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In Experiencing Jazz: A Listener's Companion, writer, teacher, and renowned jazz drummer Michael Stephans offers a much-needed survey in the art of listening to and enjoying this dynamic, ever-changing art form. More than mere entertainment, jazz provides a pleasurable and sometimes dizzying listening experience with an extensive range in structure and form, from the syncopated swing of big bands to the musical experimentalism of small combos. As Stephans illustrates, listeners and jazz artists often experience the essence of the music togetheran experience unique in the world of music.Experiencing Jazz demonstrates how the act of listening to jazz takes place on a deeply personal level and takes readers on a whirlwind tour of the genre, instrument by instrumentoffering not only brief portraits of key musicians like Joe Lovano and John Scofield, but also their own commentaries on how best to experience the music they create. Throughout, jazz takes center stage as a personal transaction that enriches the lives of both musician and listener. Written for anyone curious about the genre, this book encourages further reading, listening, and viewing, helping potential listeners cultivate an understanding and appreciation of the jazz art and how it can helpin drummer Art Blakey's words';wash away the dust of everyday life.'

Renaissance Music for the Choral Conductor is the ideal textbook for choral literature and choral conducting classes on the undergraduate and graduate levels. It can serve as a reference for anyone who wishes to program and explore music from this period in greater depth, including church musicians and conductors of professional ensembles. The book concludes with a bibliography, glossary, and selected discography.

In recent years, interest in International Librarianship has grown rapidly and will continue to grow as globalization influences education and librarianship. In countries around the world, public and school libraries have unique roles and their staffs collaborate across types of libraries to varying degrees. The essays in Youth-Serving Libraries in Japan, Russia, and the United States address the universal and culture-specific aspects of library services to children and teens in these three countries. This collection shows how libraries have developed in light of each country's political, educational, and social history. The chapters highlight unique collections and services within each country and also show how librarians deal with the challenges they encounter, both from within their culture as well as from outside-including natural disasters. This book will be of interest to youth-serving librarians around the world, library educators, and for those studying international and young adult librarianship.

James M. Cain wrote some of the grittiest novels in American literature, including such classics as The Postman Always Rings Twice, Double Indemnity, and Mildred Pierce. James M. Cain: Hard-Boiled Mythmaker is a critical overview of the authors life, work, and legacy. An updated and expanded edition of two of David Maddens scholarly works on Cain, this new book improves upon the previous works by collecting the most essential writing on Cain by Madden into one volume. In addition to melding existing material, this work contains updated and new material, including fresh commentaries on later books, such as Rainbows End, Cloud Nine, and The Enchanted Isle, as well as later film adaptations, including Butterfly. It also responds to 40 years worth of criticism on Cain and reevaluates his influence.Providing an overview of all of Cains fiction, including an analysis of the major themes of his entire literary career, the book also describes Cains impact on and importance in 20th-century culture, film in particular. In addition to a biographical summary and thematic outline of Cains nearly 50-year career, Madden and Mecholsky examine how Cains works explore the nightmare consequences of the persistent American dream. Finally, Madden and Mecholsky consider Cains technical innovations of the novel and survey the major film adaptations of Cains novels.With its significant in-depth analysis and a foreword by Edgar-award winning author Max Allan Collins, this volume will be of interest to Cain scholars as well as anyone interested in 20th century American literature and film.

Arranged in three sections-Law and Policy, Information Technology, and Other Perspectives-this collection of essays by respected scholars address a number of privacy issues.

This series on Emigration from the United Kingdom to America concentrates on U.K. emigration in the period 1870-1897, listing migrants from the U.K. who arrived in New York. The original passenger lists transcribed by shipping agents and ship's officers and filed by all vessels entering U.S ports have been used in the preparation of Emigration from the United Kingdom to America. Presented in chronological order by each ship's date of arrival, these passenger lists provide the names of ships, ports of departure, and arrival and debarkation dates. The researcher can also locate data regarding a person's age, sex, and occupation, as well as village of origin and destination when reported.

