av Pamela Green
295,-
As a teen during the 1950's, Everett House was committed to a mental institution and remained a patient there for about seven years, as portrayed in the screenplay Gates Of Hell, by Pamela Green and Everett House. While confined, Everett endured many traumatic experiences, even so much as being given up on by the majority of doctors there and being sent up to the "House of Horrors" to face (what would have been) sure destruction. Even so, God was with him and rescued him in the nick of time, even later restoring his mind and memory. Also during his life, Everett was made some amazing, divine promises. He was informed by God that a movie would be made of his life one day and that it would be used to warn the world about the mark of the beast in the forehead. But first, Everett was told, he would need to look back and face his deep-rooted hospital trauma issues head-on. Commissioned by God, this book goes into some detail about Everett's horrific encounters with shock treatment and includes a combination of warnings, instruction, and encouragement from Everett and his daughter, Pam, regarding the end times, especially concerning the nature of the mark of the beast in the forehead. As well, it includes a personal message from Jesus Christ toward His beloved bride, His blood-bought church, and reveals some points about how Everett's end-time message and testimony is tied to Hanukkah, Zerubbabel, Zechariah, and the altar and how this book symbolizes John the Baptist. Pamela Green resides in the Southwest, where she attended Oral Roberts University and majored in Art Education. For a period of several years and through multiple confirmations, God had nudged Pam to embark upon a certain prophesied journey. This journey, she would discover, was to write a screenplay about her dad's life, a project God had prophesied to him about decades before and that Pam believes God had even visited her about once in a dream. But as Pam would soon realize during her writing task, the single screenplay quickly evolved into two parts. The first screenplay, Gates Of Hell, was included in a WILDsound Film Festival Feature Screenplay Reading in 2016, and Pam's second screenplay, portraying several scenes from her dad's life as well as her own, is titled That Same Road - The Promise, The Tunnel, and The Altar. Also, Pam's dad, Everett, as well as God, through His divine leading, let her know that she should write this book, Trackless Desert, as well, as an accompaniment to the two movies.