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An innovative study of how and why ancient Greek builders sometimes combined older and contemporary carving styles when making capitalsThe Ionic order of ancient Greek architecture gradually evolved over the course of the sixth century BCE. In Retrospective Columns, Samuel Holzman examines an overlooked group of nine Ionic monuments that are varied in design but have capitals that combine the pillowy, convex volutes of sixth-century Ionia on one side and the crisp concave volutes of more contemporary styles on the other. Such mixed-form capitals had a surprising longevity and range, spanning Greece, Italy, and Turkey between 550 and 250 BCE. Why did ancient Greek builders sometimes revert to older carving styles and combine them with newer ones? One old theory is that mixed-form capitals were a labor-saving shortcut-a notion Holzman puts to rest with a marble carving experiment that recreated the volutes of one capital. Rather, he argues that hybrid capitals represented an important parallel to other trends in Greek art, notably "bilingual" Attic vases, which combined older and newer painting techniques for sheer visual delight. By studying the chiaroscuro carving effects and painted polychrome decoration of hybrid capitals, Holzman shows that ancient viewers were primed to look for differences in such details, which the book illustrates with many original drawings and diagrams. Exploring works of Ionic architecture from different periods in Ionia, the Cyclades, Athens, and the Northern Aegean, Retrospective Columns demonstrates that their builders ultimately returned to outmoded elements to establish continuity with the past, reinforcing community identities and architectural tradition.

A fascinating account of the use and meaning of visual and spatial distortions in seventeenth-century art and architectureDuring the Catholic Reformation, patrons, artists, architects, and viewers, especially in Rome, were strongly drawn to visual and spatial distortions or "deformations"-works of art and architecture that were designed to be visually incomprehensible, at least initially. From Borromini's San Carlo alle Quattro Fontane in Rome to the attention-grabbing prospettiva in the city's Palazzo Spada and the anamorphoses that define the corridors and walls of Minim and Jesuit buildings, The Deformation explores what this intriguing phenomenon reveals about contemporary religious belief, optics, and the natural sciences, as well as wider questions about attention and discernment. Failing to conform to an established ideal, deformations required a "reformation" to achieve that ideal. Anamorphic deformations, for example, could only be reformed into clarity when viewed from a particular angle or through a special mirror. Susanna Berger examines how deformations were experienced by beholders, and how they were embraced or opposed by critics. The book shows how deformations and related works-whether altar tabernacles, ephemeral religious architecture, churches, monumental sundials, colonnades with accelerated perspective, illusionistic frescoes, turned ivories, or painted anamorphoses-focused observers' attention on theological mysteries and the social power and sophistication of patrons. The book's rich illustrations include two gatefolds and some anamorphic images that can be seen without distortion by using an included reflective insert as a mirror. Looking at writings as well as visual works in multiple artistic media not typically considered in relation to each other, The Deformation offers a new interpretation of deformation that highlights the delay between perception and discernment. Susanna Berger is associate professor of art history and philosophy at the University of Southern California. She is the author of The Art of Philosophy: Visual Thinking in Europe from the Late Renaissance to the Early Enlightenment (Princeton).

Why we need to reconnect with nature's biological rhythms-and rediscover the benefits of a good night's sleepAll of life is profoundly shaped by the daily, monthly, and yearly cycles of our planet, and all creatures have internal timekeeping systems that rely on cues from the surrounding environment. With modern technology, we are changing our environments-and by proxy, the ecosystems around us-to override these innate rhythms of life. But at what cost? Life in Sync reveals how Earth's rotations shape our biology, what human sleep cycles looked like before the advent of artificial light, and why technology can't free us from the constraints of our circadian clocks. Philippa Gander explores the science behind the biological rhythms that animate us and our world, blending captivating storytelling with illuminating examples ranging from migratory birds and hibernating squirrels to jet-lagged pilots and astronauts in space. She shows how genetic circadian clocks are an ancient evolutionary adaptation that we share with all life on the planet, and how our rapidly expanding use of artificial light at night disrupts the time cues for entire ecosystems. Gander explains why cutting back on sleep adversely affects our well-being, safety, and longevity, and how breakthroughs in sleep science offer solutions to bring our lives more in harmony with nature's rhythms. An astonishing journey of scientific discovery, Life in Sync unlocks the mysteries of biological time-and offers new perspectives for anyone who has ever given up a good night's sleep for the sake of their hectic waking hours.

