Böcker utgivna av Scarecrow Press

A timeless classic.

Michael Mann first made his mark as a writer for such television programs as Starsky and Hutch, Police Story, and Vegas. In 1981 he made his feature film directing debut with the James Caan thriller Thief, and in the 1980s he served as a writer and executive producer for the groundbreaking programs Miami Vice and Crime Story. Though he has delved into other genres, Mann's career as a writer, producer, and director has consistently focused on criminal activity, from small-time hoods and professional thieves to corporate manipulators and serial killers.In Michael Mann: Crime Auteur, Steven Rybin looks at the television programs and films that Mann has stamped with his personal signature. This book closely examines the themes and techniques used in films such as Manhunter, Heat, The Insider, and Collateral and connects these elements to his work on the non-genre films The Last of the Mohicans and Ali. A revised and significantly expanded edition of The Cinema of Michael Mann (2007), this book includes new chapters on Public Enemies and the big screen version of Miami Vice, as well as Mann's work on the shows Crime Story and Luck. Covering Mann's entire career, this book will be of interest to fans of the writer/director's body of work as well as to scholars of both film and television.

Of the 17,000-plus players who have donned major league uniforms over the years, not all were particularly nice or ethical. In fact, the actions of a handful were so heinous, they left an indelible mark on the sport. In Baseball's Most Notorious Personalities: A Gallery of Rogues, Jonathan Weeks thoroughly examines this dark side of our National Pastime.Liars, cheats, hotheads, even axe murderersyou'll find them all here in the Gallery. From scapegoats to maniacs, meddling managers to fanatical fans, this book profiles them all. Included are players such as Brooklyn outfielder Len Koenecke, who tried to crash a chartered plane in a maniacal suicide attempt; Ty Cobb, who was known to slide into bases with spikes flying and brawl with anyone who dared oppose him, including an attack on a fan who heckled him from the stands; and Marty Bergen, a talented catcher for the Boston Beaneaters who murdered his family with an axe. These are just a few of the many intriguing individuals found in this volume.Spanning three centuries of baseballfrom the 1800s into the current decadeBaseball's Most Notorious Personalities covers various themes of notoriety. Though some of the stories may be familiar to the dedicated baseball enthusiast, even the most die-hard fan will be shocked and surprised by some of the actions of well-known and lesser-known players, managers, fans, and team owners contained in this book. Baseball's Most Notorious Personalities is a fascinating read for all baseball fans and historians.

Frances Hodgson Burnett gained famed not only as an author of social fictions and romances but also for writing the immensely popular children's novel Little Lord Fauntleroy. She seemed an unlikely candidate to pen a quiet, realistic, and unsentimental paean to disagreeable children and the natural world, which has the power to heal them. But it is precisely these qualities that have garnered The Secret Garden both a continued audience and a central place in the canon of children's literature for a century. In Frances Hodgson Burnett's The Secret Garden: A Children's Classic at 100, some of the most respected scholars of children's literature consider Burnett's seminal work from modern critical perspectives. Contributors examine the works and authors that influenced Burnett, identify authors who have drawn on The Secret Garden in their writing, and situate the novel in historical and theoretical contexts. These essays push beyond the themes that have tended to occupy the majority of academic scholars who have written about The Secret Garden to date. In doing so, they approach the text from theoretical perspectives that allow new light to illuminate old debates. Scholars and students of children's literature, women's literature, transcontinental literature, and the Victorian/Edwardian period will find in this collection refreshing new looks at a children's classic.

The Tennessee Tech Tuba Ensemble (TTTE) is one of the most successful performing collegiate ensembles in history, with an enviable record of 25 recording projects, seven Carnegie Hall appearances, two Worlds Fairs performances, numerous national and international conference engagements, and a performance history in venues like Preservation Hall in New Orleans, the Spoleto Festival in Charleston, and the Kennedy Center in Washington. The Tennessee Tech Tuba Ensemble and R. Winston Morris: A 40th Anniversary Retrospective lists all of these events and more. It tells how Morris founded an ensemble comprised only of tubas and euphoniums (the underdogs of the orchestra) and catapulted it to international recognition, establishing and defining the standards for tuba ensemble performance practices and creating a monumental influence on both the tuba and music education throughout the world.The book provides a biography of Morris that includes the influences that led to the development of the TTTE, and it describes the early years of the ensemble and its development as one of the most recognizable groups of its kind. Several lists of reference information specific to Morris and the groupand general to tuba and euphonium musicare offered. Details about concerts, performances, activities, and recordings of the ensemble are presented, as well as recordings, awards, honors, and publications by Morris. Former members of the group are listed and pictured in more than 85 photos comprising a photographic history. Winston and the TTTE are responsible for the composition and arrangement of more music for the tuba than any other single source, and a comprehensive list of those works is supplied here.

