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The history of the League of Nations is summed up in this book. The dictionary section contains several hundred cross-referenced entries on its founders and supporters, its rather small staff and secretariat, the various subordinate or related organizations, and their overwhelming tasks. The historical background is described in the introduction and plotted year by year in the chronology while the bibliography points to further reading.

Church Woodwork in the British Isles, 1100-1535: An Annotated Bibliography is a thoroughly researched bibliographic guide to monographic, serial, archival, and graphical resources that deal with all aspects of late Romanesque, Gothic, and early Renaissance ecclesiastical woodwork in churches throughout the United Kingdom and the Republic of Ireland. Dealing with both the decorative and structural elements of wooden church furnishings fittings, this authoritative reference tool includes more than 900 annotated citations for works published from the mid-19th century to the present.The extensive and informative annotations provide a synopsis of each cited resource. Resources are categorized in separate chapters by their specific location in the church, their decorative features, their structural function, or other pertinent criteria. This annotated bibliography represents the most comprehensive reference tool for material that deals with church woodwork that has yet been published.

The story of the long struggle of African Americans to attain civil rights, particularly in the South, is well documented. The story of the public library movement in America is also well documented. However, the story of the African American struggle for access to public libraries in the South is not as well documented, with much of what has been written previously told in piecemeal fashion in short studies or confined to a particular southern state.The History of Public Library Access for African Americans in the South: Or, Leaving Behind the Plow examines this subject in the context of the South as a cohesive region. It brings together and examines the three distinct fields involved in this history: Southern Studies, African American Studies, and Library Studies. How these three fields interact and influence one another inform the history of public library access for African Americans in the South.

Inside Pierrot lunaire: Performing the Sprechstimme in Schoenbergs Masterpiece is a handbook on the performance and interpretation of the recitation in Arnold Schoenbergs Pierrot lunaire, op. 21. Presenting a guide for the listener and an aid to the interpreter of the 21 melodramas, the book provides an original English translation of each poem, annotated with references to other poems in the cycle, including some of the texts Schoenberg omitted. The volume also offers an analysis of the Sprechstimme in each melodrama in the context of the surrounding texture and directed by the principles of analysis Schoenberg established in his essays and lectures.Inside Pierrot lunaire makes a case for the importance of the notated pitches in a correct performance of the Sprechstimme. Acclaimed singer Phyllis Bryn-Julson and music theorist Paul Mathews provide a method for performing the Sprechstimme that considers Schoenbergs performing directions, his sometimes-contradictory statements, the recording Schoenberg conducted in 1939, and the burgeoning scholarship on speech-melody. Bryn-Julson and Mathews also examine the role played by Albertine Zehme, the singing actress who commissioned Pierrot, whose part in its creation has been minimized in previous studies. The discussion of Sprechstimme is informed by a genuine oral tradition running from Eduard Steuermann, the pianist who coached Zehmes premiere of the piece, to Ms. Bryn-Julsons own interpretation. The volume also provides a bibliography of sources and an index.

The Oxford Movement began in the Church of England in 1833 and extended to the rest of the Anglican Communion, influencing other denominations as well. It was an attempt to remind the church of its divine authority, independent of the state, and to recall it to its Catholic heritage deriving from the ancient and medieval periods, as well as the Caroline Divines of 17th-century England. The Oxford Movement and Its Leaders is a comprehensive bibliography of books, pamphlets, chapters in books, periodical articles, manuscripts, microforms, and tape recordings dealing with the Movement and its influence on art, literature, and music, as well as theology; authors include scholars in these fields, as well as the fields of history, political science, and the natural sciences. The first edition of The Oxford Movement and Its Leaders and its supplement contained comprehensive coverage through 1983 and 1990, respectively. The Second Edition, with over 8,000 citations covering many languages, extends coverage through 2001; it also includes many earlier items not previously listed, corrections and additions to earlier items, and a listing of electronic sources.

