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Essays in Unruly Catholics explore how renowned Catholic literary figures Dante Alighieri, Oscar Wilde, Graham Greene, Evelyn Waugh, and Gerard Manley Hopkins dealt with the disparities between their personal beliefs and the Church's official teachings. Contributors also suggest how controversial entertainers such as Madonna, Kevin Smith, Michael Moore, and Stephen Colbert practice forms of Catholicism perhaps worthy of respect. Most pointedly, Unruly Catholics addresses the recent sex abuse scandals, considers the possibility that the Church might be reformed from within, and presents three iconic figures-Thomas Merton, Dorothy Day, and C.S. Lewis-as models of compassionate and reformist Christianity.

Preserving Local Writers, Genealogy, Photographs, Newspapers, and Related Materials draws on the practical knowledge of archivists, preservationists, librarians, and others who share the goal of making local history accessible to future generations. Anyone who plans to start a local history project or preserve important historical materials will find plenty of tips, techniques, sample documents, project ideas, and inspiration in its pages.

Skiing is one of the oldest modes of transportation known, predating the wheel with dated artifacts to prove its pedigree. Skiing for sport, however, did not become common until about 150 years ago. The first Winter Olympic Games, held in Chamonix, France in 1924, were the first to introduce skiing as a competition. Events were held in both ski jumping and cross-country skiing. With advances in technology and increased leisure time, the popularity of skiing as a sport has risen exponentially since it was first introduced.The Historical Dictionary of Skiing relates the history of the sport through a comprehensive alphabetical dictionary with detailed, cross-referenced entries on key figures, places, competitions, and governing bodies within the sport. Author E. John B. Allen introduces the reader to the history of skiing through a detailed chronology, an introductory essay, appendixes and an extensive bibliography. This book is an excellent access point for researchers, students, and anyone interested in the history of skiing.

Russian music today has a firm hold around the world in the repertoire of opera houses, ballet companies, and orchestras. The music of Pyotr Tchaikovsky, Nikolay Rimsky-Korsakov, Sergey Rachmaninov, Sergey Prokofiev, and Dmitri Shostakovich is very much today's lingua franca both in the concert hall and on the soundtracks of international blockbusters from Hollywood. Meanwhile the innovations of Modest Mussorgsky, Alexander Borodin, and Igor Stravinsky have played their crucial role in the development of Western music in the last century, influencing the work of virtually every notable composer of the last century.The Historical Dictionary of Russian Music covers the history of Russian music starting from the earliest archaeological discoveries to the present, including folk music, sacred music, and secular art music. The book contains a chronology, an introductory essay, an extensive bibliography, and over 500 cross-referenced dictionary entries on every major composer in Russia's history, as well as several leading composers of today, such as Sofia Gubaidulina, Rodion Shchedrin, Leonid Desyatnikov, Elena Firsova, and Pavel Karmanov. It also includes the patrons and institutions that commissioned works by those composers and the choreographers and dancers who helped shape the great ballet masterpieces. This book is an excellent access point for students, researchers, and anyone wanting to know more about Russian music.

In 1958, Gary Graver moved from his hometown of Portland, Oregon to Los Angeles, California with dreams of an acting career in Hollywood. Soon after his arrival, he caught a double bill in a small theater on Hollywood Boulevard, the lower half of which was the recently released Touch of Evil. Upon viewing the B classic, Graver decided he wanted to be a director and spent many years honing his craft, as both a cinematographer and a director, not to mention writer, actor, and producer-much like his idol, Orson Welles.In 1970, when Graver learned that Welles was in town, he impulsively called up the director and offered him his services as a cameraman. It was only the second time in Welles's career that he had received such an offer from a cinematographer, the other being from Gregg Toland, who worked on one of the greatest films ever, Citizen Kane.In Making Movies with Orson Welles, Graver recounts the highs and lows of the moviemaking business as he and one of the most important and influential directors of all time struggled to get films produced. The two men collaborated on more than a dozen projects, including F for Fake, Filming Othello, and the still-unreleased The Other Side of the Wind. Their close friendship and creative filmmaking partnership would endure for 15 years, until Welles' death in 1985. Also including a filmography of works and 20 photos from Graver's personal collection, this fascinating memoir recalls what it was like to work with the legendary Welles and offers advice and tales of caution for future filmmakers.

