Böcker utgivna av Princeton University Press

"This book grew from the inaugural E. H. Gombrich Lectures in the Classical Tradition that I delivered in the autumn of 2013 at the Warburg Institute of the University of London, under the title, "Ancient Strength: Shakespeare and the Classical Tradition"--Preface, page ix.

In the years between the Revolutionary War and the drafting of the Constitution, American gentlemen-the merchants, lawyers, planters, and landowners who comprised the independent republic's elite-worked hard to maintain their positions of power. Gentlemen Revolutionaries shows how their struggles over status, hierarchy, property, and control shaped the ideologies and institutions of the fledgling nation.Tom Cutterham examines how, facing pressure from populist movements as well as the threat of foreign empires, these gentlemen argued among themselves to find new ways of justifying economic and political inequality in a republican society. At the heart of their ideology was a regime of property and contract rights derived from the norms of international commerce and eighteenth-century jurisprudence. But these gentlemen were not concerned with property alone. They also sought personal prestige and cultural preeminence. Cutterham describes how, painting the egalitarian freedom of the republic's "e;lower sort"e; as dangerous licentiousness, they constructed a vision of proper social order around their own fantasies of power and justice. In pamphlets, speeches, letters, and poetry, they argued that the survival of the republican experiment in the United States depended on the leadership of worthy gentlemen and the obedience of everyone else.Lively and elegantly written, Gentlemen Revolutionaries demonstrates how these elites, far from giving up their attachment to gentility and privilege, recast the new republic in their own image.

Constance Markievicz (1868-1927), born to the privileged Protestant upper class in Ireland, embraced suffrage before scandalously leaving for a bohemian life in London and then Paris. She would become known for her roles as politician and Irish revolutionary nationalist. Her husband, Casimir Dunin Markievicz (1874-1932), a painter, playwright, and theater director, was a Polish noble who would eventually join the Russian imperial army to fight on behalf of Polish freedom during World War I. Revolutionary Lives offers the first dual biography of these two prominent European activists and artists. Tracing the Markieviczes' entwined and impassioned trajectories, biographer Lauren Arrington sheds light on the avant-garde cultures of London, Paris, and Dublin, and the rise of anti-imperialism at the turn of the twentieth century.Drawing from new archival material, including previously untranslated newspaper articles, Arrington explores the interests and concerns of Europeans invested in suffrage, socialism, and nationhood. Unlike previous works, Arrington's book brings Casimir Markievicz into the foreground of the story and explains how his liberal imperialism and his wife's socialist republicanism arose from shared experiences, even as their politics remained distinct. Arrington also shows how Constance did not convert suddenly to Irish nationalism, but was gradually radicalized by the Irish Revival. Correcting previous depictions of Constance as hero or hysteric, Arrington presents her as a serious thinker influenced by political and cultural contemporaries.Revolutionary Lives places the exciting biographies of two uniquely creative and political individuals and spouses in the wider context of early twentieth-century European history.

The untold story of how the Arabic Qur'an became the English KoranFor millions of Muslims, the Qur'an is sacred only in Arabic, the original Arabic in which it was revealed to the Prophet Muhammad in the seventh century; to many Arab and non-Arab believers alike, the book literally defies translation. Yet English translations exist and are growing, in both number and importance. Bruce Lawrence tells the remarkable story of the ongoing struggle to render the Qur'an's lyrical verses into English-and to make English itself an Islamic language.The "e;Koran"e; in English revisits the life of Muhammad and the origins of the Qur'an before recounting the first translation of the book into Latin by a non-Muslim: Robert of Ketton's twelfth-century version paved the way for later ones in German and French, but it was not until the eighteenth century that George Sale's influential English version appeared. Lawrence explains how many of these early translations, while part of a Christian agenda to "e;know the enemy,"e; often revealed grudging respect for their Abrahamic rival. British expansion in the modern era produced an anomaly: fresh English translations-from the original Arabic-not by Arabs or non-Muslims but by South Asian Muslim scholars.The first book to explore the complexities of this translation saga, The "e;Koran"e; in English also looks at cyber Korans, versions by feminist translators, and now a graphic Koran, the American Qur'an created by the acclaimed visual artist Sandow Birk.

