Böcker utgivna av Sunstone Press

Here, in a comprehensive, practical, and extremely readable volume, an author-artist whose many nature books are favorites with children gives an absorbing account of goats-the countries from which they came originally, the merits and characteristics of the major breeds, the reasons why they are especially valuable to us, and the methods of raising them for pets or for profit. He describes the most scientific way to house, feed, and care for either a herd of goats or for a single goat. In addition to practical information on raising goats, Mr. Bronson gives fascinating background material about them and their place in history. The reader discovers, for instance, that traces of some of the early legends and superstitions about goats are still to be found in our language today. From Pan, the half-goat god of the ancient Greeks who had the mischievous habit of startling travelers in lonely places, comes our word "panic." Then we learn that in pagan times communities would confess their sins annually to a goat, which was later allowed to escape to the wilderness, supposedly taking the sins with it; hence our word "scapegoat." In his simple, inimitable style, known to many readers through such books as "Cats," "Starlings," "Coyotes," "The Wonder World of Ants," "The Grasshopper Book," "Horns and Antlers," "The Chisel-Tooth Tribe," and "Turtles." Mr. Bronson provides a humorous and informative text, enhanced by detailed drawings on nearly every page.

When the beautiful Magdalena Chavez and her troubled, passionate son move into the small town of Las Madres, New Mexico, it doesn't take long for the discerning among the townspeople to discover that they are other. Magdalena is a teller of stories that delight many, but also challenge the assumptions of one and all. Soon the reader is seduced into an enchanted world in which the boundary between reality and fantasy is always on the point of collapsing. The main characters must maintain a difficult balance between opposing polarities-sacred and profane, forbidden desire and ruthless power-a balance that seems to come instinctively to the simple but knowing inhabitants of Las Madres. Fairhead is utterly at home in this environment, evoking it with a mixture of precision and lyrical intensity. Whether she is describing the tumult of a bullfight, the stillness of a work of art or the vast, cinematic splendour of the New Mexico landscape, her voice is always pitch perfect. As the title suggests, it is a world of great beauty, but that same title also warns us that we cannot speak of beauty without also speaking of death. The Duende, that dark wind that blows through the world and touches the back of the neck whenever death is possible, is never far away. BARBARA GRENFELL FAIRHEAD was born in the UK in 1939 and has lived in South Africa since 1948. She is an artist, sculptor, writer, poet and lyricist for the band, Red Earth & Rust. She has published two books of poetry: And Now You Have Leapt Up To Swallow the Sun: 1997 and Word and Bead: The Presentation of a Journey: 2001, and a short story: Raven's Moon: 2001. Over a period of twenty years she visited New Mexico regularly to spend time in her casita close to Black Mesa. She lives in Cape Town with her partner, singer-songwriter, poet and editor, Jacques Coetzee. Of Death and Beauty is her first novel.

In this tale of Alaska, two young men come to Prince of Wales Island: one, a whaler who in 1849 was shipwrecked on the island's southern rocky shore, and one who arrived by ferry in the summer of 1975 to search for his place in the grand scheme of things. Their two lives were forever changed by the adventure awaiting them. True, they were from different times but their stories were played on the same incredible stage against a backdrop rich in mystical folklore and native history. And whether by fate or chance, their lives became tied together.

In New Mexico, during Lent and Holy Week each year, the Penitent Brotherhood enacts a primitive Passion Play, which in its traditional ritual of self-torture represents a curious survival of the Middle Ages. Much lurid journalism has been devoted to the Penitentes, but in this sympathetic account by Alice Corbin Henderson, an eye-witness, the ceremonies are presented in their true aspect, with the historic background and reason for the survival clearly indicated. From this it appears that the religious custom of self-inflicted penance was introduced into the Southwest as early as 1598 by the Franciscan priests who accompanied Don Juan de Onate and his soldiers and colonists on their way to the permanent settlement of the province of New Mexico-originally embracing all of our present Southwest. From that day the customs then inaugurated have been traditionally observed by the humble descendants of the "e;Conquistadores."e; Alice Corbin and William Penhallow Henderson lived in New Mexico and know its people and its colorful landscape intimately. The striking illustrations in black and white that appeared in the original 1937 edition by William Penhallow Henderson are an integral part of the text of this new edition. Also included in this edition along with an introduction by Lynn Cline is "e;Alice Corbin, An Appreciation"e; from "e;New Mexico Quarterly Review"e; in 1949, an article by Marc Simmons from "e;The Santa Fe New Mexican,"e; and a review of the book from "e;New Mexico Quarterly"e; at the time of publication of the original edition in 1937 by T. M. Pearce.