Teen readers have always been fascinated by monsters, but lately it seems like every other young adult (YA) book is about vampires, zombies, or werewolves. These works are controversial, since they look at aspects of life and human nature that adults prefer to keep hidden from teenagers. But this is also why they are so important: They provide a literal example of how ignoring life's hazards won't make them go away and demonstrate that ignorance of danger puts one at greater risk.In They Suck, They Bite, They Eat, They Kill: The Psychological Meaning ofSupernatural Monsters in Young Adult Fiction Joni Bodart examines six different monstersvampires, shapeshifters, zombies, unicorns, angels, and demonsin YA literature. Bodart first discusses the meaning of these monsters in cultures all over the world. Subsequent chapters explore their history and most important incarnations, comparing the same kind of creatures featured in different titles. This volume also contains interviews with authors who provide additional insight and information, and the bibliography includes a comprehensive list of titles featuring the various monsters.Analyzing the most important and well-written series and titles for teens, They Suck, They Bite, They Eat, They Kill will be useful for parents, teachers, and anyone else hoping to understand why teens want to read books in this genre and what some of the benefits of reading them might be.

In 2007, the great Bach scholar Anne Leahy died at the age of 46. She was a leading light in Bach studies and lecturer at the Dublin Institute of Technology (DIT) Conservatory of Music and Drama. Posthumously edited by renowned Bach scholar Robin A. Leaver, Leahys dissertation research forms the basis for this original study of the preludes to Bachs Leipzig chorales. Originally composed in Weimar and later revised in Leipzig, Bachs compositions have been a source of some puzzlement. As Leahy notes, the original intentions of Bach and the possible purpose of this collection might be regarded as speculative. Working from available sources, however, she argues that through the careful examination of the links among the music, hymn texts, and theological sources some answers may be had. From Bachs personal and deep interest in Lutheran theology to his enormous musical passion, Leahy considers closely a series of critical questions: does the original manuscript for the chorales simply reflect a random gathering of compositions or is there a common theme in setting? How critical is the order of the chorales and what is the theological significance of that order? Were the chorales a unified collection, and if so, which parts were to be included and which not? Indeed, were the chorales themselves part of a possibly larger corpus?As Leahy makes evident, there are no simple answers, which is why she considers critical the relationship the texts of the hymns to the chorales and to one another, outlining a theological pattern that is vital to fully grasping the guiding philosophy of these compositions.J. S. Bachs Leipzig Chorale Preludes: Music, Text, Theology is ideally suited for Bach scholars and those with a general interest in the intricate connections between text and music in the composition of religious music.

Islands are concentrated "instances" of place, in every sense of the term. As such, there are no better candidates for observing and critiquing the dynamics of globalization. Through the close analysis of musical performance and traditions, the scholarly contributors to Island Songs provide a global review of how island songs, their lyrics, and their singers engage with the challenges of modernity, migration, and social change, uncovering common patterns notwithstanding the diversity and local specificity of their subjects. In this musical exploration of the world of islands, a shared and deep "sense of place" is celebrated in song. This collection of essays is no less than a sonic narrative, an attempt to sing the inherent contradictions and paradoxical modalities of island lives today. Song lyrics, along with their accompanying music, can serve as a barometer of life and major cultural markers of change. Island Songs is a work of sonic anthropology that does more than probe song as a part of the sociocultural life on islands. It illuminates how song performs island life. Gathered here are 15 case study chapters on islands in the Caribbean, North Atlantic, Mediterranean, Baltic, and the South Pacific, all framed by four eclectic, conceptual essay contributions. In Island Songs, islands are presented as distinct vantage points for observing the merger of the local and the global, as poignantly expressed through song. This book brings together the perspectives and experiences of sociologists, anthropologists, geographers, cultural studies specialists, folklorists, ethnomusicologists, singers, and musicians. Island Songs will interest not only ethnomusicologists but any and all scholars interested in the effects of globalization on traditional cultures.

