Böcker utgivna av PM Press

Following up on his earlier best-seller, The Global Police State, this exciting new study by critically-acclaimed scholar and activist William I. Robinson offers a big-picture contribution to understanding contemporary global society in the aftermath of the coronavirus pandemic. It puts forth an original and cutting-edge expose of the radical transformation of global capitalism now underway, driven by new digital technologies and turbo-charged by the pandemic. It provides shocking data and analysis on the concentration of power and control in the hands of corporate conglomerates, tech giants, mega-banks, and the military industrial complex. The book documents the extent of unprecedented global inequalities as the mass of humanity faces violent dispossession and uncertain survival. Enabled by digital applications, the ruling groups, unless they are pushed to change course by mass pressure from below, will turn to ratcheting up the global police state to contain the global revolt. If th

In the summer of 2012 the Kurdish people of northern Syria set out to create a multiethnic society in the Middle East. Persecuted for much of the 20th century, they dared to try to overcome social fragmentation by affirming social solidarity among all the region's ethnic and religious peoples. As Syria plunged into civil war, the Kurds and their Arab and Assyrian allies established a self-governing polity that was not only multiethnic but democratic. And women were not only permitted but encouraged to participate in all social roles alongside men, including political and military roles.To implement these goals, Rojava wanted to live in peace with its neighbors. Instead, it soon faced invasion by ISIS, a force that was in every way its opposite. ISIS attacked its neighbors in Iraq and Syria, imposing theocratic, tyrannical, femicidal rule on them. Those who might have resisted fled in terror. But when ISIS attacked the mostly Kurdish city of Kobane and overran much of it, the YPG and YPJ, or people's militias, declined to flee. Instead they resisted, and several countries, seeing their valiant resistance, formed an international coalition to assist them militarily. While the YPG and YPJ fought on the ground, the coalition coordinated airstrikes with them. They liberated village after village and in March 2019 captured ISIS's last territory in Syria.Around that time, two UK-based filmmakers invited the author to spend a month in Rojava making a film. She accepted, and arrived to explore the society and interview people. During that month, she explored how the revolution had progressed and especially the effects of the war on the society. She found that the war had reinforced social solidarity and welded together the multiethnic, gender-liberated society. As one man in Kobane told her, ';Our blood got mixed.'

Climate change is already affecting millions of people. Governments talk about taking action to limit global heating to 2 degrees Celsius above pre-industrial levels, but the greenhouse gas emissions allowed by their policies have the Earth on track to heating far more than that by the end of the century - a level of heating that will have truly disastrous consequences. Visionary plans for how to slash emissions and make society better at the same time abound, including various Green New Deals. But how can we make the changes that are so urgently needed? Future on Fire argues that a just transition from fossil fuels and other drivers of climate change will not be delivered by businesspeople or politicians that support the status quo. Nor will electing green left leaders be enough to overcome the opposition of capitalists and state bureaucrats. Only the power of disruptive mass social movements has the potential to force governments to make the changes we need, so supporters of climate

Imagine a capitalist paradise. An island utopia governed solely by the rules of the market and inspired by the fictions of Ayn Rand and Robinson Crusoe. Sound far-fetched? It may not be. The past half century is littered with the remains of such experiments in what RaymondCraibcalls libertarian exit. Often dismissed as little more than the dreams of crazy, rich Caucasians, exit strategies have been tried out from the southwest Pacific to the Caribbean, from the North Sea to the high seas, often with dire consequences for local inhabitants. Based on research in archives in the US, the UK, and Vanuatu, as well as in FBI files acquired through the Freedom of Information Act,Craibexplores in careful detail the ideology and practice of libertarian exit and its place in the histories of contemporary capitalism, decolonization, empire, and oceans and islands.Adventure Capitalismis a global history that intersects with an array of figures: Fidel Castro and the Koch brothers, American segregationists and Melanesian socialists, Honolulu-based real estate speculators and British Special Branch spies, soldiers of fortune and English lords, Orange County engineers and Tongan navigators, CIA operatives and CBS news executives, and a new breed of techno-utopians and an old guard of Honduran coup leaders. This is not only a history of our time but, given the new iterations of privatized exitseasteads, free private cities, and space colonizationit is also a history of our future.

The Day the Klan Came to Town is a fictionalised retelling of the 1923 Carnegie Klan riot, focusing on a Sicilian immigrant, Primo Salerno. He is not a leader; he's a man with a troubled past. He was pulled from the sulfur mines of Sicily as a teen to fight in the First World War. Afterward, he became the focus of a local fascist and was forced to emigrate to the United States. He doesn't want to fight but feels that he may have no choice. The entire town needs him - and indeed everybody - to make a stand.