This publication examines the unique Baroque stringed instrument, the baryton, from its origin in the early 17th century to the present day, using evidence gleaned from extant instruments, manuscript sources, and contemporary accounts. The book offers guidance on playing technique, information on design and manufacture, descriptions and photos of existing instruments, and a repertoire of hitherto unpublished music.

In Child Composers and Their Works: A Historical Survey, Barry Cooper examines over 100 composers born before 1900 who wrote substantial musical works before age 16. The book provides a general overview of the subject, examining the ways and identifying possible reasons these works have been marginalized in the general literature. The book also contains an annotated checklist of over 100 notable child composers, presenting a valuable and handy reference of these creators and their early works. The annotated checklist presents a chronological listing of child composers born before 1900 and features a descriptive list of what they wrote, often including analytical commentary and offering occasional music examples for illustration. The list also includes a select catalog of works, suggestions for further reading, and recordings when available. Complete with a bibliography and an index of composers, this resource is invaluable to scholars and historians.

John Castagno's Artists' Signatures and Monograms have become the standard reference source for galleries, museums, libraries, and collectors around the world. Whether used to identify, authenticate, or verify signatures and works of both well-known and little-known artists, Castagno's work has no equal.In the first volume of European Artists Signatures and Monograms, 1800-1990 (Scarecrow, 1990), Castagno provided identification for more than 4,800 artists' signatures, along with biographical information and reference sources. The second volume, published by Scarecrow in 2007, identified an additional 2,100 artists and featured 3,000 signature examples. This third volume features an additional 2,800 artists and signatures. In addition to the standard signature entries, the book features sections for monograms and initials, common surname signatures, alternative surname signatures, and illegible signatures. Less than five percent of the entries in this volume are listed in the original volumes-and these are included to provide additional information about the artists.The use of European Artists III: Signatures and Monograms From 1800, A Directory provides the researcher a reference tool not duplicated elsewhere-one that will save many hours of research.

Of the many themes occurring in young adult literature, one that bears more extensive exploration is the adolescent-animal connection. Although substantial critical commentary has addressed children's animal stories and animals in adult fiction, very few studies have been devoted to adolescent-animal encounters. In Animals in Young Adult Fiction, Walter Hogan examines several hundred novels and stories to explore the ways in which animals are represented in these works. In additional to providing an historical survey, Hogan looks at both realistic fiction and speculative works, including fantasy, supernatural, horror, and science fiction. Hogan reviews stories that feature wild animal encounters, stories centered on relationships with horses, dogs, and other working and performing animals, and those featuring relationships with pets. Drawing upon established scholarship, this book examines human-animal relationships from multiple angles, making it an invaluable resource for librarians, teachers, and students of children's and young adult literature.

Ang Lee's The Ice Storm is a film of striking significance, which achieved widespread critical acclaim for its well crafted and superbly acted study of suburban morality in 1970s America. For the film, composer Mychael Danna created one of the most distinctive scores of the 1990s, one that constantly challenges perceptions of the form and function of film music.In Mychael Danna's The Ice Storm: A Film Score Guide, Miguel Mera explores the music and sound Danna uses in his score, investigating the narrative, structural, and aesthetic themes of the film and illustrating the techniques and stylistic features central to Danna's music. Mera carefully examines the collaborative processes that influenced the score's development, describing the significance of the composer's relationships with the director, producer, editor, orchestrator, and sound designers to the evolution of the score and demonstrating how the politics of filmmaking interact with creativity. This seventh volume in Scarecrow's Film Score Guide series also includes a biography of Danna and a complete analysis of the full soundtrack considering the sound design, pre-existent pop songs, and the specifically arranged song by David Bowie in conjunction with Danna's fascinating score, making this essential reading for film music scholars and students.