"The fascinating untold story of digital cash and its creators, from experiments in the 1970s to the mania over Bitcoin and other cryptocurrencies."--Provided by publisher.

A survey of ancient Egyptian mathematics across three thousand yearsMathematics in Ancient Egypt traces the development of Egyptian mathematics, from the end of the fourth millennium BC-and the earliest hints of writing and number notation-to the end of the pharaonic period in Greco-Roman times. Drawing from mathematical texts, architectural drawings, administrative documents, and other sources, Annette Imhausen surveys three thousand years of Egyptian history to present an integrated picture of theoretical mathematics in relation to the daily practices of Egyptian life and social structures.Imhausen shows that from the earliest beginnings, pharaonic civilization used numerical techniques to efficiently control and use their material resources and labor. Even during the Old Kingdom, a variety of metrological systems had already been devised. By the Middle Kingdom, procedures had been established to teach mathematical techniques to scribes in order to make them proficient administrators for their king. Imhausen looks at counterparts to the notation of zero, suggests an explanation for the evolution of unit fractions, and analyzes concepts of arithmetic techniques. She draws connections and comparisons to Mesopotamian mathematics, examines which individuals in Egyptian society held mathematical knowledge, and considers which scribes were trained in mathematical ideas and why.Of interest to historians of mathematics, mathematicians, Egyptologists, and all those curious about Egyptian culture, Mathematics in Ancient Egypt sheds new light on a civilization's unique mathematical evolution.

Every day, we use our computers to perform remarkable feats. A simple web search picks out a handful of relevant needles from the world's biggest haystack: the billions of pages on the World Wide Web. Uploading a photo to Facebook transmits millions of pieces of information over numerous error-prone network links, yet somehow a perfect copy of the photo arrives intact. Without even knowing it, we use public-key cryptography to transmit secret information like credit card numbers; and we use digital signatures to verify the identity of the websites we visit. How do our computers perform these tasks with such ease? This is the first book to answer that question in language anyone can understand, revealing the extraordinary ideas that power our PCs, laptops, and smartphones. Using vivid examples, John MacCormick explains the fundamental "e;tricks"e; behind nine types of computer algorithms, including artificial intelligence (where we learn about the "e;nearest neighbor trick"e; and "e;twenty questions trick"e;), Google's famous PageRank algorithm (which uses the "e;random surfer trick"e;), data compression, error correction, and much more. These revolutionary algorithms have changed our world: this book unlocks their secrets, and lays bare the incredible ideas that our computers use every day.

Global Production is the first book to provide a fully comprehensive overview of the complicated issues facing multinational companies and their global sourcing strategies. Few international trade transactions today are based on the exchange of finished goods; rather, the majority of transactions are dominated by sales of individual components and intermediary services. Many firms organize global production around offshoring parts, components, and services to producers in distant countries, and contracts are drawn up specific to the parties and distinct legal systems involved. Pol Antras examines the contractual frictions that arise in the international system of production and how these frictions influence the world economy.Antras discusses the inevitable complications that develop in contract negotiation and execution. He provides a unified framework that sheds light on the factors helping global firms determine production locations and other organizational choices. Antras also implements a series of systematic empirical tests, based on recent data from the U.S. Customs and Census Offices, which demonstrate the relevance of contractual factors in global production decisions.Using an integrated approach, Global Production is an excellent resource for researchers, graduate students, and advanced undergraduates interested in the inner workings of international economics and trade.

