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  •  
    419

    An essential and long out-of-print document of formative works by institutional critique progenitor Michael AsherOriginally published in 1983, Writings 1973-1983 on Works 1969-1979, by Los Angeles artist Michael Asher (1943-2012) presents select documentation of 33 works through writings, photographs, architectural floor plans, exhibition announcements and other ephemera. For most of his career, Asher did not create traditional art objects; instead, he altered the existing institutional apparatus through which art is presented, creating work that intervened in the architectural, social or economic systems that undergird how art is produced and experienced. For example, in 1974, he removed the partition wall dividing the office and gallery space of the Claire S. Copley Gallery in Los Angeles, revealing the day-to-day activities of the gallery to the public. In another work from 1979, Asher had a bronze replica of a late 18th-century sculpture of George Washington moved from the exterior of the Art Institute of Chicago to a museum gallery that housed 18th-century art, reintroducing the statue to its original period context and shifting its function from public monument to indoor sculpture. Due to its site- and time-specific nature, Asher's work generally ceased to exist after an exhibition, which makes this highly sought-after book an invaluable resource. As the artist states in the introduction: "This book as a finished product will have a material permanence that contradicts the actual impermanence of the art-work, yet paradoxically functions as a testimony to that impermanence of my production." Initiated by Kasper König, Writings 1973-1983 on Works 1969-1979 was originally copublished by the Press of the Nova Scotia College of Art and Design and the Museum of Contemporary Art, Los Angeles, and was largely shaped by Asher's close collaboration with Benjamin H.D. Buchloh, who succeeded König as editor of the press.

  •  
    199

    A facsimile of Graham's ultra-rare artist's book documenting early performance worksOriginally published in 1978 and produced here in facsimile form, Theatre is an artist's book documenting seven early performance works by Dan Graham (born 1942) taking place from 1969 to 1977, with notes, transcripts and photo documentation for each performance. These performances catch the artist at a unique moment, as he shifts away from his early media works and towards his hallmark video and written work around underground music and youth culture.The works in Theatre focus primarily on the psychological and social space between individuals and the roles they serve inside the arena of performance, subverting them by creating conditions by which a performer or audience simultaneously functions as both (creating a type of feedback loop through social transgression). Like most of Graham's work, these performances also serve as a critique of cultural norms, with many of the performances utilizing quotidian, social acts that are amplified over time.

  • - From the Archives of Peter Merlin, Aviation Archaelogist
     
    243

    Commemorative coins, patches, mugs and other ephemera from the shadowy world of US military aviation and aerospaceIn From the Archives of Peter Merlin, Aviation Archaeologist, multidisciplinary artist Trevor Paglen (born 1974) collaborates with Peter Merlin, a former NASA archivist, on this new artist's book featuring a photographic inventory of objects from the aerospace historian's archive of research culled from military bases such as Area 51.Featuring images of challenge coins, patches and commemorative mugs from within these bases, as well as debris recovered from the surrounding crash sites, the book presents both a social and technological investigation into the US government's secret aviation history from the atomic age to today's drone wreckage.The symbols and texts featured on these objects that celebrate covert missions range in character from goofy to sinister, though their actual meaning may never be fully explained to the public. In addition to photographic images, the book includes an essay by Paglen as well as in-depth captions of the archive's inventory, offering context for this history and addressing the present-day ramifications of these military advancements across the realms of communication, surveillance and warfare.

  •  
    359,-

    The acclaimed Deaf artist and writer collects decades' worth of material addressing issues of art and advocacyAmerican visual artist and scholar Joseph Grigely (born 1956) here brings together writings, lectures, interviews and documentation of his work spanning 40 years. Deaf since the age of 10, his art and writing have long questioned and made use of various modes of communication--photographs, handwritten notes, lipreading, newspaper headlines, paintings and TV captions--to examine and scrutinize the ableism embedded in cultural and media production.Otherhow interrogates modes of access and analyzes how issues of accessibility and their resolution provide a benefit to everyone, not just the disabled. Chapters devoted to art, access and advocacy underpin the interconnected nature of these issues. Letters of complaint, faxes and emails, unpublished op-eds, exhibition proposals, statements on equality and access: each provides a glimpse into how Grigely's work has been shaped by--or constructed from--the "tangled process" of opening access.The book is rounded out by a series of visual inventories: collections of images that document failures of access or, in the case of the obituaries, highlight those who had a disability or were activists working to establish greater access for those with disabilities.