Solo Vocal Works on Jewish Themes: A Bibliography of Jewish Composers is a comprehensive and annotated compendium of stage, concert, and liturgical compositions written by Jewish composers from every known time period and country. Kenneth Jaffe has amassed nearly 3,000 large-scale musical works for solo voice(s) on Jewish themes, written by Jewish composers. The works include over 400 cantatas, 150 oratorios, almost 300 operas, more than 100 sacred services, 20 symphonies, and more than 350 stage works, including Yiddish theatre, Purim and sacred plays, multi-media pieces, and musical theatre. In addition, original song cycles and liturgical services arranged for a modest to large complement of instruments are also included.The works are organized by composer and subdivided by genre, and each entry is fully annotated, detailing the title, opus, voicing and instrumentation, text source, commission, year completed, year and location of the premiere, the year of publication and the publisher (if any), the location of scores, and the duration of the work. The works are then broken down by theme, such as Biblical themes, works for children, works of the Holocaust or Jewish suffering and persecution, interfaith works, and wedding music. They are then cross-referenced by voice type, arrangement, and by title. A list of libraries and publishing houses of Jewish music rounds out this invaluable reference.

Founded in 1973, the journal Literature/Film Quarterly has featured interviews with some of the most prominent and influential filmmakers from around the world. In Conversations with Directors, the journal's coeditors have assembled an exciting collection of interviews spanning 35 years. Interviewees include directors like Robert Wise, Billy Wilder, Frank Capra, Federico Fellini, William Friedkin, and Robert Altman. Organized chronologically, each interview is preceded by a short introduction that establishes a contemporary context, along with providing the reader with a clear sense of the interview's primary concerns, usefully illuminating the many fascinating, and sometimes surprising, points of connection and difference between the directors.

A collection of articles about contemporary theatre and performance history in Eastern Europe. It considers the ways the socio-political change has affected theatre and performance in countries such as Russia, the former Czechoslovakia, Poland, Hungary, Romania, Bulgaria, and former Yugoslavia, particularly after the break-up of the Soviet Union.

Sarah Caldwell: The First Woman of Opera is the first biography of this significant musician, conductor, and director and documents Ms. Caldwell's genius as an indomitable force for opera in America. Caldwell mounted many U.S. premieres and brought rare editions of standard works to her audiences. At the height of her career, she raised her baton over four of the top five orchestras, including the New York Philharmonic and the Boston Symphony Orchestra, and conducted orchestras in such cities as Pittsburgh, St. Louis, San Antonio, Atlanta, Mexico City, and Puerto Rico. She conducted ensembles in Canada, Sweden, South Africa, and Russia; was a musical director for Wolf Trap; and was the first woman to conduct at the Metropolitan Opera. She founded the renowned Opera Company of Boston, as well as the outreach effort Opera New England and a nation-wide touring enterprise, the American National Opera Company. Caldwell's undeniable zeal was evident in whatever she undertook, and her accomplishments invite reflection, showing what an opera company could and should be in America. Daniel Kessler presents Ms. Caldwell's life in flashbacks and explores her 1978 landmark production of Gaetano Donizetti's Don Pasquale, which serves as a prime example of how she engaged with her creative Muse. He describes her personal and professional life, including her experience with the impresario Boris Goldovsky, her ability to create her own brand of 'stage wizardry,' and her moments of overreaching and hubris, such as her unorthodox fundraising methods and her experience with Imelda Marcos. Complete with several illustrations, a bibliography, an index, and the comprehensive annals of her three opera companies, Sarah Caldwell demonstrates what one person of genius, imagination, and passion can accomplish single-handedly.

In 1901 workers at the Panhandle shops of the Pennsylvania Railroad in Columbus, Ohio formed a professional football team called the Columbus Panhandles. The railroad workers, mainly European immigrants, learned the game of football not on college gridirons, but on the sandlots of railroad yards during their lunch breaks. With the leadership of an innovative team manager and its tough physical play, the Panhandles went on to play for more than twenty years as one of the most successful teams in the rag-tag days of professional football.Incorporating original interviews and actual newspaper accounts, Chris Willis recreates the largely forgotten story of this unique squad of men. In The Columbus Panhandles: A Complete History of Pro Football's Toughest Team, 1900-1922, Willis shows how team manager, future NFL commissioner Joseph Carr, used the perks of free railroad travel for employees and the gate attraction of the famous Nesser brothers to build pro football's most successful traveling team. Season by season, Willis provides a fascinating account of the team's spectacular triumphs and crushing losses.Full of wonderful newspaper quotes, entertaining anecdotes, and many original photos, The Columbus Panhandles also profiles a number of principle figures in the team's history, most notably manager Joe Carr and the six Nesser brothers who comprised the heart of the squad for many years. Written to honor the legacy of the Columbus Panhandles, this book will be of interest to historians, sportswriters and general football fans eager to learn about the early days of professional football.

