Böcker utgivna av Scarecrow Press

Laurence Irving came from a prominent British theatrical family. He was the grandson of the legendary Sir Henry Irving and the son of actors H.B. Irving and Dorothea Baird. Unlike his forebears, however, Laurence chose not to enter the acting profession, but gained an international reputation as an artist, set designer and art director. In this memoir, Irving recounts his World War I flying career, his art studies and painting in the early 1920s - up to the moment in 1927 when Douglas Fairbanks asked him to design The Iron Mask in Hollywood. In Designing for the Movies, Irving vividly recounts working in Hollywood for such distinguished figures as Mary Pickford, Charlie Chaplin, and William Cameron Menzies. Upon his return to the United Kingdom, he worked on other notable films including Moonlight Sonata and George Bernard Shaw''s Pygmalion. Irving''s time in Hollywood marked the end of the silent film years and this memoir depicts the effect on all those concerned, with astute and penetrating portraits of the professionals who felt this change so dramatically. Anyone with even the slightest interest in the history of filmmaking and the early characters involved with it will not want to miss this insightful account.

This survey lists archival materials of conductors in the USA and the institutions where they are located. Entries include names of curators, location of collections, and contact information.

Young adult historical fiction brings the past alive through stories of adventure, suspense, and mystery. The genre is both complex and controversial, encompassing novels that range from romance and fantasy to stark historical realism. The book examines the various approaches to young adult historical fiction and explores the issues that it has engendered. Part One focuses on the broader issues spawned by the genre itself, including its various subgenres - the line between fiction and fact; to what degree must an author adhere to historical accuracy?; time boundaries; the diary format; the protagonist as the outsider; who is entitled to write what?; and literary concerns such as the relationship between accuracy and readability. Part Two explores issues of contemporary interest, such as race, class, gender, the immigrant experience, religion, war, and nationalism. Thought-provoking discussions of how these elements are treated in historical novels, with emphasis on how current cultural values have shaped the fiction, are presented. Finally, the question of whether novels in this genre are bound by anything other than their respective period setting is posed, and it is contended that there are features common to YA historical novels that not only set the genre apart from other YA fiction, but also contribute something unique to the larger genre. The genesis for much classroom debate, suggestions for class discussions and writing assignments as well as sample written responses of these debates from the authors' classes are included. Teachers, librarians, instructors of young adult literature courses, and teen readers will find this an insightful analysis of YA historical fiction.

It can be argued that cinema was created in France by Louis Lumière in 1895 with the invention of the cinématographe, the first true motion-picture camera and projector. While there were other cameras and devices invented earlier that were capable of projecting intermittent motion of images, the cinématographe was the first device capable of recording and externally projecting images in such a way as to convey motion. Early films such as Lumière''s La Sortie de l''usine, a minute-long film of workers leaving the Lumière factory, captured the imagination of the nation and quickly inspired the likes of Georges Méliès, Alice Guy, and Charles Pathé. Through the years, French cinema has been responsible for producing some of the world''s best directors—Jean Renoir, Jean-Luc Godard, François Truffaut, and Louis Malle—and actors—Charles Boyer, Catherine Deneuve, Gérard Depardieu, and Audrey Tautou. The Historical Dictionary of French Cinema covers the history of French film from the silent era to the present in a concise and up to date volume detailing the development of French cinema and major theoretical and cultural issues related to it. This is done through a chronology, an introduction, photographs, a bibliography, and hundreds of cross-referenced dictionary entries on many of the major actors, directors, films, movements, producers, and studios associated with French cinema. Going beyond mere biographical information, entries also discuss the impact and significance of each individual, film, movement, or studio included. This detailed, scholarly analysis of the development of film in France is useful to both the novice and the expert alike.

For quick reference to the significant authors, publications, awards, and events in the field of speculative fiction turn to this handy A to Z guide.

This is a study of the way in which popular words and music relate to American life.

The Etude magazine, published continuously from 1883 to 1957, included musical compositions in every issue, for a total of over 10,000 works. This index provides bibliographic access to the music for the first time, with detailed listings of the contents of each issue as well as indexes by composer, title, text author, and instrumentation.

Over the course of his five-decade career in television, John Stephens produced many hit shows, including My Three Sons, Family Affair, Gunsmoke, How the West Was Won, and Simon & Simon. He also produced a number of failures, including The Smith Family (starring Henry Fonda and Ron Howard) and arguably the worst Movie of the Week, the pilot to Wonder Woman (starring Cathy Lee Crosby). Along the way, Stephens encountered the usualΓÇöand not so usualΓÇödifficulties that accompany work on such projects. While others may have seen these events as obstacles, Stephens regarded them as opportunities. And when an opportunity did not yield the most favorable outcome, he made the most of it by rendering the experience into an amusing anecdote. It is with this lighthearted approach that Stephens recounts his lengthy career in From My Three Sons to Major Dad: My Life as a TV Producer. From Arness to Zsa Zsa, the author reveals everything about the making of episodic television: casting stars and guest stars, handling actors in various states of inebriation, fixing scripts, hiring and firing directors, and filming on location. From Brian Keith''s colorful vocabulary to Fred MacMurray''s well-known frugality; from Jimmy Stewart''s guest appearance at scale to the rising egosΓÇöand subsequent demandsΓÇöof Simon and Simon''s pair of stars, it''s all here. Beginning in the 1950s, Stephens chronicles five decades of work in the television industryΓÇöfrom his early days as a casting director to his triumphant swan song, creating and producing the hit series Major Dad. Whether you''re an industry professional or one of the many millions of Americans glued to their TV sets every night, you''ll enjoy this informative and entertaining memoir.