The story of the colonization of Northern New Mexico and one of its leading "parajes" (El Camino Real campsite) will fascinate anyone interested in the history of the American Southwest. For example, what cultures were there when the colonists arrived in 1598? What military genius defeated Cuerno Verde, the firebrand Comanche chief, and in 1786 executed a long-lasting peace treaty? Why was Juan de Oñate sent to establish the first permanent European settlement in the United States in 1598, nine years before the settlement of Jamestown and twenty-five years before the Pilgrims arrived at Plymouth Rock? And why did New Mexico fail to attain U.S. statehood until 1912? How did the Battle of Glorieta Pass help turn the tide during the American Civil War? What herbs were in the "curandera's" (traditional healer) medicine cabinet? Why were marriages arranged? What function do the Penitentes still play in New Mexico's Catholicism? Did Miguel Vega y Coca and his family play a role in New Mexico's re-colonization? And finally, what is an "acequia"? The answers to these questions, and more, are to be found between the covers of this book. SHIRLEY BARNES earned her BA and MA degrees from the University of Colorado and was a library media specialist for the Jefferson County Public Schools in Colorado before she retired to Santa Fe, New Mexico. Soon after arriving, she became a docent at El Rancho de las Golondrinas, a living history museum of the colonial Hispanic experience in La Ciénega valley near Santa Fe. Born and raised in what was once Spanish territory, Shirley became an aficionado of the richness of the regional Hispanic and Native American societies. She has been quoted as saying, "The depth of culture here exceeds that of anywhere else in the United States."

Few religious icons dominate and inspire their subjects as powerfully as La Conquistadora, America's Oldest Madonna, has over the centuries. Don Diego de Vargas carried her image as a message of peace and reconciliation when the Spanish returned to Santa Fe after the Pueblo Revolt. In frontier times, a well-known local madam was especially devoted to her. In modern times, her fame has reached throughout the world, while her local devotional society has provided a link between the very rich and the very poor in Santa Fe, even as it served as a power base for city and state politics. While maintaining her place in the hearts of Santa Feans, La Conquistadora has also taken the throne at the heart of the ancient city's history, and she has the scars to prove it. With features sometimes called "Palestinian" and startling blue eyes, La Conquistadora's origins are shrouded in mystery, but Jaima Chevalier unveils surprising new information about this icon's amazing provenance and past. A never-before-seen x-ray suggests the transformations La Conquistadora has undergone, while material from the journals of one of her most loyal devotees recalls the tense weeks of her 1973 kidnapping. Finally, Chevalier discovers the key to the long-standing mystery surrounding the wood used to craft the statue. This book fuses recent scientific discoveries with the stories and legends that comprise La Conquistadora's incredible mythology, creating a lyrical meditation that resonates with history throughout the centuries and across two continents and embracing Santa Fe, New Mexico as a crossroads of different cultures.

