Böcker utgivna av Routledge

Rudolf Laban was one of the great theorists and practitioners of movement. In Laban for All, expert teachers of Laban's techniques offer simplified version of his system that can be used by anyone, from beginners to pros. Extensively illustrated with John Dalby's line drawings and diagrams, Laban for All lays out the basic vocabulary of the Laban system and goes on to offer specific exercises. The result is a thorough - and thoroughly practical - grounding in the most important movement system in use today.

Originally published in 1936, this book provides an accurate and critical analysis of government in the Irish Free State, its principles, structure, philosophy and direction. It discusses clearly and impartially not only the failure of the Treaty settlement but also the electoral system, the legislature, the increase of executive power and the growth of administrative law and justice.

Slavery in the Roman Empire, first published in 1928, examines the working of slavery in the first two centuries of the Roman Empire. It analyses the means by which peoples were enslaved, and the roles in which they worked in Roman society.

Originally published in 1976, this book describes one of the most important and colourful episodes in black Africa's twentieth-century history. Kwame Nkrumah, the dynamic leader who brought Ghana to independence in 1957, abandoned the Westminster model of representative government to which his country once seemed so well suited. He reached out towards the goals of Pan-Africanism and socialism, emphasizing the primacy of political action to regenerate his people and their continent. But his vision of the 'political kingdom' led quickly to the destruction of his Republic and his hopes. Using the (then) latest evidence to examine political life, parliament, civil service, farmers, workers and army in Ghana's first Republic, the author argues that Nkrumah's experiment failed because his rule was strong enough to distort traditional values but was unable to transform them. The result was a bizarre and paralysing mixture of despotism and anarchy which defied political analysis in conventional terms.

Borrowing concepts from cognitive philosophy and bringing them into a conversation with critical theory, Gareth White sharply examines meaning as a process that happens to us as we are engaged in the problems and negotiations of a participatory performance.

Broadcast Writing (1991) looks at the tools necessary for writers to find and develop stories for radio and television. Through the use of numerous original examples, the reader learns to shape ideas into well-developed scripts. It addresses the challenges of documentary and dramatic writing for TV and radio, and provides examples for most of the different writing genres.

Ethnomusicology and its Intimacies situates intimacy, a concept that encompasses a wide range of often informal social practices and processes for building closeness and relationality, within the ethnomusicological study of music and sound. These scholarly essays reflect on a range of interactions between individuals and communities that deepen connections and associations, and which may be played out relatively briefly or nurtured over time.Three major sections on Performance, Auto/biographical Strategies, and Film are each prefaced by an interview with a scholar or practitioner with close knowledge of the subject that links the chapters in that section. Often drawing directly on fieldwork experience in a variety of contexts, authors consider how concepts of intimacy can illuminate the ethnographic study of music, addressing questions such as: how can we understand ethnomusicological and ethnographic research and performance as processes of musically mediated intimacy? How are the longstanding relationships we develop with others particularly intimated by and through musicking? How do we understand the musically intimate relationships of others and how do these inflect our own musical intimacies? How does music represent, inscribe, constrain, or provoke social or personal intimacies in particular contexts?The volume will appeal to all scholars with interests in music and how it is used to construct relationships in different contexts around the world.

Broadcasting and Society (1983) examines the power of radio broadcasting as a medium of instant communication and entertainment. It is a detailed and critical examination of the social changes brought about by radio broadcasting in the crucial and formative stages between 1918 and 1939 - whether broadcasting was successful in keeping people better informed, in introducing wider interests, and its influence on social behaviour.

Twenty-first-century monastic communities represent unique social environments in which music plays an integral part. This book examines the role of music in Catholic, Anglican/Episcopalian and neo-monastic communities in Britain and North America, engaging closely with communities of practice to provide a penetrating insight into the role of music in self-care and as a vector for identity construction on both individual and community levels. The author explores the essential role of music in community dynamics, the rationale for using instruments, the implications of both chant-based and freestyle composition, gender-related differences in musical activity, the role of dance ('music made visible') in community life, the commodification of monastic music, the 'Singing Nun' phenomenon and the role of music in established and emerging neo-monastic communities. The result is a comprehensive and compelling study of the agency of music in the construction and expression of personal and community identity.

