; a horse thief innocent of wrong intents-theirs are the stories that Fray Angelico paints, framing them with exquisite art in the manner of the medieval triptych. Born and bred in the land of sunshine and silence, Fray Angelico Chavez has a threefold heritage and a threefold gift. Heir to the artistic tradition of Spanish New Mexico, steeped in the spirit of Franciscan mysticism, and word-perfect in the folklore of the adobe village, he interprets the ageless spirit of his people in story, poetry and painting.

The land to the south of the "villa" of Santa Fe was a series of ridges, like ripples in the earth. Indians standing on the roofs of the "casas reales" in the pre-dawn hours of December 16, 1693, could see across the ruins of the village to the hills beyond. The sun was just beginning to light the mountains to the east. Across the snowy hills came a winding army of men, wagons, and stock riding up from the south. The army, as warlike in appearance as any that ever marched to meet an opposing force, came slowly, a long beige snake spiked with muskets, horse snaffles, and lances glinting in the sun. The colonists'' first sight of the large, fortress-like "casas," the former government buildings and the residence of the Spanish governor, was marked by an outburst of extraordinary fervor. After the agonies of the past two-and-one-half months, the Army of Reconquest had finally reached its goal. The Indians and colonists observed each other across a great expanse as the army approached the city''s walls. Colonized in 1598 and driven into exile in 1680, the Spaniards were aware that theirs might be the first colony to be defeated by an indigenous people. They had made several previous attempts at reconquest, but each of these attempts had failed. The Spaniards were finally successful in 1692 in achieving a bloodless, but only ritual repossession. The actual occupation and resettlement of the New Mexico Kingdom, however, would prove to be a deadly affair. This book completes Lucero''s trilogy-"Voices in the Stillness"-regarding New Mexico''s colonial history. It provides an account of the better than 20 ancestral families-his forebears-that returned with the Army of Reconquest. Based on a true series of events, the book sets out the particulars of the Pueblo Indian Revolt of 1680 and its aftermath, as told from the viewpoints of the Lucero de Godoy and Gomez Robledo families and some of the other New Mexico colonists who experienced it. Author of several books regarding the New Mexico colony ("The Adobe Kingdom," "A Nation of Shepherds," "The Rosas Affair," all from Sunstone Press), Dr. Lucero meticulously retraced the colonists'' deadly retreat, as well as the trails of their several attempts at reconquest, as part of his research for this book. DONALD L. LUCERO is a former resident of Las Vegas, New Mexico. He received his undergraduate degree at New Mexico Highlands University. He holds graduate degrees from the University of New Mexico and the University of North Carolina. Dr. Lucero, a licensed psychologist, conducts a private practice in psychology in Raynham, Massachusetts.

Las Vegas, New Mexico has been characterized as "e;two towns, one place,"e; "e;The Town that wouldn't gamble,"e; and "e;The Wildest of the Wild West."e; The descriptions are at least partially accurate, but they fail to capture the essence of this small city. Much has been written about the history of Las Vegas and narratives continue to appear in popular, scholarly and promotional articles and essays. In some cases, Las Vegas' history is presented as a back-drop to the telling of a story about a particular person, era, theme, event, or some other aspect of its story. This book addresses issues in the development of Las Vegas and the American Southwest that remain quite relevant in the 2lst Century. Among these are an increased socio-cultural diversity that impacts the hegemony of this population and its effects on inter-cultural relations; Spanish/Mexican sovereignty versus American expansionism; conflicting conceptions of land and water rights; and resolving local community problems and public policymaking in the wake of divergent political cultures. The book remains an important treatise since it is a well researched biography of an important and vital town that figured prominently in the growth, evolution and development of New Mexico and the American Southwest.

