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Originally formed to harbor freed slaves and Americans returning to Africa, Liberia once was a land of hope. That was shattered by a long Civil War that shook its very foundation. Today's Liberia is glimpsed in this second edition.Building on the first edition, this updated volume focuses on the personalities, from the founders of Liberia, to the soldiers who are responsible simultaneously for destruction and the hope of stability. Along with these people, various social and ethnic groups, political parties and labor movements, economic entities and natural resources are profiled in this updated work.A new chronology of Liberia is included, and a selected bibliography suggests further readings for the scholar.

This title explores the evolution of mime and pantomime from the Greeks to the 20th century, including an in-depth study of 20th-century mime masters. It documents present-day training programmes in North American and Europe and has contact addresses and information on mime festivals and centres.

Herbert Strock, head of his own production company, provides an in-depth guide for film makers. The book covers many topics including pre-planning, producing, screenplay writing, directing, acting, camera, insurance, publicity, budget and union relations.

Provides a cross-section of contemporary American film criticism from 1896-1960. The volumes reprint reviews in their entirety from periodicals such as Photoplay, Film Reports, The Moving Picture World, Variety, and The New York Times. Of immense value for gauging contemporary reaction_both popular and serious_to the best-known films of the past.

Covering the period from 1908 to 1925, this work covers pamphlets, magazine articles, and other discourse that chronicle an early vision of church/photoplay cooperation and its subsequent dissolution. It challenges the fiction that the Church was hostile to the moving picture at its inception.

This dictionary seeks to provide answers to questions on today's refugees, by tracing the history and describing the role of various actors in the international emergency relief system and in the global refugee assistance and protection network since the end of World War I.

Ottorino Respighi stands alongside Giacomo Puccini and Antonio Vivaldi as one of the best known and most performed Italian composers. Yet, compared to that of other composers of Respighi's stature, relatively little has been written about the man and his music. This work provides documentation and annotation of all of this great composer's articles, books, theses, and dissertations with references to Respighi and his music published during the last century throughout the world. Barrow provides a comprehensive general index as well as both a discography and an index of Respighi's compositions. Despite the popularity of his two most famous works Fontane di Roma (Fountains of Rome) and Pini di Roma (Pines of Rome) Respighi has been largely ignored and even criticized by scholars and critics. Only recently has there been an increase in attention from these writers in the music of this important composer, but mostly in his native Italy. This reference volume offers authoritative direction for librarians, students, musicologists, and conductors seeking details of the composer's life and work.

The Historical Dictionary of Ancient and Medieval Nubia covers the period from the Paleolithic, all the periods of ancient Nubia (Predynastic, Kerma, Dynasty XXV, Napatan, Meroitic, Post-Meroitic) and to the end of medieval Christianity in Nubia (Sudan). This resource focuses on Nubian history through a Nubian perspective, rather than on the more common Egypto-centrism perspective, and the coverage is based on the latest and best archaeological and epigraphic evidence. Newly created maps of the general area and its specific regions and place names and a photospread showing important related features of the region are included. A detailed chronology provides a timeline of historical events, and an introductory narrative shapes the overall history and leads to the main body of the work in the form of a cross-referenced dictionary. The descriptive entries cover the main features of the region in the various periods that are key not only to Nubian events, but also to the important interactions they had with Egypt to the north. Nine appendices and an extensive bibliography conclude this work. Lobban has been teaching Nubian studies in undergraduate classrooms for thirty years, and this book is a product of his hands-on experiences as well as extensive anthropological fieldwork and travel in Sudanese and Egyptian Nubia.

Rungs on a Ladder looks at part of the movie industry from a unique perspective. Christopher Neame, son of director Ronald, started his career (in the early 1960s) at the very bottom, but determinedly made his way to the top. Neame fondly recalls his learning years at Bray Studios and beyond. Simply and often amusingly, he recounts his days with Hammer Films and observes many of the characters both in front of and behind the camera-names synonymous with those classic tales of Gothic horror: director Terrence Fisher, producers Anthony Hinds, Michael Carreras and Anthony Nelson Keys, screenwriter/producer Jimmy Sangster, and of course, Peter Cushing and Christopher Lee. Along the way, he encounters those less obviously connected to Hammer like Joan Fontaine, Joseph Cotten, Norman Lloyd, and Bette Davis. Never the one to reserve his critical eye for others alone, Neame willingly says mea culpa when deserved. The book begins with his rude awakening to the "e;string and sealing wax"e; world of Dracula Prince of Darkness and follows his journey through sixteen subsequent productions including three Frankensteins, The Devil Rides Out (which American distributors thought was going to be a Western!), and a couple of Mummy films. Neame also shares stories of his participation in non-genre ventures like Quatermass and the Pit, The Anniversary, Demons of the Mind and Fear in the Night.Includes 16 pages of photos.