Voice Made Visible is an exploration of voice training and performance practice based on the use and application of Multi-Octave Vocal Range techniques."Multi-Octave" is understood as the arsenal of sounds that exists uniquely within each human voice, beyond the comfortable average octave that we use in everyday life. In Voice Made Visible, Rafael Lopez-Barrantes builds on the voice work created by Alfred Wolfsohn and developed by Roy Hart and his company in France to assist students, artists, and those interested in the performing arts with their vocal practice. He draws from over three decades of multi-cultural performance and teaching, sharing the three fundamental pillars of his system: Fiction, News, and Body Source. This book will help readers unfold their understanding of the voice by strengthening it and inspire them to create new vocal paths for the stage, camera, and voice acting, as well as for their own personal expressive growth.Voice Made Visible is an invaluable resource for students of Acting and Voice courses, as well as working performing artists.For supplemental material, including pedagogical audio-visual clips, please visit www.barrantesvoicesystem.com.

Environmental Hazards in the British Isles (1981) offers a comprehensive account of the various hazards affecting Britain. Based on a wealth of empirical data, it provides a balanced perspective on phenomena that are usually presented in a sensational way by the media and then quickly forgotten. A three-fold methodology is suggested for the study of environmental hazards, which concentrates on their incidence, their causes and their frequency, and their impact on both the individual and society as a whole.

Chinese theatre underwent a great experiment under the cultural revolution. Using the reformed Beijing operas as models, the whole range of theatre arts, from straight plays to acrobatics and from ballet to ballads saw a profound transformation. Alongside the professional theatre, an upsurge of workers' and peasants' amateur theatre stimulated new developments. This book, first published in 1978, sketches the historical background to these changes and offers a factual survey of the main forms and characteristics of Chinese theatre at the time. It traces the rise of the new drama since 1949 and explores the political principles underlying the reforms. It examines the new amateur theatre and describes typical plays and operas staged in China.

This edited volume focuses on civil-military relations before and during great power conflicts, and comprises historical case studies of modern supreme leadership.It aims to provide a guide for the future by shining a light on what worked and what failed in the civil-military relationships that steered great powers during the last era of rapid global change. While future civil-military relationships will have to adapt to the current global environment, the past remains, as always, a prelude. Thus, crucial concepts that underpin all such relationships are eternal and are waiting to be drawn out by historians trained to examine and present them to those who can put them to immediate good use. This volume demonstrates the relevance of history in every chapter, as readers will see parallels to today's problems throughout every case study. The world is entering an age of great challenges, many of which require nations - particularly the most powerful - to establish civil-military relationships capable of navigating dangerous currents without a repeat of the calamities reminiscent of the last century. Each chapter focuses on a particular civil-military relationship as it developed before and during a great war. The editors have gathered leading experts on each of these periods to produce a concise but thorough essay on each relationship's intricacies.This book will be of much interest to students of military and strategic studies, military history and International Relations, as well as professional miliary colleges and policymakers.

This original study examines the representation of the body in French New Wave films through discussion of a series of films by Jean-Luc Godard, perhaps the central figure of the French New Wave.Through analysis of À bout de souffle, Une femme est une femme, Le Mépris and Alphaville, alongside discussion of some of Godard's lesser-known French New Wave films, the book explores the interrelation between bodies, books and bathrooms that they facilitate. In so doing, it aims to destabilise the French New Wave's myth of male exceptionalism and denaturalise the gender dynamic most commonly viewed at its heart, revealing that the women who make up a fundamental part of its fabric are not textually trapped by Godard's authorial presence. Instead, their corporeality disrupts any purported authorial and national ownership of their bodies.Given the enduring popularity and visibility of the French New Wave, and of Jean-Luc Godard, in universities and journals, The Body in Jean-Luc Godard's New Wave Films will appeal to scholars in the disciplines of French and film studies, as well as to undergraduate and postgraduate students of these disciplines.

A Theory of De Facto States offers a new perspective on the phenomenon of de facto states - political communities that manifest forms of statehood in international politics but lack international legal recognition - zooming in on two prominent examples, Somaliland and Kosovo.

This book discusses the varying responses to colonial heritage in West African cities, with a focus on Praia in Cape Verde, Dakar in Senegal, and Banjul in the Gambia. Combining insights from political sciences, history, critical geography, heritage studies and urban planning, the book will interest a range of researchers.