  •  
    269,-

    A foundational work of performance art utilizing two early chatbots to critique the male domination of emerging technologiesA 1976 performance by American artist Barbara T. Smith (born 1931), I Am Abandoned featured a conversation in real time between two psychoanalytic computer programs (two of the earliest chatbots) alongside a staging of Goya's The Naked Maja, in which the artist projected an image of the famous painting on top of a clothed female model. This publication includes a full transcript of the "conversation" between the two programs, documentation and ephemera from the performance, and Smith's reflections on the night. To revisit I Am Abandoned today is to see the critical and liberating potential that art can have when it intervenes in new technologies. Against today's backdrop of AI, Smith's early work with emerging technologies, and in this case chatbots, is prophetic and hints at the contemporary conversation around the gendered and racialized machinic biases of our current computational landscape.

  •  
    415,-

    A full facsimile reproduction of the era-defining queer magazine that documented Chicago's Black nightlife scene of the early '90sStarted in 1989 by designer and writer Robert Ford, THING magazine was the voice of Chicago's queer Black music and arts scene in the early 1990s. Ford and his editors were part of the burgeoning house music scene, which originated in Chicago's queer underground, and some of the top DJs and musicians from that time were featured in the magazine, including Frankie Knuckles and RuPaul. THING published 10 issues from 1989 to 1993, before it was cut short by Ford's death from HIV/AIDS-related causes.While THING primarily focused on music, it also opened its pages to a wide range of subjects: poetry and gossip, fiction and art, interviews and polemics. The AIDS crisis loomed large in its contents, particularly in the personal reflections and practical resources that it published. In a moment when the gay community was besieged by the AIDS crisis and a wantonly cruel government, the influence and significance of this cheaply produced newsprint magazine vastly exceeded its humble means, presenting a beautiful portrait of the ball and club cultures that existed in Chicago with deep intellectual reflections. THING was a publication by and for its community, and understood the fleetingness of its moment.To reencounter this work today is to reinstate the Black voices who were so central to the history of AIDS activism and queer and club culture, but which were often sidelined by white queer discourse. This volume collects all 10 editions of this iconic magazine.

  • av Mary Ellen Solt
    295,-

  • av Jimmy DeSana
    139,-

  • av Justin R Martin
    309,-

    Take your art to the next level with "Poses for Artists Volume 9: Feet" by Justin R. Martin. As the latest addition to the bestselling "Poses for Artists" series, this book provides artists with a comprehensive guide to foot pose reference, drawing upon the author/illustrator's expert knowledge and experience. With over 200 foot poses expertly drawn by Justin R. Martin, you'll have a wealth of inspiration and reference material at your fingertips. Whether you're a beginner or a seasoned artist, this book will provide the guidance and resources you need to master foot poses and bring your artwork to life.

