Böcker utgivna av Poetry Wales Press

Fargo Hawkins is 20, he's Harry Swaine's gardener. One day, after he sees a fight between Harry and his wife Anne, Fargo steals a car and he, Anne and a dog called Radar go on the run. They are chased across England by Harry, a firm of detectives and their emotions. Eventually, at a caravan site in Wales, the climax between Fargo and Harry unfolds.

New and Selected Poems is a landmark volume which collects key poems from the career of Hilary Llewellyn-Williams, one of the outstanding poets of her generation in Wales. In addition to the classic sequences 'The Tree Calendar' and 'Book of Shadows', the book also includes new work, such as a cycle of poems devoted to the Benedictine hours.

In 1994 two girls are pen-pals. Then Victoria's letters from Rwanda stop; in Paris Iris can only wonder why. Twenty years later journalist Iris pitches a story to her editor: haunted, to look for Victoria. As she researches, questions about Rwanda & about her father emerge & she is forced to revisit her childhood memories. Can she find Victoria?

Cardiff-lover Peter Finch spent the first lockdown walking the edge of the city in which he was confined by the restrictions. He thought he knew Cardiff, but it was a revelation. Here are new discoveries about the capital's places and history, drawn from Finch's walks, knowledge and his personal history, and an exploration of the nature of borders.

Disturbance is a novel-in-verse, based on a true story, about a man who kills his wife, son and then himself, leaving a daughter as the family's sole survivor.The story features poems in a kaleidoscope of voices from those involved: from the victims to the killer's relatives to the police investigators touched by the tragedy. There is mystery and intrigue, too: this was a well-to-do, well-connected family, suddenly torn apart by violence. This is a very dark book, but a courageous one, ultimately about evil and its presence in our everyday lives.Ivy Alvarez was born in the Philippines, and grew up in Tasmania. After spells in Scotland and Ireland, she moved to Wales in 2004 and became a British citizen in 2010. Her first collection, Mortal, was published by Red Morning Press in 2006 (ISBN 9780976443926). She recently appeared at the 2013 Oxford Literary Festival, and was a featured writer at the Seoul International Writers Festival. She lives in Cardiff.

The Visitations is the follow-up to Kathryn Simmonds' Forward Prize-winning debut, Sunday at the Skin Launderette. The poems are entertaining, amusing and accessible, but unafraid to bring in darker themes and worlds unseen. The tone shifts throughout between the elegiac and the sharply satirical, lit up with life's moments of sudden illumination: a life coach finds an old passport, an infant teeters on the brink of speech."This playful and knowing first collection is fuelled throughout by a strong sense of lyricism." - The Guardian on Sunday at the Skin LaunderetteKathryn Simmonds' first book of poems, Sunday at the Skin Launderette (Seren, 2008; ISBN 9781854114617), won the Forward Prize for Best First Collection and the Felix Dennis Prize, and was shortlisted for the Costa Poetry Award and longlisted for the Guardian First Book Award. Her pamphlet of poems Snug was a winner in the Poetry Business competition in 2004 and subsequently published by Smith/Doorstop (ISBN 9781902382678). She lives in London and works as a freelance writer, editor and teacher.

Everything I Have Always Forgotten is an idiosyncratic memoir of a Swallows and Amazons-style childhood in north Wales in the 1940s and 50s. Owain Hughes grew up in the family's large but dilapidated house, son of the novelist Richard Hughes - whose circle included Bertrand Russell and Mick Jagger, aristocrats and spies - and the artist Frances Bazley, a member of the Howard family which includes the Dukes of Norfolk. Under their 'benign neglect', Owain's adventures include, aged just 12, a three-day hike through Snowdonia with a friend that ended up with the pair marooned for two weeks on Bardsley Island off the north Welsh coast. There are also trips to the Dyfi Estuary and Clough Williams-Ellis's folly village of Portmeirion. The stories that result perfectly capture a period of post-war British life that looks back to Brideshead Revisited but also forward to kitchen-sink drama and angry young men.Owain Hughes was born in 1943 was educated at Shrewsbury School and Oxford, after which he spent many years travelling, particularly in Africa and the Middle East. The author of two novels, he now lives in New York and Mexico.

Britain''s leading poets celebrate the 50th anniversary of the Beatles'' first number one single, and with it the start of the swinging sixties and a revolution which changed the face of popular music and popular culture forever.

Rural Wales, 1869: Sarah Jacob is a girl who seems to live without food, astounding doctors, the church and a news-hungyr society. What is the truth behind her moving story? Science, religion, folklore and human nature are woven around an innocent''s death.

A lavishly illustrated celebration of the harp in Wales, the iconic musical instrument central to the culture and identity of Wales, and including interviews with leading harpists and harp makers, this book is the essential guide. Foreword by Catrin Finch.

Hannah Hodgson is a seriously ill poet, deploying the surreal and the medical to chart institutional truths vs the individual. 163 days is the length of her longest hospitalisation. Here we join her. At turns funny and hopeful, frightening and moving, this collection is an unusual look at impending mortality and the body/mind as separate selves.

Same Difference is Ben Wilkinson's formally acute second collection. Carefully crafted yet charged with contemporary language, the poems experiment with poetic voice and the dramatic monologue, keeping the reader on their toes and asking just who is doing the talking. Tough, gritty, and often moving, this is a collection for our times.

Michael O'Brien was a victim of a miscarriage of justice over a murder in Cardiff. He was driven to discover more about the many notorious and dubious convictions made in south Wales over a period of thirty years. This is the shocking result of his research into fifteen cases, and the Miscarriage of Justice Unit in the South Wales Police Force.