In this new edition of the author''s first collection of poems, he writes about those simple truths and everyday experiences that inevitably shape our lives. With uncompromising honesty, these poems speak with a vibrant, dynamic voice. In poetry simple and uncluttered, with a flowing rhythmic style, they state their message lucidly and pointedly, creating an affinity between the poet and the man on the street. These are poems from the heart, written openly and honestly with always the abiding conviction that they should "tell no lies." Poems that never seek to deny the reality of those other, darker truths of our existence, movingly expressed by one who sees clearly in his own life and experience the central elements of the human condition. THOMAS GRISSOM is also the author of three other collections of poems: "One Spring More," "Journal Entries," and "Neither Here Nor There," all from Sunstone Press. He lives in Albuquerque, New Mexico and is Emeritus Member of the Faculty at The Evergreen State College in Olympia, Washington. In addition to poetry Grissom is the author of several works of fiction as well as non-fiction.

Father Hector, trained in agronomy and extension, delights in farming. When the bishop appoints him to San Miguel in the mountains of Mexico, he feels his prayers have been answered. The bishop''s agenda differs. He directs Hector to convince the Indian congregants that miracles are not the frequent events that they are reporting. When Hector reaches San Miguel, he confronts a Protestant evangelical, who is encouraging villagers to plant cash crops and use new pesticides and modern technology. Instead of battling for souls, Hector must pit sustainable agriculture and appropriate technology against his rival. Hector''s empathy and hard work win out over the charisma and charm of the Protestant, but his attempts to reduce the frequency of miracles at San Miguel are a different matter.

Frances DeWolf, wife of Seventh Cavalry surgeon James DeWolf, lay in bed alone on a frigid morning in 1875, listening to her husband''s activities in their military quarters-opening the parlor stove, tossing in logs, the metal-on-metal screech as he closed the stove door. She knew she should get up, but instead she curled under the warmth of heaped blankets and recalled their adventure so far. They had met in the Oregon wilderness where James was an enlisted hospital steward at an Army camp and she a teacher for ranchers'' children. She was 19 and he was 28 when they were married. In 1873, James applied for and was granted a transfer to a post near Boston so he could attend Harvard Medical School. But even with his Harvard degree, he wouldn''t leave the Army. So here they were in the middle of a frozen prairie. There were rumors that Lieutenant Colonel George Armstrong Custer would lead the cavalry in a campaign against roaming Indians next year. If true, she hoped her husband wouldn''t have to go off to fight as well. "Voices in Our Souls," a historical novel based on fact, tells James and Fannie''s poignant story-one filled with joys and triumphs, regrets and sorrows, and above all else, enduring love. Gene Erb is also the author of "A Plague of Hunger" based on two award-winning newspaper series, one focusing on the migration of jobs from Iowa to Mexico and the other examining world hunger issues. A former U.S. Navy pilot, Mr. Erb was a reporter and editor with the "Des Moines Register and Tribune" from 1974 through 2000. He has a bachelor''s degree from Iowa State University and a master''s degree in journalism from the University of Missouri. Ann DeWolf Erb was a librarian at Iowa State University for five years and then an analyst, manager and officer at an Iowa insurance company through 2000. She has a bachelor''s degree from the University of West Florida and a master''s degree in library science from the University of Rhode Island. She is a distant cousin of Dr. James Madison DeWolf. The authors live in Iowa.

"e;She was my idol,"e; said columnist Mary McGrory. McGrory, in writing of women, referred to Doris Fleeson as "e;incomparably the first political journalist of her time."e; Fleeson was, in fact, the first woman in the United States to become a nationally syndicated political columnist. In 1945, with the encouragement of Henry Mencken, she launched her column. In her career she would write some 5,500 columns during the next twenty-two years. Fleeson's appearance could be disarming. Once at a party Lady Bird Johnson exclaimed, "e;What a gorgeous dress, Doris. It makes you look just like a sweet, old-fashioned girl."e; The wife of Senator Stuart Symington interjected, "e;Yes, just a sweet old-fashioned girl with a shiv in her hand."e; CAROLYN SAYLER lives in Lyons, Kansas, ten miles from the town of Sterling where Doris Fleeson was born in 1901. Knowing members of the Fleeson family, she began researching the life of the columnist whose straightforward take on Washington became a daily fix for newspaper readers across the nation. Sayler has a background in journalism as a member of a Kansas newspaper family. She is the author of a history of Manhattan, Kansas, which tells of the town's founding during the Free State struggle, its strong connections with New England, and its abolitionist college, now Kansas State University.

