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Under a sky the colour of extinctionyou choose your own conclusion. The Earth might have already done so...and ten thousand years of civilisationwill shrink to an unrepeated moment. The Colour of Extinction is a collection for our times: taking all of nature into its focus, these carefully crafted lines leave the reader mulling over our interaction with - and overuse of - the natural world. Split into four strands, focusing on the climate crisis, birds, Australia and the melting polar caps, The Colour of Extinction forces us to confront the possible futures of the planet that we are destroying yet are so reliant on.

While the legacy of Mary Shelley as the creator of Frankenstein has shown no sign of waning, and her name is synonymous with the roots of the science-fiction genre, few have read her other novellas, and The Mortal Immortal - a short story concerned with ageing while being unable to die - is an unjustly neglected gem in her bibliography. While for generations critics considered the fact that she was married to Percy Bysshe Shelley to be the most interesting thing about her, and most modern readers only meet her best-known work, Mary Shelley's Gothic short stories and novellas are ripe for revisiting. One of the finest in her oeuvre, The Mortal Immortal is every inch as powerful and chilling as when it was written.

'Your pipe is drawing sweetly, the sofa cushions are soft underneath you, the fire is well alight, the air is warm and stagnant. In these blissful circumstances, what is it that you want to read about? Naturally, about a murder.'George Orwell set out 'to make political writing into an art', and to a wide extent this aim shaped the future of English literature - his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell's essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Decline of the English Murder, the tenth in the Orwell's Essays series, Orwell considers the sorts of murders are portrayed in the media, and why exactly people like to read about them. Expounding on his findings in the accompanying essay, titled in full The Ethics of the Detective Story from Raffles to Miss Blandish, Orwell broadens his focus to 'true crime' and realism in fictional murders - a genre that thrives to this day.

First published in 1928, Federico García Lorca's collection of Gypsy Ballads (Romancero gitano) marked his first major publication, and the beginning of his rise to fame. Depicting life in his native Andalucía, and the Romany peoples who lived there, it takes motifs of the countryside into its view, describing the night, the sky and the moon alongside more universal themes like life and death. Written in a stylised version of the countryside ballads that proliferated at the time, the Gypsy Ballads propelled Lorca to overnight fame, and he soon became counted amongst Spain's finest poets. Later in his career his name became synonymous with the theatre, but this new edition of the Gypsy Ballads returns the reader to where it all began. Presented here in a smart new translation, this edition is the perfect place to discover Lorca the Poet.

If you want to get back to the beginningyou must fast forward to the end. I press play, drop into the solarsystem à la Holst, somewherebeyond the asteroid belt,rocketing ever further out. The poems in There's No Pluto in this Suite take the reader to the edges of ordinary experiences, places and narratives and ask them to leap from that ordinariness into the unexpected. The collection is broken into three parts, and the reader is taken on a ride through verse concerned with the experiences of immigration, travel and transience; then on to a gathering around the hearth, telling stories about what drives humans to live: vocations, love and journeys of discovery; and finally into a mythic realm, encountering holy fools, witchy saints and places of overlap between silly and sacred. There's No Pluto in this Suite is a playful collection that blends formal and free verse, lyric and narrative, and in which the profound rubs shoulders with the messy and the patently mysterious.

In Stone Children Britain's love - and usage - of the Continent is laid bare. A couple eat their way through France and are overcome by greed; an ashes-scattering goes terribly wrong; a house is haunted by pain and abuse. Through each powerful tale we follow, mesmerised, moving through time and across continents, as the flaws and greed of humanity are exposed with extraordinary skill and wit.

'I am fond of paintings, furniture, tapestry, houses and flowers and even vegetables and fruit trees. I like a view but I like to sit with my back turned to it.'First published in 1933 at the height of Stein's popularity and literary prowess, The Autobiography of Alice B. Toklas is one of the most avant-garde pieces of non-fiction of the last century. Taking as its form that of 'autobiography', told through the eyes of her life partner Toklas, Stein's book provoked wild debate, and was pored over for its representations of the elite Paris art scene. Charting Toklas's early life in San Francisco, life in Paris with Stein and the war years spent in Spain, this is not only a wildly important piece of early LGBTQ+ literature, but, much like Woolf's Orlando, which perhaps inspired it, this is Modernism at its finest.

'We inherit the lineage we're all born into, with its history and its contradictions, with the very beautiful and the very ugly, neither of which we can have a hand in being able to change.'The family of Nisar Chowdhury moves from Dhaka to Chicago when he is just thirteen, and he grows up feeling estranged from both lands. Thirty years on, he returns to the city of his birth, only to find it changed beyond recognition. Rekindling old relationships and trying to get to grips with his father's decision to sell off their remaining properties in the city, Nisar must navigate the labyrinth of a society that has moved on without him. The Inheritors is a vivid portrait of a city giddy with the march of change.