Arab Patriotism presents the essential backstory to the formation of the modern nation-state and mass nationalism in the Middle East. While standard histories claim that the roots of Arab nationalism emerged in opposition to the Ottoman milieu, Adam Mestyan points to the patriotic sentiment that grew in the Egyptian province of the Ottoman Empire during the nineteenth century, arguing that it served as a pivotal way station on the path to the birth of Arab nationhood.Through extensive archival research, Mestyan examines the collusion of various Ottoman elites in creating this nascent sense of national belonging and finds that learned culture played a central role in this development. Mestyan investigates the experience of community during this period, engendered through participation in public rituals and being part of a theater audience. He describes the embodied and textual ways these experiences were produced through urban spaces, poetry, performances, and journals. From the Khedivial Opera House's staging of Verdi's Aida and the first Arabic magazine to the 'Urabi revolution and the restoration of the authority of Ottoman viceroys under British occupation, Mestyan illuminates the cultural dynamics of a regime that served as the precondition for nation-building in the Middle East.A wholly original exploration of Egypt in the context of the Ottoman Empire, Arab Patriotism sheds fresh light on the evolving sense of political belonging in the Arab world.

An insider's view on bringing extinct species back to lifeCould extinct species, like mammoths and passenger pigeons, be brought back to life? The science says yes. In How to Clone a Mammoth, Beth Shapiro, evolutionary biologist and pioneer in "e;ancient DNA"e; research, walks readers through the astonishing and controversial process of de-extinction. From deciding which species should be restored, to sequencing their genomes, to anticipating how revived populations might be overseen in the wild, Shapiro vividly explores the extraordinary cutting-edge science that is being used-today-to resurrect the past. Journeying to far-flung Siberian locales in search of ice age bones and delving into her own research-as well as those of fellow experts such as Svante Paabo, George Church, and Craig Venter-Shapiro considers de-extinction's practical benefits and ethical challenges. Would de-extinction change the way we live? Is this really cloning? What are the costs and risks? And what is the ultimate goal?Using DNA collected from remains as a genetic blueprint, scientists aim to engineer extinct traits--traits that evolved by natural selection over thousands of years-into living organisms. But rather than viewing de-extinction as a way to restore one particular species, Shapiro argues that the overarching goal should be the revitalization and stabilization of contemporary ecosystems. For example, elephants with genes modified to express mammoth traits could expand into the Arctic, re-establishing lost productivity to the tundra ecosystem.Looking at the very real and compelling science behind an idea once seen as science fiction, How to Clone a Mammoth demonstrates how de-extinction will redefine conservation's future.

A plethora of different theories, models, and concepts make up the field of community ecology. Amid this vast body of work, is it possible to build one general theory of ecological communities? What other scientific areas might serve as a guiding framework? As it turns out, the core focus of community ecology-understanding patterns of diversity and composition of biological variants across space and time-is shared by evolutionary biology and its very coherent conceptual framework, population genetics theory. The Theory of Ecological Communities takes this as a starting point to pull together community ecology's various perspectives into a more unified whole.Mark Vellend builds a theory of ecological communities based on four overarching processes: selection among species, drift, dispersal, and speciation. These are analogues of the four central processes in population genetics theory-selection within species, drift, gene flow, and mutation-and together they subsume almost all of the many dozens of more specific models built to describe the dynamics of communities of interacting species. The result is a theory that allows the effects of many low-level processes, such as competition, facilitation, predation, disturbance, stress, succession, colonization, and local extinction to be understood as the underpinnings of high-level processes with widely applicable consequences for ecological communities.Reframing the numerous existing ideas in community ecology, The Theory of Ecological Communities provides a new way for thinking about biological composition and diversity.

Spurred by court rulings requiring states to increase public-school funding, the United States now spends more per student on K-12 education than almost any other country. Yet American students still achieve less than their foreign counterparts, their performance has been flat for decades, millions of them are failing, and poor and minority students remain far behind their more advantaged peers. In this book, Eric Hanushek and Alfred Lindseth trace the history of reform efforts and conclude that the principal focus of both courts and legislatures on ever-increasing funding has done little to improve student achievement. Instead, Hanushek and Lindseth propose a new approach: a performance-based system that directly links funding to success in raising student achievement. This system would empower and motivate educators to make better, more cost-effective decisions about how to run their schools, ultimately leading to improved student performance. Hanushek and Lindseth have been important participants in the school funding debate for three decades. Here, they draw on their experience, as well as the best available research and data, to show why improving schools will require overhauling the way financing, incentives, and accountability work in public education.