We Have To Leave The Earth, Carolyn Jess-Cooke's third book of poems, deftly interweaves the personal and the political. Climate change is confronted in a portrait of the Arctic with its 'wolf winters'. The House of Rest, is a history in 9 poems of Josephine Butler a pioneering feminist activist. There are also tender poems about family.

In Much With Body, Polly Atkin displays her gifts as a vibrant and provocative contemporary nature poet. The dramatic landscapes of the Lake District and the diaries of Dorothy Wordsworth give rise to these poems. A life-long negotiation with a set of chronic health conditions, brings urgency to her warning we can't expect nature to save us.

All The Men I Never Married is the highly anticipated second collection by Kim Moore. The author portrays relationships with a passionate realism that encompasses complicity and ambiguity, violence and tenderness, and an understanding of the layers of complexity and complicity that exist between men and women.

Set in the near East, Four Dervishes is a journey to understanding through layers of storytelling. Dark family secrets are laid bare, crimes committed, unknown links between a father and a son revealed, and the cycle - the circularity - of life is confirmed. All because a power failure forces the narrator to confront his present circumstances.

100 Poems to Save the Earth is a concise, eclectic and engaging anthology of poems in English addressing the climate crisis, edited by poets and enviromentalists Zoe Brigley and Kristian Evans and including poems from America, UK, Ireland and beyond, such as Roger Robinson, Rhian Edwards, Tishani Doshi, Aimee Nezhukumatathil, and George Szirtes.

Octogenarian language geek Vernon, who's never written a book, tries to find a way to write the story of his long marriage to Hannah. Under the comic surface of Vernon's pompous voice hides a story of murderous fantasy, obsession, passion and regret. A verbally brilliant tragicomic short novel with some surprising twists and a moving denouement.

Karaoke King is a second collection from Cardiff-born, London-based poet Dai George, in which he ponders the state of the nations he moves through, muses on the music that he has loved since childhood, and considers the battered dreams of his generation, who are faced with a multitude of challenges: climate change, a fractured politics, a pandemic.

The Golden Valley is an exploration and a celebration of a small south Wales valley. The site of ancient tombs and settlements, its rural life was for just over a century taken over by the brutal occupation of coal mining before abandonment once more to nature. In well-chosen words and stunning photographs this is the story of one place, and many.

Real Oxford shows that there's more than dreaming spires and bicycles to the city. The grand buildings of the university are here, but Patrick McGuinness charts a personal history of the place which radiates into the suburbs and into the everyday of people's lives, past and present. Surprising, quirky, Real Oxford presents the city anew.

Auscultation is the act of listening, particularly to body sounds. In Pedler's case, a career as a veterinary surgeon has given her insight into human and animal relations. Experience as a mother and stepmother, a deep concern with listening and being heard as well as a vocation to caring, illuminate these beautifully clear and gripping poems.

Rosalind Hudis' poetry collection, Restorations, is a journey through memory. Suffused with colour, inspired by thoughts of people and places, by artefacts and how the passage of time shifts perspectives and erodes surfaces, these poems are beautifully complex explorations, full of curiosity and the adventure of seeing and listening.

Renowned poet/novelist Christopher Meredith's new poetry collection Still, uses the title word as a fulcrum to balance various paradoxical concerns: stillness and motion, memory and forgetting, sanity and madness, survival and extinction. Lively and thought-provoking, this is a beautifully crafted, humane and intelligent collection.

TROEON:TURNINGS is a creative conversation, in Welsh and English, between two renowned poets, Philip Gross and Cyril Jones. Also featured are text designs by artist Valerie Coffin Price. Various rivers run through this work: amongst them, in Gross's case, the Taff, the Severn in south Wales, and in Jones's the Arth and the Glasffrwd in west Wales.

'Uruk's Anthem' has been described as beautiful, powerful and courageous and at the same time apocalyptic and terrifying in its unwavering scrutiny of, and opposition to, oppression and dictatorship wherever it occurs in the world. Fusing ancient Arabic and Sumerian poetic traditions with many innovative and experimental features of both Arabic and Western literature, Uruk's Anthem might best be described as a modernist dream poem that frequently strays into nightmare; yet it is also imbued with a unique blend of history, mythology, tenderness, lyricism, humour and surrealism. It took twelve years to write (1984-1996). During eight years of that time Adnan was forced to fight in the Iran-Iraq War. Many of his friends were killed and he spent eighteen months in an army detention centre, a disused stable and dynamite store, dangerously close to the border with Iran. Parts of 'Uruk's Anthem' were adapted for the stage and performed in 1989 at the Academy of Fine Arts and in 1993 at the Rasheed Theatre in Baghdad where the play received wide acclaim but angered the government. Adnan fled the country with his family and sought asylum first in Amman, then Beirut and then Sweden, where extracts of 'Uruk's Anthem', together with the poems of Adnan's friend, the Nobel Laureate Tomas Transtroemer, formed a play which was performed in 2006, 2007, 2008 and 2014 as well as in Egypt 2007 and 2008. It was also performed in Morocco 2006, 2007, 2008 and 2014. A smaller selection of extracts from 'Uruk's Anthem' (translated by Jenny Lewis and Ruba Abughaida) was published in English for the first time in 'Singing for Inanna' (Mulfran Press, 2014) a first step towards this important, more comprehensive translation. 'Let Me Tell You What I Saw' includes notes to the text and an introduction by Jenny Lewis, and a note from Ruba Abughaida, translator.