These so-called Stupid Stories for Tough Times are a tonic for our times - a search for sense in the strange and baffling times we live in, shot through, as all good stories should be, with humour and observational wit, with purpose, fate and dogs. 'Brilliant deadpan dystopia' (on Down to Earth)' Mike Leigh

Following the death of his wife, Miles, an academic and hypochondriac suffering from acute anxiety, is told by his therapist to write a fictionalised version of his life in order to pinpoint the sources of his anxiety. Americanitis is an extraordinary work that mercilessly blends fact with fiction and leaves the reader scrabbling for truth.

When Lia lays an egg she doesn't know what to do. At her age, it's impossible to escape the baby question. She feels her heart's not in it - but the egg is impossible to ignore... Fledging is a riveting tale and resounding call for a woman's right to make her own choices, whether that means embracing motherhood or living child-free.

Francois the Waif, considered by many to be Sand's masterpiece, tells the tale of a young orphan who is placed in rural foster care. Presented in a fresh edit of the original English translation, and with helpful annotations, this edition presents the text for a new generation of readers.

Although her legacy as a politician is certainly more enduring than as a poet, her verse was highly acclaimed upon publication, and when The Golden Threshold, her first collection, came out in 1905, contemporary poets queued up to offer recommendations.

Painting beautiful portraits of American countryside, and tapping into deep debates around humans and their relationship with nature, this extraordinary short-story collection was years ahead of its time, and is ripe for rediscovery.

Simon Mundy's Selected Poems is a monumental collection that brings together work published in five collections, across five decades, including the critically acclaimed By Fax to Alice Springs and More for Helen of Troy, as well as the more recent Waiting for Music, which included many of his collaborations with composers.

The second in the Morris's Manifestos series, The Decorative Arts is a passionate argument against the homogenisation of production, and a cry for art to make itself seen in design - 'art will make our streets as beautiful as the woods, as elevating as the mountainsides.'

In this short essay, Hill sets out a clear, concise argument for public access to parks, and argues for the rights we now take for granted. Our Common Land is a forgotten part of our cultural history, and demonstrates exactly why the founders of the National Trust thought it was so important to preserve ancient buildings and estates for the public.

Written when Austen was just sixteen, these pages are stuffed with the wit and biting satire so associated with her name, and deserves to be as well known as her later novels. This edition also contains an introduction by G.K. Chesterton, with which it was first published.

Fifteen-year-old Ashleigh is clever and charming, and she soon becomes the neighbourhood's favourite babysitter. But she has an appetite for secrets. Fast-paced, witty and scalpel-sharp, One Woman Crime Wave examines the limits of what money can buy, and how easily the fragile web of middle-class privilege can be torn.

Exploring his colourful, rich and often dramatic life in London and summers spent in southern Italy among his large extended family, Do I Bark Like a Dog? considers the roots of Volpe's identity. Delving into family secrets and lies, he discovers how extraordinary events filtered through time to propel his unlikely but successful career in opera.

Formed of sixty fifteen-line stanzas, this haunting and consistently entertaining collection can be read like a journal, tracking lines of thought through time and space, painting detailed, witty and moving pictures of a countryside and life that lie unchanged, even through periods of great upheaval - political, ecological and cultural.

Inspired by true stories of 19th-century educational pioneer and reverend mother Cornelia Connelly and an ex-student of one of her schools, Waltz With Me paints a moving picture of the challenges of marriage and motherhood, the nature of personal sacrifice for a greater cause and the impact of faith.

Long before Shakespeare's name was synonymous with the stage he built a name as a poet, and Venus and Adonis was likely the first work to be published by the same quill that gave the world Macbeth, Romeo and Juliet and the rest of the canon.

First published in 1923 but failing to gain the same fame as her groundbreaking collection Monday or Tuesday, Woolf's short story In the Orchard is perhaps her most experimental, painting the same picture in three very different ways.

First published in 1923, Exile and Other Poems is an important, poignant collection from one of the foremost Imagist war poets. Penned after witnessing the horrors of the frontline during the First World War, Aldington's brutal, honest verse lays bare unimaginable experiences.

It's the final performance of a Cinderella panto in a moth-eaten, regional theatre, and backstage tensions between the ugly sisters are threatening to boil over on to the stage. Oh No It Isn't! is a brilliantly observed, raucous yet moving new play exploring the highs and lows of life in the theatre.

Set in 2013, Flagey in Winter is a comedy of manners that takes place in the European Parliament itself, in bars where love and politics rub shoulders, and in the Italian Dolomites.

Quiroga's first published short-story collection, Tales of Love, Madness and Death is presented here in a brand-new translation, and also includes his lauded tongue-in-cheek 'Ten Commandments for Short-Story Writers', readying some of the great writer's finest work for a new generation of readers.

Contraflow takes a completely new approach to the subject of Englishness, and in this stimulating and entertaining anthology two poetic currents flow against each other, so that different decades merge, well-known stanzas brushing shoulders with more neglected verse.

A cafe in Brussels that puts people at their ease - artists with European politicians, their assistants and tousled intellectuals with bar staff, twenty-somethings in need of a job with thirty-somethings who have one. Flagey is a comedy of manners that smiles refreshingly at Europe's capital, relaxed and true to its context.