This investigation of the overwhelming appeal of quantification in the modern world discusses the development of cultural meanings of objectivity over two centuries. How are we to account for the current prestige and power of quantitative methods? The usual answer is that quantification is seen as desirable in social and economic investigation as a result of its successes in the study of nature. Theodore Porter is not content with this. Why should the kind of success achieved in the study of stars, molecules, or cells be an attractive model for research on human societies? he asks. And, indeed, how should we understand the pervasiveness of quantification in the sciences of nature? In his view, we should look in the reverse direction: comprehending the attractions of quantification in business, government, and social research will teach us something new about its role in psychology, physics, and medicine. Drawing on a wide range of examples from the laboratory and from the worlds of accounting, insurance, cost-benefit analysis, and civil engineering, Porter shows that it is "e;exactly wrong"e; to interpret the drive for quantitative rigor as inherent somehow in the activity of science except where political and social pressures force compromise. Instead, quantification grows from attempts to develop a strategy of impersonality in response to pressures from outside. Objectivity derives its impetus from cultural contexts, quantification becoming most important where elites are weak, where private negotiation is suspect, and where trust is in short supply.

"When John J. Winkler died in 1990, he left a substantially complete manuscript containing the final version of the project he had undertaken in the last decade of his life: an original interpretation of the development and meaning of ancient Greek drama. That manuscript was based on The Martin Classical Lectures at Oberlin College, which Winkler delivered in September of 1988. The present text has been edited and updated by classicists David Halperin, Winkler's literary executor, and Kirk Ormand, Winkler's student and an expert on Greek drama. Rehearsals of Manhood, the final work of a widely recognized and celebrated classical scholar, proposes an entirely new account of Greek drama providing an explanation of the social place of Greek drama and its relation to the gendered organization of Athenian social life. Winkler interprets drama as a secular manhood ritual, a public aesthetic undertaking focused on the initiation of boys into manhood and, specifically, on the training, the display, and the representation of young male warriors. According to Winkler, the chorus of both tragedy and comedy was composed of young Athenian men of citizen status, about eighteen to twenty years of age, who were undergoing military training in order to prepare themselves for the task of warfare; they danced on a rectangular dance floor in a rectangular formation that recalled the arrangement of the infantry phalanx; they accompanied plays that often highlighted scenarios of risk faced by young men on the verge of adulthood; and they performed in a theater whose seating was arranged to display the corporate body of the male citizenry as a whole, both its democratic equality and its hierarchical ranking according to degrees of excellence. Winkler does not offer new interpretations of the texts of Greek plays but a new account of how the very practice of dramatic performance fit into the social life and gender politics of the Athenian state"--

"One of the greatest graphic artists of any age, Giovanni Battista Piranesi (1720-78) is best known as the virtuoso etcher responsible for print series such as Imaginary Prisons and Views of Rome. These largescale engravings depict scenes in and around Rome, taken from first-hand examinations of antiquities and classical structures. Piranesi combined these vistas with exaggerated compositions, scale, and perspective, in order to create immense, ambiguous scenes that have inspired generations of artists-Piranesi's 18thcentury biographer named him "the Rembrandt of ruins." But Piranesi was also a gifted and prolific scholar, architect, and designer, who printed and published twelve books over the course of his career. While most of his visual work was created to appear alongside texts that explain his theories of space, architecture, and drawing, their study has historically separated the images from the texts for which they were designed. Co-authored by two leading scholars, this is the first book to examine Piranesi's complete printed volumes and career as a maker of books, and argues that his engravings cannot be fully understood without studying them in the context of the books he designed. Individual chapters examine how Piranesi's drawings and prints became pages, how pages and plates became volumes, how volumes became books, and how books were marketed, sold, and read. Embedded within these essays are several focused explorations of each theme: illustrations with texts designed to explicate aspects of Piranesi's production and distribution"--

