Böcker utgivna av Seven Stories Press,U.S.

A new voice in comics is incisive, funny, and fiercely feminist."The mental load. It's incessant, gnawing, exhausting, and disproportionately falls to women. You know the scene--you're making dinner, calling the plumber/doctor/mechanic, checking homework and answering work emails--at the same time. All the while, you are being peppered with questions by your nearest and dearest 'where are my shoes?, 'do we have any cheese?...'" --Australian Broadcasting Corp on Emma's comicIn her first book of comic strips, Emma reflects on social and feminist issues by means of simple line drawings, dissecting the mental load, ie all that invisible and unpaid organizing, list-making and planning women do to manage their lives, and the lives of their family members. Most of us carry some form of mental load--about our work, household responsibilities, financial obligations and personal life; but what makes up that burden and how it's distributed within households and understood in offices is not always equal or fair. In her strips Emma deals with themes ranging from maternity leave (it is not a vacation!), domestic violence, the clitoris, the violence of the medical world on women during childbirth, and other feminist issues, and she does so in a straightforward way that is both hilarious and deadly serious.. If you're not laughing, you're probably crying in recognition. Emma's comics also address the everyday outrages and absurdities of immigrant rights, income equality, and police violence. Emma has over 300,000 followers on Facebook, her comics have been. shared 215,000 times, and have elicited comments from 21,000 internet users. An article about her in the French magazine L'Express drew 1.8 million views--a record since the site was created. And her comic has just been picked up by The Guardian. Many women will recognize themselves in THE MENTAL LOAD, which is sure to stir a wide ranging, important debate on what it really means to be a woman today.

The author of The Mental Load returns with more "visual essays which are transformative agents of change."After the success of The Mental Load, Emma continues in her new book to tangle with issues pertinent to women's experiences, from consent to the "power of love," from the care and attentiveness that women place on others' wellbeing and social cohesion, and how it constitutes another burden on women, to contraception, to the true nature of gallantry, from the culture of rape to diets, from safety in public spaces to retirement, along with social issues such as police violence, women's rights, and green capitalism. And, once more, she hits the mark.

The only book in English for readers of all ages by Nobel Prize-winning novelist Olga Tokarczuk is a beautifully illustrated meditation on the fullness of life.Bologna Ragazzi Award, Special Mention 2018Prix de l'Union Internationale pour les Livres de Jeunesse (IBBY)The White Raven (IJB Munich)Lódz Design Festival Award"Once upon a time there was a man who worked very hard and very quickly, and who had left his soul far behind him long ago. In fact his life was all right without his soul--he slept, ate, worked, drove a car and even played tennis. But sometimes he felt as if the world around him were flat, as if he were moving across a smooth page in a math book that was covered in evenly spaced squares... " --from The Lost Soul The Lost Soul is a deeply moving reflection on our capacity to live in peace with ourselves, to remain patient, attentive to the world. It is a story that beautifully weaves together the voice of the Nobel Prize-winning Polish novelist Olga Tokarczuk and the finely detailed pen-and-ink drawings of illustrator Joanna Concejo, who together create a parallel narrative universe full of secrets, evocative of another time. Here a man has forgotten what makes his heart feel full. He moves to a house away from all that is familiar to him to wait for his soul to return. The Lost Soul is a sublime album, a rare delicacy that will delight readers young and old."You must find a place of your own, sit there quietly and wait for your soul."

The intersection of motherhood and creative life is explored in these writings on mothering that turn the spotlight from the child to the mother herself. Here, in memoirs, testimonials, diaries, essays, and fiction, mothers describe first-hand the changes brought to their lives by pregnancy, childbirth, and mothering.Many of the writers articulate difficult and socially unsanctioned maternal anger and ambivalence. In Mother Reader, motherhood is scrutinized for all its painful and illuminating subtleties, and addressed with unconventional wisdom and candor. What emerges is a sense of a community of writers speaking to and about each other out of a common experience, and a compilation of extraordinary literature never before assembled in a single volume.

The Clitoral Truth goes beyond all other sexuality self-help guides by providing a surprising "inside" look at women's genital anatomy, and revealing that what is almost universally thought of as a sensitive pea-sized nubbin is, in reality, a powerful, responsive organ system. The Clitoral Truth reveals every aspect of this multifaceted organ and how the parts work together to produce pleasure and orgasm. This frank, frisky, user-friendly guide also delves into the controversy over female ejaculation and explores why so few women have discovered their potential to experience multiple orgasms. It also reports on why so many women of all ages fake orgasms, and it settles the controversy over the G-Spot once and for all. Can't find your G-Spot? Hey, you've got something better! Here are vivid personal accounts, a savvy, in-depth survey of female sexuality resources, and the bold and explicit illustrations of San Francisco artist Fish. The Clitoral Truth surveys the numerous ways that women have begun to transform the deeply entrenched male-centered model of sexuality to actively redefine it by emphasizing full-body pleasure. And, likely, better orgasms!