Alfred Hitchcocks career spanned more than five decades, during which he directed more than 50 films, many of them indisputable classics: Notorious, Strangers on a Train, Rear Window, Vertigo, North by Northwest, and Psycho, among others. In A Year of Hitchcock: 52 Weeks with the Master of Suspense, authors Jim McDevitt and Eric San Juan provide a comprehensive examination of Hitchcocks film-to-film development, spanning from the beginning of his career in silents to his final film in 1976, including his work on two French propaganda shorts he directed during World War II and segments he directed for Alfred Hitchcock Presents. Organized into 52 chapters and arranged in chronological order, the book invites readers to spend a year with the directors most notable works, all of which are available on DVD. Each film is examined in the context of Hitchcocks career, as the authors consider the themes central to his work; discuss each films production; comment on the cast, script, and other aspects of the film; and assess the films value to the Hitchcock viewer. From The Lodger to Family Plot, 68 works directed by Hitchcock are analyzed. Each analysis is supplemented by key film facts, trivia, awards, a guide to his cameos, a filmography, and a listing of available DVD releases. Whether readers decide to undertake the journey through his films one week at a time or pick and choose at their discretion, A Year of Hitchcock will open the eyes of any viewer who wants to better understand this directors evolution as an artist.

In contemporary society, cinema has become a primary way in which people gain knowledge about events taking place in the world. Films often go beyond news reports by showing in-depth, behind-the-scenes footage, whether in a documentary or recreated in fictional features. More than fleeting scenes of events shown on the nightly news, a film can influence peoples feelings about war and what our political leaders should do about it. This has certainly been the case since the attack on 9/11 and the subsequent incursions into Iraq and Afghanistan.In Post-9/11 Cinema: Through a Lens Darkly, John Markert takes a close look at the films depicting these events. Covering cinematic portrayals of 9/11 and the attacks that followed, this book examines both dramas and documentaries that depict what some have termed "e;Bushs war,"e; as well as rebuttal films, films about terrorist activities, and films seen from the vantage point of journalists and military personnel. Post-9/11 Cinema not only shows how motion pictures reflect societal values but also how such works can influence social attitudes and thus promote change. In addition, Markert appraises the film industry and critiques how images are manipulated to sway the viewer to appreciate the side being advocated.Examining such dramas as The Messenger, Stop-Loss, The Lucky Ones, In the Valley of Elah, and The Hurt Locker, as well as documentaries including Fahrenheit 9/11, Soldiers of Conscience, and Taxi to the Dark Side, Post-9/11 Cinema is a valuable read for professors of media and mass communication, popular culture, and film studies, as well as cultural sociologists.

From Afghanistan to Zimbabwe, this book presents an up-to-date collection of national anthems from the 200 sovereign countries in the world, providing music sheets arranged for piano, lyrics in the original language, and an English translation.

The Religious Society of Friends (Quakers) is small by anyone's definition, with only about 300,000 members worldwide, but its impact has been widely felt. Unlike other historical dictionaries, the authors present a series of worldwide essays on Quaker theology, history, and practice as well as the lives of individuals who have made this faith their life. The entries prove the variety among Friends today and also gives a clear sense of unity despite their diverse membership and their periodic disagreements and divisions.

The Ismaili Muslims, who belong to the Shia branch of Islam, live in over 25 different countries around the world, mainly in Asia, Africa and the Middle East. Their history has typically been linked to the history of the various countries in which they live, but the worldwide community is united under Prince Karim Aga Khan, the spiritual leader and 49th Imam of the Ismaili Muslims. Few fields of Islamic studies have witnessed as drastic a change as Ismaili studies, due in part to the recent discovery of numerous historical texts, and author Farhad Daftary makes extensive use of these new sources in the Historical Dictionary of the Ismailis.This comprehensive new reference work is the first of its kind on the Ismailis and presents a summary of the findings of modern scholarship on the Ismaili Shia Muslims and different facets of their heritage. The dictionary covers all phases of Ismaili history as well as the main doctrines of the community. It includes an introductory chapter, which provides a broad historical survey of the Ismailis, followed by alphabetical entries on all major aspects of the community, such as key figures, institutions, traditions, and doctrines. It also contains a chronology, genealogical tables, a glossary, and a substantial bibliography. This book is an excellent access point for students, researchers, and anyone wanting to know more about the Ismailis.

