Böcker utgivna av Seven Stories Press,U.S.

It's Christmastime in the Southland in this near-future vision of 21st century California. Our narrators, an ex-con turned pistol-carrying priest, and Sugar Child, a halfway house resident, have just met. The priest is a donations solicitor for Blessed World, the church and charity, and works downtown, "where I bang a tambourine and beg for money in the mellifluous, singsong voice beloved by children worldwide: Help the needy, give to the poor, amen." But nothing is going right. Hassled by SWAT cops, and troubled after a failed marriage, he's losing faith in himself. Sugar Child has her own problems. She's arrested by SWAT police, and sent to "lockdown." Her opinion of the priest is no better: She's never met a man who was stronger than a woman. Looking at him, she never will.As the days speed toward Christmas-holiday shoppers aren't giving him any money-the priest wonders whether there isn't some new mission awaiting him, one that'll help the people in the street, or perhaps one that will lead to his imprisonment. And as he bangs on his tambourine it becomes clear that the one thing he wants most is to take Sugar Child to the "promised land," because what would Christmas be this year without an act of freedom.A novel that is also a psychic history in a time of attrition, With Death Laughing is a utopian crime story where the line between thievery and charity all but disappears.

The story of a mean and narcissistic king, originally written in the 1970s is both uproariously funny and distressingly on point, will be enjoyed by children and their parents."Rabbits don''t exist."    So decrees the new king, the Wolf of all Wolves, after conquering the rabbits'' homeland. He refuses to allow even one small, fluffy tail or long, soft ear into his kingdom. He orders the birds to broadcast this message far and wide. And he summons the old monkey to photograph him in his royal finery, performing his royal deeds. But in his darkroom, the monkey sees something strange developing in the photos. Is that a floppy ear? Whose grinning bunny teeth are those? How could it be?      Ariel Dorfman''s first children''s book, THE RABBITS" REBELLION, is a remarkable and mischievous allegory of truth and justice triumphing over political chicanery. Set in a magical animal kingdom and illustrated by the great Chris Riddell, this is a story that will have children roaring with laughter and parents raising an eyebrow with recognition.

Here is the story of a child born at the dawn of a social movement.At first the protests were in small villages and at universities. But then they spread. People drew sustenance from other social movements in other countries. And then the unthinkable happened.The protagonist in this fictionalized children''s memoir is a witness and a participant, fearful sometimes, brave sometimes too, and when things change, this child who is now an adult is as surprised as anyone.

The first children''s book to appear in English by the award-winning Israeli master storytellerWhat happens when a tired boy with a fertile imagination is left to fend for himself at the zoo? Well, if his father is too busy to play and must talk business on his phone, and it''s close to naptime, then ... a lot. After freeing sad animals from their cages, the boy takes a ride in an airship with an old turtle and a lazy rhinoceros. Once on board he describes to Habakkuk, the ship''s captain, the traits of the rarely seen long-haired cat-boy cub: Long-haired cat-boy cubs need to be played with once an hour to stay alive. Also, you cannot wash a long-haired cat-boy cub in water, they only like to drink juice and chocolate milk, and, most of all, you must listen to a long-haired cat-boy cub''s story to the end even if you get a call from work. Long-Haired Cat-Boy Cub is a clever and captivating tale that will appeal to any cub who has busy parents and a busier imagination.

Elliot Hersch is given a basketball on his tenth birthday and cuts a deal with his disapproving father: if he makes straight As, he is allowed to play. Modeling his game on the basketball heroes of his time--Clyde Frazier, Oscar Robertson, Magic Johnson, and especially Larry Bird--Elliot becomes one of the finest high school basketball players in New York. Trying to steer clear of the corruption and sleaze in the big college programs, Elliott signs with the seemingly clean-cut University of Southern Arizona (USA), partly to fulfill his promise to his father, whose one piece of advice about life is: Tell the truth, always. A quote from Chaucer, his father's favorite writer, guides both father and son "Trouthe is the hyest thing that man may kepe." What he finds at the USA and then the NBA is a far cry from untarnished "trouthe." Elliott is challenged at every turn, tangling at the end of the day with what is most true: the game. Can Elliott truly play basketball? And if not, what is left of his life? Trouthe, Lies, and Basketball is an epic comic tale--structured somewhat like a gripping basketball game, completely with literary "time-outs"--of a basketball player coming to terms with the world as it is, his talents as they are. Rosen's characters, even the mostly unseemly, are all heart, and by the end they leave those hearts on the hardwood.