This translation is the starting volume of Janita Hall-Swadley's The Collected Writings of Franz Liszt, the very first production of Liszt's entire literary collection in English. In Volume 1, Liszt provides insight into Chopin's early childhood and musical development, the cultural traditions and customs that inspired the polonaises and mazurkas, and the final days and hours of the composer before he died. It includes a thorough discussion of Liszt as an author and the tainted past that surrounded his writings beginning in the 1930s. Finally, a discussion of the professional and personal relationship between Chopin and Liszt is provided, making this volume a valuable addition to the study of both composers.

Keeping U.S. Intelligence Effective: The Need for a Revolution in Intelligence Affairs explores whether the U.S. intelligence enterprise will be able to remain effective in todays security environment. Based on the demands currently being placed upon the intelligence community, the analysis concludes that the effectiveness of U.S. intelligence will decline unless it embarks upon an aggressive, transformational course of action to reform various aspects of its operations.In keeping with the emerging literature on this subject, the book asserts that a so-called Revolution in Intelligence Affairs is needed. The need for a Revolution in Intelligence Affairs implies that no amount of evolutionary adjustments to existing intelligence community practices will keep U.S. intelligence effective. While evolutionary reforms might be necessary, they will not be sufficient to permit the intelligence community to target successfully the various threats and emerging issues that populate todays and tomorrows security environment.

In Pope Pius XII on the Economic Order, economist Rupert J. Ederer explores the views of Eugenio Pacelli, who served as pope during the tumultuous period of 1939 to 1958. Prodigious in his output, Pius XII produced 40 encyclicals, 19 highly regarded Christmas messages, and series of addresses to groups and organizations, laying the groundwork for the economic views of his successors. According to Ederer, it "e;is safe to say that no Roman pontiff has addressed the problems confronting the social order as frequently and as widely outside the formal structure of encyclicals as Pius XII. This applies in a special way to his masterful and prophetic Christmas Messages."e; Through the study of Pius XIIs encyclicals and Christmas messages, Ederer examines this important pontiffs views on economics and the social order, the world of work, agriculture and farmers, food and population, the middle class, and the world of money and finance.Students and scholars interested in the history of Pius XIIs papacy will find in Ederers analysis an insightful study of Catholic economic thought during an era when nations representing the forces of capitalism, fascism, and Communism were joined in a fierce battle for dominance.

This book discusses the benefits of managing knowledge in projects and provides techniques that will increase the rate of return on projects. Addressing strategy and deployment issues, this volume also provides case studies, making this an invaluable tool for the success of projects and sustainability/growth of organizations.

This book examines the career of Polish pianist and composer, Maria Szymanowska (1789-1831), through extensive use of primary source material. After a thorough biography, a comprehensive bibliography lists all of the composer's works and literature, including letters written by Szymanowska, her family, and contemporaries and 19th-century concert reviews, providing important historical context and details about the difficulties and successes of a 19th-century woman musician.

This is a provocative collection of essays that provide cutting edge, original research in film studies, discussing a number of 'transgressive' films that have never before had such in-depth analysis and treatment. From '70s Italian horror films and extreme European cinema to Nazi propaganda films and fundamentalist Christian 'scare' movies, these essays explore many different genres and themes.

This collection of essays represents key contributions to 'transgression cinema:' overlooked, forgotten, or under-analyzed movies that walk the fine line between 'arthouse' and 'grindhouse' film.

The A to Z of Ancient India provides information ranging from the earliest Paleolithic cultures in the Indian subcontinent to 1000 CE. The ancient history of this country is related in this book through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on rulers, bureaucrats, ancient societies, religion, gods, and philosophical ideas.

Ridgeway (Reggie) Callow began his film career in the early 1930s and for four decades worked as an assistant director on some of the most memorable films in Hollywood history. In the early 1970s, over a period of several months, film historian Rudy Behlmer conducted interviews with Callow, and the result is this edited version of many hours of relatively informal conversations recorded between the two men.In these extracts, Callow recounts what it was like to work on such celebrated films as Gone with the Wind, Rebecca, Mutiny on the Bounty, and The Sound of Music, recalling the work of filmmakers Alfred Hitchcock, Howard Hughes, David O. Selznick, Michael Curtiz, John Huston, Carol Reed, Lewis Milestone, and Robert Wise. Callow also provides first-hand knowledge and inside information about stars of the period, including Clark Gable, Humphrey Bogart, Spencer Tracy, Grace Kelly, James Cagney, Elizabeth Taylor, Bette Davis, Marlon Brando, Julie Andrews, and others. Callow does not romanticize the glamour of Hollywood or echo carefully nurtured myths of legendary pioneer creative figures but rather recounts the workaday world of film business with revelations about major productions and personalities.