This book consolidates Carl Miller's extensive knowledge gained while pursuing his life's work in Olympic-style weightlifting. There are scientific principles behind Olympic-style weightlifting, and Miller's 50 years of lifting, researching and coaching provide valuable insight into the process of Olympic lifting. Whether you are an advanced lifter or a novice, Miller equips you with the tools to become a champion, even if it's in your own mind. For those lifters with the desire to compete, Carl's book will inspire you to immerse your body and mind in the intricacies required to be a winner. Miller's success as a young weightlifter led him to a long and unique career coaching weightlifting, fitness and nutrition to elite athletes in the 1960s and 1970s, and later he spread his message about the benefits of weight training to a wider audience. As Coaching Coordinator for the U.S. Olympic weightlifting team, Miller put into practice many methods and techniques he gleaned from studying successful international lifting programs. The U.S. Olympic weightlifting team under head coach Tommy Kono won a record number of Olympic medals using assistant Olympic coach Carl Miller's coaching system. He gathered the best lifters in the country, had the best coaches in the sport, and introduced new lifting techniques to elevate the U.S. lifters to contenders. Carl Miller has dedicated himself to analyzing and tweaking the techniques of Olympic lifting. During the 1970s, in addition to his duties with the Olympic team, he was a National coach, World coach, elementary school teacher and vice principal. As a teacher and vice principal Miller developed physical conditioning programs for the kids in his school. During his 30 years, and still counting, as founder and co-owner of Carl & Sandra's Physical Conditioning Center, lifters seek out Carl, his son Shane and staff for Olympic-style training. Carl & Sandra's Conditioning Center stands apart from other gyms because Carl Miller's philosophy revolved around the benefits of weight training long before it became popular. He weaves the hundreds of tiny components of Olympic-style weightlifting into beneficial fitness programs for gym members with a wide variety of profiles, and at the same time, his Conditioning Center trains a team of nationally competitive masters Olympic weightlifters. "The Sport of Olympic-Style Weightlifting" provides the athlete with a comprehensive review of the critical elements that mold a champion. Winning isn't simply about lifting technique, eating the right food or visualizing lifts. You will discover the importance of body levers and the nuances of adjusting for your own unique body measurements, you will learn the finer points of planning the different phases of your training, you will be enthralled with the diverse programs available to incorporate in your routines, and you will grasp how your mind contributes to your accomplishments at critical points along your trajectory.

Both mature professionals, they fell in love with childlike glee. John and Dorothy had met briefly in New Jersey. A medical doctor from Australia, he was en route to the British Isles to further his education. Friends of Dorothy, also a doctor, had fixed them up on a blind date neither looked forward to. Yet they had fun. When she decided on a summer vacation in England, her best friend and traveling companion Helen broke her leg at the last moment, as if by fate. John happily saw Dorothy around London but thought of her only as a lady doctor from America. Then, in the hospital matron's sitting room, something happened that changed both their lives. A rushed courtship, a simple wedding in Wesley's Chapel, and the briefest of honeymoons followed. She sailed home, and John, scarcely believing he was now a married man, stayed on at St. Paul's Hospital in London. For three months, the Atlantic separated them. John wrote to Dorothy every morning and every night, never once missing a day. A self-confessed very ordinary man, he revealed much about himself and about how he coped in London during their separation, devising a hundred different ways to express his love for Dorothy. His letters convey a refreshing earnestness and honesty. Although Dorothy's half of the correspondence has not survived, her mysterious cable, "Come at once!" assured John's arrival in East Orange by Christmas. This tenderhearted story, based on the love letters John wrote to Dorothy from London in 1933 and including numerous excerpts, is told by their son for those of us who have experienced or imagined the love of a lifetime. Born in New Jersey and raised in California, John Kessell did not set out to be a professional historian. His work in the 1960s, however, at Tumacacori National Monument in New Mexico, site of a Spanish colonial mission, alerted him to the possibility. Returning to graduate school with new purpose, he earned his doctorate at the University of New Mexico, survived a decade as historian-for-hire, and joined the UNM Department of History. His major historical editing project with colleagues Rick Hendricks, Meredith D. Dodge, and Larry D. Miller resulted in the six-volume "Journals of don Diego de Vargas, New Mexico, 1691 - 1704." Kessell is also author of "Kiva, Cross and Crown: The Pecos Indians and New Mexico, 1540 - 1840"; "The Missions of New Mexico Since 1776"; and "Pueblos, Spaniards, and the Kingdom of New Mexico."