In a near-future New York City in which both global warming and a tremendous economic divide are making the city unlivable for many, a huge superstorm hits, leaving behind only those who had nowhere else to go and no way to get out. Makayla is a twenty-four-year-old woman who works at the convenience store chain that's taken over the city. Jesse, an eighteen-year-old, genderqueer, anarchist punk lives in an abandoned IRT station in the Bronx. Their paths cross in the aftermath of the storm when they, along with others devastated by the loss of their homes, carve out a small sanctuary in an abandoned luxury condo. In an attempt to bring hope to those who feel forsaken, an unnamed, mysterious street artist begins graffitiing colorful murals along the sides of buildings. But the castaways of the storm aren't the only ones who find beauty in the art. When the media begins broadcasting the emergence of the murals and one appears on the building Makayla, Jesse, and their friends are living in, it is only a matter of time before those who own the building come back to claim what is theirs. All City is more than a novel, it's a foreshadowing of the world to come.

An oral history biography of the legendary Latin American writer and Nobel laureate Gabriel García Márquez, brimming with atmosphere and insight.Irrevent and hopeful, Solitude & Company recounts the life of a boy from the provinces who decided to become a writer. This is the story of how he did it, how little Gabito became Gabriel García Márquez, and of how Gabriel García Márquez survived his own self-creation.    The book is divided into two parts. In the first, BC, before Cien años de soledad (One Hundred Years of Solitude), his siblings speak and those who were friends before García Márquez became the universally loved Latin American icon. Those who knew him when he still didn't have a proper English tailor nor an English biographer, and didn't accompany presidents. It gathers together the voices around the boy from the provinces, the sisters and brothers, the childhood friends, the drinking buddies and penniless fellow students.    The second part, AC, describes the man behind the legend that García Márquez became. From Aracataca, to Baranquila, to Bogota, to Paris, to Mexico City, the solitude that García Márquez needed to produce his masterpiece turns out to have been something of a raucous party whenever he wasn't actually writing. Here are the writers Tomás Eloy Martínez, Edmundo Paz Soldán and William and Rose Styron; legendary Spanish agent Carmen Balcells; the translator of A Hundred Years of SolitudeGregory Rabassa; Gabo's brothers Luis Enrique, Jaime, Eligio and Gustavo, and his sisters Aida and Margot; María Luisa Elío, to whom A Hundred Years of Solitude is dedicated; and so much more: a great deal of music, especially the vallenato; the hilarious scenes of several hundred Colombians, García Márquez's chosen delegation, flying to Stockholm for the Nobel Prize celebrations; the time Mario Vargas Llosa punched Gabriel García Márquez in the face; and much, much more.    In Living to Tell the Tale, the first volume of García Márquez's autobiography, Gabo writes: "e;I am consoled, however, that at times oral history might be better than written, and without knowing it we may be inventing a new genre needed by literature: fiction about fiction."e; Solitude & Company joins other great oral histories, like Jean Stein and George Plimpton's Edie: American Girl, their oral history biography of Edie Sedgwick, or Barry Gifford's oral history of Jack Kerouac, Jack's Book--an intimate portrait of the most human side of Gabriel García Márquez told in the words of those who knew him best throughout his life.

The Emmy Award-winning creator of GASLAND tells his intimate and damning, personal story of our world in crisis. With a foreword by Bill McKibben. The rules have changed. The water has changed. The climate has changed. The truth has changed. We must change. In The Truth Has Changed, Josh Fox turns the rapid-fire shocks that are remaking the very fabric of our lives-writing as a first responder, a reporter, a documentarian, and an activist-into art, literature, and at least one answer to the question of what the future holds. Our normal isn't normal anymore. The paradigm shift that global warming represents parallels a paradigm shift in how we process truth. Both deeply affect democracy. Josh Fox has had a front row seat-a first responder after 9/11, filming the Deepwater Horizon spill close up from the air and on the ground, a member of Bernie Sanders's delegation of the Democratic Platform Committee, risking his life to cross a bridge on Thanksgiving Day at Standing Rock, traveling the nation and the world, shooting his films, talking to people everywhere he goes. The Truth Has Changed is his first book, the companion to his new one-man show of the same title, and it's beautiful.