Ever since the first appearances of Superman and Batman in comic books of the late 1930s, superheroes have been a staple of the popular culture landscape. Though initially created for younger audiences, superhero characters have evolved over the years, becoming complex figures that appeal to more sophisticated readers. While superhero stories have grown ever more popular within broader society, however, comics and graphic novels have been largely ignored by the world of academia.In Enter the Superheroes:American Values, Culture, and the Canon of Superhero Literature, Alex S. Romagnoli and Gian S. Pagnucci argue that superheroes merit serious study, both within the academy and beyond. By examining the kinds of graphic novels that are embraced by the academy, this book explains how superhero stories are just as significant. Structured around key themes within superhero literature, the book delves into the features that make superhero stories a unique genre. The book also draws upon examples in comics and other media to illustrate the sociohistorical importance of superheroesfrom the interplay of fans and creators to unique narrative elements that are brought to their richest fulfillment within the world of superheroes. A list of noteworthy superhero texts that readers can look to for future study is also provided. In addition to exploring the important roles that superheroes play in children's learning, the book also offers an excellent starting point for discussions of how literature is evolving and why it is necessary to expand the traditional realms of literary study. Enter the Superheroes will be of particular interest to English and composition teachers but also to scholars of popular culture and fans of superhero and comic book literature.

In 2009, 16 and Pregnant premiered on MTV, closely followed by the spinoffs Teen Mom and Teen Mom 2. Because of their controversial portrayals of teenage mothers, the shows have received ongoing media attention. While some argue that the programs could play a factor in reducing the number of teen pregnancies, others claim the shows exploit young women and glamorize their situations. Among these debates, there have been surprisingly few in-depth discourses that discuss the roles such shows have on teenage audiences. In MTV and Teen Pregnancy: Critical Essays on 16 and Pregnant and Teen Mom, contributors from a variety of backgrounds and expertise offer potent essays about these programs. Divided into four parts, the book tackles the controversial representations of teen pregnancy from various disciplines. Part I explores gendered social norms and the showsΓÇÖ roles as either educational resources or idealized depictions of teenage motherhood. Part II prompts readers to consider the intersections of race, class, gender, and the social and cultural power structures often glossed over in these programs. Part III focuses on teenage fathers, the portrayal of masculinity, and ΓÇ£goodΓÇ¥ vs. ΓÇ£badΓÇ¥ parents. Part IV draws from TVs representations of reality to discuss the impact of these shows on the viewing audience. This section includes a narrative from a teen mother who argues that the shows do not accurately reflect the life she leads. As the debates about 16 and Pregnant and Teen Mom continue, this collection provides a valuable critical discourse to be used both inside and outside the classroom. Those engaged in courses on gender and womenΓÇÖs studies, as well as media studies, social work, and family and childhood development, will find MTV and Teen Pregnancy especially insightfulΓÇöas will those involved in community outreach programs, not to mention teens and young mothers themselves.

Jerome Kern (1885-1945) is considered one of the most versatile and influential of all American theatre and film composers. His pioneer work in developing a truly American musical sound inspired many of the great songwriters of the 1920s, 1930s, and 1940s, and his songs include dozens of beloved standards still heard today, such as ';Smoke Gets in Your Eyes' and ';The Way You Look Tonight.' The Jerome Kern Encyclopedia consists of entries on people, theatre and film musicals, songs, subjects, and themes related to the composer. Not only are all of Kern's stage and screen projects from 1904 to 1946 covered, but there are also entries on all the major librettists and lyricists with whom he worked, as well as producers, directors, actors, and other individuals who figured prominently in his career. Approximately 100 of Kern's most important songs are discussed, and other entries address awards, collaborations, working methods, song styles, and other related subjects.The encyclopedia also includes a brief biography of Kern, a chronology of his life and work, and appendices on recordings, interpolations, revivals, and remakes. The most complete work on one of America's greatest composers, this fascinating, readable, and extensive look at Kern will appeal to theatregoers, movie musical fans, students, teachers, and professionals in musical theatre.