Trends prevailing in the media suggest a seemingly disintegrating concept of media ethics. It is no surprise; being ethical is hard work and, could very well put a person in conflict with prevailing trends. Many of the people cited within the 13 essays of Desperately Seeking Ethics illustrate this_from Socrates and Martin Luther King Jr., who both died for their principles, to reporter David Kidwell of the Miami Herald who chose jail over testifying for the prosecution in a murder trial. This is not just another media ethics book. Engaging and non-conventional it breaks away from the usual text practice of presenting the ethical theories of well-known philosophers in watered-down form. Instead, the contributors, all of whom teach media ethics, select a poem, movie, song, speech, or other cultural document, analyze it for implied or explicit ethical lessons, and then apply the lessons of that work to a specific case that involved controversial media conduct. In addition to endnotes, each chapter contains questions for discussion and a list of further readings. Where possible, the contributors have included all or part of the poems, speeches, and other documents they analyze as sources of ethical instruction and inspiration.

William Beaudine began his tenure in film as an assistant to the legendary D. W. Griffith. At the height of his career, Beaudine worked for every major studio and directed many greats of the silent era including Mabel Normand, George Sidney, Laura LaPlante, and Tom Mix. When Mary Pickford returned to the screen after a year-long hiatus, she chose Beaudine to direct her comeback film, Little Annie Rooney. Beaudine's career continued through the sound era and well into golden age of television and beyond, where he worked on such programs as The Green Hornet and Lassie. In his unsurpassed employment of 60 years in the business, Beaudine racked up more than 500 films and in excess of 350 television programs. Until his death at age 78, he was the oldest active director in the business. Just before he died, The Canadian, his 1926 film starring Thomas Meighan, was acknowledged as one of the best films of the pre-sound era and received the Film Critics Award of the New York Arts Institute. In this detailed biography, author Wendy Marshall chronicles Beaudine's swift rise through the ranks, his triumph as one of the most successful directors of British comedies, his accumulation and loss of personal fortunes, his fall from fame, and his prolific work in television. Marshall corrects much misinformation that has been written about the director and has compiled the most complete list of his directorial credits to date. This volume will serve as the ultimate authority on William Beaudine's life and career.

"...a valuable research tool with this comprehensive bibliographical listing of all scientific and technical periodicals published in Europe between 1665 and 1800...a personal name index and subject and institutional indexes make the volume an essential reference tool for scholars of the early modern period."-ISIS

The most recent scholarship available in the field of Ethnomusicolgy is presented in this collection of essays which seeks to reveal the commonality of traditional music in the Mediterranean region. An interdisciplinary approach to the study embraces not only musicology and ethnology, but also material culture considerations.

This catalogue offers a survey of the breadth and variety of the repertoire of Johann Pachelbel, composer of some 527 separate works, mostly for keyboard instruments.

A survey of the impressive career of Hugo Friedhofer, composer for Hollywood movies. His life is examined through essays, personal letters, and interviews with film historians and friends of the composer, but the largest contribution is by Friedhofer himself in the form of an oral history.

An updated and practical approach to research concepts, techniques, and sources from the 4th edition.

For nearly a decade Marc Aronson ran an imprint dedicated to international and multicultural literature for teenagers. In 2001, he wrote an essay arguing against all awards in which you must be a member of a given ethnic group to win. Here, he shows his convictions that led him to write the essay.

In the 1950s, Hammer Film Productions, a small British filmmaking company, introduced the world to a new genre of motion picture. Referred to by some as "e;horror,"e; by others as "e;fantasy,"e; Hammer films had a unique look and feel that many other studios would later attempt-and fail-to capture. Hammer films also had a unique sound. For although the studio was small and the budgets limited, those involved in making the Hammer films recognized that the musical score was just as important as the set, the actors, and the script in telling the story. Consequently, Hammer Films Productions recruited the best musical talent to make its films come alive. Those artists and the work they did are chronicled here in careful detail by Randall D. Larson. From the studio's fledging days, through its great successes of the 60s and early 70s, Music from the House of Hammer offers an inside look at how the "e;Hammer sound"e; was developed and nurtured.