An interview with Noam Chomsky is a bit like throwing batting practice to Babe Ruth. What you lob in, he will hammer out. This conversational interview by Michael Albert, who has been close to Chomsky for roughly half a century and talked with him many hundreds of times, spans a wide range of topics including journalism, science, religion, the racist foundations of American society, education as indoctrination, issues of class and resistance, colonialism, imperialism, and much more. The thread through it all is that every topic - and the list above takes us just about halfway through this book - reveals how social systems work, what their impact on humanity is, and how they are treated by the elite, mainstream intellectuals, and leftists. It gets personal, theoretical, and observational. The lessons are relevant to all times, so far, and pretty much all places, and Chomsky s logical scalpel, with moral guidance, is relentless.

Much has been written about the "long Sixties," the era of the late 1950s through the early 1970s. It was a period of major social change, most graphically illustrated by the emergence of liberatory and resistance movements focused on inequalities of class, race, gender, sexuality, and beyond, whose challenge represented a major shock to the political and social status quo. With its focus on speculation, alternate worlds and the future, science fiction became an ideal vessel for this upsurge of radical protest.Dangerous Visions and New Worlds: Radical Science Fiction, 1950 to 1985 details, celebrates, and evaluates how science fiction novels and authors depicted, interacted with, and were inspired by these cultural and political movements in America and Great Britain. It starts with progressive authors who rose to prominence in the conservative 1950s, challenging the so-called Golden Age of science fiction and its linear narratives of technological breakthroughs and space-conquering male heroes. The book then moves through the 1960s, when writers, including those in what has been termed the New Wave, shattered existing writing conventions and incorporated contemporary themes such as modern mass media culture, corporate control, growing state surveillance, the Vietnam War, and rising currents of counterculture, ecological awareness, feminism, sexual liberation, and Black Power. The 1970s, when the genre reflected the end of various dreams of the long Sixties and the faltering of the postwar boom, is also explored along with the first half of the 1980s, which gave rise to new subgenres, such as cyberpunk.Dangerous Visions and New Worlds contains over twenty chapters written by contemporary authors and critics, and hundreds of full-color cover images, including thirteen thematically organised cover selections. New perspectives on key novels and authors, such as Octavia Butler, Ursula K. Le Guin, Philip K. Dick, Harlan Ellison, John Wyndham, Samuel Delany, J.G. Ballard, John Brunner, Judith Merril, Barry Malzberg, Joanna Russ, and many others are presented alongside excavations of topics, works, and writers who have been largely forgotten or undeservedly ignored.

Y''all Means All is a celebration of the weird and wonderful aspects of a troubled region in all of their manifest glory! This collection is a thought-provoking hoot and a holler of ''we''re queer and we''re here to stay, cause we''re every bit a piece of the landscape as the rocks and the trees'' echoing through the hills of Appalachia and into the boardrooms of every media outlet and opportunistic author seeking to define Appalachia from the outside for their own political agendas. Multidisciplinary and multi-genre, Y''all necessarily incorporates elements of critical theory, such as critical race theory and queer theory, while dealing with a multitude of methodologies, from quantitative analysis, to oral history and autoethnography. This collection eschews the contemporary trend of ''reactive'' or ''responsive'' writing in the genre of Appalachian studies, and alternatively, provides examples of how modern Appalachians are defining themselves on their own terms. As such, it also serves as a t

';Arctic Sky' tells of a young climate activist who discovers her own courage in the frozen depths of a Russian prison. ';Palimpsest' is set on a bionic (living)space station that launches explorers into the farthest reaches of Time and Space. In ';The Room on the Roof' an ancient culture meets modern mysteries with unexpected results. Our non-fiction title piece, ';Utopias of the Third Kind,' is a first look at actual utopias that are responding to our looming dystopian nightmare. ';Hunger' is a short story that finds both understanding and forgiveness for humankind's original sin. Our Outspoken Interview and a bibliography round out this new collection.

Marx's Critique of the Gotha Program is a revelation. It offers the fullest elaboration of his vision for a communist future, free from the shackles of capital, but also the state. Neglected by the statist versions of socialism, whether Social Democratic or Stalinist that left a wreckage of coercion and disillusionment in their wake, this new annotated translation of Marx's Critique makes clear for the first time the full emancipatory scope of Marx's notion of life after capitalism. An erudite new introduction by Peter Hudis plumbs the depth of Marx's argument, elucidating how his vision of communism, and the transition to it, was thoroughly democratic. At a time when the rule of capital is being questioned and challenged, this volume makes an essential contribution to a real alternative to capitalism, rather than piecemeal reforms. In the twenty-first century, when it has never been more needed, here is Marx at his most liberatory.