This book provides an informal history of the Grateful Dead Caucus and explores its significance as a scholarly community, focusing on its increasing self-awareness, its ability to span diverse disciplinary and theoretical perspectives, and most of all, its contribution to our understanding of the Grateful Dead phenomenon.

On April 4, 2012, the former Florida Marlins of Major League Baseball played their first official game under their new namethe Miami Marlins. Many in attendance were unaware, however, that the original Miami Marlins had played in their city more than 50 years earlier. As part of the AAA International League, the 1956 Marlins helped set the stage for major league baseball's entry into south Florida. During the five years this minor league club played in Miami Stadium, fans were treated to their first taste of high level baseball, with a team made up of battle-hardened veterans and fresh up-and-comers.The Forgotten Marlins: A Tribute to the 1956-1960 Original Miami Marlins brings to life one of the most colorful and flamboyant teams to ever play in baseball's minor leagues. During their five years of existence, the Marlins featured prominent personalities such as eccentric manager Pepper Martin, zany Mickey McDermott, maverick promoter Bill Veeck, and Hall-of-Famer Satchel Paige. Although the team was an instant sensation, drawing national attention with their outlandish promotions, success did not always follow. The Forgotten Marlins relives those days in detail and follows the players through their triumphs and tribulations both on and off the diamond. Including rarely-heard stories about baseball icon Satchel Paige's years in Miami, and containing interviews between the author and several of the surviving ballplayers, this book is a unique and comprehensive account of a truly original baseball team. The Forgotten Marlins is an entertaining and engaging read for all baseball fans and historians.

Every year since 1961, football and basketball players at Middlebury College in Vermont pick up their wheelchair-bound fan, Butch, and bring him to the stadium sidelines to watch their games. At John Brown University, the volleyball team distributes candy to fans before each match. For years, fans attending a University of Maryland football game rubbed the bronze statue of their terrapin mascot, Testudo. Traditions like these are visible statements of school loyalty, and they are part of why college sports are unforgettable. College Sports Traditions: Picking Up Butch, Silent Night, and Hundreds of Others details not only the well-known traditions of major universities, but also the obscure customs of smaller schools. Approximately 1,200 traditions are captured, covering almost every college sport. It depicts such traditions as The Ohio State University's ';Script Ohio,' University of Kansas's ';Waving the Wheat,' Linfield College's ';End Zone Couches,' and even a list of traditions that involve streaking. The wide variety of traditions covered in this book are grouped thematically, including: Before the gameDuring the gameAfter a scoreAfter the game Mascot traditionsPreseason traditionsTraditions probably not university sanctionedRivalriesYells, cheers, and chantsFrom the crazy and eccentric to the touching and meaningful, these traditions connect fans and athletes across generations. The first of its kind, this comprehensive volume encompasses hundreds of universities and colleges throughout the U.S. Featuring 75 photos that bring many of these events to life, College Sports Traditions will be an entertaining read for every sports fan.

Although women have been teaching and performing music for centuries, their stories are often missing from traditional accounts of the history of music education. In Women Music Educators in the United States: A History, Sondra Wieland Howe provides a comprehensive narrative of women teaching music in the United States from colonial days until the end of the twentieth century. Defining music education broadly to include home, community, and institutional settings, Howe draws on sources from musicology, the history of education, and social history to offer a new perspective on the topic.In colonial America, women sang in church choirs and taught their children at home. In the first half of the nineteenth century, women published hymns, taught in academies and rural schoolhouses, and held church positions. After the Civil War, women taught piano and voice, went to college, taught in public schools, and became involved in national music organizations. With the expansion of public schools in the first half of the twentieth century, women supervised public school music programs, published textbooks, and served as officers of national organizations. They taught in settlement houses and teacher-training institutions, developed music appreciation programs, and organized women's symphony orchestras. After World War II, women continued their involvement in public school choral and instrumental music, developed new methodologies, conducted research, and published in academia. Howe's study traces this evolution in the roles played by women educators in the American music education system, illuminating an area of research that has been ignored far too long.Women Music Educators in the United States: A History complements current histories of music education and supports undergraduate and graduate courses in the history of music, music education, American education, and women's studies. It will interest not only musicologists, educational historians, and scholars of women's studies, but music educators teaching in public and private schools and independent music teachers.