Thinking Welsh focuses on how common English words, phrases and constructions map onto Welsh, and highlights the key areas of difference and difficulty in these mapping operations. 150 English words and grammatical and communicative concepts are listed alphabetically, explained in clear and accessible language, and given ample exemplification to illustrate their meaning and use. All instances of mutation are marked with the usual typographic signs, and cross-references are given throughout to related entries. A list of essential grammatical terms and a Welsh index round off the manual. Thinking Welsh is a ground-breaking resource for post-beginner students wishing to explore lexical issues and master key syntactic structures as a way of attaining fluency of expression and comprehension in modern spoken and standard Welsh.

First published in 1965, Cicero contains a number of assessments of Cicero's life and works, made by a group of scholars that includes some of the acknowledged experts in their particular field. Cicero is a man on whom most judgments have been harsh. His political ideals, though sincerely held, were bypassed by the march of events; his public life was a series of frustrations; his personality was egotistical. However, as a speaker and a thinker, as a master of the use of language, and as a man of cultured interests and human disposition he deserves sympathetic study. The chapters in this volume deal with his political career, his character, his oratory, philosophy and poems, and his influence on subsequent literature and scholarship. This book will be of interest to students of literature, history and philosophy.

This updated eighth edition provides a thorough and engaging history of communication and media through a collection of essential, field-defining essays.

These early poems, made readily accessible to a general readership for the first time, offer a unique opportunity to examine the apprenticeship of a great writer from the outset of his career. These poems reveal how the traumas of early life forged his vision and produced the insights that would make Wordsworth one of the most gifted celebrants of the human spirit. In effect, they chronicle the evolution of British Romanticism out of the aesthetic morass of the late eighteenth century.

Originally published in 2000, Taiwan's Security in the Post-Deng Xiaoping Era analyses the many domestic and international factors comprising Taiwan's security situation in the late 1990s and early 21st Century. The security of Taiwan remains of international strategic concern, and the military situation in the Taiwan Strait is increasingly volatile, nearly 25 years after this book was first published. This detailed study concludes that Taiwan's overall security will become increasingly dependent on external factors and that the most important contribution Taipei can make to its own security, other than military preparation, is political astuteness.

Originally published in 1975, E. M. Forster: The Personal Voice draws on information about the life and works of E. M. Forster that came to light following his death in 1970. Exploring in particular the publication of Maurice in 1971, The Life to Come in 1972, and the Forster papers in King's College Library, Cambridge, this volume is an extensive study of E. M. Forster. It provides a comprehensive and detailed overview of Forster's work, his intellectual and literary background, his personality, and the reception of his work. E. M. Forster: The Personal Voice places Forster's works in their social and cultural context and provides an excellent insight into his development as a writer.

Discusses the Egyptian pyramids, Greek temples, Roman buildings, and megalithic monuments in Britain, the book includes chapters on architecture in Mesoamerica, the early Middle East, and ancient China and Japan.

First published in 1984, The Rise of the English Prep School was written to provide the first general history of the English Preparatory School. The book examines how two types of English schools with largely different beginnings, one based on private enterprise and one primarily (but by no means exclusively) on philanthropy, came to be complementary parts of the 'English Public School system'. It explores the early beginnings of prep or quasi-prep schools in the eighteenth century and their development in the nineteenth and twentieth centuries. The Rise of the English Prep School will appeal to those with an interest in the history of education, and British social history.

Co-Creative Placekeeping in Los Angeles is a novel examination of Los Angeles-based socially engaged art (SEA) practitioners' equitable placekeeping efforts. A new concept, equitable placekeeping describes the inclination of historically marginalized community members to steward their neighborhood's development, improve local amenities, engage in social and cultural production, and assert a mutual sense of self-definition--and the efforts of SEA artists to aid them.Emerging from in-depth interviews with eight Southern California artists and teams, Co-Creative reveals how artists engage community members, sustain relationships, and defy the presumption that residents cannot speak for themselves. Drawing on these artists and theoretical analysis of their praxes, the book explicates equitable community engagement by exploring not just the creative projects but also the underlying phenomena that inspire and sustain them: community, engagement, relationships, and defiance. What further sets this book apart is how it deviates from the conventional who and what of SEA projects to foreground the how and the why that inspire and necessitate collectively creative action.Co-Creative is for anyone studying arts-based community development and gentrification, given it complicates and enriches the current conversation about art's undeniable and increasingly controversial role in neighborhood change. It will also be of interest to researchers and students of urban studies.

