This reference covers 1960s and 1970s bootleg recordings. Within its pages lies a history of rock at its best, as performed on stage or in the studio. Each entry is catalogued by title, date, featured tracks and contains a quality rating and comments on the nature and origin of the recording.
Demonstrates presentation styles for developing aural, keyboard and writing skills, and examines the theoretical and pedagogical conventions of musical education. This revised edition responds to the new trends in pedagogical study.
This collection of essays pays tribute to film critic Andrew Sarris, the most influential film critic in American film history. The 38 essays assembled here and arranged according to major theme demonstrate the amazing impact Sarris has had on every aspect of the film world: fellow critics, filmmakers, readers, and American popular culture.
The revised edition offers an expanded array of materials, organized into cases and shorter 'briefs,' for use in the study of directing. There are new cases covering issues of censorship, non-traditional casting, theater safety, and ethics among others. The corresponding Instructor's Manual is available free upon request.
Baltimore native Henry Louis Mencken (1880-1956) was an essayist, literary critic, magazine editor, novelist, and journalist. Starting as a reporter for the Baltimore Morning Herald at the turn of the century, Mencken eventually became associated with the Baltimore Sun and his work for the newspaper spanned five decades. In H.L. Mencken: An Annotated Bibliography, S.T. Joshi provides the most exhaustive and comprehensive bibliography of the writings of H. L. Mencken ever assembled. It presents detailed information on his book publications from 1903 to the present, with a full list of editions and reprints. Most significantly, it presents for the first time a comprehensive annotated listing of his magazine and newspaper work (including more than 1,500 anonymous editorials for the Baltimore Sun, Baltimore Evening Sun, and other papers, which have never been listed in any previous bibliographies), a thorough index to his book reviews, and a full list of interviews Mencken gave during his lifetime. Word counts of nearly every item in the bibliography have been supplied, and the book has been thoroughly indexed by name, title, and periodical. Because every item has been annotated, scholars and students can, for the first time, gain an idea of the subject-matter of all Mencken's writings, especially his magazine and newspaper work. The indexes will allow users to locate any given item with ease. The chronological arrangement of each section allows users to understand the growth and development of Mencken's work, making this volume an invaluable resource.
In all likelihood advocacy journalism is the oldest form of reportage. It appears frequently whenever journalists desire to advocate their beliefs or ideas about major political or social problems. In Advocacy Journalists: A Biographical Dictionary of Writers and Editors, Edd Applegate identifies the most notable figures in this field. Each entry contains biographical information about a writer or editor who either wrote advocacy journalism or edited one or more publications that featured such material. Entries consist of discussions of the journalists' lives, professional careers, major works, and, in some cases, commentary on those works. Among those profiled here are such notables as Ambrose Bierce, William F. Buckley Jr., Eldridge Cleaver, Daniel Defoe, Germaine Greer, Pete Hamill, Karl Marx, H. L. Mencken, George Orwell, Thomas Paine, Wilfrid Sheed, Gloria Steinem, and Jonathan Swift. Unlike other books that focus on the form of advocacy journalism itself or how and why it developed, this book focuses on the lives of journalists and editors and their contributions to advocacy journalism. For scholars, teachers, and students of journalism, along with general readers who wish to discover more about advocacy journalism, this volume is an important and accessible resource.
The Story of Boogie-Woogie: A Left Hand Like God examines the socio-historical background of the boogie-woogie piano style, from its early appearances in the barrelhouses of lumber, turpentine, and railroad camps in the southern United States, to its emergence at rent parties in Chicago and St. Louis, to its rise as a popular form of music in the nightclubs of New York, to its status as an international craze during World War II. In this enhanced revision of A Left Hand Like God, Peter J. Silvester presents a comprehensive history of boogie-woogie, describing the style's appearance and development, its offshoots, and the pianists who made it famous, and studying its impact on rhythm and blues, urban blues, and big band swing, leading to the eventual revival of 'classical' boogie-woogie in concerts and festivals. Silvester discusses significant European and American pianists of boogie-woogie throughout history, providing biographical information about their life styles and musical influences and offering an analysis of their important recordings. The book also includes a new chapter on the contribution of national and independent record companies to the recording of boogie-woogie music. A thorough bibliography and a final appendix providing many of the bass patterns common in boogie-woogie make this a valuable reference.