There are several eras in the history of Christianity radical forms of the tradition are obvious: the early church of the first five centuries, the medieval era, the age of reform, the early modern era, and the contemporary era. Radical Christian activity and experience may reflect either a primary or a derived level of spirituality. New converts may join a sect or movement with radical characteristics; or they may become dissatisfied with their initial Christian experiences and desire a different or deeper Christian spirituality, usually closely parallel to that seen in the New Testament.The Historical Dictionary of Radical Christianity covers the history of this movement and includes an introductory essay and a bibliography. The dictionary section has over 400 cross-referenced entries. The dictionary entries selected reflect the leading groups, movements, and sects from each major era of Christian history. Especially in the contemporary period, the great proliferation of radical thinkers and groups has necessitated a selection process with those selected exhibiting sustained group activity, possessing an identifiable following, and demonstrating a significant cultural impact. This book is an excellent access point for students, researchers, and anyone wanting to know more about Radical Christianity.

While the earliest evidence of organized running can be traced back to Egypt in 3800 BCE, the modern sport of track and field evolved from rural games and church and folk festivals, and rules were drawn up in the final quarter of the 19th century in those advanced societies where enough people had the leisure time to indulge their fancies. Today, in addition to the running events, track and field includes such events as the high jump, pole vault, long jump, shot, discus, javelin, hammer, and decathlon.The Historical Dictionary of Track and Field covers the history of this sport through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on key figures, places, competitions, and governing bodies within the sport. This book is an excellent access point for researchers, students, and anyone wanting to know more about the history of track and field.

Opera has been around ever since the late 16th century, and it is still going strong in the sense that operas are performed around the world at present, and known by infinitely more persons than just those who attend performances. On the other hand, it has enjoyed periods in the past when more operas were produced to greater acclaim. Those periods inevitably have pride of place in this Historical Dictionary of Opera, as do exceptional singers, and others who combine to fashion the opera, whether or not they appear on stage. But this volume looks even further afield, considering the cities which were and still are opera centers, literary works which were turned into librettos, and types of pieces and genres. While some of the former can be found on the web or in other sources, most of the latter cannot and it is impossible to have the whole picture without them.Indeed, this book has an amazingly broad scope. The dictionary section, with about 340 entries, covers the topics mentioned above but obviously focuses most on composers, not just the likes of Mozart, Verdi and Wagner, but others who are scarcely remembered but made notable contributions. Of course, there are the divas, but others singers as well, and some of the most familiar operas, Don Giovanni, Tosca and more. Technical terms also abound, and reference to different genres, from antimasque to zarzuela. Since opera has been around so long, the chronology is rather lengthy, since it has a lot of ground to cover, and the introduction sets the scene for the rest. This book should not be an end but rather a beginning, so it has a substantial bibliography for readers seeking more specific or specialized works. It is an excellent access point for readers interested in opera.

Some say that telling the story of the Holocaust is impossible, yet, artists have told the story thousands of time since the end of World War II in novels, dramas, paintings, music, sculpture, and film. Over the past seven decades, hundreds of documentaries, narrative shorts and features, and television miniseries have confronted the horrors of the past, creating an easily recognized iconography of persecution and genocide. While it can be argued that film and television have a tendency to trivialize, using the artifacts of popular culture film and literature artists keep the past alive, ensuring that victims are not forgotten and the tragedy of the Holocaust is not repeated.The Historical Dictionary of Holocaust Cinema examines the history of how the Holocaust is presented in film, including documentaries, feature films, and television productions. It contains a chronology of events needed to give the films and their reception a historical context, an introductory essay, a bibliography, a filmography of more than 600 titles, and over 100 cross-referenced dictionary entries on films, directors, and historical figures. Foreign language films and experimental films are included, as well as canonical films. This book is a must for anyone interested in the scope of films on the Holocaust and also for scholars interested in investigating ideas for future research.