The first biography of an extraordinary woman and architect who left her mark on world capitals and reshaped modern designElla Briggs (1880-1977) was a talented architect, designer, and writer whose influence was felt on both sides of the Atlantic. She trained with the Viennese Secessionists and brought their radical ideas to Gilded Age New York. She designed modernist housing for the masses in Austria, was jailed as a suspected spy in Mussolini's Italy, and thrived in Weimar Germany before suffering persecution under the Nazis. Fleeing to London, she contributed to England's postwar reconstruction. Yet despite a long and prolific career, her name is largely forgotten today. Finding Ella Briggs restores Briggs to her rightful place in the history of modernist design. Despina Stratigakos and Elana Shapira bring together an international team of historians to provide the defining biography of this boldly unconventional designer. Whether she was fighting for integration at Europe's architecture schools or writing about innovative houses for American women's magazines like Good Housekeeping, Briggs embodied the transatlantic flow of modernism. This panoramic book uncovers new findings about Briggs, her networks, and projects, recovering the many facets of a life that spanned global borders and cultures. Beautifully illustrated and drawing on a wealth of previously unpublished research from archives around the world, Finding Ella Briggs is the inspiring story of a woman who defied all obstacles to pursue her dream of designing for the modern client. With contributions by Megan Brandow-Faller, Celina Kress, Dörte Kuhlmann, Ulrike Matzer, Christine Oertel, Eva B. Ottillinger, Barbara Penner, Sabine Plakolm-Forsthuber, Monika Platzer, Ursula Prokop, Sabrina Rahman, Katrin Stingl, Carmen Trifina, and Christine Zwingl.

An authoritative, stunningly illustrated guide to every species of social wasp found in North America, Central America, and the CaribbeanSocial wasps like hornets and yellowjackets use the power of teamwork to build complex societies and architectural wonders, and though they comprise only a fraction of the thousands of species in North and Central America, they are almost solely responsible for giving wasps a bad reputation. This beautifully illustrated field guide covers all known species of social wasps from the high arctic of Greenland and Alaska to the tropical forests of Panama and Grenada. Ideal for beginners, experts, and everyone in-between, The Social Wasps of North America, Central America, and the Caribbean is the ultimate guide to these beneficial yet misunderstood insects. Features more than 900 full-color illustrations, more than 300 maps, and dozens of photosCovers more than 200 species, including dozens of regional color formsShows detailed face and body patterns of queens, males, and workersDetailed species accounts describe key identification features, size, nests, and habitatDiscusses everything from ecology, evolution, and taxonomy to anatomy, life cycle, behavior, nest architecture, conservation, and the critical roles wasps play in the environmentShares tips and tricks for identification and to avoiding painful stingsIncludes an extensive glossary and references

How late medieval Middle Eastern peasants adopted Arab cultural identities, and formed village clansDuring the later Middle Ages, peasants in Egypt and Greater Syria came to view themselves as members of Arab clans that had originated in the Arabian Peninsula. They expressed their Arab identity by wearing Arab headgear, adopting an Arab dialect, and circulating a new genre of popular epic that told heroic tales of pre-Islamic Arabia. In Becoming Arab, Yossef Rapoport argues that this proliferation of Arab village clans did not come about through mass migration and displacement but reflected an internal transformation. Drawing on extensive documentary, literary, administrative, and material evidence, Rapoport shows that the widespread formation of Arab village clans in late medieval Egypt and Greater Syria was a gradual process, the result of mass rural conversion to Islam and a new landholding regime in which peasants shifted from being landowners to being tenants. After the eleventh century, Rapoport contends, Middle Eastern villagers were turning Arab. These Arab village clans were not merely administrative regimes imposed from above; villagers enthusiastically embraced their new identities. New converts to Islam adopted Arab lineages to claim status and as a counter-identity to urban-based Turkish elites. Arab identity was used by clans to mobilize rural uprisings against the ruling sultans and to resolve disputes among villagers. Challenging traditional historiography of the Middle East, which views Arab clansmen as pastoralists whose identity separated them from that of the wider peasantry, Rapoport argues that the pervasive establishment of Arab village clans was the most important development in the history of the Middle Eastern countryside in the Islamic era.