First published in 1937, Of Mice and Men has been a staple of American literature ever since. Divided by decade, The Essential Criticism of John Steinbeck's Of Mice and Men provides an overview of criticism over the 70 years the book has been in print. Michael J. Meyer has assembled significant articles and book excerpts from critics and reviewers, citing the early book reviews and highlighting some of the most significant essays. While not all critical studies are included, those assessments not present in the text are evaluated by summaries and their bibliographic citations are given. The essays express various critical approaches, including those that criticize the book and examine what some consider the book's flaws. Ideal for research work at all levels, this volume collects in one place the most significant contributions to the study of the novel, making it a welcome addition to the canon of Steinbeck criticism.
In 2005, Cormac McCarthy's novel, No Country for Old Men, was published to wide acclaim, and in 2007, Ethan and Joel Coen brought their adaptation of McCarthy's novel to the screen. The film earned praise from critics worldwide and was honored with four Academy Awards', including Best Picture, Best Director, and Best Adapted Screenplay. In No Country for Old Men: From Novel to Film, scholars offer varied approaches to both the novel and the award-winning film. Beginning with several essays dedicated entirely to the novel and its place within the McCarthy canon, the anthology offers subsequent essays focusing on the film, the adaptation process, and the Coen Brothers more broadly. The book also features an interview with the Coen brothers' long-time cinematographer Roger Deakins. This entertaining and enriching book for readers interested in the Coen Brothers' films and in McCarthy's fiction is an important contribution to both literature and film studies.
This is the first comprehensive study of the music and life of Theodore 'Fats' Navarro. It provides biographical, discographical, and analytical information on the trumpeter and his recorded legacy, offering new perspectives on Navarro's role in the history and emergence of Bebop.
This collection of essays pays tribute to director Edgar Ulmer, the so-called "King of Poverty Row," whose classic works include The Black Cat (1934) and Detour (1945). This volume also includes an interview with Ulmer's wife Shirley, as well as the first English translation of an interview with Ulmer conducted in 1965.
This provocative assembly of essays examines Dracula films and their movement across borders of nationality, sexuality, ethnicity, gender, and genre since the 1920s. The essays analyze the complexity Dracula embodies outside the conventional landscape of films with which the vampire is typically associated. Focusing on Dracula and Dracula-type characters in film, anime, and literature from predominantly non-Anglo markets, this anthology offers unique perspectives that seek to ground depictions and experiences of Dracula within a larger political, historical, and cultural framework.
Though science fiction certainly existed prior to the surge of television in the 1950s, the genre quickly established roots in the new medium and flourished in subsequent decades. In Channeling the Future: Essays on Science Fiction and Fantasy Television, Lincoln Geraghty has assembled a collection of essays that focuses on the disparate visions of the past, present, and future offered by science fiction and fantasy television since the 1950s and that continue into the present day.
Based on a series of previously published articles, Technology Law adopts a reader-friendly approach to the problems and issues facing those of us who depend on technology to make a living. Avoiding technical jargon, this book offers simple explanations of why certain laws exist, what they mean, and suggestions for responding to them responsibly and effectively. In this revised edition, Mark Grossman addresses developments that have taken place over the past five years in the rapidly changing world of technology law. This edition incorporates new and updated articles that address the many changes since the publication of the first edition. The book is logically structured so that, though its chapters deal with a multitude of topics, related articles are grouped together. The book's broad scope engages with issues in technology law across a wide spectrum of business areas. Those who deal with technology in any capacity will find much value in this important volume.