Noam Chomsky's backpocket classic on wartime propaganda and opinion control begins by asserting two models of democracy-one in which the public actively participates, and one in which the public is manipulated and controlled. According to Chomsky, "propaganda is to democracy as the bludgeon is to a totalitarian state," and the mass media is the primary vehicle for delivering propaganda in the United States. From an examination of how Woodrow Wilson's Creel Commission "succeeded, within six months, in turning a pacifist population into a hysterical, war-mongering population," to Bush Sr.'s war on Iraq, Chomsky examines how the mass media and public relations industries have been used as propaganda to generate public support for going to war. Chomsky further touches on how the modern public relations industry has been influenced by Walter Lippmann's theory of "spectator democracy," in which the public is seen as a "bewildered herd" that needs to be directed, not empowered; and how the public relations industry in the United States focuses on "controlling the public mind," and not on informing it. Media Control is an invaluable primer on the secret workings of disinformation in democratic societies.

"Sex and death. All of Marguerite Duras's writings are suffused with the certitude that absolute love is both necessary (sex) and impossible to achieve (death). But no book of hers embodies this idea so powerfully, so excessively, as No More (C'est Tout), the book she composed during the last year of her life until just days before her death. [It] is literature shorn of all its niceties, a shout from the depths of Duras's being, celebrating life in defiance of the death she knew had already entered her immediate future. In part, it is also Duras's raucous salutation welcoming death"--

A story by Nobel Prize-winning writer Jose Saramago, gorgeously illustrated in woodcuts by one of Brazil''s most famous artists.When a lizard appears in the neighborhood of Chiado, in Lisbon, it surprises passers-by, and mobilizes firefighters and the army. With a clear and precise style, the fable offers a multitude of senses, reaching audiences of all ages. "The Lizard" is a short story included in A Bagagem do Viajante (1973), a volume that brought together the Saramago chronicles for the newspaper A Capital and the weekly Jornal do Fundão between 1971 and 1972. Translated by Nick Caistor and Lucia Caistor, The Lizard, is an illustrated version of the chronicle by J. Borges.

"This story, if it is one, deserves the closure of a suicide, perhaps even the magisterial finality of what is usually called a novel, but the remnants of that faraway time offer nothing more than a taste of damp ashes, a feeling of indeterminacy, and the obdurate inconclusiveness of passing time." So writes the unnamed narrator of Horse Crazy, looking back on a season of madness and desire. The first novel from the brilliant, protean Gary Indiana, Horse Crazy tells the story of a thirty-five-year-old writer for a New York arts and culture magazine whose life melts into a fever dream when he falls in love with the handsome, charming, possibly heroin-addicted, and almost certainly insane Gregory Burgess. In the derelict brownstones of the Lower East Side in the late eighties, among the coked out restauranteurs and art world impresarios of the supposed "downtown scene," the narrator wanders through the fog of passion. Meanwhile, the AIDS epidemic is spreading through the city, and New York friendships sputter to an end. Here is a novel where the only moral is that thwarted passion is the truest passion, where love is a hallucination and the gravest illness is desire.

Here for the first time is the complete short fiction of one of the twentieth century's foremost imaginative geniuses. More than half of Vonnegut's output was short fiction, and never before has the world had occasion to wrestle with it all together. Organized thematically-"War," "Women," "Science," "Romance," "Work Ethic versus Fame and Fortune," "Behavior," "The Band Director" (those stories featuring Lincoln High's band director and nice guy George Hemholtz), and "Futuristic"-these ninety-eight stories were written from 1941 to 2007, and include those Vonnegut published in magazines and collected in Welcome to the Monkey House, Bagombo Snuff Box, and other books; here for the first time five previously unpublished stories; as well as a handful of others that were published online and read by few. During his lifetime Vonnegut published fewer than half of the stories he wrote, his agent telling him in 1958 upon the rejection of a particularly strong story, "Save it for the collection of your works which will be published someday when you become famous. Which may take a little time." Selected and introduced by longtime Vonnegut friends and scholars Dan Wakefield and Jerome Klinkowitz, Complete Stories puts Vonnegut's great wit, humor, humanity, and artistry on full display. An extraordinary literary feast for new readers, Vonnegut fans, and scholars alike.