In this introductory text to the field, Joergensen describes the theoretical, empirical, and pragmatic underpinnings of storage and retrieval as they apply to a variety of visual formats.

This dictionary is a reference manual presenting the key concepts, activities, groups, people, and overlapping domains of the contemporary spirituality known as New Age.

To find more information about Rowman and Littlefield titles, please visit www.rowmanlittlefield.com.

In American cinema, films with multiple plots can be traced back to Grand Hotel in 1932, but the form was used only sporadically in subsequent decades. However, filmmakers of the 1970s and 80s, notably Robert Altman and Woody Allen, repeatedly employed complex narratives to weave sprawling stories in their films. Later filmmakers such as Quentin Tarantino, Paul Thomas Anderson, Wong Kar-Wai, Steven Soderbergh, and Paul Haggis embraced multiple plotlines, a device that eventually achieved mainstream respectability in such Oscar winners as Traffic and Crash. In the past two decades, more than 200 films utilizing some variation of this format have appeared worldwide. In Altman and After: Multiple Narratives in Film, Peter Parshall carefully examines films that feature various plotlines. Parshall asserts that although this form may lose some of the close psychological identification and forward drive of linear narratives, such films gain a corresponding strength by developing thematic relationships in the various story lines.In each of these chapters, Parshall examines a different example of the multi-plot form, such as network narrative and the multiple-draft narrative, demonstrating that the structure of each is central to their artistry. He also argues that these devices open up a variety of creative vistas, a strength that appeals to directors and audiences alike. Films studied in this book include Nashville, Pulp Fiction, Amores Perros, Code Unknown, The Edge of Heaven, Virgin Stripped Bare by Her Bachelors, The Double Life of Veronique, and Run Lola Run. A long overdue examination of this unique cinematic form, Altman and After will appeal to scholars, students, and fans eager to learn more about complex-narrative films.

Horror and slasher films are often dismissed for their apparent lack of sophistication and dearth of redeemable values. However, despite criticism from film snobs who turn up their noses and moralists who look down upon the genre, slasher films are more than just movies filled with gory mayhem. Such films can actually serve a purpose and offer their audiences something more than split skulls and severed heads.In Life Lessons from Slasher Films, Jessica Robinson looks at representative works that have been scaring audiences for decadesfrom Alfred Hitchcock's seminal shocker, Psycho, to the cult classic Black Christmas and iconic thrillers like The Texas Chainsaw Massacre, Halloween, Friday the 13th, and Scream. In this book, Robinson examines common themes that have emerged in these films, their various sequels, and countless imitatorsa maniacal and seemingly indestructible executioner, sexual encounters that invariably lead to death, increasingly gruesome ways to slaughter helpless victims, and a lone female survivor who finds a way to vanquish the killerand looks beyond such tropes for what these films can teach us about life.From practical advice (listen to your elders) to moral platitudes (teens never learn), each chapter considers a different ';lesson' that these films teach. Robinson discusses how the events portrayed in slasher films can resonate with viewers and perhaps offer constructive advice on how to conduct our lives. A fun read for fans and scholars alike, Life Lessons from Slasher Films offers an entertaining and persuasive look at how life can imitate art, and what art can say about life.

Although the positions of assistant or associate university librarians and deans are considered a training ground for upward movement in the profession, there are surprisingly very few mentoring experiences available. The Associate University Librarian Handbook: A Resource Guide looks to change that. Covering such topics as managing change, funding, research, career management, and more, this book will be a valuable tool and guide for both those in the position of associate university librarian and for those aspiring to get there.

In America, comics and comic books have often been associated with adolescent male fantasymuscle-bound superheroes and scantily clad women. Nonetheless, comics have also been read and enjoyed by girls. While there have been many strong representations of women throughout their history, the comics of today have evolved and matured, becoming a potent medium in which to explore the female experience, particularly that of girlhood and adolescence.In Girls and Their Comics: Finding a Female Voice in Comic Book Narrative, Jacqueline Danziger-Russell contends that comics have a unique place in the representation of female characters. She discusses the overall history of the comic book, paying special attention to girls' comics, showing how such works relate to a female point of view. While examining the concept of visual literacy, Danziger-Russell asserts that comics are an excellent space in which the marginalized voices of girls may be expressed. This volume also includes a chapter on manga (Japanese comics), which explains the genesis of girls' comics in Japan and their popularity with girls in the United States.Including interviews with librarians, comic creators, and girls who read comics and manga, Girls and Their Comics is an important examination of the growing interest in comic books among young females and will appeal to a wide audience, including literary theorists, teachers, librarians, popular culture and women's studies scholars, and comic book historians.