Colonel William Winthrop singularly was the most influential person in developing the military law of the United States. A half century ago, the Supreme Court tendered to Winthrop the title, 'The Blackstone of Military Law,' meaning simply that his influence outshone all others. He has been cited over 20 times by the highest court and well over a 1,000 times by other federal courts, state courts, and legal texts. In this, he surpasses most other legal scholars, save Joseph Story, John Marshall, or Felix Frankfurter. But while biographies of each of these Supreme Court Justices have been written, there has been none to date on Winthrop. The Blackstone of Military Law: Colonel William Winthrop is the first biography on this important figure in military and legal history. Written in both a chronological and thematic format, author Joshua E. Kastenberg begins with Winthrop's legal training, his involvement in abolitionism, his military experiences during the Civil War, and his long tenure as a judge advocate. This biography provides the necessary context to fully appreciate Winthrop's work, its meaning, and its continued relevance.
Cellists play a variety of instruments that they call Baroque cellos, ranging from basically modern cellos with gut strings, a period bridge, and Baroque bow, to instruments where the entire set-up is altered. This is the first study in which the revival of a single period instrument has received such detailed consideration.
This new edition of The Keyed Bugle is an expansion rather than a revision of the first edition. The performance practice discussion has been extended to cater to the needs of the reader who wishes to learn the instrument. All chapters contain new information, and the chapters on Performers, Makers and Sellers have been extensively expanded. An additional chapter offers an explanation of the peculiarly distinct acoustics of keyed bugles and provides an analysis of construction styles employed by particular makers. After closely researching instruments that have been documented by the signatures of specific firms and comparing them with unmarked examples, the author enables readers to make confident observations on the nature of regional and manufacturer's styles. The new research in this area provides the groundwork for informed speculation about the origins of undocumented keyed bugles. This work puts the best of current research on the instrument into book form and provides the collector, performer, and serious music student with a clear picture of the instrument's history, repertoire, and technique.
This text is aimed at the person who has music training but little or no experience with musical theatre. It details the duties involved in directing a broadway musical, including overseeing singer and orchestra rehearsals and conducting the musical itself.
What is the best management style for the police? This study discusses the values and norms inherent in American police mission and examines how police respond to challenges that arise while attempting to uphold this mission.
Showcases professional work in the arena of jazz theory. Among the contributors are scholars of jazz theory as well as musicians, including four of the founding members of the jazz section of the Society for Music Theory.
Stereographer and film historian, Ray Zone, presents the insights of twenty-one professionals who have worked in the stereoscopic motion pictures field.
In October 1947, more than twenty years after leaving Russia, Ayn Rand testified before the House Un-American Activities Committee (HUAC), which was investigating communist infiltration of the motion picture industry. The focus of that testimony was Song of Russia, a 1944 pro-Soviet film that Rand decried for its unrealistic, absurdly flattering portrait of life in the communist country. Ayn Rand scholar Robert Mayhew focuses on this controversial period of American and Hollywood history by examining both the film and the furor surrounding Rand's HUAC testimony. His analysis provides the first detailed history of any of the pro-Soviet films to come out of 1940s Hollywood. Mayhew begins by offering a brief synopsis of the MGM film, followed by an account of its production, as well as its reception. Most significantly, Mayhew analyzes Rand's appearance before HUAC and discusses the response to her much-maligned testimony. By carefully scrutinizing this one episode in the history of communism and anti-communism in 1940s Hollywood, Mayhew presents a more accurate picture of those times and the issues surrounding them. His study allows for a re-evaluation of the role of communism in Hollywood, the nature of the HUAC, and even the Hollywood Ten. This book should be of interest to anyone interested in the life and thought of Ayn Rand, as well as to anyone interested in the history of Hollywood communism and of American film.
Much more than a style guide that teaches students the correct way to set up a footnote, Where Credit is Due provides complete nuts-and-bolts information for all aspects of researching, writing, laying out, and presenting a research or term paper.