To coincide with the recent DVD release of The Spirit of the Beehive, this paperback collection of essays focuses on the work of acclaimed Spanish director, Victor Erice. Originally published in hardcover under the title An Open Window, this expanded edition draws on original essays, reprints, and new translations from an international group of writers.New to this edition are four essays from noted film scholars-including editor Linda C. Ehrlich-as well as three added essays from the filmmaker himself. Both the original and new material provide a deeper appreciation of Erice's three feature-length films-The Spirit of the Beehive [El espiritu de la colmena] (1973), El Sur (1982), and Dream of Light [aka The Quince Tree Sun, El sol del membrillo] (1992), as well as his shorter works, including his most recent accomplishment, La morte rouge (2006).This anthology examines the aesthetic, historical, and sociological forces at work in Erice's films and includes an extensive interview with the director. This broad array of writings provides insight into not only three unforgettable films, but also into twentieth-century Spanish society, as well as world cinema. The Cinema of Victor Erice: An Open Window will serve as an important resource to measure the career of this director who-along with Bunuel, Saura, and Almodovar-has helped show the world the creative range of Spanish cinema. With additional essays, translations, and illustrations, this paperback edition explores new avenues of expression pursued by one of the most poetic of modern filmmakers.

The law should be accessible to every professional, which is the philosophy behind The Law of Libraries and Archives. In this invaluable book, legal concepts are explained in plain English so that librarians and archivists will be able to understand the principles that affect them on a daily basis. This book provides its readers with answers and raises issues for them to think about. In addition to providing a basic overview of the law, this work contains enough details to allow readers to make informed choices and to converse intelligently with legal counsel.Some of the issues included in the book include contracts, copyright and patent law, fair use, copyright exceptions for libraries, and the TEACH Act. The book contains chapters discussing trademark law, licensing of databases, information malpractice, and professionalism, as well as privacy issues, the PATRIOT Act, employment law, and the basics of starting a non-profit organization.Visit the author's website for a number of important documents and resources related to library law.

The art of expressive harpsichord playing was lost when the instrument was replaced by the piano in the nineteenth century. Despite the great strides in harpsichord performance and building made during the last 100 years, the full expressive potential of the instrument has not yet been realized, or sometimes even acknowledged by professionals or amateurs. This book reveals the depth of expression that is possible on the harpsichord, and teaches the performer how to achieve it. Previous books devoted to playing the instrument have either been written for amateurs and beginners with little or no experience on the harpsichord, or they take a scholarly approach. This resource is written with a different goal in mind: teaching the art of expressive harpsichord playing to those who have had experience on the instrument, and also to pianists and organists who love the repertoire, and want to play it on the keyboard instrument for which it was composed. Presented together with quotes from the most important primary sources on the instrument, the book contains more than 100 musical examples in an easily-accessible format and one of the most comprehensive bibliographies available.

This is a guide to practices of stage presence for performing musicians. It answers the basic questions every musician has about a performance: how to prepare, how to dress, how to walk onto stage, how to bwo, how to put the audiece at ease, how to interact on stage and with backstage personnel.

Now in Paper! Aimed at both the new student and the seasoned scholar, The Hard-Boiled Explicator offers brief essays on Hammett, Chandler, and Macdonald that highlight their major characteristics, relate them to each other, and show their impact on their public. Cloth edition published in 1985.

Diaspora studies continue to expand in range and scope and remain fertile terrain for investigating multiple techniques of myth creation in dance performance, history as performance, dramatic narrative, and staged rituals in the field. Similarly, research in postcoloniality, gender/sexuality, intercultural, and literary studies, among others, all engage and feature core components of performance and myth in articulating and understanding their fields. This sharing of similar components also demonstrates the interrelatedness of these fields.In Myth Performance in the African Diasporas: Ritual, Theatre, and Dance, the authors contend that performance traditions across artistic disciplines reveal a sharedif sometimes variedjourney among diasporic artists to reconnect with their African ancestors. The volume begins with a historical and aesthetic overview of how dramatists, choreographers, and performance artists have approached the task of interpreting African myth. The individual chapters reveal how specific artists, dramatists, and choreographers have interpreted African myth and what performative approaches and traditions they have used. Focusing on theatre practitioners from the nineteenth century through the present, the authors examine performative traditions from Canada, the United States, the Caribbean, and Latin America. Drawing upon research in theatre, dance, and literary texts, Myth Performance in the African Diasporas will be crucial to academics interested in African performance viewed through the prism of myth making and spiritual/ritualistic stagings. Besides those interested in diasporic studies, this book will also be useful to scholars and students of history, drama, theatre, and dance.