Four times in western history: in the 1400s, the early 1800s, the 1880s, and again in the mid-20th century, we learned to duplicate and disseminate the printed word more cheaply. And each time strange events followed.

This book reports on a study examining ''Imposed Queries in the School Library Media Center,'' and is a follow up to a pilot study on the same topic. The analysis is presented in a way that provides a clear road map for researchers, students, and practitioners who wish to undertake a study of this type, or to advance thinking about the place of imposed queries in information seeking. Particular attention is given to the special nature of the investigative processes undertaken and the concerns researchers have when approaching the study of children in information-providing environments. The research process is described in detail and highlights research questions, methodological issues, and data gathering techniques. The literature on children as a user group and as information seekers is reviewed, and the research findings and conclusions are discussed. Also, advice is offered for readers interested in undertaking their own study of imposed and self-generated queries.

Technology has provided many new tools to assist in managing, particularly in the management of resources. Prentice places management within its social, economic, and political context; showing how management attitudes and activities are closely related to the environment in which they are practiced.

This collection of thought-provoking essays challenges librarians to consider the future of the profession, particularly as it relates to the Web, the library as place, delivering services to the desktop, certification, and the future of professional associations.

Despite technologies, many basic library activities still lend themselves to analysis and improvement. Author Richard Dougherty provides numerous examples and easy-to-apply tools and techniques that can be used to analyze what libraries are doing, how they are doing it, and how much time is required to do it. These tools include block diagrams, check sheets, flow process charts, work-flow diagrams, flow charts, through-put analysis, self-administered diary studies, and work sampling techniques. Specific examples from all areas of library operations are presented to illustrate how techniques can be applied to analyze what occurs at critical service areas.Streamlining Library Services provides detailed information on how to diagnose problem areas using such tools as Pareto and fishbone charts; use techniques such as brainstorming and focus groups; organize a work flow study; and build and present cost studies. Special emphasis is placed on activities that should occur after the analysis is concluded, including data analysis as well as reporting study results and making recommendations to management, and guidelines are provided for managers and staff as they strive to streamline activities. The final two chapters should be of special interest to managers. The first chapter is devoted to implementation issues and strategies that must be addressed as new workflows and services are introduced, and the latter chapter focuses on organizational change issues and strategies for building staff support toward change.

At the time of her death, it seemed that Adelaide Hasse would simply pass from memory and be forgotten. However, by the turn of the century, American Libraries would sanctify her as one of its hundred library leaders of the twentieth century, one of only thirty women given this honor. Thus, the unsinkable Adelaide Hasse has risen to the status of a giant of the profession and has been established as a sort of patron saint of documents librarians. The Government Printing Office even named a room in her honor in 1985.Though much of her career has remained obscure, Hasse did leave records that could provide a more balanced understanding of her life and work. Besides the extensive print record in periodicals and The Compensations of Librarianship, there were the long submerged archival records awaiting discovery in the New York Public Library Archives, the Library of Congress, the National Archives, and the files of the FBI, as well as in the papers of various contemporaries.Hasse spoke and wrote about issues that are as relevant today as they were a century ago. How should librarians be recruited and educated? What is the nature of their professional expertise? How do libraries function as organizations? What services do they provide? How do they provide access to government information? What are the dynamics of a feminized profession? Hasse tried to stir such discussion, but her ideas were often submerged in allegations that she was a difficult, disloyal woman. This biography brings to light Hasse's achievements, setting aside enigmas of personality, and examines the impact of her work, her values, and her experience in a gendered system.

Not only pointing out works that foster misinformation and stereotypes, this work also examines the number of authors that counteract such messages. It is useful for teachers, librarians, parents, and young adult readers seeking information about American Indian-themed literature for young adults.

This collection of interviews with twenty-six leaders of the stage explores their personal visions of the theater. By representing a wide range of disciplines-directors, actors, playwrights, critics, and teachers-the book allows for a variety of opinions and offers an examination of issues from every perspective.

The Soldiers of America's First Army: 1791 assembles in one place both the narrative and hard to find reference materials that genealogists and historians need to research and better understand this seminal event in America's westward growth.

A theoretical approach to the marketing/PR process within the management structure of libraries. The emphasis is on current marketing practice and how it is being used in libraries, as well as on its potential for use in libraries.