The Anglo-Boer War (1899-1902) is one of the most intriguing conflicts of modern history. It has been labeled many things: the first media war, a precursor of the First and Second World Wars, the originator of apartheid. The difference in status and resources between the superpower Great Britain and two insignificant Boer republics in southern Africa was enormous. But, against all expectation, it took the British every effort and a huge sum of money to win the war, not least by unleashing a campaign of systematic terror against the civilian population.     In The Boer War, winner of the Netherland''s 2013 Libris History Prize and shortlisted for the 2013 AKO Literature Prize, the author brings a completely new perspective to this chapter of South African history, critically examining the involvement of the Netherlands in the war. Furthermore, unlike other accounts, Martin Bossenbroek explores the war primarily through the experiences of three men uniquely active during the bloody conflict. They are Willem Leyds, the Dutch lawyer who was to become South African Republic state secretary and eventual European envoy; Winston Churchill, then a British war reporter; and Deneys Reitz, a young Boer commando. The vivid and engaging experiences of these three men enable a more personal and nuanced story of the war to be told, and at the same time offer a fresh approach to a conflict that shaped the nation state of South Africa.

Revelations about U.S policies and practices of torture and abuse have captured headlines ever since the breaking of the Abu Ghraib prison story in April 2004. Since then, a debate has raged regarding what is and what is not acceptable behavior for the world's leading democracy. It is within this context that Angela Davis, one of America's most remarkable political figures, gave a series of interviews to discuss resistance and law, institutional sexual coercion, politics and prison. Davis talks about her own incarceration, as well as her experiences as "enemy of the state," and about having been put on the FBI's "most wanted" list. She talks about the crucial role that international activism played in her case and the case of many other political prisoners.Throughout these interviews, Davis returns to her critique of a democracy that has been compromised by its racist origins and institutions. Discussing the most recent disclosures about the disavowed "chain of command," and the formal reports by the Red Cross and Human Rights Watch denouncing U.S. violation of human rights and the laws of war in Guantánamo, Afghanistan and Iraq, Davis focuses on the underpinnings of prison regimes in the United States.

"In this her fifth novel, Gologorsky returns to the setting of all her books-the American working class of Long Island and the Bronx, where the last two generations of Americans have been scarred by the domestic side of foreign wars and by drugs-from Vietnam to Iraq and Afghanistan, from heroin to oxycodone-good people seeking a good life amidst obstacles that can seem insurmountable. In The Angle of Falling Light, the protagonist Tessa, has no model close to her for the kind of life she'd like to lead. Her sister Marla starts using drugs, following the lead of their uncle Hack, who softens his days with alcohol and weed. Her stepfather Scotty is a vet struggling with depression, and her mom Nina can't cope. Nina takes refuge with a new lover and Tess, too, finds safety in a new relationship if not the direction she so desperately seeks. The Angle of Falling Light is a book with a big cast of troubled innocents, everyone looking for a way forward, a lesson in how to give love while still putting yourself first, one of the most difficult of life's challenges. As Gologorsky has it, some will lose this battle, while others will at least survive it"--

Cuban art critic and curator Iván de la Nuez returns with an ironic epitaph for contemporary art.Art criticism that examines contemporary art in the 21st century in relationship to politics, iconography, and literature.“Iván de la Nuez transforms art criticism into an art form.” —Letras LibresTheory of the Rearguard examines how contemporary art is in tension with survival, rather than in relation to life. In the twentieth century, Peter Bürger’s Theory of the Avant-Garde was a cult book focused on the two main tasks that art demanded at the time: to break its representation and to destroy the barrier that separated it from life.Forty years later, The Theory of the Rearguard is an ironic manifesto about contemporary art and its failures, even though Iván de la Nuez does not waste his time mourning it or disguising it. He argues that our times are not characterized by the distance between art and life, but by a tension between art and survival, which is the continuation of life by any means necessary.In the twenty-first century, Iván de la Nuez examines art in relationship to politics, iconography, and literature. This austere and sharp book—in which Duchamp stumbles upon Lupe, the revolution upon the museum, Paul Virilio upon Joan Fontcuberta or Fukuyama upon Michael Jackson—wonders if contemporary art will ever end. Because if it were mortal—“just as mortal as everything it invokes or examines under its magnifying glass”—de la Nuez argues would be worth writing an epitaph for it as he has done in this sparkling book of art criticism.