In A Style and Usage Guide to Writing About Music, Thomas Donahue presents a collection of guidelines to help express through the written word the special notations, terms, and concepts found in the discipline of music. It concentrates on questions of style and format in the interest of good formal writing within the context of United-States English, so that writers may communicate their ideas clearly and effectively.While compiling the guidelines, Donahue reviewed content from many other music and general guides. He documented the most common formats in order to assist the writer in selecting an appropriate format for the given circumstance when more than one may apply. The book draws on profuse musically-oriented examples and is arranged by topics both musical and typographic, such as the proper use and spelling of composer names and musical concepts; the use of notes, pitches, and octave delineations; letters and numbers employed to describe form and harmony; when, where, and how to apply compound words and hyphenation of terms and names; and the proper citation of musical and audiovisual sources. The book concludes with a glossary of typographic terms, a bibliography, and a comprehensive index, making this a valuable resource for students, scholars, teachers, and writers.

With the advent of the Information Society, access to resources is vital to the ordinary citizen, the academic, and the career professional, as well as in public administration and private enterprise. Information Pathways: A Problem-Solving Approach to Information Literacy is designed to serve as a textbook for courses that address the need of college students to develop a basic knowledge of the complex matrix of core resources for the retrieval, management, and exploitation of information. This book shows students how to:*; Build effective search strategies for solving information problems*; Evaluate and use information and information sources*; Apply information skills to the writing process*; Be at ease with numeric information*; Integrate information skills for smooth problem solving*; Maintain their new fluency with informationOrganized into chapters that examine different ways in which information is structured, Information Pathways will help students develop and evaluate strategies for finding and adopting information.

The Grosse Fuge, composed by Ludwig van Beethoven in his late period, has an involved and complicated history. Written for a string quartet but published as an independent work, the piece raises interesting questions about whether music without words can have meaning, and invokes speculation about the composer and his frame of mind when he wrote it. Kahn looks closely at the musical, aesthetic, philosophical, and historical problems the work raises, considering its history, structure and development, meaning, and response among critics and contemporaries. Kahn also studies Beethovens difficulties with publishers and sponsors, his everyday life, and his character in light of recent advances in the pharmacology of depressive illness.The book places both Beethoven and the Grosse Fuge in their historic and social contexts, arguing that Beethoven intended the Fuge as the finale of his String Quartet Opus 130 and created a substitute finale for the quartet at his publishers urging; not because he was unhappy with the work. Beethoven is examined as a freelance musician: a vocation whose members were frequently excluded from society and the protection of its laws, including respect for copyright. Viewed in this light, Beethovens famous quirks and resentments become understandable, even rational. Kahn also devotes a chapter to the phenomenon of synesthesiaa sense of motion through three-dimensional volumes of spaceexamining how some works of Western music can evoke synesthesia in listeners. He also speculates that Beethovens creative dry spell in his late 40s was caused by an extended bout with clinical depression. Written for a general audience and including a bibliography and index, this fascinating study will interest scholars and fans of classical music and Beethoven.

The Appalachian dulcimer is one of Americas major contributions to world music and folk art. Homemade and handmade, played by people with no formal knowledge of music, this beautiful instrument entered the post-World-War-II Folk Revival with virtually no written record. Appalachian Dulcimer Traditions tells the fascinating story of the effort to recover the instruments lost history through fieldwork in the Southern mountains, finding of old instruments, and listening to the tales of old folks.After reviewing the instruments distinctive musical features, Ralph Lee Smith presents the dulcimers story chronologically, tracing its roots in a Renaissance German instrument, the scheitholt; describing the early history of the scheitholt and the dulcimer in America; and outlining the development of distinctive dulcimer styles in Virginia, West Virginia, North Carolina, and Kentucky. The story continues into the 20th Century, through the final group of tradition-based Appalachian makers whose work flowed into the national scene of the Folk Revival.This fully revised edition provides expanded information about the history of the scheitholt and the dulcimer before the Civil War and discusses traditions and types that are still being discovered and documented. Smith also adds his personal adventures in searching for the dulcimers history. A new final chapter describes types and styles that do not fit conveniently into the mainstream development of the instrument. The book concludes with several appendixes, including measurements of representative dulcimers and listings of dulcimer recordings in the Archive of Folk Culture of the Library of Congress.