  • av Max Neuhaus
    245

  • av Thomas Lawson
    329,-

    New York: Artist Space, March 2007-May 2007

  • av Robin Paul
    265,-

    SHE MOVES AMONG NASHVILLE'S BIGGEST STARS. HE'S A SMALL-TOWN KIND OF GUY.Brooke Summers has always known she would follow in the footsteps of her father, legendary Nashville talent manager Bobby Summers. They've worked side-by-side since her graduation from college, and as Bobby eyes retirement he wants her to manage the career of their biggest client.Raven McCloud is the darling of country music, a megawatt superstar who is equal parts beautiful and demanding. Her songs top the charts, and her concerts sell out in minutes. Bobby has been with Raven every step of the way, as mentor, father figure, and trusted friend. Her resistance to Brooke is immediate and public.Bobby's discovery of a box of Raven's old recordings promises a respite from the tension. The songs were recorded years before she made it big. One especially piques Bobby's interest. It's a catchy Christmas tune called Making Santa Smile. And the singer isn't Raven. It's a man.Bobby thinks it can be a hit, but first he needs to find the mystery man behind the song. Raven isn't much help. She vaguely remembers him as a freshman year boyfriend named Carl. Their relationship didn't survive the semester, and she hasn't thought of him since. Brooke sends the song to a handful of Nashville radio stations to get their opinion. The feedback is quick. Everybody loves Making Santa Smile.Brooke accepts the challenge to locate the mystery singer known only as Christmas Carl. Her search leads to the doorstep of an unassuming small-town pharmacist who has no idea what is about to hit him. And Brooke? She finds her feelings for Christmas Carl moving well beyond his singing ability.

  • av Thomas McElmurry
    265 - 339,-

  • av Justin R Martin
    239,-

    Take your art to the next level with "Poses for Artists Volume 8: Hands" by Justin R. Martin. As the latest addition to the bestselling "Poses for Artists" series, this book provides artists with a comprehensive guide to hand pose reference, drawing upon the author/illustrator's expert knowledge and experience. With over 100 hand poses expertly drawn by Justin R. Martin, you'll have a wealth of inspiration and reference material at your fingertips. Whether you're a beginner or a seasoned artist, this book will provide the guidance and resources you need to master hand poses and bring your artwork to life.

  • av Jordan Spicer
    265,-

  • av Ali Holt
    329,-

  • av Delena King
    289,-

    The African American ABC Book is a point-and-say alphabet book that captivates a child's attention while laying a foundation for learning their ABC's. The ABC Book is a modern day picture book with an African American twist. As you turn the page, each alphabet accompanies a picture to promote reading readiness and observational skills. The African American ABC Book is perfect for teaching each alphabet from A is for Africa to Z is for Zulu. The African American ABC Book was written to encourage parents and little readers to explore the letters of the alphabet in a whole new and meaningful way.

  •  
    225

    Texts accompanying 77 works from the humorous and enigmatic Darren BaderThis volume of writings by New York conceptualist Darren Bader (born 1978) features texts for 77 artworks. Writing is at the core of Bader's work: he offers deceptively simple propositions for artworks to be carried out by gallerists, museums and collectors who then exhibit the works. Each time a work is sold, Bader produces a text that explains the parameters of the artwork. The propositions can be extremely precise or abstract; however, these guides are not made available to the public. Bader has also written propositions for impossible artworks, such as a proposal for installing a baby-changing table under Leonardo da Vinci's "The Last Supper" at the Convent of Santa Maria delle Grazie in Milan. This book foregrounds Bader's writing and provides a key to his humorous and sometimes enigmatic works.

  • av Joseph Matick
    165,-

  • av Andrew Lampert
    355,-

    The long-awaited compendium of Wegman's hilarious, ingenious writings and language-centric art, from the early 1970s to the presentWhile he's famous the world over for his instantly recognizable images of Weimaraner dogs, William Wegman has long been one of Conceptual art's true innovators. Filled with previously unknown and wildly entertaining texts, drawings and early photos, Writing by Artist is the first collection to focus on Wegman's longstanding and deeply funny relationship to language.This career-spanning edition presents a thematically organized selection of rediscovered writings dating back to the 1970s and 1980s, alongside landmark early photographs and hilarious drawings from throughout his career. All of the works brilliantly incorporate words in one form or another, altering logic and pushing the boundaries of what artist writing can be. Writing by Artist serves as a genuine epiphany for those only familiar with his later work, and a welcome reminder of his madcap inventiveness for the already enlightened. What you do or don't know about William Wegman now conveniently fits into this strangely beguiling book.William Wegman was born in 1943, in Holyoke, Massachusetts. He received a BFA in painting from the Massachusetts College of Art, Boston, in 1965 and an MFA in painting from the University of Illinois, Champagne-Urbana, in 1967. By the early '70s, Wegman's work was being exhibited in museums and galleries internationally. In addition to solo shows with Sonnabend Gallery in Paris and New York, Situation Gallery in London and Konrad Fisher Gallery in Düsseldorf, his work was included in such seminal exhibitions as When Attitudes Become Form and Documenta V, and was regularly featured in Interfunktionen, Artforum and Avalanche magazines. Wegman has created film and video works for Saturday Night Live and Nickelodeon, and his video segments for Sesame Street have appeared regularly since 1989. In 1995, Wegman's film The Hardly Boys was screened at the Sundance Film Festival. Wegman has appeared on The Tonight Show with Johnny Carson and with Jay Leno, The David Letterman Show and The Colbert Report.