On any given day, "e;Wisdom Collectors,"e; which can include scholars, poets and general enthusiasts, are lined up awaiting the next nuggets of wisdom. Each word of wisdom builds on previous words of wisdom whether spoken or written by such individuals as Abigail Adams, Abraham Lincoln, Andy Rooney, Angela Lansbury, Ann Richards, Aristotle or Audrey Hepburn. These are just a few of the A's. The B's through Z's are just as impressive. Nancy Hopkins Reily has now dealt with these words of wisdom, sometimes in rhyme, metered, and narrative verse, and presented them in a musical beat that not everyone will recognize-all done with an uncanny imagination that cuts through to the core of every issue and includes the youth and adults. Wisdom Collectors also delve into the living of life such as traveling, cooking, photographing, retiring and preparing for emergencies. "e;These selective nuggets,"e; Nancy says, "e;are welcome to all members and non-members of the Wisdom Collectors whose current membership, by the way, is one person-me."e; Nancy's wisdom began when she was a young native Dallas, Texan and learned that it was okay to say, "e;I don't know."e; Graduated from Southern Methodist University, she claimed that she wasn't very sexy if her high heel shoes hurt her feet. As a beginning homemaker, there was nothing like the sound of scraping burnt toast. In raising two children, Nancy realized that each age came in the right sequence. And just as she finished her work as a mother, she became a grandmother. One grandson taught her that Louisiana doesn't drain very well. When she began her writing career, she declared that fifty percent of writing is just showing up to write and to surround yourself with talented people. Nancy says that the best advice she has been given is, "e;Drink very little liquid, if any, after six pm."e; And, upon reflection she wonders, "e;Do I want to be a pioneer woman and be among the first women to stop cooking?"e; NANCY HOPKINS REILY is also the author of "e;Classic Outdoor Color Portraits, A Guide for Photographers;"e; "e;Georgia O'Keeffe, A Private Friendship, Part I, Walking the Sun Prairie Land;"e; "e;Georgia O'Keeffe, A Private Friendship, Part II, Walking the Abiquiu and Ghost Ranch Land;"e; and "e;Joseph Imhof, Artist of the Pueblos"e; with Lucille Enix, all from Sunstone Press.

Buck Cooper was a confused and uncertain cowboy. After more than a dozen years of fighting long winters, the droughts, and the emptiness of Montana, he was at long last headed back to his beloved New Mexico, hoping it would finally be the culmination of a dream he had been nurturing for years. All he wanted to do was see the sun for the whole year and never again endure winter for eight long months. Was it the right move? Only time would tell. JOEL H. BERNSTEIN has been a tenured college professor, writer, bareback rider, cowboy and rancher for more than fifty years in Wyoming, Montana, Arizona and New Mexico. He has been involved with rodeo as a contestant, college rodeo coach, producer, and writer. In addition he has been the president of three major western associations and he twice judged the Miss Rodeo Montana pageant and served two terms on the New Mexico State Veterinary Grievance Committee. He was also national director of "Indian Pride on the Move." He still owns a large ranch overlooking the historic San Rafael Valley in Arizona and now lives with his wife Gail on a smaller place outside Santa Fe, New Mexico.Includes Readers Guide

In 1951, when Sister of Charity Mary Joaquin Bitler was called to Santa Fe, New Mexico to be the Supervisor of Nursing at Santa Fe's antiquated St. Vincent Hospital, she remarked that the 1910 Catholic hospital was surviving on "e;nerve and hope."e; Later, as Administrator (1960 - 1976), she was lauded locally and nationally for her achievements in health care and for bringing that care to the poor of New Mexico. Considered by many a brilliant businesswoman, she turned St. Vincent's into a state-of-the art facility in its time, managed by a community corporation. Sister Mary Joaquin's story tells of a very complex personality. A tough hospital administrator, she had many admirers as well as some enemies; a devout nun, she drew strength from her religion to open her heart to the poor and the sick, while she herself suffered a chronic and debilitating illness. In 1977, after succeeding in her goal to build Santa Fe a new and greatly expanded community-owned hospital, Sister Joaquin retreated to a life of contemplation and prayer in a little hermitage in central Mexico. Appalled by the poverty and sickness around her-the distended stomachs of hungry children, the heart-breaking number of infant deaths from dysentery and other parasitic diseases-she opened a small clinic in her hermitage to treat the villagers, most of whom had never seen a doctor or had any access to health care. Her last years were spent living as a hermit in New Mexico's Christ in the Desert Benedictine Monastery until her death in 2003. "e;Charity's Sister"e; is a book that will appeal to students of medicine, Southwest history and women's history, as well as being a testament to one woman's profound strength of will, to one who always sought divine guidance in dealing with adversities in her own life and in the many lives she touched.