Inspired by a vivid dream, Stephenie Meyer, a stay-at-home mom, wrote a manuscript that started a worldwide sensation that has yet to abate. In 2005 her debut novel, Twilight, crashed onto the shore of teen literature like a literary tsunami. Four books later, she had become the top-selling author in the world. When the final book in the Twilight series, Breaking Dawn, was released in 2008, more than a million copies were sold on the first day alone. The popular culture phenomenon of Stephenie Meyer and her writing is much more than the sum total of her weeks on the bestseller list, however.Stephenie Meyer: In the Twilight looks at the life and work of this author, beginning with her childhood and covering her teen years and life before stardom. This volume also profiles Meyer's world since becoming a cultural icon. In addition to discussing Meyer's writing style, the chapters also explore each of her books, with a final chapter focusing on her presence in social media and public events.As young and old continue to devour her every word, this volume puts into perspective the work and impact that Meyer has around the world. Stephenie Meyer: In the Twilight will be of interest to teachers and librarians, as well as to middle and high school studentsnot to mention adultswho are interested in learning more about their favorite author.

In Reading the Grateful Dead: A Critical Survey, Nicholas G. Meriwether has assembled a collection of essays that examine the development of Grateful Dead studies. This volume includes work from three generations of scholars and includes a wide variety of perspectives on the band and its cultural significance. Organized into four sections, each describes an aspect or approach to Dead studies, along with an overview of the nature and extent of Dead studies: how it evolved and what it comprises today.

As recommended by USA Today and excerpted on Rolling Stone.com!More than forty years after breaking up, The Beatles remain the biggest-selling and most influential group in the history of popular music. Fans endlessly replay their songs, craving more, while thousands of cover versions of their songs have been recorded and performed. Band biographies, pop music histories, song books, and academic titles on the Fab Four clutter shelves. But never has there been a definitive guide to the finest songs of The Beatles after they called it quits.Still the Greatest is a love song to the songwriting and recording achievements of Paul, John, George, and Ringo after each struck out on his own. In this creative history, Jackson selects the best songs in each solo career and organizes them into fantasy albums they might have formed had the legendary group stayed together. This romp through the postBeatles history of each artist delves into the circumstances behind the composition, recording, and reception of each work, offering a refreshing take on how spectacular much of The Beatles' second act truly is.Jackson assesses the more than seventy albums and nine hundred songs the four collectively released, selecting the creme de la creme of their output. Still the Greatest brims with facts (release dates, writing and performing credits, and information about production techniques) and insightful analyses of the music and lyrics. In telling the stories behind the songs, Jackson recounts the remarkable influence the Post Fab Four continued to have long after the big split. Both a handy reference and an engrossing cover-to-cover read, Still the Greatest is an invaluable companion for those who thought it all ended with the 1970 album Let It Be.

Jazz is a music formed from a combination of influences. In its infancy, jazz was a melting pot of military brass bands, work songs and field hollers of the United States slaves during the 19th century, European harmonies and forms, and the rhythms of Africa and the Caribbean. Later, the blues and the influence of Spanish and French Creoles with European classical training nudged jazz further along in its development. Jazz has always been a world-music in the sense that music from around the globe has been embraced and incorporated.The Historical Dictionary of Jazz covers the history of Jazz through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 1,500 cross-referenced entries on significant jazz performers, band leaders, bands, venues, record labels, recordings, and the different styles of jazz. This book is an excellent access point for students, researchers, and anyone seeking a broader understanding of the history of jazz and the connections within the genre.

On March 21, 1990, Sam Nujoma was sworn in as the first president of independent Namibia. This ceremony marked the end of a struggle that lasted more than two decades and a period of colonialism that lasted more than a century. Finally, after decades long wars over grazing in the 19th century, genocidal colonial suppression by Germany at the beginning of the 20th century, repressive apartheid racialism throughout the 20th century, and a prolonged armed liberation struggle, Namibians had the chance to choose their own leaders, develop a democratic political process in a free society, and to bring economic development and greater equity to their country.The Historical Dictionary of Namibia covers the history of Namibia through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has several hundred cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent access point for students, researchers, and anyone wanting to know more about Namibia.