  •  
    349

    An essential anthology of fiction, art and more from the experimental, punk-feminist 1980s downtown journal, with work by Kathy Acker, Constance DeJong, Cookie Mueller and morePublished between 1978 and 1991, Top Stories was a prose periodical specializing in experimental writing with a collaborative, punk-feminist ethos, edited by New York-based photographer Anne Turyn (born 1954). Turyn founded the publication in Buffalo, New York, before moving the operation to Chelsea in the 1980s, where issues were produced in Chinatown, distributed by mail order and through Printed Matter, and printed in runs between 500 and 2,000. With 29 issues in total, the publication played a key historical role in the development of the group of artists and writers who helped define the "downtown" scene of the 1980s.All 29 issues of the periodical are collected in this anthology, which compiles experimental fiction, art, photography and graphic design.Contributors include: Donna Wyszomierski, Laurie Anderson, Pati Hill, Suzanne Johnson, Linda Neaman, Gail Vachon, Jenny Holzer, Peter Nadin, Judith Doyle, Kathy Acker, Lynne Tillman, Jane Dickson, Kirsten Thorup, Janet Stein, Anne Turyn, Lee Eiferman, Constance DeJong, Ursule Molinaro, Romaine Perin, Cookie Mueller, Ascher / Straus, Susan Daitch, Lou Robinson, Lisa Bloomfield and Mary Kelly.

  • av Aram Saroyan
    719

  •  
    355,-

    A revelatory compendium of writings, art and ephemera on the '90s New York collective that fostered a social space for diasporic Asian artistsA New York Times critics' pick Best Art Books 2021 This anthology gathers writings, documentation and ephemera from Godzilla: Asian American Arts Network, a collective based in New York from 1990 to 2001, which was formed to provide a support structure for Asian American artists, writers and curators to stimulate visibility and critical discourse for their work. Edited by curator Howie Chen, the book gathers archival material from the group's wide-ranging activities, which included producing exhibitions and forums to social change advocacy surrounding institutional racism, the politics of representation, Western imperialism, the AIDS crisis and violence against Asian Americans. Godzilla created a social space for diasporic Asian artists and art professionals, including members Tomie Arai, Karin Higa, Byron Kim, Paul Pfeiffer, Eugenie Tsai, Lynne Yamamoto and Alice Yang, among others.Founded by artists Ken Chu, Bing Lee and Margo Machida in New York and eventually expanding into a national network, Godzilla's aim was to "function as a support group interested in social change through art, bringing together art and advocacy" and "to contribute to changing the limited ways Asian Pacific Americans participate and are represented in broad social context--in the artworld and beyond." This comprehensive chronicle of Godzilla: Asian American Arts Network assembles art projects, critical writing, correspondences, exhibition and meeting documentation, media clippings and other archival ephemera to convey the political and cultural stakes of the time.

  •  
    199

    A collage/text exploration of the overlap between healing, fiction, memory and ritualLondon-based Chinese Malaysian multidisciplinary producer and DJ Flora Yin-Wong presents her first book, Liturgy, a journey into the uncanny realm of the senses. Divided into nine chapters, the book delves deep into histories of healing and intuition. Reflecting the multilayered tonality of Yin-Wong's music, which often draws on field recordings and dissonant sounds, it interweaves textual and visual collage, divining inspiration from meditation, oracles, curses, divination, hexagrams and superstitions. Much like her music, which has been described as containing aural snapshots of places and sensations, Yin-Wong's Liturgy comprises a multitude of mediums. Reflected here is not only the multidisciplinary artist's approach to sound, but also her interest in the connection between fiction, memory, rituals and incantation.