My Mom Had an Abortion is a unique coming-of-age tale told by a self-described dyslexic-asexual-lesbian-feminist teenager and illustrated by body-positive comic artist Tatiana Gill. We follow our protagonist Beezus B. Murphy as she chronicles her evolving understanding of menstruation, reproduction, and abortion and finds her place in a confusing world. Initially influenced by harmful narratives in pop media such as the “the pregnant teenager” cliche, we watch Beezus’s ideas change as her body changes and as she learns more about the intricacies of her family history and her mom’s own reproductive experiences. She grows from a confused, out-of-place kid into a self-assured, empathetic, and strong-willed activist teen. As Beezus says, “People shouldn’t be shamed for getting or not getting abortions. Young people absorb the information that we gather from our surroundings. Sometimes it’s good information and other times it can be harmful. But now I realize abortion is perfectly normal and should be kept safe and legal.” Sprinkled with pop culture references, hilariously apt descriptions of unwanted body changes and menstruation like the chapter “Blood, Bath, and Beyond,” and instantly understandable revelations of growing-up, this beautifully illustrated short graphic novel crucially fills a cultural gap around complexities of abortion, pop culture, body changes, and finding out where we fit in.

The Communist Road to Capitalism explores how a dynamic of social struggles from below followed by countermeasures of the Chinese Communist Party (CCP) regime has pushed the historical evolution of the People's Republic of China (PRC) since 1949.Under socialism until the mid-1970s, during the ensuing transition until the mid-1990s, and in the capitalist period since, the CCP regime responded to the struggles of workers, peasants, migrants, and women* with a mix of repression, concession, cooptation, and reform. Ralf Ruckus shows that this dynamic took the country into a new phase each time-and eventually all the way from socialism to capitalism: in the 1950s, labor struggles and the Hundred Flowers Movement were followed by the regime's Great Leap Forward; in the 1960s, the Cultural Revolution led to the CCP's failed attempt to revitalize socialism; in the 1970s, social unrest and movements for a democratic socialism made room for the regime's Reform and Opening policies; in the late 1980s, the Tian'anmen Square uprising triggered more radical reforms; in the 1990s, peasant and state worker unrest could not stop the capitalist restructuring; and in the 2000s, migrant worker struggles led to concessions, tightened repression, and the regime's global capitalist expansion strategy in the 2010s.The Communist Road to Capitalism breaks with established orthodoxies about the PRC's socialist "successes" and myths on its later rise as an economic power. It combines a historiography of workers', peasants', migrants', and women*'s struggles with a searing critique of exploitation, authoritarian state power and gender discrimination under socialism and capitalism. Drawing lessons from PRC history, Ralf Ruckus finally outlines political aims and methods for the left that avoid past mistakes and allow to fight on for a society free of all forms of exploitation and oppression.

The Fascist Groove Thing had many names: Thatcherism, monetarism, neoliberalism, individualism, militarism, nationalism, racism, and anti-unionism for a start. Popular music in Britain responded to this monster either by pretending it didn''t exist or by throwing every weapon it could muster at it. This book collects five hundred interesting songs that addressed alarming features of Thatcher''s Britain. The notional mixtape ''Whistling in the Dark,'' consists of songs about Thatcher''s war on trade unions; ''Shopkeepers Arise!'' comprises songs about consumerism and the rise of popular capitalism.

Dangerous Visions and New Worlds: Radical Science Fiction, 1950 to 1985 details, celebrates, and evaluates how science fiction novels and authors depicted, interacted with, and were inspired by the cultural and political movements of the ''long sixties''. It covers the 50s to the 80s, studying counterculure, surveillance, feminism, Black Power, sexual liberation and much more. Cotains over twenty chapters written by contemporary authors and critics, and hundreds of full-colour cover images, including thirteen thematically organised cover selections.

Black Metal Rainbows is a radical collection of writers, artists, activists, and visionaries, including Drew Daniel, Kim Kelly, Laina Dawes, Espi Kvlt, Hunter Hunt-Hendrix, Svein Egil Hatlevik, Eugene S. Robinson, Margaret Killjoy, and many more. Across essays and theory-fictions, artworks and comics, we say out loud: Long live black metal''s trve rainbow!

The Great French Revolution, 1789 - 1793 is Peter Kropotkin's most substantial historical work. In it he presents a people's history of the world-shaking events of the Revolution and shows the key role the working men and women of the towns and countryside played in it. Without the constant pressure of popular organisations and activity, the politicians would never have created a Republic, nor been able to survive the counterrevolutionary forces internally or externally. Focusing on such mass movements - and especially the peasant majority - rather than on the few great men beloved of bourgeois accounts, this is a groundbreaking account of the period and a seminal work of 'history from below.' Later research may have corrected some factual details and opened new avenues of scholarship, but Kropotkin's text remains an exemplar of anarchist history-writing, challenging both bourgeois republican and Marxist interpretations of the Revolution. Yet it is more than a history: Kropotkin uses

