Böcker utgivna av Salt Publishing

Sills gathers together poems from four of O'Brien's early books and combines them with later work, forming a selection from 1960-1999. O'Brien writes, "The poems dance their dance of stillness and motion. The issue is a quiet, patterned music, animated, disciplined, ecstatic; not closure, but recognition."

Richard Hamilton had just graduated from Oxford University with first class honours when he joined the 1935-36 Oxford University Arctic Expedition to North East Land (Nordhauslandet) in the Svalbard archipelago.

In this first full-length collection, Anna Mendelssohn continues her explorations of power, persecution and loss. Mendelssohn's work shows the intense relationship between agency and structure in the modern world. Her magical, weaving and at times painful lyric poetry draws us into an ecstatic vision of our own dependencies, dreams and desires.

This unique collection features chefs on poetry and poets on food. Contributors include top UK poets, chefs and food writers. Designed to celebrate the theme of 'food',as part of `National Poetry Day', it would work very well as a gift for any occasion. Perfectly appropriate for armchair or kitchen.

This collection of poems is notable for its variety: both traditional and experimental, it covers ground from academic satire to the history of industrialization to David Bowie. It will appeal to audiences across the spectrum, from academics to fans of poetry slams.

A collection of 10 years' work, in part lineated or syllabic but mostly in clustered prose, which investigates ontological echoes of the environmental condition of new scarcity, amid a wealth of inroads. The hoped-for terrain is where its own scarcity on the ground can set seed.

Mahmutovic offers a unique view of the Balkan crisis and the history of displacement through the eyes of the most marginal and neglected of war victims.

Jill McDonough's frank, funny, and tender second book offers each day fresh with the gift of it. Fierce/nose-sting of tears, quick breath out of nowhere. In love-poems, conversations, intimate jokes, from a hundred parties, five prisons, and three beloved bars, McDonough helps you better see Where You Live.

Prepare to enter a world where nothing is ever quite what it seems, where elephants squat in living rooms, plastic ducks fall from the skies and even the rabbits are vicious. Jonathan Pinnock's unashamedly entertaining fictions explore what happens when the macabre and the absurd crash headlong into everyday life.

Effigies II is a road trip through Indian Country with five American Indian women poets who bring it all back home.

The book Leans completes the poet's twenty-three year project Gravity as a consequence of shape started in 1982. The work continues and extends the poet's concern for how we know anything and what vocabulary humans use to describe it. The poems encourage the reader's confidence and surprise.

The title of this book is taken from the genres of punk and electronic music and forms the way Aaron Fagan experienced these poems as he wrote them over the course of the past ten years - also as if they were, taken together, a kind of working purgatory, a garage as a place of trial and error where invention and failure are indistinguishable.

This is a poetically charged work of autobiographical retrospection, speculative memory and an artistic alternative to common constructions of identity. The influences include traditional songs, ceremonial undercurrents, disparate landscapes, chemical vapors, relative longings and belief in the possibility of healing again, even after death.

A pivotal book for Bernstein, The Sophist demonstrated his great range of subject matter, style, and genre. By contrasting wildly different approaches to poetry, Bernstein not only questions the intrinsic value of any given form but also provides a model for his later heterogeneous books.

Thaxton does not find easy solace for her terrible wife, but instead lets her confusion and weaknesses clink and jangle like wind chimes in an approaching storm. Thaxton's poems are as compelling as a lifetime of snapshots spilled on the floor, discovered in a box that, moments ago, one didn't know existed.

This isn't a one-volume history of post-War British poetry. Given the mass of writing about the post-War period, Duncan says, "Generally, if you read ten books on recent literary history you do find that they do all say the same things. I intend to bang on until you complain about me including too much."

Between the Crackups is a frolicking romp through the abandoned factories, overcrowded highways, and forgotten rural landscapes of America. Part serious meditation and part carnival fun house, these poems will make the reader chortle, chuckle, snort, and maybe even blush.

A haunting blend of romance and realism, these stripped-back narratives of human experience are the perfect read for anyone who has read their child a bedtime fairy story, and wondered who ever said these were stories meant for children.

Luxe is a magnificent spree in a bric-a-brac shop. A haul of pre-loved and glittering objets - pralines in a crystal bowl, a handful of tame ladybirds, a portrait in vinyl and cola-cubes - are artfully displayed on the poems' shelves to represent the conflicts and connections of a fabulous circle of friends and lovers, those real, remembered and imagined.

Luis Garcia Montero (Granada, 1958) is one of the most read and influential Spanish writers today. He is an essayist, fiction writer, journalist, professor of Spanish Literature at the University of Granada, and, principally, a poet.

Marco Antonio Campos, a multifaceted and internationally acclaimed author of over thirty books, is one of Latin Americas's key literary voices of the past thirty years.

Short stories and flash fictions inspired by the paintings of Edward Hopper. Works in the tradition of American greats of the short story like Raymond Carver, John Cheever, Andre Dubus, Richard Ford, but also embraces flash fiction. A multiplicity of short fiction styles.

The second in a brand-new series of annual anthologies, The Best British Short Stories 2012 reprints the cream of short fiction, by British writers, first published in 2011.

From Ovid's Rome to the blood-soaked trenches of Gallipoli, The Word for Sorrow, brings new resonance to ancient grief. Its powerful and spellbinding poems give voice to the universal suffering of exile, war or grief, celebrating the enduring common humanity that binds us across countries and over all the centuries.

Folklore is an ecstatic, dreamlike, and starkly realist poem sequence which extends, challenges, and continues the tradition of Shakespeare's A Midsummer Night's Dream, John Clare's visionary lyrics, the elegiac minimalism of AE Houseman, contemporary work of Geoffrey Hill, and linguistic innovation of Gertrude Stein and the language poets.

Calling upon the personal memories and ancestral antecedents of her Anishinaabe family heritage, Molly McGlennen writes poems for Fried Fish and Flour Biscuits that render the continuance and celebration of the complex realities of Native American life in the 21st century.

Simon Armitage is one of the most compelling figures in contemporary literature, most conspicuously because of his charismatic style, but also because he has brought into poetry an irreverent, streetwise gusto and a kind of knowledge that often seems to come from outside poetry altogether.

In To World, poems interrogate everything: nature, society, and thought itself, with no prejudice or even principle. We are before thought in its totality, unwilling to recognize borders - although never in a pure state, not falling into speculation, into thinking just for thinking's sake.

Eleanor Rees's first collection, Andraste's Hair was shortlisted for Best First Collection in the 2007 Forward Prizes and for the 2008 Glen Dimplex Poetry Award. In her second full-length collection she continues to play the role of mythologiser and tale teller, moving away from her previous subject, the imagined city, into the magical psyches of changeling creatures.

Transcending poetic schools and binaries in poetics with an odic verve and analytic intensity, Surge is the provocative, open-ended ending to Drafts, DuPlessis's twenty-six year project in the long poem.