Today, government archivists and manuscript collectors are often in conflict over government-created documents that come up for sale out of private hands. Such manuscripts are often archival material that escaped government control, and government archivists want that missing material back to complete the historic record. Collectors and dealers, however, assert that since the government didn't take care of their documents properly at the time of their creation, they lost the right to claim them now. This divide between government archivists and collectors has become especially acute for ';trophy' documents written by a person of note or about a well-known person or event.Archivists, Collectors, Dealers, and Replevin does not serve as a legal guide to the issues that arise in this divide; instead, it presents both sides of the conflict and examines them dispassionately. The book begins with an historical review of institutional and state-sponsored collecting and the care of historical documents in the United States. The review is followed by a selection of tales of theft and neglect in the past. The third chapter examines the origins and maturation of the archival profession in the United States, and the next discusses the phenomenon of collecting, both as a hobby and as an institutional activity. The fifth chapter provides a general summary of state and federal statutes on public documents in private hands, and with that background in place, the sixth chapter distills the perspectives of the various parties in the struggle. The seventh presents a series of case studies developed to evoke the complexity of these conflicts. The book concludes with steps that holders of public documents can take to avoid conflicts, as well as steps an archive can take to protect its collection.

The Sesquicentennial edition of African Americans and the Gettysburg Campaign, expands the range of research beyond its original 2006 edition. With a foreword from chief historian emeritus of the National Park Service, Edwin C. Bearss, Paradis sets the stage by introducing readers to the important and colorful members of the black community in and around the town of Gettysburg, including descriptions of Underground Railroad activity in the area.With the outbreak of the Civil War, black volunteers for the Union army were initially rejected. But that did not stop them from assuming non-combatant roles, such as their role as teamsters. Paradis also includes overviews of the African American contribution to the Confederate army and finally the authorization of black troops in the North, with their early action in combat before and during the Gettysburg Campaign. Paradis searingly describes, among other matters, the Invasion of Pennsylvania by the Confederate Army in July, 1863, which would turn into a massive slave hunt with the abduction of free Pennsylvania blacks, precipitating a boom in black resident volunteers in defense of the state. From there, Paradis dives into the fighting in Gettysburg and other Pennsylvania towns, with a focus on black contributions and casualties. Paradis' work then turns its attention to the aftermath of the battle, including the labor of African Americans in the disinterring of bodies for the National Cemetery.This new edition of African Americans and the Gettysburg Campaign includes appendices on such matters as black residents and points of interest in the town of Gettysburg, an updated tour of Gettysburg highlighting the roles of African Americans, and finally a list of black veterans who attended the 75th Anniversary reunion in Gettysburg. This work includes over 40 images and several maps. This title is ideal for students, teachers, and scholars of the American Civil War and African American history. Visitors to national parks and anyone who loves American history will find this work a rewarding study of this critical moment in American history and the African American contribution to it.