A lonely wizard moves to a new town in this charming children's story by renowned American poets Anne Sexton and Maxine Kumin, now in print again for the first time in decades.Everything is going wrong in the town of Drocknock until the new wizard arrives. He is very young, and he is lonely, and very nervous too; but he knows just where to find the right spells to stop the chicken pox epidemic and bring back the twenty cows that had disappeared. The drought is the town's most important problem, however. The new wizard needs five of his own tears to bring rain, but he is so happy in Drocknock he cannnot cry! "Peel an onion," the old wizard advises. "But," he warns, "beware, beware...a wizard's tears are powerful. They can make strange magic."..... The Wizard's Tears, first published in 1975, is moving and kind and funny in its intimate and modest way, yet strong and full of renewed life with stunning new illustrations from Keren Katz. Anne Sexton and Maxine Kumin had been friends for several years--having met at and carpooled to a Boston poetry workshop--when they began writing books together for younger readers. The creativity and versatility required for children's books offered the two poets the opportunity to experiment and play with language in new, unexpected ways, to connect world and words with humble, powerful, childlike imagery--"not unlike writing a poem where compression acts to intensify feelings," as Maxine reckoned.

"It takes a man of peace to stop a war." The true story of Paul Robeson's visit to the front lines of the Spanish Civil War is a tale of courage and activism told by his granddaughter, Susan Robeson. Grandpa Paul was a world-famous actor and singer with a deep and rumbling voice, a man of peace and principle who worried about the safety of children and families living in countries at war. He wanted to use his voice to promote social justice all over the world. Though people warned Grandpa Paul that it was too dangerous, he traveled with his friend Captain Fernando to the battlefields of the Spanish Civil War to sing to the soldiers. And then something amazing happened...With gorgeous illustrations from fine artist Rod Brown, Grandpa Stops a War celebrates Paul Robeson's global activism and towering achievements, and shows readers the power of music in times of discord and war.An author's note helps readers learn more about the author's personal experience growing up in the Robeson family, and gives parents, teachers, and librarians more in-depth material to expand the reader's understanding of the war and Robeson as a champion of civil rights, global freedom, and world peace.

Stanley Moss is ninety-three years old, still kicking sixty-two-yard field goals through the uprights of American poetry. His Abandoned Poems (Paul Valery wrote, "A poem is never finished, only abandoned") consists of 120 pages of new work written since his 2016 prize-winning book, Almost Complete Poems. The truth is Moss has a unique voice in the history of American poetry. He honors the English language. This book is full of invisible life-giving discoveries the reader has almost seen, and you might say Moss has discovered a new continent, a new planet or two--or simply it's fun. There is a final section, "Apocrypha and Long Abandoned Poems," which includes early misplaced work never published, and new versions of previously published poems. Bingo.

Footloose and broke, the unnamed narrator of Gone Tomorrow hops on a plane without asking questions when his director friend offers him a role in an art film set in Colombia. But from the moment he arrives at the airport in Bogotá, only to witness a policeman beat a beggar half to death, it becomes clear that this will not be the story of gritty bohemians triumphing against the odds. The director, Paul Grosvenor, seems more interested in manipulating his cast than in shooting film. The cult star, Irma Irma, is a vamp too bored and boring to draw blood. And the beautiful, nymph-like Michael Simard doesn’t seem to be putting out. Meanwhile, the film’s shady financier is sleeping with his mother, while a serial killer skulks about the area killing tourists. Everything comes to a head when the carnaval celebration begins in nearby Cali. But once the fiesta is over, all that’s left are ghostly memories and the narrator’s insistence on telling the tale. “Unlike the majority of pointedly AIDS-era novels,” writes Dennis Cooper, “Gone Tomorrow is neither an amoral nostalgia fest nor a thinly veiled wake-up call hyping the religion of sobriety. It’s a philosophical work devised by a writer who’s both too intelligent to buy into the notion that a successful future requires the compromise of collective decision and too moral to accept bitterness as the consequence of an adventurous life.”