Peter Kropotkin remains one of the best-known anarchist thinkers, and Words of a Rebel was his first libertarian book. Published in 1885 while he was in a French jail for anarchist activism, this collection of articles from the newspaper Le Revolte sees Kropotkin criticise the failings of capitalism and those who seek to end it by means of its main support, the state. Instead, he urged the creation of a mass movement from below that would expropriate property and destroy the state, replacing their centralised hierarchies with federations of self-governing communities and workplaces.Kropotkin's instant classic included discussions themes and ideas he returned to repeatedly during his five decades in the anarchist movement. Unsurprisingly, Words of a Rebel was soon translated into numerous languagesincluding Italian, Spanish, Bulgarian, Russian, and Chineseand reprinted time and time again. But despite its influence as Kropotkin's first anarchist work, it was the last to be completely translated into English.This is a new translation from the French original by Iain McKay except for a few chapters previously translated by Nicolas Walter. Both anarchist activists and writers, they are well placed to understand the assumptions within and influences on Kropotkin's revolutionary journalism. It includes all the original 1885 text along with the preface to the 1904 Italian as well as the preface and afterward to the 1919 Russian editions. In addition, it includes many articles on the labour movement written by Kropotkin for Le Revolt which show how he envisioned getting from criticism to a social revolution. Along with a comprehensive glossary and an introduction by Iain McKay placing this work within the history of anarchism as well as indicating its relevance to radicals and revolutionaries today, this is the definitive edition of an anarchist classic.

Simultaneous Revolutions offers a meeting place for individual expression in this plague year where, forced to look within and stay afar, people can do both with these companion poems. With poems about Bob Dylan, contemporary singer Grimes, the Clash, Dolores O'Riordan of the Cranberries, Allen Ginsberg, and also featuring voices from warehouse rave to the ignored alley, from the blurry highway to a couple's river-walk to a calm man's tilling, these poems offer a provocative panorama of our both ancient and neon times.Headed down the wounded highwaylike a nurse on the same road,don't know what the banners say today,but sense the ill from the good.-from "Soulphone Ringing"Who hasn't traveled the revolutions of living? What would that map look like, as varied people chart their own ways to harbor? Find out by checking out Simultaneous Revolutions. From the Lower East Side to the Lehigh River Gorge, from Standing Rock to Chesapeake Bay, from St. Louis to Vermont to San Francisco, Simultaneous Revolutions stands exactly at the broad confluence of a hundred nourishing, wild, wounded rivers-coming together-flowing to a gathering of power, becoming one.

Facebooking the Anthropocene in Raja Ampat is a deeply intimate look at the cataclysmic shifts between humans, technology, and the so-called natural world. Despite the breakneck pace of both technological advance and environmental collapse, Bob Ostertag explores how we ourselves are changing as fast as the world around us-from how we make music, to how we have sex, to what we do to survive, and who we imagine ourselves to be. And though the environmental crisis terrifies and technology overwhelms, Ostertag finds enough creativity, compassion, and humor in our evolving behavior to keep us laughing and inspired as the world we are building overtakes the world we found. A true polymath who covered the wars in Central America during the 1980s and then published more than 20 CDs of music, 5 books on startlingly eclectic subjects, and a feature film, Ostertag fuses his travels as a touring musician with his journalist's eye for detail and the long view of a historian. Wander the world both physical and intellectual with him. Watch Buddhist monks take selfies while meditating. Ponder artificial intelligence with street kids in Java. Talk sex with porn stars who have never in their lives had sex off camera. Watch DJs who make millions of dollars pretend to turn knobs in front of crowds of thousands. Play World of Warcraft on remote Asia islands with indigenous people. Shiver with families huddling through the stinging Detroit winter without heat or electricity. Meet Spice Islanders who have never seen flushing toilets yet have gay hookup apps on their smartphones. Our best writers have struggled with how to address the catastrophes of our time without looking away. Ostertag succeeds where others have failed, with the moral acuity of Susan Sontag, the technological savvy of Lewis Mumford, and the biting humor of Jonathan Swift.

Counterpoints: A San Francisco Bay Area Atlas of Displacement and Resistance brings together cartography, essays, illustrations, poetry, and more in order to depict gentrification and resistance struggles from across the San Francisco Bay Area and act as a roadmap to counter-hegemonic knowledge making and activism. Compiled by the Anti-Eviction Mapping Project, each chapter reflects different frameworks for understanding the Bay Area's ongoing urban upheaval, including: evictions and root shock, indigenous geographies, health and environmental racism, state violence, transportation and infrastructure, migration and relocation, and speculative futures. By weaving these themes together, Counterpoints expands normative urban-studies framings of gentrification to consider more complex, regional, historically grounded, and entangled horizons for understanding the present. Understanding the tech boom and its effects means looking beyond San Francisco's borders to consider the region as a so