The first book-length study of the biblical villain Haman, examining his depiction across Judaism, Christianity, and IslamHaman, infamous as the antagonist in the book of Esther, appears as a villainous figure in virtually all varieties of Judaism, Christianity, and Islam. In this "biography" of Haman, Adam Silverstein traces the evolution of this villainous character from the ancient Near East to modern times, drawing on sources in a variety of languages and from diverse genres. Silverstein considers the evidence for a historical Haman and analyzes the abundance of material that that documents what those who read the Bible and the Qur'an have thought about him over the past two millennia. With this book, Silverstein offers an essential and original account of the rich diversity and openness of Abrahamic civilizations throughout history. Taking Haman as a case study, Silverstein guides the reader through diverse intellectual terrains, covering ancient Near Eastern cultures, pre-Islamic Iranian literature, Abrahamic scriptures and their interpretation, late antiquity, Islamic history, and interfaith relations. He shows how the figure of Haman has both united and divided Jewish, Christian, and Muslim communities, who collaborated fruitfully in their efforts to grasp the meaning and significance of their holy books, but who also deployed the "Haman" label polemically against each other. Silverstein also considers Haman's prebiblical origins, raising the possibility that the book of Esther was receiving and reconfiguring Haman no less than later works were, with Esther's villain taking his place in a long line of reimagined Hamans. Haman: A Biography is the first book-length study to contextualize an Abrahamic character not only within Jewish and Christian traditions but also with reference to the character's prebiblical background and reception in Islamic cultures.

The first major biography of a brilliant American artist and the city that shaped himBarnett Newman (1905-1970), a founding member of the abstract expressionist movement, was a contemporary of such figures as Jackson Pollock, Willem de Kooning, Mark Rothko, and Clyfford Still. He left behind only 118 finished paintings, six sculptures, and fewer than 140 drawings, yet is often regarded as the greatest painter to have emerged after the Second World War. Barnett Newman is the definitive biography of a charismatic New Yorker who by defying the rules created an art of the sublime. Drawing on original research conducted over decades, scores of interviews and oral histories, and previously unseen correspondence, this book paints a richly textured portrait of a creative sage who became an exemplar of the artist-citizen. Born in New York to Polish Jewish immigrant parents, he grandly aspired to involve himself in every detail of the city's life. He was a crusader for the civil service, ran against La Guardia for mayor, worked as a teacher, wrote poetry, criticism, and manifestos, produced political plays, and promoted other artists-all before painting a mature work of his own in his early forties. Newman began with none of the qualities once considered indispensable for a master artist, such as training, apprenticeship, or natural facility. But he possessed a galvanizing intellect and a conviction that aesthetic expression is an ecstatic declaration of existence and an assertion of human dignity. Beautifully illustrated and replete with previously unpublished information gleaned from full access to Newman's archives, here is the landmark account of a maverick who became an influential mentor and who created some of the most enduring works of the twentieth century.

A New York Times Book Review Editors’ Choice“A comprehensive biography of . . . one of the most acclaimed poets of her generation and a face of American feminism.”—New York TimesA major American writer, thinker, and activist, Adrienne Rich (1929–2012) transformed herself from a traditional, Radcliffe-educated lyric poet and married mother of three sons into a path-breaking lesbian-feminist author of forceful, uncompromising prose as well as poetry. In doing so, she emerged as an architect and exemplar of the feminist movement, breaking ranks to denounce the male-dominated literary establishment and paving the way for women writers to take their places in the cultural mainstream. Drawing on a wealth of unpublished materials, including Rich’s correspondence and in-depth interviews with many people who knew her, Hilary Holladay provides a vividly detailed, full-dimensional portrait of a woman whose work and life continue to challenge and inspire new generations.

From the award-winning author of Revolutionizing the Sciences, a monumental historical account of how of we came to see the world through the lens of scienceScience is the basis of our assumptions about ourselves and our world, from ideas about our evolutionary past to our conceptions of the vast expanses of space and the smallest particles of matter. In this panoramic book, acclaimed historian of science Peter Dear uncovers the roots of such beliefs, revealing how they constitute a natural philosophy that has been developed and refined over the course of centuries—and how the world as we have come to know it was by no means inevitable.In a sweeping, multifaceted narrative, Dear describes some of the most breathtaking accomplishments in the advance of human knowledge, such as Isaac Newton’s laws of motion and gravitation, Carl Linnaeus’s taxonomy, Antoine Lavoisier’s new chemistry, Charles Darwin’s theory of evolution, and Albert Einstein’s theories of relativity. Challenging the notion that science is only about “making discoveries,” he shows how our world has been formed by people, institutions, and cultural assumptions, giving rise to disciplines ranging from biology and astrophysics to electromagnetism and the social sciences.Taking readers from the early eighteenth century to today, The World as We Know It reveals how our ideas about our place in the universe were bequeathed to us by individuals, cultures, and a curiosity that knows no bounds.

