Böcker utgivna av Stanford University Press

A collection of articles, lectures, and interviews whose apparent variety, touching on social criticism, psychoanalysis, philosophy, poetry and science, among others, is actually strongly focused on one main idea: that of autonomous, creative action at the individual and collective levels.

A substantially revised second edition of the classic book that discusses the work of H.L.A. Hart and analyzes his important contributions to analytical jurisprudence.

This ethnographic study of a local school system in Turkey illuminates the dynamic interplay between politics, society, and education.

Becoming Visionary: Brian De Palma's Cinematic Education of the Senses is an examination of the logic governing the work of a major American artist that is, at the same time, a general philosophical examination of the logic of meaning governing all the major filmic categories-frame, camera movement, editing cut, close-up, and the relations between vision and sound.

"Naven" is the name of a peculiar ritual practiced by Iatmul, a head-hunting tribe of New Guinea. The ceremony is performed to congratulate members of the tribe upon the completion of notable accomplishments, among which homicide ranks highest.

Algeria Cuts discusses the figure of woman under colonial rule in Algeria as well as within the postcolonial independent nation-state through an interdisciplinary framework that spans fine art, film, colonial and legal policy, manifestoes, prose fiction, and theoretical and philosophical texts concerning the relationship between France and Algeria.

An account of the conquest of the Itzas which details the layers of political intrigue and action that characterised every aspect of the conquest and its aftermath. Jones offers a comprehensive reconstruction of an independent Maya kingdom which reveals much about neighbouring lowland Maya groups with whom the Itzas interacted, often violently.

Through a commanding view extending over five thousand years, Jan Assmann explores the connections between religion, culture, and memory, in ten brilliant essays.

"Production of Presence" is a comprehensive version of the thinking of Hans Ulrich Gumbrecht. most consistently original literary It offers a personalized account of some of the central theoretical movements in literary studies and in the humanities over the past 30 years.

This book draws together essays that play in various ways upon questions involving books, archivization, machines for writing, and the mechanicity inherent in language, the media, and intellectuals.

This is the first historically comprehensive and up-to-date analysis of the causes, content, and consequences of nationalism in China, an ancient empire that has struggled to construct a modern nation-state and find its place in the modern world.

Consisting of two texts on facing pages, the form of this presentation of two 1996 lectures on hospitality by Jacques Derrida is a self-conscious enactment of its content. Invitation by Anne Dufourmantelle appears on the left (an invitation that of course originates a response), clarifying and inflecting Derrida's "response" on the right.

In this accessible collection of short meditations on various topics, Blumenberg works as a detective of ideas scouring the periphery of intellectual and philosophical history for clues-metaphors, gestures, anecdotes-essential to grasping human finitude.

"The Spirit of Utopia", written mostly in 1915-16, published in its first version just after the First World War, republished five years later, 1923, in this version is presented for the first time in English translation.

Over the past decade, radical questioning of the grounds of Western epistemology has revealed that some antinomies of the aesthetic experience can be viewed as a general, yet necessarily open, model for human understanding. This book is a rigorous explication de texte of a central text for this thesis, Kant's Analytic of the Sublime.

The essays in this volume by Germany's leading social theorist of the late 20th century formulate what he considered to be the preconditions for an adequate theory of modern society.

Marc Chagall (1887-1985) traversed a long route from a boy in the Jewish Pale of Settlement, to a commissar of art in revolutionary Russia, to the position of a world-famous French artist. This book presents a comprehensive collection of Chagall's public statements on art and culture.

This book argues that in "Christian Europe," the question of the enemy has for millennia been structured by the historical relation of Europe to both Arab and Jew. It provides a philosophical understanding of the background of the current conflict in the Middle East.

Behind today's headlines stands an unobtrusive army of science advisors-panels of scientific, medical, and engineering experts evaluate the safety of the food we eat, the drugs we take, and the cars we drive. This book studies, theoretically and empirically, the social process through which the credibility of expert advice is produced, challenged, and sustained.

This is a collection of twenty-two essays by an eminent philosopher, critic, and theorist that appeared between 1971 and 1992. The book interrogates the theory and practice of representation as it is carried out by both linguistic and graphic signs, and thus the complex relation between language and image, between perception and conception.

This is the first book-length treatment of the political causes and consequences of the Great Leap Famine (1959-61), one of the worst tragedies in human history.

This is a succinct and elegant argument for the specificity of a philosophy of tragedy, as opposed to a poetics of tragedy espoused by Aristotle.

Drawing upon both Husserl's published works and posthumous material, Husserl's Phenomenology incorporates the results of the most recent Husserl research. It can consequently serve as a concise and updated introduction to his thinking.

The French Revolution is a defining moment in world history and has usually been first approached by English-speaking readers through the picture painted of it by Edmund Burke. This text is a classic work in a range of fields from history through political science to literature,

What took place in Auschwitz revokes what Adorno termed the "Western legacy of positivity", the innermost substance of traditional philosophy. This text anatomizes the range of Adorno's concerns, including sections such as "Art, Memory of Suffering", and "Damaged Life".

One of Italy's most original philosophers aims to connect the problem of pure possibility, potentiality, and power with the problem of political and social ethics in a context where the latter has lost its previous religious, metaphysical, and cultural grounding.

Explains the structure of the feudal society, describes the rise of economic life and tells of the impact of Commodore Perry's arrival in 1853. Bibliographical notes.

Competition and the State analyzes the role of the state across a number of dimensions as it relates to competition law and policy across a number of dimensions. This book re-conceptualizes the interaction between competition law and government activities in light of the profound transformation of the conception of state action in recent years by looking to the challenges of privatization, new public management, and public-private partnerships. It then asks whether there is a substantive legal framework that might be put in place to address competition issues as they relate to the role of the state. Various chapters also provide case studies of national experiences. The volume also examines one of the most highly controversial policy issues within the competition and regulatory sphereΓÇöthe role of competition law and policy in the financial sector. This book, the third in the Global Competition Law and Economics series, provides a number of viewpoints of what competition law and policy mean both in theory and practice in a development context.

"This volume examines how the Western United States underwent a period of profound transformation during World War II. A lineup of notable historians examines the cultural, environmental, economic, and political ramifications of the war on the American West, and argue for new ways of conceptualizing the "Western frontier" in the second half of the twentieth century"--

Richard Vinograd is the Christensen Fund Professor in Asian Art at Stanford University. Ellen Huang is Curatorial Fellow for Asian Arts at the Cantor Arts Center, Stanford University. Bay Area entrepreneur and Stanford University trustee Jerry Yang and his wife Akiko Yamazaki are the primary lenders of the Ink Worlds exhibition. This book is published to accompany an exhibition at the Cantor Arts Center, Stanford University.