This is the first full-length biography of Irene Dunne, one of the most versatile actresses of Hollywood's Golden Age. A recipient of the Kennedy Center Honors award in 1985, Dunne's acting highlights include five Best Actress Oscar nominations, occurring in almost as many different genres: the Western Cimarron (1931), the two screwball comedies Theodora Goes Wild (1936) and The Awful Truth (1937), the romantic comedy Love Affair (1939), and the populist I Remember Mama (1948). Her other memorable films include My Favorite Wife (1940), Penny Serenade (1941), Anna and the King of Siam (1946), and Life with Father (1947). After delving into Dunne's childhood and early acting forays, the book reveals details about key events in her life and career, including a difficult, bi-coastal marriage. The author also examines Dunne's pivotal roles on stage and in film, her movement among the genres of melodrama and screwball comedy, her ties to director Leo McCarey, and her post-war film career. Gehring's research and insightful analysis shed light on what made Irene Dunne so unique and her performances so memorable. Includes 16 pages of photos.

New Librarian, New Job: Practical Advice for Managing the Transition is designed to provide practical knowledge in all major areas of librarianship for new and existing professionals. In addition, it provides in-depth information on professional competencies and the processes for acquiring the essential job skills to perform effectively. This book fills the gap between theoretical textbook information and the true library profession through practical job and career advice for new graduates and professionals in academic and public libraries. Primarily geared towards recent graduates, this resource will also be relevant for professional librarians who are several years into their career and have recently joined a new position or institution. Contributors relate the experiences of practicing librarians and cover various areas of librarianship, such as instruction, career advancement, collection development, reference, and scholarly activity.

Born in 1713 of French Huguenot stock, Philadelphia Quaker Anthony Benezet was probably the most significant force in advancing the cause against slavery and the African slave trade in the eighteenth century. However, while abolitionists like Granville Sharp, William Wilberforce, Thomas Clarkson, and John Wesley are familiar, the name "e;Benezet"e; is hardly recognized. And yet, it was his work that reinforced Sharp's legal battles, his tracts that singularly influenced both Wesley and Clarkson to join the cause, and his friendship with Benjamin Franklin that led to Franklin leading the American antislavery society after Benezet's death.To Be Silent... Would Be Criminal introduces the development of antislavery activity in America and then traces the life of Benezet, examining both his work and influence on individuals, including Wesley, Sharp, Clarkson, and Franklin. Benezet's correspondence with these and other contemporaries is reproduced here, giving insight into his relationships and his desire to build a viable network to oppose slavery. It's from a letter Benezet wrote to Lady Huntingdon, the chief administer behind the Calvinistic wing of Methodism, that the title of this book is derived: "e;...where the lives & natural as well as religious welfare of so vast a number of our Fellow Creatures is concerned, to be Silent, where we apprehend it a duty to speak our sense of that which causes us to go mourning on our way, would be criminal."e; With one exception, all of Benezet's antislavery tracts, which are otherwise available only in special archives, are replicated in full within the book, further demonstrating Benezet's uniquely significant role in the eventual victory over slavery.

The 100 poems presented in this volume represent a broad cross-section of Isabella Andreini's lyric poetry, both in its original language and in verse translations. Of the nearly 500 poems published in Andreini's two books of Rime in the first decade of the seventeenth century, the 100 included here optimally demonstrate Andreini's range of style, the diversity of genres in which she composed, her views on Renaissance court society, and her interactions with other poets and patrons of the late sixteenth century. An extensive historical and analytical introduction aims to deepen the reader's understanding of Andreini, and hopefully, to inspire further study of this poet's little-known writings, including her Fragmenti d'alcune scritture, and the remaining large share of her lyric poetry. Students and researchers specializing in comparative literatures, women's studies, and Italian studies will find this a helpful addition to their discipline.