The mental labor that keeps families afloatand why women do most of itMothers and fathers use their time differently, with women spending roughly twice as many hours on family labor as men. But what about the gendered differences in the ways women and men think? What's on Her Mind provides an illuminating look at the cognitive labor that families depend on and reveals why this essential aspect of family life is disproportionately handled by womeneven in couples that aspire to practice equality.While most accounts of household labor center on how people use their time, Allison Daminger focuses on a less visible and less easily quantifiable aspect of family life. She introduces readers to the concept of cognitive laboranticipating, researching, deciding, and following upand shows how women in different-gender couples do most of this critical work. She argues that cognitive labor has less to do with personality traitsfor example, she's type A while he's laid-backand more to do with learned skills that men and women deploy in distinct ways. Yet not all couples fall into the personality trap. Daminger looks at different-gender couples who achieve a more balanced cognitive allocation while also exploring how queer couples carve out unique relationships to the gender binary.Drawing on original, in-depth interviews with members of different- and same-gender couples, What's on Her Mind points to new ways of understanding the interplay between who we are as individuals and the cognitive work we do on behalf of our families.

An enthralling tour of the world’s rarest and most endangered languagesLanguages and cultures are becoming increasingly homogenous, with the resulting loss of a rich linguistic tapestry reflecting unique perspectives and ways of life. Rare Tongues tells the stories of the world’s rare and vanishing languages, revealing how each is a living testament to human resilience, adaptability, and the perennial quest for identity.Taking readers on a captivating journey of discovery, Lorna Gibb explores the histories of languages under threat or already extinct as well as those in resurgence, shedding light on their origins, development, and distinctive voices. She travels the globe—from Australia and Finland to India, the Canary Islands, Namibia, Scotland, and Paraguay—showing how these languages are not mere words and syntax but keepers of diverse worldviews, sites of ethnic conflict, and a means for finding surprising commonalities. Readers learn the basics of how various language systems work—with vowels and consonants, whistles and clicks, tonal inflections, or hand signs—and how this kaleidoscope of self-expression carries vital information about our planet, Indigenous cultures and tradition, and the history and evolution of humankind.Rare Tongues is essential reading for anyone concerned about the preservation of endangered languages and an eloquent and disarmingly personal meditation on why the world’s linguistic heritage is so fundamental to our shared experience—and why its loss should worry us all.

Why democracy is under assault across the globe by the leaders entrusted to preserve itDemocracies around the world are getting swept up in a wave of democratic erosion. Since the beginning of the twenty-first century, two dozen presidents and prime ministers have attacked their countries' democratic institutions, violating political norms, aggrandizing their own powers, and often trying to overstay their terms in office. The Backsliders offers the first general explanation for this wave. Drawing on a wealth of original research, Susan Stokes shows that increasing income inequality, a legacy of late twentieth-century globalization, left some countries especially at risk of backsliding toward autocracy. Left-behind voters were drawn to right-wing ethnonationalist leaders in countries like the United States, India, and Brazil, and to left-wing populist ones in countries like Venezuela, Mexico, and South Africa. Unlike military leaders who abruptly kill democracies in coups, elected leaders who erode them gradually must maintain some level of public support. They do so by encouraging polarization among citizens and also by trash-talking their democracies: claiming that the institutions they attack are corrupt and incompetent. They tell voters that these institutions should be torn down and replaced by ones under the executive's control. The Backsliders describes how journalists, judges, NGOs, and opposition leaders can put the brakes on democratic erosion, and how voters can do so through political engagement and the power of the ballot box.