A timeless classic. Includes 8,200 songs in 818 lists for nine voice classifications; indexed by composer, title, vocal range, and publisher. The complete work represents the living song repertoire of today drawn from recital programs, recordings, broadcasts, telecasts, and other sources, and is comprised of Part I: Coloratura, Lyric and Dramatic Soprano, Part II: Mezzo Soprano and Contralto, Part III: Lyric and Dramatic Tenor, and Part IV: Baritone and Bass.

This text provides a commentary of Hollywood and the motion picture industry, with portraits of Darryl F. Zanuck, Mae West, Errol Flynn, John Barrymore, B.P. Schulberg, Walter Wanger, John Howard Lawson, and Elia Kazan.

The late Berton Coffin's considerable research in areas related to the art of singing has resulted in these reviews, with interpretations of vocal pedagogy classics in light of contemporary observations and findings. This volume contains a series of eighteen book reviews of the master singing teachers from Tosi (1723) to L. Lehmann (1914). Paperback edition available 2002.

Maurice Durufle (1902-1986) is best known as composer of the hauntingly beautiful and moving Requiem of 1947, and as organist during his long tenure at the church of Saint-Etienne-du-Mont in Paris. He studied composition and organ with Tournemire, Vierne, Gigout, and Dukas among others, and became well known outside France through tours and conferences, often attended with his wife, the late Marie-Madeleine Chevalier. Ebrecht has brought together in this centenary tribute a fine collection of articles on Durufle's life and work that will enthrall all those who have come under the spell of this great master of French Impressionism.About the contributors:Marie-Claire Alain the renowned French organist, recording artist, and teacher was one of Durufles first harmony students at the Paris Conservatoire. James Frazier has studied liturgy and music at several universities, and was a Fulbright scholar in France, where he studied privately with Madame Durufle.Maria Rubis Bauer concluded her doctoral dissertation on Durufle at the University of Kansas.Jeffrey Reynolds is Associate Professor of Humanities and chair of the music department at the University of Alabama, Birmingham.Herndon Spillman's landmark recording of the complete works of Durufle won him a Grand Prix du Disque in 1973. He is Professor of Music at Louisiana State University.Eliane Chevalier was the sister of Marie-Madeleine Durufle, with whom she shared a passion for music.Ned Tipton is Director of Music of the American Cathedral in Paris.

This work covers selections from 61 primary source documents - artist's letters, journals, and memoirs; critics' reviews; and minutes and reports of artists' societies and schools - that illuminate the experience of women artists from the mid-18th to the mid-20th centuries in the USA and Europe.

Meadow takes us on a Cook's tour of communication technologies across time-the alphabet and moveable type printing, cave drawings and carrier pigeons, telephones, television and, of course, the Internet. In each case, Meadow shows how these (and other devices) are connected to each other, even as they serve to make connections between people. Part One discusses the basics of communications, while Part Two delves into telecommunications before the days of steam and electricity. Part Three offers insight into steam, electricity, and internal combustion energy and how they revolutionized society. Communication is the key to a productive world. For those dazzled by the pace of change in the technology or McLuhan's unorthodox but brilliant insights, Meadow's casual style and pace provide the perfect antidote.

Now in paperback. A practical and useful reference book for students and teachers. Unique in concept, it shows in musical notation the key and range of over 1,700 songs in 60 of the most popular and available song collections. Cloth edition originally published in 1984.

Living legend Smiraglia has written the first book devoted exclusively to exploring the concept that is commonly referred to as a bibliographic "e;Work."e; In bringing together material from both inside and outside the discipline of information studies, he traces the continuing development of catalogs, search engines, and other kinds of information retrieval tools, the better to understand the maze of editions and revisions and translations that make up the evolution of a Work.Two appendixes contain charts demonstrating the evolution of concepts and definitions of a Work; a third contains a summary of the sampling technique employed to generate the data in chapter 5 "e;Defining the Work in Quantatative Terms"e; and chapter 6 "e;The Constitution of Bibliographic Families."e;

Drawing from his own ascent through the MGM studio system, Mr. Winters guides the reader through a history of American film editing, beginning with its earliest days when film was torn by hand. Not a glamorous account of Hollywood, the book gives film buffs and moviegoers a nuts-and-bolts look at the mechanics of editing from the inside out.

Now in Paperback. Some 6,500 black women volunteered to serve in the segregrated U.S. military during World War II. Data to tell the story of these women came from many sources, including archival records, manuscripts, documents, contemporary newspaper accounts and interviews, statements, and the personal files of those who served. With photographs, illustrations, tables, and a bibliography.

The interplay between science and religion in the 17th and early 18th centuries is a complicated historical topic which has led to an abundant second literature, characterized by debates and interpretations. This book is intended to help students find their way and make use of this literature.

The main objective of this reference book is to provide a database of original works written for the standard string quartet during the 20th century. Information has been taken from sources including publishers lists, music reference materials, and data from national music information centres.