The Historical Dictionary of Inter-American Organizations covers the changing world of inter-American and international organizations that have played an important role in bilateral and multilateral efforts to solve a wide range of problems that have confronted the nations of the Western Hemisphere. The Latin American region is clearly more integrated regionally and internationally than in previous decades and is better prepared to confront a broad range of problemstrade, development, illicit drugs, terrorism and guerrilla activity, health, environment, democratization, trade, human rights, intervention, electoral assistance, peacekeeping and conflict resolutions, migration, border conflicts, corruption, and energy independencethat governments and non-governmental organizations face in the 21st century. The role of the United States in Latin America has clearly faded since the end of the Cold War and the second edition of this book fills a large void in explaining the complexities of inter-American organizations and their activities since the first edition was completed in the late 1990s.This updated second edition of Historical Dictionary of Inter-American Organizations covers the history of through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 400 hundred cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent access point for students, researchers, and anyone wanting to know more about Inter-American Organizations.

Written by one of the leading authorities on writing, publishing and teaching science fiction, The Science of Science Fiction Writing offers the opportunity to share in the knowledge James Gunn has acquired over the past forty years. He reflects on the fiction-writing process and how to teach it, and the ideas he has shared with his students about how to do it effectively and how to get it published afterwards.The first section discusses why people read fiction, the parts of the short story, the strategy of the science fiction author, scene as the smallest dramatic unit, how to speak well in print, suspense in fiction, how to say the right thing, and how to give constructive criticism. The second section takes a more philosophical approach. Here, Gunn elaborates on the origins of science fiction, its definition, the worldview of science fiction, and the characters that appear in science fiction novels. The third section highlights well-known sci-fi authors: H.G. Wells, Robert A. Heinlein, Isaac Asimov, Henry Kuttner, C.L. Moore, and others, and the impact they have had on the development and progression of science fiction.

The book report is due and panic sets in. A THIN book is the ticket. But perhaps a THINNER book? Or the THINNEST book of all? And how to pick one (quickly) that will be interesting?Students, teachers, and librarians will love this handy little volume that describes 100 titles recommended for middle and high school students. Readable, attention-grabbing-all are less than 200 pages. Each entry lists title and author, provides information on characters, plot, and action, and even suggests topics to cover in a book report. Librarians and teachers will appreciate the inclusion of curricular areas and readability indexes, and students will find the appendix on approaches to writing a book report or booktalk a real gold mine.Five indexes make locating the perfect title a breeze.The genre index guides you to the kind of book you want to read. The subject index lists dozens of subjects, from adoption to writing, divorce to time travel. The readability index guides you to the "e;quick reads"e; or "e;thoughtful novels."e; If you have a favorite author or already know of a novel you want to read, there is the author or title index. Finally, the curriculum index allows you to look for a book for a particular class.

Mike "e;King"e; Kelly was the hard-living, hard-drinking son of a Civil War veteran whose skills at baseball and infectious charm turned him into the game's first hero, and a symbol of what it meant to be a celebrity in America in the 1880s and 1890s. Slide, Kelly, Slide reacquaints baseball fans and scholars with this little-known pioneer of the game. Marty Appel, the author of several baseball books, conducted a thorough search of local archives to bring the story of King Kelly to light and place him in his proper historical context. An innovator on the field, who was not above taking advantage of the only umpire running the game, Kelly touched many aspects of American culture while a ballplayer. He was the first player to sign autographs, and wrote the game's first autobiography. A Hall of Famer and a two-time batting champion, Kelly's greatest contribution was the popularity that he brought to the game. Slide, Kelly, Slide will truly delight.

Addresses the cataloging of videos and films of multifaceted performances and presentations where music is an important component of the production.

Assessing the strengths and weaknesses of a library collection is an essential component in the collection management process. Compiles papers that present an overview of current approaches to and concerns about collection assessment for music libraries.

Exploring in depth the repertory of the unaccompanied cello, this work lists more than 1,500 works from the Baroque era to the present day. It gives succinct information, including durations of works, and composers' dates and nationalities.