Pulitzer Prize-winning poet Charles Simic has done more than anyone since Czeslaw Milosz to introduce English-language readers to the greatest modern Slavic poets. In Oranges and Snow, Simic continues this work with his translations of one of today's finest Serbian poets, Milan Djordjevic. An encounter between two poets and two languages, this bilingual edition--the first selection of Djordjevic's work to appear in English--features Simic's translations and the Serbian originals on facing pages. Simic, a native Serbian speaker, has selected some forty-five of Djordjevic's best poems and provides an introduction in which he discusses the poet's work, as well as the challenges of translation. Djordjevic, who was born in Belgrade in 1954, is a poet who gives equal weight to imagination and reality. This book ranges across his entire career to date. His earliest poems can deal with something as commonplace as a bulb of garlic, a potato, or an overcoat fallen on the floor. Later poems, often dreamlike and surreal, recount his travels in Germany, France, and England. His recent poems are more autobiographical and realistic and reflect a personal tragedy. Confined to his house after being hit and nearly killed by a car while crossing a Belgrade street in 2007, the poet writes of his humble surroundings, the cats that come to his door, the birds he sees through his window, and the copies of one of his own books that he once burnt to keep warm. Whatever their subject, Djordjevic's poems are beautiful, original, and always lyrical.

"An authoritative interdisciplinary account of the historic discovery of gravitational waves. In 1915, Albert Einstein predicted the existence of gravitational waves -- ripples in the fabric of spacetime caused by the movement of large masses -- as part of the theory of general relativity. A century later, researchers with the Laser Interferometer Gravitational-Wave Observatory (LIGO) confirmed Einstein's prediction, detecting gravitational waves generated by the collision of two black holes. Shedding new light on the hundred-year history of this momentous achievement, Einstein Was Right brings together essays by two of the physicists who won the Nobel Prize for their instrumental roles in the discovery, along with contributions by leading scholars who offer unparalleled insights into one of the most significant scientific breakthroughs of our time. This illuminating book features an introduction by Tilman Sauer and invaluable firsthand perspectives on the history and significance of the LIGO consortium by physicists Barry Barish and Kip Thorne. Theoretical physicist Alessandra Buonanno discusses the new possibilities opened by gravitational wave astronomy, and sociologist of science Harry Collins and historians of science Diana Kormos Buchwald, Daniel Kennefick, and Jèurgen Renn provide further insights into the history of relativity and LIGO. The book closes with a reflection by philosopher Don Howard on the significance of Einstein's theory for the philosophy of science."--

"An exploration of depictions and use of water within Renaissance Italy, and especially in the work of polymath Leonardo da Vinci. Both a practical necessity and a powerful symbol, water presents one of the most challenging problems in visual art due to its formlessness, clarity, and mutability. In Renaissance Italy, it was a nearly inexhaustible subject of inquiry for artists, engineers, and architects alike: it represented an element to be productively harnessed and a force of untamed nature. Watermarks places the depiction and use of water within an intellectual history of early modern Italy, examining the parallel technological and aesthetic challenges of mastering water and the scientific and artistic practices that emerged in response to them. Focusing primarily on the wide-ranging work of Leonardo da Vinci (1452-1519)-at once an artist, scientist, and inventor-Leslie Geddes shows how the deployment of artistic media, such as ink and watercolor, closely correlated with the engineering challenges of controlling water in the natural world. For da Vinci and his peers, she argues, drawing was an essential form of visual thinking. Geddes analyses a wide range of da Vinci's subject matter, including machine drawings, water management schemes, and depictions of the natural landscape, and demonstrates how drawing-as an intellectual practice, a form of scientific investigation, and a visual representation-constituted a distinct mode of problem solving integral to his understanding of the natural environment. Throughout, Geddes draws important connections between works by da Vinci that have long been overlooked, the artistic and engineering practices of his day, and critical questions about the nature of seeing and depicting the almost unseeable during the early modern period"--