"Nan Z. Da, who immigrated to the United States from China as a child, analyzes Shakespeare's King Lear as a way to understand her family's experience in China during and after the Cultural Revolution"--

A spectacularly illustrated history of an enigmatic medieval diagramThe Wound Man-a medical diagram depicting a figure fantastically pierced by weapons and ravaged by injuries and diseases-was reproduced widely across the medieval and early modern globe. In this panoramic book, Jack Hartnell charts the emergence and endurance of this striking image used as a visual guide to the treatment of many ailments, taking readers on a remarkable journey from medieval Europe to eighteenth-century Japan and explaining why the Wound Man continues to intrigue us today. Drawing on a wealth of original research, Hartnell traces the many lives of the Wound Man, from its origins in late medieval Bohemia to its vivid reincarnations in hundreds of manuscripts and printed books over more than three hundred years. Transporting readers beyond the specifics of bodily injury, Hartnell demonstrates how the Wound Man's body was at once an encyclopedic repository of surgical knowledge, a fantastic literary and religious muse, a catalyst for shifting media landscapes, and a cross-cultural artistic feat that reached diverse audiences around the world. The Wound Man, we discover, held profound importance for scribes, students, printmakers, poets, nuns, monks, and both healers and patients alike. Marvelously illustrated, Wound Man sheds light on the entwined histories of art and medicine, showing how premodern medical diagrams represent a unique site of contact between sickness and cure, suffering and sanctity, and painting and print.

A richly illustrated new exploration of the painting, photography, and illustration of the politically progressive American artist Ben Shahn, On Nonconformity offers a fresh and wide-ranging account of the work of Ben Shahn (1898-1969), a Jewish immigrant from Russian-controlled Lithuania who became one of America's most prominent and prolific "social viewpoint" artists from the Great Depression through the Vietnam War. Revealing why Shahn remains so relevant today, the book examines his commitment to progressive political causes, from combating fascism to fighting for civil rights. Incorporating international perspectives, it investigates his World War II poster art, labor-related work, and engagement in postwar artistic debates. It brings new insights to Shahn's social realist and documentary styles and their evolution into allegorical, lyrical, and often abstract idioms that embrace the philosophical and the spiritual. And it demonstrates the underappreciated complexity of Shahn's layered visual language and how he experimented with modernist conceptual strategies-often involving photography-to create his paintings, murals, drawings, prints, posters, illustrated books, and commercial designs. Shahn's guiding credo-formulated in the Cold War-asserted that nonconformity was the precondition for all significant art and great social change. Ben Shahn, On Nonconformity illuminates why the artist's work should be seen as a series of "nonconformities" driven by his steadfast dedication to social justice and humanistic values. Exhibition ScheduleThe Jewish Museum, New YorkMay 23-October 12, 2025

An engaging and thought-provoking introduction to river scienceWhen we look at a river, either up close or while flying over a river valley, what are we really seeing? Following the Bend takes readers on a majestic journey by water to find answers, along the way shedding light on the key concepts of modern river science, from hydrology and water chemistry to stream and wetland ecology. In this accessible and uniquely personal book, Ellen Wohl explains how to "read" a river, blending the latest science with her own personal experiences as a geologist and naturalist who has worked on rivers for more than three decades. She charts how water travels through the hydrologic cycle around the globe and downstream to distribute energy, move sediment, and shape river channels, and how living organisms adapt to life in flowing water to create vibrant river ecosystems. Wohl looks at the role of disturbances such as floods and droughts and discusses how geologists interpret the sedimentary records of past river processes. She illustrates how river networks interact with Earth's surface and considers issues for rivers in the future, such as progressive drying, river restoration, and the legal personhood of a river to maintain its distinctive spirit, identity, and integrity. Sharing a new understanding of how rivers function as both physical systems and ecosystems, Following the Bend enables us to observe rivers with fresh eyes and more fully appreciate the beauty, vibrancy, and complexity our planet's vital waterways.

How only violence and catastrophes have consistently reduced inequality throughout world historyAre mass violence and catastrophes the only forces that can seriously decrease economic inequality? To judge by thousands of years of history, the answer is yes. Tracing the global history of inequality from the Stone Age to today, Walter Scheidel shows that inequality never dies peacefully. Inequality declines when carnage and disaster strike and increases when peace and stability return. The Great Leveler is the first book to chart the crucial role of violent shocks in reducing inequality over the full sweep of human history around the world.Ever since humans began to farm, herd livestock, and pass on their assets to future generations, economic inequality has been a defining feature of civilization. Over thousands of years, only violent events have significantly lessened inequality. The "e;Four Horsemen"e; of leveling-mass-mobilization warfare, transformative revolutions, state collapse, and catastrophic plagues-have repeatedly destroyed the fortunes of the rich. Scheidel identifies and examines these processes, from the crises of the earliest civilizations to the cataclysmic world wars and communist revolutions of the twentieth century. Today, the violence that reduced inequality in the past seems to have diminished, and that is a good thing. But it casts serious doubt on the prospects for a more equal future.An essential contribution to the debate about inequality, The Great Leveler provides important new insights about why inequality is so persistent-and why it is unlikely to decline anytime soon.