From her stage debut in 1922 to her final professional appearance in 1996, Elisabeth Welch was an important figure in the world of popular song. In 1923 she launched the Charleston and throughout the Jazz Age, she was associated with some of the great names of the Harlem Renaissance, including Josephine Baker, Adelaide Hall, Bill 'Bojangles' Robinson, and Ethel Waters. On Broadway she popularized Cole Porter's scandalous song "Love for Sale." After settling in London in 1933, she introduced the classic torch song "Stormy Weather" to British audiences, and that same year she began a career in English musical theatre (Cole Porter's Nymph Errant) that lasted sixty years. In 1930s Britain, Ivor Novello wrote songs for her, Paul Robeson was her leading man in films, and she enjoyed popularity as a cabaret star of London's cafe society. Remaining in her adopted country for the duration of the war (1939-45), Elisabeth entertained the troops and the British public, alongside such theatrical giants as Sir John Gielgud. In the post-war years she reigned supreme in sophisticated revues in London's West End. In 1979 Elisabeth's appearance in Derek Jarman's film version of William Shakespeare's The Tempest (in which she sang "Stormy Weather") won her a whole new legion of fans. At the age of 81, she returned to the Broadway stage and her performance in Jerome Kern Goes to Hollywood earned her a Tony nomination. In Elisabeth Welch: Soft Lights and Sweet Music, author Stephen Bourne celebrates the stage, screen, and radio career of this sophisticated African American actress and singer, who always defied categorization. Spanning almost a century of popular music, she did not fit the definition of jazz, torch, pop or ballad singer but defined her art quite simply as "telling a story in song." Whatever she sang, she demonstrated that she had no peer in the art of interpreting songs by the likes of Cole Porter, Noël Coward, Irving Berlin and Jerome Kern. Includes more than 25 photos.

This book focuses on the American suffrage movement and its leaders from 1848, when the first Woman's Rights Convention was held in Seneca Falls, New York, to 1920, when the 19th Amendment was finally ratified. Resources-print, non-print, and electronic-are annotated, arranged by format, and listed by age group. Information on woman suffrage efforts in other countries, such as Great Britain, is also included, as are connections to related materials on voting and the Constitution.

Cyber Worship in Multifaith Perspectives, as is implied by its name, explores worship (i.e., Prayer, Praise, Scripture, Sacrament, Rituals, Confessions, Eucharist, Rites, Pilgrimages, Reflection, Contemplation, etc.) on the Internet. It is not an 'everything you need to know' guide about the subjects of faith and belief, religions-online, religions on the Net, or religions in cyberspace. Rather, it is a book about religious and spiritual experience under the rubric, cyber worship, which is the variety of ways religious devotion is performed and carried out on the Internet. The term 'Cyber Worship' is a catchall phrase, which includes variants such as online worship, virtual worship, electronic prayer, cyber puja, cyber synagogue, and so on. Dr. Mohamed Taher has thus assembled a quick reference for two groups: those communities that are involved in Cyber Worship and business Webs that collaborate in sustaining wired environments. As such, this book provides an interesting and current perspective on a practice that will continue to grow in the future.

Domesticating Information: Managing Documents Inside the Organization examines records and documents as complex business objects and explores the many different perspectives required for their management. Viewing documents as business objects requires a much different perspective from treating them as cultural artifacts, where preservation is the primary concern. When viewed as business objects, documents must be looked at in terms of integration with business processes, in defense of litigation subpoenas, or in the implementation of information technology. As a consequence, records managers are business analysts, and therefore are treated as such in this book. How information technology, the law, archives, and library & information science scholarship address and affect document and records management are all considered. Topics covered include: how to manage documents and records in any environment, hard copy vs. electronic documents, and how to create a foundation for managing records that addresses the needs of business and government. By addressing the needs of business and government, the needs of citizens, business web stakeholders, and archivists are also fully addressed.

