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Walter Benjamin is universally recognised as one of the key thinkers of modernity: his writings on politics, language, literature, media, theology and law have had an incalculable influence on contemporary thought. Yet the problem of architecture in and for Benjamin's work remains relatively underexamined. Does Benjamin's project have an architecture and, if so, how does this architecture affect the explicit propositions that he offers us? In what ways are Benjamin's writings centrally caught up with architectural concerns, from the redevelopment of major urban centres to the movements that individuals can make within the new spaces of modern cities? How can Benjamin's theses help us to understand the secret architectures of the present? This volume takes up the architectural challenge in a number of innovative ways, collecting essays by both well-known and emerging scholars on time in cinema, the problem of kitsch, the design of graves and tombs, the orders of road-signs, childhood experience in modern cities, and much more. Engaged, interdisciplinary, bristling with insights, the essays in this collection will constitute an indispensable supplement to the work of Walter Benjamin, as well as providing a guide to some of the obscurities of our own present.

Bringing together for the first time all of G.W.F. Hegel's major Introductions in one place, this book ambitiously attempts to present readers with Hegel's systematic thought through his Introductions alone. The Editors articulate to what extent, precisely, Hegel's Introductions truly reflect his philosophic thought as a whole. Certainly each of Hegel's Introductions can stand alone, capturing a facet of his overarching idea of truth. But compiled all together, they serve to lay out the intricate tapestry of Hegel's thought, woven with a dialectic that progresses from one book to another, one philosophical moment to another. Hegel's reflections on philosophy, religion, aesthetics, history, and law-all included here-have profoundly influenced many subsequent thinkers, from post-Hegelian idealists or materialists like Karl Marx, to the existentialism of Kierkegaard and Jean-Paul Sartre; from the phenomenological tradition of Edmund Husserl to Martin Heidegger, Jacques Derrida and other post-moderns, to thinkers farther afield, like Japan's famous Kyoto School or India's Aurobindo. This book provides the opportunity to discern how the ideas of these later thinkers may have originally germinated in Hegel's writings, as well as to penetrate Hegel's worldview in his own words, his grand architecture of the journey of the Spirit.

The Mathematics of Novelty: Badiou's Minimalist Metaphysics tackles the issue of philosophical materialism in Gilles Deleuze and Alain Badiou, enquiring after the source and nature of the 'novelty' that both philosophers seek to discover in the objective world. In this characteristically incisive analysis, Sam Gillespie maintains that, whereas novelty in Deleuze is ultimately to be located in a Leibnizian affirmation of the world, for Badiou, the new - which is the coming-to-be of a truth - must be located at the 'void' of any situation. Following a lucid presentation of the central concepts of Badiou's philosophy as they relate to the problem of novelty (mathematics as ontology, truth, the subject and the event), Gillespie identifies a significant problem in Badiou's conception of the subject which he suggests can be answered by way of a supplementary framework derived from Lacan's concept of anxiety. Gillespie's quest to illuminate the relation of philosophy to the four truth procedures (art, love, science, politics) leads him to the polemical conclusion that, as a transformative rather than descriptive or reflective project, Badiou's philosophy ultimately reclaims the power of the negative from the positivity and pure productiveness of Deleuze's system, freeing thought from the limits set by experience.

"Alain Badiou's first major work, Le Concept de modele, originally published in 1969 and long out of print, establishes a solid mathematical basis for a rational materialism, which undermines the implicit assumptions of a predominating 'bourgeois epistemology'. Readers familiar with Badiou will no doubt find within this early text the lineaments of his later radical developments. The translation will be published with an accompanying interview with Badiou wherein he elaborates on the connections between this early work, the subsequent developments and his most recent position"--Provided by publisher.

The great 13th century Sufi poet Farid al-Din Attar is renowned as an author of superb short lyrics written in the Persian language. Dealing with themes of love, passion and mysticism, the versions presented in this book are the first sustained offerings of Attar¿s lyric poetry in English. Award-winning Iranian-born poet, Ali Alizadeh, and Persian specialist, Kenneth Avery, have collaborated on this project which aims to bring this remarkably vigorous yet subtle poetry to an English reading audience. The translations are accompanied by the Persian texts themselves, and explanatory notes, and are set in the context of his life and times by an illuminating introductory chapter. An original analysis of Attar¿s poetic language and thought is also offered. Attar, who lived in Nishapur until his death in 1220, was a complex personality, a brilliant storyteller and poet in both lyric and epic forms, and a creative and original Sufi thinker. His ideas range over the whole spectrum of Persian mysticism and religious philosophy, and his writing paved the way for the triumphs of Rumi and Hafiz. His ideas and exquisite verse deserve a wider circulation than has been accorded them until now, and this book seeks to present his poetry in an attractive way.

Following the publication of his magnum opus L'être et l'événement (Being and Event) in 1988, Alain Badiou has been acclaimed as one of France's greatest living philosophers. Since then, he has released a dozen books, including Manifesto for Philosophy, Conditions, Metapolitics and Logiques des mondes (Logics of Worlds), many of which are now available in English translation. Badiou writes on an extraordinary array of topics, and his work has already had an impact upon studies in the history of philosophy, the history and philosophy of science, political philosophy, aesthetics, psychoanalysis, and ontology. This volume takes up the challenge of explicating, extending and, in many places, criticizing Badiou's stunningly original theses. Above all, the essays collected here put Badiou's concepts to the test in a confrontation with the four great headings that he himself has identified as essential to our humanity: science, love, art and politics. Many of the contributors have already been recognized as outstanding translators of and commentators on Badiou's work; they appear here with fresh voices also destined to make a mark.