Böcker utgivna av Princeton University Press

What would happen to international politics if the dead rose from the grave and started to eat the living? Daniel Drezner's groundbreaking book answers the question that other international relations scholars have been too scared to ask. Addressing timely issues with analytical bite, Drezner looks at how well-known theories from international relations might be applied to a war with zombies. Exploring the plots of popular zombie films, songs, and books, Theories of International Politics and Zombies predicts realistic scenarios for the political stage in the face of a zombie threat and considers how valid-or how rotten-such scenarios might be.This newly revived edition includes substantial updates throughout as well as a new epilogue assessing the role of the zombie analogy in the public sphere.

The second of two volumes of the eagerly anticipated first complete edition of Auden's poems--including some that have never been published before W. H. Auden (1907-1973) is one of the greatest poets of the twentieth century, and his reputation has only grown since his death. Published on the hundredth anniversary of the year in which he began to write poetry, this is the second volume of the first complete edition of Auden's poems. Edited, introduced, and annotated by renowned Auden scholar Edward Mendelson, this definitive edition includes all the poems Auden wrote for publication, in their original texts, and all his later revised versions, as well as poems and songs he never published, some of them printed here for the first time. This volume follows Auden as a mature artist, containing all the poems that he published or submitted for publication from 1940 until his death in 1973, at age sixty-six. This includes all his poetry collections from this period, from The Double Man (1941) through Epistle to a Godson (1972). The volume also features an edited version of his incomplete, posthumous book Thank You, Fog, as well as his self-designated "posthumous" poems. The main text presents the poems in their original published versions. The notes include the extensive revisions that he made to his poems over the course of his career, and provide explanations of obscure references. The first volume of this edition, Poems, Volume I: 1927-1939, is also available.

The first of two volumes of the eagerly anticipated first complete edition of Auden's poems--including some that have never been published before W. H. Auden (1907-1973) is one of the greatest poets of the twentieth century, and his reputation has only grown since his death. Published on the hundredth anniversary of the year in which he began to write poetry, this is the first of two volumes of the first complete edition of Auden's poems. Edited, introduced, and annotated by renowned Auden scholar Edward Mendelson, this definitive edition includes all the poems Auden wrote for publication, in their original texts, and all his later revised versions, as well as poems and songs he never published, some of them printed here for the first time. This volume traces the development of Auden's early career, and contains all the poems, including juvenilia, that he published or submitted for publication, from his first printed work, in 1927, at age twenty, through the poems he wrote during his first months in America, in 1939, when he was thirty-two. The book also includes poems that Auden wrote during his adult career with the expectation that he might publish them, but which he never did; song lyrics that he wrote to be set to music by Benjamin Britten, but which he never put into print; and verses that he wrote for magazines at schools where he was teaching. The main text presents the poems in their original published versions. The notes include the extensive revisions that he made to his poems over the course of his career, and provide explanations of obscure references. The second volume of this edition, Poems, Volume 2: 1940-1973, is also available.

"An urgent look at the relationship between the politics of guns, race, and policing in America today"--

"The earth's forests are havens of nature supporting a diversity of life. Shaped by climate and geography, these vast and dynamic wooded spaces offer unique ecosystems that shelter complex and interdependent webs of flora, fungi, and animals. The World Atlas of Trees and Forests offers a beautiful introduction to what forests are, how they work, how they grow, and how we map, assess, and conserve them."--Back cover.

"A splendid new translation of an extraordinary work of modern literature-featuring facing-page commentary by Kafka's acclaimed biographer. In 1917 and 1918, Franz Kafka wrote a set of more than 100 aphorisms, known as the Zèurau aphorisms, after the Bohemian village in which he composed them. Among the most mysterious of Kafka's writings, they explore philosophical questions about truth, good and evil, and the spiritual and sensory world. This is the first annotated, bilingual volume of these extraordinary writings, which provide great insight into Kafka's mind. Edited, introduced, and with commentaries by preeminent Kafka biographer and authority Reiner Stach, and freshly translated by Shelley Frisch, this beautiful volume presents each aphorism on its own page in English and the original German, with accessible and enlightening notes on facing pages.The most complex of Kafka's writings, the aphorisms merge literary and analytical thinking and are radical in their ideas, original in their images and metaphors, and exceptionally condensed in their language. Offering up Kafka's characteristically unsettling charms, the aphorisms at times put readers in unfamiliar, even inhospitable territory, which can then turn luminous: "I have never been in this place before: breathing works differently, and a star shines next to the sun, more dazzlingly still."Above all, this volume reveals that these multifaceted gems aren't far removed from Kafka's novels and stories but are instead situated squarely within his cosmos-arguably at its very core. Long neglected by Kafka readers and scholars, his aphorisms have finally been given their full due here"--

"Cantigas are lyric poems in Galician-Portuguese, a language of the Iberian Peninsula, written and performed during the 13th and early 14th centuries. They are divided into three major genres: cantigas de amigo (songs in the voice of women), cantigas de amore (courtly love songs in the voice of men), and cantigas de escarho e mal dizer (joke and insult poetry). The cantigas de amigo, thought to be inspired by popular and indigenous women's songs, represent the largest body of woman-voiced poetry in Europe, although the surviving compositions are attributed to male poets. In this book, the award-winning translator Richard Zenith has revised, expanded, and retitled a volume of cantigas he first published in 1995, in the UK only, with Carcanet Press (113 Galician Portuguese Troubadour Poems, now OP). The new book includes 122 cantigas, including several new translations, with the original text on facing pages, and a new introduction to provide background and context"--

"A powerful photographic survey of the impact of irrigation systems on the landscape of the United StatesIn The One Hundred Circle Farm, renowned photographer Emmet Gowin (b. 1941) presents stunning aerial images of center-pivot irrigation systems in the western and midwestern United States. This type of farming involves a method of watering crops in which equipment rotates around a centrally drilled well, creating enormous, distinct circles of irrigated land, often in the midst of dry terrain. Anyone who has taken a cross-country flight has likely seen countless acres of these iconic symbols of industrial agriculture. Through a faithful yet personal photographic survey, Gowin's powerful images not only bear witness to the ambitions humans wield in shaping the landscape, but also attest to how such primal elements-circles, pivots, and lines-symbolize water depletion and the fragile environment.The stark photographic compositions, more than one hundred in all, were created over the course of a decade. Fields resemble lost civilizations; crops gape like strange new suns. Hauntingly beautiful, the images highlight Earth's nourishing geology, visual evidence of our labors. Inscribed onto the earth, these lines are reminders of the technology extracting unimaginable amounts of water that cannot be replaced, and raise questions about what large-scale irrigation must answer for when the water runs out.With an afterword by anthropologist Lucas Bessire discussing the history and impact of pivot irrigation on American farming, The One Hundred Circle Farm stands as a poetic visual record, evidence of the tenuous connections between human enterprise and our planet's most precious resource"--