With entries for almost 6000 popular songs that were featured on the Top 40 charts during the fifties, sixties, and early seventies, this reference volume will whisk you back to the early days of rock and roll. Every song is listed, title and variants are given, and there are two long indexes that allow the user to find every song written by a given composer or recorded by a given artist. This resource greatly simplifies the process of discovering which composers provided songs for a particular artist, and which composers assisted one another, as well as indicating the peak Top 40 chart position of each song. This meticulously-researched resource will be of great value to both the serious researcher, record collector, and the nostalgic browser.

Following in the footsteps of Careers in Music Librarianship (MLA, 1990), this resource examines the profession as it responds to these changes, without losing sight of the human element within it.

Now in paperback. In this book, the compilers have brought together more than 1,800 references to literature relating to the Blackfoot. About one third of the citations are annotated, and an author index and a general index simplify the utilization of this valuable resource tool.

Now in paperback! Livelton considers the nature of public records from an archival perspective, analyzing concepts rather than the daily realities with which public records archivists deal. However, his carefully reasoned conclusions provide a strong foundation on which principled rather than ad hoc decisions can be made, and so will be of interest to teachers, students and practitioners of archival science.The author presents a general or theoretical view of public records as documents made or received and preserved by the sovereign or its agents in the conduct of governance. This analysis is illustrated by a variety of examples, including a discussion of freedom of information.

From Scrapple City to City of Little Wedding Churches, this listing includes almost 12,500 official and unofficial nicknames and sobriquets of American states, cities, towns, and counties.

Young Man in Movieland is the autobiography of Jan Read, a young man from a quiet Scottish town, who seemed destined to follow in his father's footsteps. Instead of pursuing a career in chemistry, however, Read's passion for the cinema and a bit of luck led him in a completely different direction.

From voting and debating to rules on quorum, this is a complete, modern guide to meeting procedures. Packed with simplified information that avoids jargon, it meets the needs of most non-profit organizations and professional associations.The author emphasizes the principles of meetings and introduces the use of modern technology in meetings.

The story of the rise, development and failure of the Du Mont television network. It includes details about the network's founder, Dr Allen Du Mont, as well as about management, programmes, new technologies and the network's fall from grace.

Now in paper! An invaluable reference text for singers, teachers, and vocal and operatic coaches, this volume contains the complete song texts of the songs for voice and piano by Chausson, Debussy, Duparc, Faure, and Ravel.All these song texts are in an easy-to-read three-line format; Line 1: the original language text; Line 2: a vertically accurate word-by-word translation into English, using the exact word order of the original language; Line 3: a poetic reconstruction of Line 2 into a more poetically understandable English form.This format differs from purely poetic or singing translations by giving the user an exact, accurate knowledge of each word as it is understood by a native language singer.Cloth edition published in 1991. Available in paperback in 2001.

Now in paperback. William Desmond Taylor (1872-1922) was a leading silent film director remembered as the victim of Hollywood's most sensational unsolved murder, which shook the nation and shattered the reputations of several top Hollywood stars. Until now, Taylor's film career and leadership role in the Hollywood film industry have been completely overshadowed by the scandal of his death. By reprinting over 400 items from contemporary newspapers, magazines, and trade journals, the book reveals Taylor's life in Hollywood_from his arrival as a minor actor in 1912 until his death in 1922 as one of Hollywood's top directors. These annotated clippings and articles, many containing Taylor's own words, provide substantial insight into Hollywood life and film production during the decade that transformed Hollywood into the movie capital of the world. Included in the book is the most extensive filmography of Taylor's work ever published. Taylor's murder is also examined, including a critical analysis of two published 'solutions' to the crime.

The Phoenix Award of The Children's Literature Association annually honors a children's book first published twenty years earlier that deserves special recognition for its literary merit.

The Montagu Collection, of worldwide coverage and all types of instruments, began to take shape in the early 1960s when what had been a small and very random collection was then rapidly expanded to illustrate lectures and to provide material for research on all aspects of organology.