Böcker utgivna av SEVEN STORIES

At just fifteen years old, Lulu, a "round, hungry little girl," finds that her erotic cravings are already powerfully established when she is seduced by a family friend, Pablo, twelve years her senior. This initial encounter incites the violent power play that drives an adult Lulu through a series of increasingly titillating sexual exploits. Always fascinated by the thin line separating decency and morality from perversion, Lulu gains the courage to explore the darker side of her carnal desires—but as her forays become increasingly desperate, the world of illicit and dangerous sex threatens to engulf her completely. A groundbreaking novel of sexual exploration, The Ages of Lulu sparked international controversy and was an overnight sensation when it was first published in Spain fifteen years ago. It won the Sonrisa Vertical Prize for erotic fiction, and was made into a film starring Javier Bardem.

Do the Blind Dream? shows Gifford at the height of his powers, navigating with ease the new, more fragmented imaginative landscape of morning-after America. Gifford seems to have anticipated themes that suddenly are recognizable everywhere: the fragility of identity; the power of coincidence; the illusion of a secure tomorrow.In contrast to his often nightmarish, satirical, groundbreaking novels of the 1990s-Wild at Heart, Perdita Durango, and Night People among them-Do the Blind Dream? continues in the tender and deeply introspective vein revealed in two recent works: Gifford's memoir The Phantom Father (named a New York Times Notable Book), and the award-winning novella Wyoming. From the intimate, stylistically daring examination of the darkest secrets in the history of an Italian family, to the terrible but often beautiful fears and discoveries of childhood, to the sardonic, desperate confusion of adult life, Do the Blind Dream? reveals an exceptionally versatile, highly tuned sensibility.

Winner of the 2006 American Library Association Sophie Brody AwardA Kirkus Reviews Best Book of 2005The Israeli-Palestinian conflict has shaped the consciousness of a generation, but never before has it been brought to life in such vivid and telling prose. Part Tim O'Brien and part Bernard Malamud, Avner Mandelman's Talking to the Enemy ranges from boisterously entertaining tales of domestic squabbles to dark narratives from disillusioned soldiers. Awarded the Jewish Book Award when it was published in Canada and supplemented with recent stories, Talking to the Enemy is the powerful American debut of an international favorite."Pity" draws the reader through the descending layers of horror of an Israeli soldier who is party to an assassination attempt gone terribly wrong. In "Terror" a man recalls a traumatic childhood incident that taught him family comes first-before justice, before fear. On a lighter note, "Mish-Mash" is a comical tornado set off when a winning lottery ticket is discovered in a less-than-conventional family, best described as "Sholem Aleichem writes Peyton Place on speed" (Montreal Gazette). Underneath their often brash exteriors Mandelman's characters search for reconciliation and fulfillment in a land where conflict is a part of everyday life. Mandelman ensnares readers in intense plot-driven narratives that are pierced through with unexpected and ingenious twists. Beneath the surface of the often sparse prose lies evocative, unanswered questions about humanity. Every story delivers a thoroughly engrossing read with an unforgettable ending.

More than one year after the "fall of Baghdad," the reconstruction of Iraq was failing terribly. Ordinary Iraqis waited in line for basic necessities like clean water and fuel, while the number of civilians and soldiers killed escalated in tandem with the billions of U.S. tax dollars spent. In Iraq, Inc.: A Profitable Occupation, Pratap Chatterjee delivers an on-the-ground account of the occupation business, exposing private contractors as the only winners in this war.Chatterjee examines the big failings and even bigger swindles of Iraq's corporate managers, from the dangerous follies of an out-of-touch government-in-exile to the unchecked price gouging by Cheney's successors at Halliburton. In Iraq, Inc. Chatterjee contrasts the employment boom of mercenaries--more than 20,000 soldiers of fortune from apartheid-era South Africa, Pinochet's Chile, and elsewhere in Iraq--with the crowds of unemployed locals ripe for recruitment to the resistance.Drawing on years of research and first-hand experience in the region including his live reporting from post-invasion Iraq as he traveled around the country first in December 2003 when Saddam Hussein was captured and in April 2004 during the height of the siege of Fallujah, Chatterjee brings us the dilapidated hospitals, looted ministries, and guarded corporate enclaves that mark the plunderous road to America's free Iraq.

En Israel/Palestina, Reinhart traza el desarollo del Muro de Seguridad y la doctrina israelí de "Retirada Unilateral," que se inició en respuesta a la ampliación de la población Palestina, la cual pronto será la mayoría. Examinando la diplomacia reciente, incluyendo aquellos acuerdos auspiciados por los EEUU (Camp David, Oslo, y Taba), Reihnhart discute el desequilibrio de poder fundamental que existe entres las partes negociadoras. Reinhart también identifica la estrategia israelí de crear circunstancias diseñadas para complicar los términos de futuros acuerdos.En ésta obra introductora indispensable, Reinhart ofrece nuevas perspectivas sobre el conflicto y posibilidades para cambio en el futuro.

Like most things William Kunstler does, the poems in this collection rattle the foundations of venerable American institutions, in this case our poetry canon and our entrenched notion that institutionalized racism is a thing of the past. His blending of high seriousness of purpose with lightheartedness of tone appears effortless and masterful. This is not ivory tower stuff. It is experience lived as fully as possible and only then recast in lyric form. Kunstler knew most of the people he writes about. A good number of those who live on in these pages had him as their only defender, some ke kept out of prison, others from the electric chair.In many ways, this book is Kunstler's true autobiography. Reading the sonnet and accompanying prose paragraph on Dr. Martin Luther Kings, Jr., for example, we learn all we need to know about the bond between Kunstler and the younger clergyman, and the seven years they worked together. And from the sonnet and commentary on Morton Stavis we grasp how deeply Kunstler feels the calling of his profession, by his anguish at the loss of his attorney friend who had for many years defended him in the courts.

The yearly volumes of Censored, in continuous publication since 1976 and since 1995 available through Seven Stories Press, is dedicated to the stories that ought to be top features on the nightly news, but that are missing because of media bias and self-censorship. The top stories are listed democratically in order of importance according to students, faculty, and a national panel of judges. Each of the top stories is presented at length, alongside updates from the investigative reporters who broke the stories.Beyond the Top 25 stories, additional chapters delve further into timely media topics: The Censored News and Media Analysis section provides annual updates on Junk Food News and News Abuse, Censored Déjà Vu, signs of hope in the alternative and news media, and the state of media bias and alternative coverage around the world. In the Truth Emergency section, scholars and journalists take a critical look at the US/NATO military-industrial-media empire. And in the Project Censored International section, the meaning of media democracy worldwide is explored in close association with Project Censored affiliates in universities and at media organizations all over the world.A perennial favorite of booksellers, teachers, and readers everywhere, Censored is one of the strongest life signs of our current collective desire to get the news we citizens need—despite what Big Media tells us.