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Civilizations of great diversity have succeeded each other or co-existed in Eastern Turkey, and most of them have left monuments of high quality. Hittite, Urartian, Hellenistic, Roman, Syrian, Byzantine, Armenian, Arab, Seljuk and Ottoman, their remains are all represented in the region.

The work of G. D. Hobson on the history of bookbinding, in particular English medieval and Renaissance bindings, is well known. His studies on Romanesque English bookbinding marked a pioneer effort to trace the development of the art of binding in early medieval England, and remain the fundamental introduction to the subject.

The publication of Professor Buchthal's work on Crusader miniature painting represented a landmark in medieval studies, and for nearly thirty years this book has remained the standard work of reference on the subject.

George Henderson's work on English biblical illumination has thrown new light on the sources of some of the most celebrated Anglo-Saxon and Norman illustrated manuscripts and helped to place the astonishing creativity and skill of the artists who worked on these manuscripts within the developing tradition of Bible illumination in the Middle Ages.

George Henderson's work on English biblical illumination has thrown new light on the sources of some of the most celebrated Anglo-Saxon and Norman illustrated manuscripts and helped to place the astonishing creativity and skill of the artists who worked on these manuscripts within the developing tradition of Bible illumination in the Middle Ages.

The Alexander Romance, a fabulous pseudo-history of the life of Alexander the Great compiled in late Antiquity, was one of the most popular secular texts in Europe during the Middle Ages. Its subsequent influence on the development of French and German literature has been significant.

This last volume of The Old English Farming Books brings the series up to 1900, and was completed shortly before the author's death this year. It covers the period of intensive farming in the late nineteenth century, and the spread of agricultural education and textbooks.

Over the past fifty years, Francoise Henry has been the leading authority on the history of early Irish art.

Over the past fifty years, Francoise Henry has been the leading authority on the history of early Irish art.

This fourth volume of Dr. Fussell's bibliography covers the period from the foundation of the Royal Agricultural Society of England to the agricultural repercussions of the abolition of the Corn Laws.

This selection of sixteen studies by Dr Fussell covers English topography and farming over a period of three hundred years, from the Tudor era to the aftermath of the Napoleonic Wars.

The work of George D. Painter on incunabula and early printing needs no introduction. Ranging from Gutenberg and Caxton to the first printing in France and Spain, the author has done much to illuminate the tangled history of the earliest editions of some of the rarest and most attractive books in European printing.

In this second volume of Professor White's studies, the emphasis shifts to Italian art in the thirteenth and fourteenth centuries, and the major figures who were responsible for the decisive changes in painting and sculpture that were to lead on to the Renaissance. Here again, however, there is the same concern with the actual monuments.

This second volume of Professor Kurz's studies completes the comprehensive selection in Vol. I with a further thirty articles, published over forty years, and showing the extraordinary breadth of the author's interests.

The two previous volumes in Dr. Fussell's study of The Old English Farming Books have become the standard works of reference on the agricultural literature of England from the fifteenth to the eighteenth centuries, and their value for the study of the development of farming over this period is well recognized.

This selection of 57 studies by Dr. D. E. Rhodes focuses on the history of printing in Italy from the earliest printers of the 15th century to the flourishing of regional presses in the 16th and 17th centuries.

A Festschrift for Christopher Walter featuring studies on ritual and art in the Byzantine church. Subjects include: the Creation of the Marginal Psalter; Early Byzantine enamel in France; Byzantine Imperial Communion Ritual; the miniatures of a palaeologan New Testament at the Hagia Lavra Monastery.

Recent discussions on Byzantine art have been dominated by the question of representing realia . Among these, however, the way works of art reflect the daily life of women have not received much space or attention.

Professor Charles D. Cuttler changed from artist to art historian at New York University s Institute of Fine Arts , studying under distinguished teachers such as Walter Friedlaender and Erwin Panofsky. A specialist in Flemish painting, he spent the major part of his career teaching at the University of Iowa.

This study deals with the churches of Oski and Iskhani, in the ancient Georgian province of Tao-Klardeti, now in eastern Turkey. Each church is examined separately, with a focus on the architecture and carved decoration.