First Published in 1959 The history and origin of language deals with one of the most important and most fascinating subject matter of all human historical problems-that of the origin and development of language. It is the first attempt to solve it, not by a priori methods, but by marshalling and analyzing the whole of the evidence. It is a work of great originality by a scholar who has written other well-known sociological works, and the treatment is that of the sociologist. Dr Diamond writes for the intelligent layman as well as the linguist.He first seeks the true nature of language and its true function and structure in modern society and traces the paths along which language has developed and changed in its known history, both in the forms of its words and in their meanings, examining for this purpose many languages of civilized and primitive peoples. These paths he then pursues backwards with the aid of data from human physiology, the language of children, and observations of animal behaviour, and shows how all these paths converge to one beginning and deduces how language originated-both the form of its first words and their meanings. He finally shows relics of these earliest words and meanings in languages which still survive. The arguments are cumulative and many sided, and the case made is convincing. This is a must read for scholars and researchers of linguistics.

The Lively Audience (1986) studies television from the children's own point of view. Contrary to most prevailing opinion, it contends that television has much to teach children, and that their relationship with the medium is not one of passive dependency after all. Research shows that what children gain from television depends very much on the child's age and social experience, and that children 'see' television differently from adults. This book examines this issue, and gives us a different understanding of the child audience and the impact of their television viewing.

Revolutionary Republicanism provides a history of French republicanism seen through a seminal episode of its creation - the 1848 revolution.The process of reinventing republicanism in 1848 gave rise to two opposite understandings of republicanism: a moderate one that merely adapted the institutions of representative government to popular sovereignty, and a more radical, 'social- democratic' notion of republicanism, based on inclusive forms of representation and aiming at the emancipation of the proletariat. These two notions of republicanism unfolded over the course of the few critical months between the revolution of February 1848 and the uprising of June 1848, which saw the victory of the moderate one. Playing devil's advocate to the traditional republican history that casts 1848 as a mere step in the continuous history of French republicanism, the book demonstrates that the events of the revolution amounted to a repression of all that the 'Republic' had meant up until that point, particularly the forms of participation and popular representation hitherto seen as constituting a republican regime. The text also sets out to chart the history of the 'democratic and social Republic', as the socialist and worker revolutionaries of 1848 called the radical republicanism they dreamed of founding and believed would fulfil the republican promise of emancipation.This book will appeal to all those with an interest in the French revolutions, and the history of radical ideas.

This book examines historical and contemporary activist alimentary performance with an eye toward, or perhaps a taste for, what these performance modes can reveal about changing relationships between the senses, truth, justice, and ethical action amid the post-truth era's destabilization of shared notions of truth. This inquiry emerges in response to an urgent need to understand how multisensory models of knowledge, truth, and justice can be ethically employed to nurture a more just society. Alongside this goal is a drive to understand the ways in which these modes of performance are being co-opted by authoritarians, white supremacists, anti-science activists, and others to shore up injustice, promote misinformation, and anxiously guard existing systems of power and privilege. From white supremacist milk-drinking performances to liberatory uses of culinary performance as pedagogy, Kristin Hunt analyzes both disturbing and inspiring alimentary events to understand how performers, cooks, scholars, artists, and activists can effectively cultivate models of alimentary performance that center plenitude, joy, and justice while pushing back against models rooted in anxiety, diminishment, and cruelty. The text should be of interest for students in performance studies, contemporary theatre, and theatre history as well as courses in food studies and popular culture.

Museums and Societal Collapse explores the implications of societal collapse from a multidisciplinary perspective and considers the potential museums have to contribute to the reimagining and transitioning of a new society in the face of collapse.Arguing that societal collapse is well underway, but that total collapse is not inevitable, Janes maintains that museums are well-positioned to mitigate and adapt to the disruptions of societal collapse. As institutions of the commons, belonging to and affecting the public at large, he contends that museums are both responsible and capable of contributing to the durability and well-being of individuals, families, and communities, and enhancing societal resilience in the face of critical issues confronting our species. Within the pages of this groundbreaking book, Janes demonstrates how museums and their staff, as key civic resources with ethical responsibilities, can examine the meaning and value of their work, how that work is organised and managed, and to what end. This is a call to action, demonstrating how museums can move the conversation about collapse and extinction forward and into society at large.Museums and Societal Collapse will be of great interest to academics and students of Museum and Heritage Studies, Gallery Studies, Heritage Management and Arts Management. It will also be of essential reading for museum professionals working in museums, galleries and cultural organisations around the world. He lives in Canmore, Alberta, Canada.