In June 1965 a group of dedicated professional artists of the theatre met in Paris, France, to create the International Association of Theatre for Children and Youth (ASSITEJ). Four days later ASSITEJ was born, and its story began in "Discovering A New Audience For Theatre, Volume I (1964 - 1975)." Now Volume II covers the years from 1976 - 1990 a period of the greatest divisiveness, which ultimately resulted in a rededication and a worldwide expansion under new leadership. ASSITEJ now has over 80 national centers around the world. Its Secretariat is currently in Croatia, and the members of its current Executive Committee (2008 - 2011) come from Argentina, Australia, Austria, Croatia, Denmark, Germany, Finland, Israel, Japan, Korea, Rwanda, Sweden, Switzerland, Turkey, United Kingdom, USA, and Zambia. Volume III will complete this history, and will cover the years from 1991 - 2005, completing a history of the first forty years of the existence of ASSITEJ. Nat Eek, PhD is a Regents Professor Emeritus of Drama, and Dean Emeritus of Fine Arts at the University of Oklahoma. He was personally involved in the first ten years of ASSITEJ, as a member of the Executive Committee, a Vice-President, and ultimately its President. He was named Honorary President of ASSITEJ. He has attended all the International Congresses of this History with the exception of the Moscow Congress in 1984.Ann Shaw, EdD is an Associate Professor Emerita from Queens College of the City College of New York, a research historian of ASSITEJ, an Honorary Member of ASSITEJ International, an authority in creative dramatics and theatre for the handicapped, a former Vice-President of ASSITEJ and Founding President of ASSITEJ/USA (now TYA/USA), the USA national center for ASSITEJ. She has attended the International Congresses of this History in 1972, and from 1978 through 2005.Katherine Kryzs is the Curator of the Child Drama Collection and Theatre Specialist for the Arizona State University Libraries, where the archives of ASSITEJ/USA and personal documentation about ASSITEJ are held. Her archival training includes The Modern Archive Institute at the National Archives in Washington, DC. She has also attended several of the International Congresses.

The Métis are the descendants of Cree and Assiniboine women who joined with French and Scottish men to raise children and shape a hybrid culture in the heart of Canada. In "Métis, Mixed Blood Stories," four generations of adolescents come of age during their sixteenth year. Together their voices tell the story of one family and of a people. Matriarch Angeline describes her ride on the last great buffalo hunt of the 1860s and her relationship with charismatic Métis leader Louie Riel. Her grandson, Gilles, relates his escape from a Chicago orphanage and his fight to stay out of reservation school. Gilles's daughter, Elisabeth, fights to protect the rights of native youth in the violent 1968 U.S. Democratic Convention. The novel closes with the vibrant voice with which it begins, that of great-granddaughter Annie, whose creativity as a young author and filmmaker will ensure that the legacy of their culture lives on.

Europe in the Cold War years was a dangerous place for Harold Bronson and his buddies, draftees commandeered into espionage and counterintelligence. Their low echelon escapades take them to Berlin, Ulm, the South of France, and Zurich. Bronson chooses this time of his life to explore a personal coming out, creating secrets within secrets in a disapproving military. In his off-time, Bronson paints portraits of the other denizens of Schloss Issel, earning money for trips and adventures to Paris and Nice. Always on the edge of life, he taunts the higher-ups with a light-hearted acceptance of life in the spy world of 1957. Real danger is further off from his circle at the Schloss, but it is an insistent melody they can always hear. Other books by DOUGLAS ATWILL, all from Sunstone Press, are "e;Imperial Yellow,"e; "e;The Galisteo Escarpment"e; and "e;Why I Won't Be Going To Lunch Anymore."e; Atwill lives in Santa Fe, painting New Mexico landscapes and gardens from his studio on the city's Eastside.

The once great Pecos Pueblo has deteriorated to a series of rock and earthen humps on a narrow ridge in the Upper Pecos Valley in New Mexico. The nearby mission church is reduced to roofless red walls eroding among the foundations of its larger predecessor. Now that they are under the care of the National Park Service, visitors stroll the Ruins Trail awed by the remains and eager to know more of their story. Who were the people who called this place home over the centuries? What were their lives like in times of calm and crisis? Where did the people go when the Pueblo was abandoned? And how can their descendents claim that "e;we are still here!"e;? These ten stories range through the centuries from stone age hunters of the distant past to the return of the ancestors in 1999. Linked by an ancient bone bead each describes a particular event from the perspective of a young girl and her family.