Santa Fe, as a tourist destination and an international art market with its attraction of devotees to opera, flamenco, good food and romanticized cultures, is also a city of deep historical drama. Like its seemingly "adobe style-only" architecture, all one has to do is turn the corner and discover a miniature Alhambra, a Romanesque Cathedral, or a French-inspired chapel next to one of the oldest adobe chapels in the United States to realize its long historical diversity. This fusion of architectural styles is a mirror of its people, cultures and history. From its early origins, Native American presence in the area through the archaeological record is undeniable and has proved to be a force to be reckoned with as well as reconciled. It was, however, the desire of European arrivals, Spaniards, already mixed in Spain and Mexico, to create a new life, a new environment, different architecture, different government, culture and spiritual life that set the foundations for the creation of "La Villa de Santa Fe." Indeed, Santa Fe remained Spanish from its earliest Spanish presence of 1607 until 1821. But history is not just the time between dates but the human drama that creates the "City Different." The Mexican Period of 1821-1848, American occupation and the following Territorial Period into Statehood are no less defining and, in fact, are as traumatic for some citizens as the first European contact. This tapestry was all held together by the common belief that Santa Fe was different and after centuries of coexistence a city with its cultures, tolerance and beauty was worth preserving. Indeed, the existence and awareness of this oldest of North American capitals was to attract the famous as well as infamous: poets, writers, painters, philosophers, scientists and the sickly whose prayers were answered in the thin dry air of the city situated at the base of the Sangre de Cristos at 7,000 foot elevation. We hope readers will enjoy "All Trails Lead to Santa Fe" and in its pages discover facts not revealed before, or, in the sense of true adventure, enlighten and encourage the reader to continue the search for the evolution of "La Villa de Santa Fe."

Santa Fe, as a tourist destination and an international art market with its attraction of devotees to opera, flamenco, good food and romanticized cultures, is also a city of deep historical drama. Like its seemingly "adobe style-only" architecture, all one has to do is turn the corner and discover a miniature Alhambra, a Romanesque Cathedral, or a French-inspired chapel next to one of the oldest adobe chapels in the United States to realize its long historical diversity. This fusion of architectural styles is a mirror of its people, cultures and history. From its early origins, Native American presence in the area through the archaeological record is undeniable and has proved to be a force to be reckoned with as well as reconciled. It was, however, the desire of European arrivals, Spaniards, already mixed in Spain and Mexico, to create a new life, a new environment, different architecture, different government, culture and spiritual life that set the foundations for the creation of "La Villa de Santa Fe." Indeed, Santa Fe remained Spanish from its earliest Spanish presence of 1607 until 1821. But history is not just the time between dates but the human drama that creates the "City Different." The Mexican Period of 1821-1848, American occupation and the following Territorial Period into Statehood are no less defining and, in fact, are as traumatic for some citizens as the first European contact. This tapestry was all held together by the common belief that Santa Fe was different and after centuries of coexistence a city with its cultures, tolerance and beauty was worth preserving. Indeed, the existence and awareness of this oldest of North American capitals was to attract the famous as well as infamous: poets, writers, painters, philosophers, scientists and the sickly whose prayers were answered in the thin dry air of the city situated at the base of the Sangre de Cristos at 7,000 foot elevation. We hope readers will enjoy "All Trails Lead to Santa Fe" and in its pages discover facts not revealed before, or, in the sense of true adventure, enlighten and encourage the reader to continue the search for the evolution of "La Villa de Santa Fe."