The main section of this book is arranged by voice type, with entries subarranged by composer. Each entry gives the composer's name and dates, the title and date of the work, names of individual movements, publisher, source and language of text, instrumentation, vocal range, and level of difficulty. Indexes by performing media, composers, sources of texts, and publishers complete the work.

The 18th century in Britain was a transition period for literature. Patronage, either by a benefactor or through subscription, lingered even as the publishing and bookselling industries developed. The practice of reviewing books became well established during the second half of the century, with the first periodical founded in 1749. For the literary scholar, these gradual changes mean that different search strategies are required to conduct research into primary and secondary source material across the era.Literary Research and the British Eighteenth Century addresses these unique challenges. It examines how the following all contribute to the richness of literary research for this era: book and periodical publishing; a growing literate society; dissemination of literature through salons, private societies, and coffee houses; the growing importance of book reviews; the explosion of publishing; and the burgeoning of primary source material available through new publishing and digital initiatives in the 21st century.This volume explores primary and secondary resources, including general literary research guides; union library catalogs; print and online bibliographies; scholarly journals; manuscripts and archives; 18th-century books, newspapers, and periodicals; contemporary reception; and electronic texts and journals, as well as Web resources. Each chapter addresses the research methods and tools best used to extract relevant information and compares and evaluates sources, making this book an invaluable guide to any literary scholar and student of the British eighteenth century.

During the 19th century, London was a complex, vibrant, and multi-faceted city, the first true metropolis. As such, it contained within it a widely disparate array of worlds and cultures. Representations of London in literature varied just as widely. In the late 1830s, London began appearing as a site of literary terror, and by the end of the century a large proportion of the important Victorian ';Gothic revival' novels were set in the city: The Strange Case of Dr. Jekyll and Mr. Hyde, The Picture of Dorian Gray, The Three Impostors, The Beetle, Dracula, and many others.In Darkest London is a full-length study of the Victorian Urban Gothic, a pervasive mode that appears not only in straightforward novels of terror like those mentioned above but also in the works of mainstream authors such as Charles Dickens and in the journalism and travel literature of the time. In this volume, author Jamieson Ridenhour looks beyond broad considerations of the Gothic as a historical mode to explore the development of London and the concurrent rise of the Urban Gothic. He also considers very specific aspects of London's representation in these works and draws upon recent and then-contemporary theories, close readings of relevant texts, and cartography to support and expand these ideas.This book examines the work of both canonical and non-canonical authors, including Dickens, Bram Stoker, Robert Louis Stevenson, G.W.M. Reynolds, Richard Marsh, Arthur Machen, Marie Belloc Lowndes, and Oscar Wilde. Placing the conventions of the Gothic form in their proper historical context, In Darkest London will appeal to scholars and students interested in an in-depth survey of the Urban Gothic.

Mobile Library Services provides 11 proven ways to reach out to mobile users and increase your library's relevance to their day-to-day lives. Librarians detail how they created mobile apps to how they went mobile on a shoestring budget. Written by public, academic, and special librarians, these 11 best practices offer models for libraries of every type and size.

By the mid-1920s, Buster Keaton had established himself as one of the geniuses of cinema with such films as Sherlock, Jr., The Navigator, and his 1927 work The General, which was the highest ranked silent on the American Film Institutes survey of the 100 greatest films. Before Keaton ventured into longer works, however, he had honed his skills as an actor, writer, and director of short films produced in the early 1920s.In Buster Keaton's Silent Shorts: 1920-1923, James L. Neibaur and Terri Niemi provide a film-by-film assessment of these brilliant two-reelers. The authors discuss the significance of each shortThe High Sign, One Week, Convict 13, The Scarecrow, Neighbors, The Haunted House, Hard Luck, The Goat, The Playhouse, The Boat, The Paleface, Cops, My Wife's Relations, The Blacksmith, Frozen North, Daydreams, The Electric House, The Balloonatic, and The Love Nestto the Keaton filmography, as well as each film's importance to cinema. Offering a clear and in-depth perspective on these 19 films, the authors explain what makes these shorts effective and why they're funny. Buster Keaton's Silent Shorts will enlighten both scholars and casual fans alike about the early work produced by one of cinemas most gifted comedians and filmmakers.