This collection of essays focuses on numerous contexts to emphasize why film adaptations matter to students of literature. Written by specialists in a variety of fields, ranging from film, radio, theater, and even language studies, it is the first such volume devoted exclusively to teaching adaptations from a practical, teacher-centered angle.

At the request of her many fans, Patty Campbell, editor of the Scarecrow Studies in Young Adult Literature series, has selected some of her best essays, articles, columns, and speeches in Campbells Scoop. These pieces define the boundaries between childrens and adult literature and review the trends, censorship, problems, and glories of the genre. Other essays reflect on some concerns and interests of young adult literature as it has matured: the verse novel, ambivalent endings, violence, the sometimes dubious value of awards and honor lists, the graphic novel, and the difficulties of the genres recent overwhelming success. A section titled "e;Inside ALA"e; looks at the authors many years of service to that organization with, among other pieces, a firsthand look at the Best Books committee at work and a report of her attempt to unite booksellers and librarians in common cause.Many of these selections show the idiosyncratic wit and passion that have made Campbells column a favorite with Horn Book readers: an exploration of the meaning of the glut of YA novels with death as a theme or character; an indignant denunciation of the fictional abuse of animals; a snarky analysis of "e;chick lit;"e; and a technical review from the belly-dancing critic of a YA novel featuring that ancient art. On a more serious note, Campbell pleads for what she calls "e;Godsearch"e; in books for teens and pays tribute to her late friend Robert Cormier. Without question, the essays in Campbells Scoop provide readers with the unique insights of an advocate who is passionate about young adult literature and its future.

No art can survive without an understanding of, and dedication to, the values envisioned by its creators. No culture over time has existed without a belief system to sustain its survival. Black music is no different. In Cultural Codes: Makings of a Black Music Philosophy, William C. Banfield engages the reader in a conversation about the aesthetics and meanings that inform this critical component of our social consciousness.By providing a focused examination of the historical development of Black music artistry, Banfield formulates a useable philosophy tied to how such music is made, shaped, and functions. In so doing, he explores Black music culture from three angles: history, education, and the creative work of the musicians who have moved the art forward. In addition to tracing Black music from its African roots to its various contemporary expressions, including jazz, soul, R&B, funk, and hip hop, Banfield profiles some of the most important musicians over the last century: W.C. Handy, Scott Joplin, Louis Armstrong, Duke Ellington, Count Basie, Mary Lou Williams, John Coltrane, James Brown, Jimi Hendrix, and Stevie Wonder, among others. Cultural Codes provides an educational and philosophical framework for students and scholars interested in the traditions, the development, the innovators, and the relevance of Black music.

Women Singer-Songwriters in Rock provides an overview of the women's singer-songwriter movement during the 1990s with detailed analyses of the music of Alanis Morissette, PJ Harvey, Courtney Love, Liz Phair, Tori Amos, Sarah McLachlan, and Sheryl Crow. The book focuses on the exploration of women's issues within the music, examining how the music's feminist content was able to filter into the popular culture.