A collection of insightful and revealing quotations on a wide range of subjects from the father of modern politicsNiccolo Machiavelli (1469-1527) is the father of modern political thought, but he is also one of the greatest writers of the Renaissance and his wisdom and style extend far beyond politics to encompass a compelling philosophy of life as well. In The Quotable Machiavelli, Maurizio Viroli, one of the world's leading Machiavelli scholars, offers a rich collection of the Florentine's most memorable words on a wide range of subjects, including politics, the human condition, religion, love and happiness, antiquity and history, patriotism, and virtue. Drawing on Machiavelli's entire body of writings, and including little-known quotations as well as famous passages, the book shows the full scope of his thought and belies the cliche that he was a "e;Machiavellian"e; cynic. In addition to Machiavelli's own words on dozens of subjects of perennial interest, the book includes some almost unknown texts in which his contemporaries describe him. Complete with a biographical introduction, the book serves as a handy reference and a smart and lively introduction to a masterly thinker and writer.Includes a rich collection of Machiavelli's most memorable words on a wide range of subjects, from politics to the human condition-almost 700 quotations in allEdited and introduced by one of the world's leading Machiavelli scholarsServes as a smart and lively introduction to Machiavelli's life and worksDraws on the complete body of Machiavelli's writingsFeatures a brief biography of Machiavelli, a chronology of his life, suggestions for further reading, and an index

Describes how living things bump up against non-biological reality. Asking us wonder about the design of plants and animals around us, this book includes examples from every major group of animals and plants, with illustrative problems, and with suggestions of experiments that need only common household materials.

How we build our invisible libraries Erich Auerbach wrote his classic work Mimesis, a history of narrative from Homer to Proust, based largely on his memory of past reading. Having left his physical library behind when he fled to Istanbul to escape the Nazis, he was forced to rely on the invisible library of his mind. Each of us has such a library-if not as extensive as Auerbach's-even if we are unaware of it. In this erudite and provocative book, William Marx explores our invisible libraries-how we build them and how we should expand them. Libraries, Marx tells us, are mental realities, and, conversely, our minds are libraries. We never read books apart from other texts. We take them from mental shelves filled with a variety of works that help us understand what we are reading. And yet the libraries in our mind are not always what they should be. The selection on our mental shelves-often referred to as canon, heritage, patrimony, or tradition-needs to be modified and expanded. Our intangible libraries should incorporate what Marx calls the dark matter of literature: the works that have been lost, that exist only in fragments, that have been repurposed by their authors, or were never written in the first place. Marx suggests methods for recovering this missing literature, but he also warns us that adding new titles to our libraries is not enough. We must also adopt a new attitude, one that honors the diversity and otherness of literary works. We must shed our preconceptions and build within ourselves a mental world library.

A provocative case for why immortalizing Greek and Roman culture as "classical" marginalizes and devalues Black lifeGreek and Roman antiquity has been enshrined in disciplines and curricula at all levels of education, perpetuating what the historian of political thought J.G.A. Pocock has called "a conceptual dictatorship on the rest of the planet." Classicism and Other Phobias shows how the concept of "classicism" lacks the capacity to affirm the aesthetic value of Black life and asks whether a different kind of classicism-one of insurgence, fugitivity, and emancipation-is possible. Engaging with the work of Sylvia Wynter and other trailblazers in Black studies while drawing on his own experiences as a Black classicist, Dan-el Padilla Peralta situates the history of the classics in the racial and settler-colonialist settings of early modern and modern Europe and North America. He argues that immortalizing ancient Greek and Roman authors as "the classical" comes at the cost of devaluing Black forms of expression. Is a newfound emphasis on Black classicism the most effective counter to this phobia? In search of answers, Padilla Peralta ranges from the poetry of Juan de Castellanos to the writings of W.E.B. Du Bois and paintings by contemporary artists Kehinde Wiley and Harmonia Rosales. Based on the prestigious W.E.B. Du Bois Lectures delivered at Harvard University, Classicism and Other Phobias draws necessary attention to the inability of the classics as a field of study to fully cope with Blackness and Black people.