Böcker utgivna av Seagull Books London Ltd

Dramatist, poet, novelist, and journalist Matei Visniec, born in Romania and living in France since seeking political asylum in 1987, has been one of the most trenchant voices of Europe, condemning the atrocities of totalitarianism as well as excesses of consumer culture. This is an anthology of his dramatic work made available in English.

As the aftershocks of the economic meltdown reverberate throughout the world, and people organize to physically occupy the major financial centers of the West, few experts and even fewer governments have dared to consider a world without the powerful markets that brought on the crash. The author offers a way forward.

Discusses the difference between political and sexual identity and inquires whether psychoanalysis can be considered a radical form of thought that can be used fruitfully in dialogue about political struggle.

A decaying apartment building in post-Wall Berlin is home to Hell, a young woman with a passion for martial arts. When Hell's neighbor disappears she sets out across the city in search of her. In the course of her quest, she falls in love with a bank robber, confronts her own dark memories, and ends up saving more than just her missing neighbor.

Explores the problems and potentials of the fictions the author could not bring himself to write. Drawing from his notebooks, this title records here a range of ideas for stories - unsettled accounts, he calls them, or case studies of failure - and examines where they came from and why they eluded him.

A collection of travel writings by the Swiss-French poet that takes him through war-torn parts of the Middle East, where he attends to scenes of faith and history that often go unremarked amid the turmoil.

Djibril, a young Djiboutian voluntarily exiled in Montreal, returns to his native land to prepare a report for an American economic intelligence firm. Meanwhile, a shadowy, threatening figure imprisoned in an island cell seems to know Djibril's every move.

Pablo Picasso and Gertrude Stein. Few can be said to have had as broad an impact on European art in the twentieth century as these two cultural giants. Pablo Picasso, a pioneering visual artist, created a prolific and widely influential body of work. Gertrude Stein, an intellectual tastemaker, hosted the leading salon for artists and writers between the wars in her Paris apartment, welcoming Henri Matisse, Ernest Hemingway, and Ezra Pound to weekly events at her home to discuss art and literature. It comes as no surprise, then, that Picasso and Stein were fast friends and frequent confidantes. Through Picasso and Stein's casual notes and reflective letters, this volume of correspondence between the two captures Paris both in the golden age of the early twentieth century and in one of its darkest hours, the Nazi occupation through mentions of dinner parties, lovers, work, and the crises of the two world wars. Illustrated with photographs and postcards, as well as drawings and paintings by Picasso, this collection captures an exhilarating period in European culture through the minds of two artistic greats.

A collection of Jesi's finest essays, ranging from his groundbreaking work on myth and politics to his reflections on time, festivity, and revolt as well as writers such as Rimbaud, Rilke, Lukacs, and Pavese.

Examines the urban poor of nineteenth-century Calcutta.

Explores the hidden logic behind popular religions in nineteenth-century Bengal. This book examines cross-religious cults and the construction of Bengali myths and beliefs about godlings and spirits, approaching them as popular inventions that attempt to make sense of human existence in the face of an overwhelming and often hostile environment.

Dangerous Outcast traces prostitution in Bengal from precolonial times through the arrival of the British, examining how the profession was reordered to suit British desires.

Cornish gathers texts drawn from performances by five of the most renowned theater collectives working today: andcompany&Co., Gob Squad, Rimini Protokoll, She She Pop, and Showcase Beat Le Mot.

Analyzes the different strands in theater studies over the past three decades.

Collection of essays that examine the rich history of European culture through the lens of mythology and philosophy.

Collects the remarkable letters and poems sent by French poet Guillaume Apollinaire to his fiancee, Madeleine Pages, during World War I.

A fire broke out in the coal seams of their town years ago, and the flames are still smoldering underground. Margaret and Fritzi are the two sisters who are the last remaining youth of this vanishing town. Their inheritance is nothing but an abandoned swathe of land ruled by devastation.

Born in Tehran in 1957, film-maker Mohsen Ostad Ali Makhmalbaf grew up in the religiously and politically charged atmosphere of the 1960s. In this title, he reflects on the relationship between cinema and violence, tolerance, and social change, as well as the political and artistic importance of the autonomy of the film-maker.

"Everyone is free here. . . . The cities are open. They are open to the world and to the future. That is what gives them all an air of adventure; and . . . a kind of touching beauty." So wrote the French philosopher Jean-Paul Sartre on a 1945 trip to the United States during which he crossed the country and dove deep into the soul of the American city. In this new volume, Sartre's reflections on the distinctly American quality of cities in the United States are accompanied by Pedro Meyer's photographs of American cities, offering similarly sharp insights, but through a different historical lens: that of the late eighties and early nineties. Together, the photographs and essays articulate the enduring essence of American urban existence--its relationship with time, with labor and humanity, and with the open spaces emblematic of America.

Italian philosopher Giorgio Agamben is the rare writer whose ideas and works have a broad appeal across many fields. In March 2009, Agamben was invited to speak in Paris' Notre-Dame Cathedral in the presence of the bishop of Paris and a number of other high-ranking church officials. This title presents this speech.

One night in the middle of winter, as deep snow covers the mountains and forests of Austria, a doctor is crossing a ridge from Traich to Foding to see a patient. He stumbles over a body in the darkness and fears it is a corpse. But it's not a corpse at all - in fact, it's wooden-legged Victor Halfwit, collapsed, but still very much alive.

Reflecting on Imre Kertesz's experiences of the Holocaust and the Soviet occupation of Hungary, this title likens the ideological machinery of National Socialism to the oppressive routines of life under communism.

From the idyll of his Sardinian childhood to the transformative experience of the anti-Fascist resistance, and from postwar militancy to the dismal regression of Italian culture, the author captures memories that are intensely personal and inseparable from political and intellectual experience.

The Austrian playwright, novelist, and poet Thomas Bernhard (1931-89) is acknowledged as one of the major writers of our time. This collection includes seven stories that capture Bernhard's distinct darkly comic voice and vision - often compared to Kafka and Musil - commenting on a corrupted world.

A powerful examination of the torture that is solitary confinement.

Stella Vinitchi Radulescu's poetry dwells in spaces of paradox, seeking out the words, metaphors, and images that capture both the peaceful stillness of snow and the desperate cry of human experience. A Cry in the Snow often draws on these two fertile tropes: the beauty of nature and the power and limitations of language. A trilingual poet who has published in French, English, and her native Romanian, Radulescu seeks to harness the elemental aspects of human experience, working between language and the mysterious power of silence. Combining poems from two French-language collections, Un Cri dans la neige (A Cry in the Snow) and a poetic prose sequence, Journal aux yeux fermés (Journal with Closed Eyes), this collection presents the distinctive and powerful French poems of Stella Vinitchi Radulescu to an English-language readership for the first time.