Since the early days of film, the representation of masculinity has changed considerably. In the beginning, men instinctively knew right from wrong. They rode to the rescue and saved the day in the nick of time to the admiration and gratitude of society. But over the decades, heroes have evolved from being larger than life and infallible to being cynical, washed up, unwanted outsiders. Violent content in these films also 'evolved'_from fistfights and gunplay to brutal attacks and nuclear explosions_repeatedly ramping up in frequency, intensity, and graphic depictions. But there is more to a violent film genre than violence, and Blood, Guns, and Testosterone: Action Films, Audiences, and a Thirst for Violence brings an entirely new understanding to the nature of such entertainment. In this book, Barna William Donovan examines masculinity and violence in action and adventure films and discusses how the most ardent fans of the genre incorporate this controversial form of entertainment into their lives. Donovan argues that far from becoming violent, the fans of the action film look at the genre as an artistic rumination on the nature of violence, good and evil, and the ever-changing definitions of manhood. At their very best, or most interesting at least, these films may even reflect on the nature of violence, on human nature, on aggression, and how a self-reflexive, moral society can deal with violence. And since so much of the violence of the world has always been perpetrated by men, action films_more often than not_are contemplations of the complicated meaning of manhood. In addition to fans of the genre, Blood, Guns, and Testosterone will appeal to scholars of film, history, popular culture, gender studies, and audience research.

Bedrich Smetana's opera The Bartered Bride is cherished as the Czech national opera and is the most popular Czech opera in the world. This book presents a detailed guide to performing the opera in Czech and is an indispensable aid for those performing the work in English. It includes a performance history, discussions of the dances, word-for-word translations of the Czech, pronunciation through the International Phonetic Alphabet, appendixes, and an index.

In Kenneth Grahame's The Wind in the Willows: A Children's Classic at 100, editors Jackie C. Horne and Donna R. White have assembled a collection of essays that look at the book in terms of class, gender and nationality, as well as its construction of heteronormative masculinity, the very English novel's appeal to Chinese readers, and the meaning of a text in which animals can be human-like, pets, servants, and even food.

The role of the African American in American history has been documented but sometimes ignored by historians. This work is intended to assist researchers in locating the wealth of material that has been published. African-Americans in Defense of the Nation builds on a long list of early bibliographies concerning the subject. This work brings together a broad spectrum of titles related to the African-American participation in Americas wars. It covers both the military exploits-as African Americans have been involved in every American conflict since the Revolution-and their participation in the homefront support in building the weapons that the armed forces used.Organized both chronologically and topically, chapters cover the various conflicts-from the Revolutionary War to the Post World War II era-and branches of the military, as well as the role of African American women in the United States military. This extensive reference work is the most comprehensive listing of African American units available. Additionally, a listing of juvenile titles will assists parents and teachers in locating material.

From Altar-Throne to Table: The Campaign for Frequent Holy Communion in the Catholic Church investigates what the celebrated scholar of liturgy Robert A. Taft, SJ, calls the greatest and most successful liturgical reform in Catholic history. Only a century ago, faithful, practicing Catholics received Holy Communion only once a year; now, among American English-speaking Catholics, Holy Communion is a routine, weekly devotional practice. This book explains how and why this ritual sea-change happened. This book emphasizes that significant ritual change may occur while liturgical texts remain the same, and it also proposes a method for understanding the causes for such a ritual change. It admonishes not to project current ritual practice into even our recent past. Further, it implies an explanation for the massive decline in Catholics' use of the sacrament of reconciliation.

In a surprising number of espionage cases sex has played a significant role_often only in the background_possibly as a reason why a particular individual has lived beyond his means and is in desperate need of cash. FBI agent Earl Pitts sold secrets to the Soviets to ease his financial burdens, which came from his habitually heavy use of male and female prostitutes. Yuri Nosenko collaborated with the CIA after having misappropriated KGB funds to entertain expensive women while on official duties in Geneva, and Aleksandr Ogorodnik of the Soviet foreign ministry was persuaded to become a spy by his pregnant Spanish lover, an agent recruited by the CIA. In the realm of human behavior, sex can be the catalyst for risky or reckless conduct. The A to Z of Sexspionage explores this behavior through a chronology, an introduction, a bibliography, and hundreds of cross-referenced dictionary entries on the secret agencies, operations, and events. From Delilah's seduction of Samson in 1161 BC to State Department official Donald Keyser's conviction of passing secrets to Isabelle Cheng, a Taiwanese intelligence officer, in 2007, Nigel West recounts the history of sexspionage.

Conversations with Joseph Flummerfelt is a detailed window into the mind and heart of one of America's celebrated musicians. Inspired by questions from his former student Donald Nally, Flummerfelt gives a captivating narrative tracing his formative years and influences, his most important artistic collaborations, and his approach to conducting and to music.