A delightful collection of classic recipes, folk history, and original drawings by Cape Cod''s most-admired chef. With a new Introduction by Anthony Bourdain"It''s a true classic, one of the most influential of my life." --Anthony Bourdain, from the new introduction"Provincetown ... is the seafood capital of the universe, the fishiest town in the world. Cities like Gloucester, Boston, New Bedford, and San Diego may have bigger fleets, but they just feed the canneries. Provincetown supplies fresh fish for the tables of gourmets everywhere." --Howard MitchamProvincetown''s best-known and most-admired chef combines delectable recipes and delightful folklore to serve up a classic in seafood cookbooks.     Read about the famous (and infamous!) Provincetown fishing fleet, the adventures of the fish and shellfish that roam Cape Cod waters, and the people of Provincetown--like John J. Glaspie, Lord Protector of the Quahaugs.     Then treat yourself to Cape Cod Gumbo, Provincetown Paella, Portuguese Clam Chowder, Lobster Fra Diavolo, Zarzuela, and dozens of other Portuguese, Creole, and Cape Cod favorites. A list of fresh and frozen seafood substitutes for use anywhere in the country is a unique feature of this lively book.     You''ll learn the right way to eat broiled crab and the safe way to open oysters. You''ll even learn how to cook a sea serpent!

The writings of philosophers, poets, novelists, social reformers, and others who have voiced the struggle against social injustice. Selected from twenty-five languages, covering a period of five thousand yearsThis bold anthology of social protest, art, and literature spans five thousand years and twenty-five languages and is the preeminent collection of progressive thought, literature, and art. This massive, stirring, and insightful collection includes literature of social protest, progressive and socialist philosophy, excerpts from novels, poems, speeches, muck raking journalism, and art all in the service of voicing the struggle against social injustice.      In 1915, shortly after the runaway success of his famous muckraking novel about the Chicago slaughterhouse industry, The Jungle, Upton Sinclair took time out of his busy writing and political organizing life to collect and then edit into a single volume work by the artists, novelists, philosophers, poets, and journalist who had inspired his career. Eye witnesses to war and revolution, Christian heretics, saints, humanist philosophers, labor organizers, martyrs, feminists, socialists, satirists, and characters from Dickens and Shakespeare can all be found in The Cry for Justice.      This nearly 1000 page book includes work by Upton Sinclair, Jack London, Euripides, Dante, Emile Zola, Leo Tolstoy, John Galsworthy, William Blake, John Keats, Edward Bellamy, Charles Dickens, G. K. Chesterton, Winston Churchill, H. G. Wells, Walt Whitman, Charlotte Perkins Gilman, Rabindranath Tagore, Mark Twain, Abraham Lincoln, and many, many others in the form of essays, stories, poems, tracts, jokes, protests, and first-person accounts. Together they highlight a long undying progressive socialist tradition that most recently surfaced in Bernie Sanders''s 2016 presidential campaign. The Cry for Justice is not a history book, it''s a book for inspiring a better future, as relevant today as when it was first published.     H. G. Wells, a contributor, referred to The Cry for Justice as Sinclair''s "Book of Life". Jack London''s enthusiastic introduction, which he calls a "humanist Holy Book," ends with "To see gathered here together this great body of human beauty and fineness and nobleness is to realize what glorious humans have already existed, do exist, and will continue increasingly to exist until all the world beautiful be made over in their image. We know how gods are made. Comes now the time to make a world."

In the tradition of Joe Sacco''s graphic journalism comes the first interview-based graphic novel treatment of Noam Chomsky''s political ideas and activism.An astonishing graphic novel that brings Chomsky''s political analysis to bear on real people''s stories on the frontlines of America''s struggle for economic justice and human dignity. The Instinct for Cooperation innovatively balances those real-life stories of struggle with conversations the author has had with Chomsky on how best to understand them. Although the themes are wide-ranging, this book is ultimately about the importance and need for spaces of resistance in countering state and other institutional forms of violence. For example, when discussing the removal of books by police and sanitation workers from Zuccotti Park in November of 2011, Chomsky paused to say "Arizona knows all about that," referring to the 2010 ban of Mexican American Studies in Tucson schools under Arizona House Bill 2281, which deemed classes that taught "ethnic solidarity" to be illegal. Rather than footnote the reference, Wilson tells that story. Like Joe Sacco''s animated political journalism, this book offers a unique perspective on current issues, while providing a major contribution to the understanding of Chomsky''s political theories.