Arlo Guthrie, the son of America's legendary dust bowl troubadour Woody Guthrie and Martha Graham dancer Marjorie Mazia Guthrie, was reared in the rarefied atmosphere of New York City's remnant Old Left culture, a period that brought together art, political action, and folk music. Music was part of Guthrie's life from the very beginning and his self-confessed earliest childhood memory was standing knee-high next to Lead Belly, the blues legend and ';King of the twelve-string Guitar.' Arlos earliest mentors were his father's friends, and the youngster would learn his craft from the giants of American folk music: Pete Seeger, the Weavers, Cisco Houston, Josh White, Oscar Brand, Ramblin' Jack Elliott, Brownie McGhee, and Sonny Terry.Arlo Guthrie: The Warner/Reprise Years revisits Guthrie's fifteen-year ride as a recording artist for the prestigious record label. Hank Reineke guides readers through the colorful history of Guthrie's most creative period, when the droll, shaggy-haired troubadour promised in song that a ';new world was surely coming. In his thoughtful consideration of Guthries career as a popular, if idiosyncratic, recording artist for the Reprise/Warner Bros. label, Reineke regales readers with stories behind the remarkable success of Guthrie's talking blues-turned-movie Alice's Restaurant and his celebrated appearance at the 1969 Woodstock festival. Guthrie's time at Reprise/Warner Bros. from 1967 to 1982 saw twelve critically acclaimed solo albums, two staple singles of FM radio (';Coming Into Los Angeles' and ';City of New Orleans'), and a pair of treasured folk-music recording collaborations with Pete Seeger.With a look at Guthrie's life and times before and after this prolific period of his career, Arlo Guthrie: The Warner/Reprise Years is the first biography dedicated solely to this gifted artist. A goldmine of information on the Guthrie familys legacy to American music, the counterculture of the 1960s, and the record industry of the 1970s, this work also features a detailed bibliography as well as the first comprehensive discography of Guthrie's recordings through the present day. Arlo Guthrie: The Warner/Reprise Years will appeal to popular music historians, folk-rock fans, and readers interested in the American counterculture of the 1960s and 1970s.

The first contribution to Global Flashpoints: A Scarecrow Press Series, Christopher Daniels' Somali Piracy and Terrorism in the Horn of Africa provides readers with a comprehensive and in-depth analysis of the spate of piracy and terrorism plaguing the waters of Somalia and the global threat posed by this activity. Contesting the commonly held perception that the piracy and terrorism occurring in Somalia are two separate and unrelated activities, Daniels reveals how the collapse of the Somali state and the chaos that has ensued created the environment for piracy and terrorism to flourish in combination. He also notes how the failure to restore a functioning central government has allowed both to become dangerous threats not only to the people of Somalia but the entire world.Underscoring Somalia's dire state, Somali Piracy and Terrorism in the Horn of Africa lays out for readers such significant topics as the reasons behind the collapse of the Somali state and the secession of Somaliland, Puntland, and Jubaland; the rise of internationally-linked terrorist groups, such as Al-Shabaab and Hizbul Islam; and the dramatic spike in pirate attacks off the Somali coast. Daniels concludes by critiquing the methods that have been used to help alleviate these global security challenges and gives policy recommendations for future consideration.Designed to enhance readers' grasp of this global flashpoint, this volume includes a timeline, a glossary of terms, biographical entries on key individual and institutional actors in this conflict, and selected primary sources. It is the ideal introduction to students and scholars of international relations, African history and politics, terrorism, and maritime studies.

In The Musical Instrument Desk Reference, Michael Pagliaro, musical instrument authority extraordinaire, provides the one-stop shop for those in need of a quick, visually-rich reference guide to band and orchestral instruments. Descriptions and illustrations of everything from the physics of sound to detailed discussions of each orchestra and band instrument make this work the ideal desktop reference tool for the working musician. Through its Quick Start and In Depth features, readers can quickly decide how deeply they want to delve into the instrument at hand. Following a contemporary format designed to facilitate what any musician or music instructor needs to know, The Musical Instrument Desk Reference eliminates the need to leaf through multiple method books or trawl through websites to find information.The Musical Instrument Desk Reference includes general information on fingering, the anatomy of musical instruments, sound production, amplification, and control, as well as the science of sound. Readers will find individual chapters on woodwinds, brass instruments, non-fretted string instruments, and percussion instruments. In each category, Pagliaro delves deeper, describing for woodwinds such things as tuning, key systems, fingerings, sound production, tone holes, assembly, materials, embouchures, and reed use; for brass instruments such matters as valve systems, fingering patterns, French horn types, mouthpiece selection, and intonation; for non-fretted string instruments such issues as tuning and fingering, playing position, bowing technique, instrument parts, and materials; and for percussion instruments such elements as instrument types and their classifications, tuning procedures, and accessories.The Musical Instrument Desk Reference is the perfect guide for anyone interested in or responsible for working with varieties of instruments and their players. Teachers, students, teachers in training, music instructors, instrument technicians, and musicians can quickly locate any specific detail related to any band or orchestral instrument.