Rock, ice, and mountain climbing are increasingly popular forms of sport and recreation, and there are industries devoted to providing the equipment for the climbs, training the would-be climbers, and arranging climbing expeditions.
"...hard-hitting..." -FILM REVIEW ANNUAL
Italian filmmaker Gillo Pontecorvo is best known for his films about anti-colonial insurgency and terrorism. In this book, containing several black and white photos, author Carlo Celli examines Pontecorvo''s entire career, from his days as a leader in the anti-Nazi/fascist resistance during World War II to his 1992 short documentary about Algeria''s struggle with Islamic fundamentalism. This is the first book-length study in English of Pontecorvo''s entire career, and features in-depth examinations and re-readings of his major films Kap├│ (1959), The Battle of Algiers (1965), Burn! (1969), and Ogro (1979). The book also addresses Pontecorvo''s largely unknown early documentaries and features, such as Giovanna (1956) and The Wide Blue Road (1957). Celli concludes with an examination of the documentary films that Pontecorvo made in the 1990s including Return to Algiers (1992). This work will be of interest to academics and students of film, but it will also have an appeal to readers concerned with issues regarding the political use of violence in the 20th centuryΓÇöwhether it be defined as terrorism, counter-insurgency, or freedom fighting.
Patent assets are currently important strategic business tools. Their presence or absence can make or break technology-based companies. Patent asset management has therefore become a core responsibility within companies. This book discusses in a lucid manner the elements that need to be covered to ensure that patent assets are used to their full potential. It provides simple and practical management tools to realize alignment of patent, business, and research & development strategies. Additionally, this book will help managers understand why any decision regarding patent assets needs to be an informed business decision, and how these assets can contribute to the company's future success, if not survival.
Contrary to the widely held opinion that most of our hit and standard songs were composed by a handful of top writers-Berlin, Gershwin, Kern, Porter, and Rodgers-the fact is that the vast majority of them were written by relatively unknown composers.
This book examines arranging methods and their applications. It is designed to be used in a jazz studies program and as a professional reference manual for musicians. The text begins with a historical overview of jazz band instruments and a study of their characteristics. The body of the text includes an examination of relevant terminology, notational devices, principles of theory, and arranging techniques.
Hungarian-born Stefan Lorant's work as a visual and literary editor allowed him to pioneer and develop the genre of picture-based journalism at a period that saw the emergence of modern mass communications. Lorant became a guiding force on an international scale, disseminating his ideas and political knowledge throughout Europe in the late-twenties and thirties by working in Hungary, Germany, and England. His innovative layouts, his "e;exclusive"e; interviews and his thirst for knowledge became a familiar part of millions of everyday lives, largely through the pages of his own creations and in particular the legendary Picture Post. Eventually his sphere of influence spread to America where he introduced the concept of the pictorial biography. His vision of photography as a documentary medium inspired Life and Look magazines and paved the way for the eventual emergence of the television documentary. For this he has become recognized as "e;the godfather"e; of photojournalism.Lorant's work enlightened the world - yet his own world was shrouded with darkness. His secret past, hidden throughout his lifetime, reveals the changing attitude of sexual politics as it evolved throughout the century. His serial womanizing and scandalous love affairs provide insight into the unhappy alliance between his sexual fulfillment and intellectual frustration, his searching in others for what he could not find within himself.Michael Hallett first interviewed Stefan Lorant in late 1990 and spent the following years researching and interviewing his subject. Hallett examines Lorant's public image, his huge ego, his manipulative nature, and his devious love of subterfuge and confusion. Hallett also reveals Lorant's warmth, his generosity, his callousness, his passions and his extraordinary humanity. This biography encompasses the 20th century, while focusing on the emergence of modern mass communications throughout Europe and the United States. Additionally there is a small but key section that highlights Lorant's pl
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