  •  
    479,-

    The working notes of the influential video artist behind Technology/Transformation: Wonder WomanThis facsimile edition of Note(s): Work(ing) Process(es) Re: Concerns (That Take On / Deal With) was completed in 1977 as a single handmade copy by the multimedia artist Dara Birnbaum (born 1946). It includes notes for works such as Attack Piece, Mirroring and Pivot: Turning Around Suppositions, where Birnbaum interrogates the role of mass media in contemporary society and its means of production through sketches, transcripts, photographs and diagrams for installations and videos that take as their subject film clichés, gender roles, patriotism, emotional states and psychology, among others. Note(s) documents her contributions to the burgeoning Conceptual art movement and underscores her significant but under-recognized influence upon the emergence of feminist art, video art and the Pictures Generation.

  •  
    459

    "It goes without saying that a dance is a dance and a book about dance is a book. Though they may meet at the intersection of Art and Good Intentions, I find myself greedy. I have a longstanding infatuation with language, a not-easily assailed conviction that it, above all else, offers a key to clarity. Not that it can replace experience, but rather holds a mirror to our experience, gives us distance when we need it. So here I am, in a sense, trying to 'replace' my performances with a book, greedily pushing language to clarify what already was clear in other terms. But, alas, gone. This has seemed one good reason to compile a book out of the remains of my performances, letting the language fall where it may. Let it be said 'She usually makes performances and has also made a book.'" -Yvonne RainerForty-five years after its publication, Primary Information brings Yvonne Rainer's classic book back into print in an exact facsimile. In 1974, Yvonne Rainer published Work 1961-73, an illustrated catalog of her performance works up to that point. In these years, as the art world turned toward minimalism, Rainer and her Judson Dance Theater colleagues were engaged in a parallel, and equally radical, redefinition of dance. Stripping dance of its pomp and self-serious virtuosity, they created what dancer and choreographer Pat Catterson has called "the people's dance." Or, as Rainer put it, instead of the "overblown plot" of traditional dance, she explored the "obvious" alternative: "stand, walk, run, eat, carry bricks, show movies, or move and be moved by some thing other than oneself." Work 1961-73 chronicles the years when Rainer found herself and her work at the heart of a revolution in dance, performance and art. Written in Rainer's wonderful frank, funny and perceptive prose, and illustrated with photographs, handwritten scores, sketches, press articles and ephemera, Work 1961-73 is a period document and an instruction manual, an archive and a manifesto. A sought-after, rare classic, Work 1961-73 is brought back into print in a true facsimile edition by Primary Information; the only change is the small addition of new notes at the back of the book. One of the most influential artists of her generation, dancer, choreographer and filmmaker Yvonne Rainer (born 1934) was a founding member of Judson Dance Theater in New York City and a leading figure in the development of minimalist and postmodern dance.

  •  
    225

    The second artist's book in a series on the formal aspects of Sarah Crowner's painting practiceAmerican painter Sarah Crowner (born 1974) revisits the art historical legacy of abstract painting in a language of collage and domestic craft, piecing together gorgeous geometric abstractions and vibrant color fields out of stitched-together cloth fragments of different colors. "It's a way of creating form by joining material," Crowner says of her process. "They are really objects more than paintings."Sarah Crowner: Patterns is the second artist's book in a series that Crowner has been developing around the formal aspects of her painting practice; the first was 2012's Format. In this publication, Crowner devotes her attention to patterns from a range of sources: from those found in nature and the built environment to fashion and the plastic arts. Juxtaposed throughout this selection are images from Crowner's recent work, specifically her recent paintings, murals and tiled floors.

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