Aaron Turner is a tall redheaded fifty-three year old minister and Lieutenant Colonel in the Texas militia. Duty calls him to participate in both the Cherokee and Wichita Wars. He and his family struggle to survive the financial panic of 1837, Indian raids, a whooping cough epidemic and scorching drought. He responds with optimism, determination and innovation. When money is scarce, they gather and sell wild horses. When food is scarce, they travel to the dangerous Comancheria to hunt buffalo. As the Mexican-American War erupts, Aaron is commissioned Colonel of Scouts and leads a regiment that will play a significant role in the conflict in a faraway land. Will the time come when the old warrior will lay down his saber? Will he hang up his guns in peace at last? "Ride for the Lone Star," the fourth volume in the Western Quest Series, follows Aaron Turner, his family and friends, through the turbulent days of the Republic of Texas, culminating in the annexation of Texas by the United States and the Mexican-American War. Stephen L. Turner was born a fifth generation Texan, sixth generation Arkansan, and eighth generation American. His youth was steeped in the history and culture of his heritage. A graduate of Texas Tech School of Medicine, he has worked as a pediatrician in rural Plainview, Texas since 1984. He is married with two married children. His other time is spent on their panhandle ranch, raising horses and hunting. His other novels in the Western Quest Series to date are "Out of the Wilderness," "On the Camino Real" and "Under Troubled Skies," all from Sunstone Press.

If this was an art exhibit, it would have been called a retrospective. The poems are culled from some seventy years of the author''s writing about everyday life and world events. Their subjects include celebrating holidays, moving, the weather, trees, visiting museums and other places. They are a celebration of the enjoyment of life and the delights of living in harmony with nature. In this collection, Muth shows readers that there are no boundaries in the field of imagination. Marcia Muth is a writer and an American folk artist. Even though she is internationally recognized as an artist-her paintings are in the permanent collections of several museums and in many private collections-poetry has been her way of recording her life experiences since she was a child. "Poetry has served me well as a way to respond to people, places and events in the world. It is my second language," she says. She was born in Fort Wayne, Indiana in 1919 and grew up in Indiana and western New York State. She received degrees from the University of Michigan and has lived in Santa Fe, New Mexico since 1966. She is also the author of "A World Set Apart, Memory Paintings;" "Writing and Selling Poetry, Fiction, Articles, Plays & Local History;" "How to Paint and Sell Your Art;" "Indian Pottery of the Southwest;" Kachinas, A Selected Bibliography;" "Ma Frump''s Cultural Guide to Plastic Gardening" which won a first place award in the 2008 New Mexico Book Awards; "Post Card Views and Other Souvenirs, Poems;" "Thin Ice and Other Poems;" "Sticks and Stones and Other Poems;" and "Words and Images, Poems," all from Sunstone Press. Her biography, "Left Early, Arrived Late," by Teddy Jones, also from Sunstone Press, was published in 2008. In 2006, she was named a Santa Fe Living Treasure in recognition of her many accomplishments.

Beautiful Lalooh becomes the "e;favor and fancy"e; of sixteen-year-old Andrew Eaton as she teaches him Yakama words for the parts of a bear caught by the most powerful Yakama leader in the Pacific Northwest, Chief Kamiakan. One year later Andrew translates at the Walla Walla Treaty Council, helping to establish reservations bitterly resented by tribes from the Nez Perce of the Rocky Mountains to bands on the Columbia. The Yakama War breaks out, 1855-1856, and Andrew helps hunt for Kamiakan and an elusive Indian confederation. He translates across council fires from Lalooh and carries dispatches between one commander pursuing extermination and another seeking truce. A territorial governor, an army major, Jesuit priest, Hudson's Bay trader and Lalooh battle for Andrew's soul and conscience. Yet an officer's order brings him to the darkest of violations, and his love for Lalooh leads him to a little-known event as revealing to American history as Sand Creek, Washita Creek and Wounded Knee.