Böcker utgivna av Peter Lang International Academic Publishers

Drawing on his decades of experience working with young people with challenging behaviours, his PhD research and interviews, the author shares a very different methodology to that used in mainstream music education, a methodology that values the child more than the curriculum and puts equal emphasis on musical, personal and social development.

This study offers an unconventional reading of modern and postmodern German memorials from a medievalist perspective. Including but not limited to memorials for the victims of the Nazis in Germany, the book offers a medieval prism through which to view these works of art and understand their contribution to German memory culture.

Anna of Denmark has been castigated as frivolous, vain, stupid, and more interested in pleasure than politics. This study aims to contextualise her not as a woman of minor significance in relation to the queens regnant of the sixteenth century, but as an inheritor of the bloody legacies of previous consorts north and south of the border.

Voices from the Margins explores how women writers of Troubles short fiction have rewritten the " official story " of the conflict and the peace process by placing thematic emphasis on gender and the everyday and by foregrounding the personal histories behind the public History of the Troubles.

This collection of essays is about the lived experience of the 'second generation' of the Holocaust. Each piece tells a different story about growing up in the shadow of the Holocaust and making a journey into the past to find the 'home' of one's ancestors. It contributes to discussions on memorialization, commemoration and the refugee crisis.

What happens when a small group of educators get together? What could they do, what could they make, what could they become? Not necessarily what you might think.

The Salley Gardens presents reflections from seventy-three heterosexual young women on growing up, forming sexual relationships and some becoming mothers in the last years of the 'Celtic Tiger'.

The Elusive Celt departs from previous work in the wider ethnomusicological field about traditional Irish music within its home contexts by adding a central and eastern European perspective on perceptions of Irish musical culture and images of 'the Celtic.'

This book investigates the meanings of the notion of friendship in the Renaissance. Each chapter highlights how authors of the time both drew on Greek and Latin paradigms of friendship and created new ones in both the public and private spheres. Authors discussed include Machiavelli, Montaigne, Thomas More, Erasmus, and more.

This study is the first to examine the presence of prose lyricism as a tendency in Brazilian novels. In addition to examining a selection of works of fiction and writers between the nineteenth and the twenty-first centuries, the book also addresses the absence of the theme in Brazilian literary studies, exposing the origin of a prejudice against lyrical narratives in comparison with the predominant use of social realism. The author bridges this gap, bringing to light some of the implications of this absence with regards to the themes of realism and representation in national literature. She also engages with a selection of relevant theories about lyrical novels, adding to its premises recent and flexible configurations in the theory of genres. The ultimate aim of this book is to contribute to a different perception of prose lyricism and its possibilities for political engagement. This unique investigation provides readers with different degrees of knowledge about Brazilian literature the opportunity to get to know both literary movements in Brazil as well as relevant authors, such as João Guimarães Rosa, Clarice Lispector and Raduan Nassar, among many others.

Respectable Professionals contains contributions about the birth of new professions and the modernization of working practices in old trades in nineteenth-century Spain. The authors consider that professionalism and respectability were the most relevant elements which structured the bourgeois society in the nineteenth century.

The current volume foregrounds the use of different methods for the study of migration, language and identity. It brings together studies from fields such as ethnology, linguistics, literature and religious studies.

Early twentieth-century Germany and Britain may have seemed politically very different, yet there was a lively interchange between these two countries during this period. This book explores how art practitioners and scholars in both countries learned from and influenced each other, seeking to highlight the relevance of these interchanges today.

This book traces the development, and subsequent implementation, of the policy of plantation from the mid-sixteenth through to the early seventeenth century focusing specifically on the North Channel context.

How did the post-war context of West Berlin in the 1960s impact the student protest movement in the city? This book seeks to understand how the world was viewed by the students and how the urban space they were living in influenced their political viewpoint.

This book presents the findings of a qualitative research study on the views of language students and critically analyses the speculative components of intercultural communicative competence regarding their feasibility in the study abroad context.

In this musical collection, Lorraine Byrne Bodley reflects upon composer Seoirse Bodley's musical settings of Goethe's poetry by examining the cultual and poetic contexts key to their construction.

Sedirse Bodley is one of the best-known senior figures of contemporary music in Ireland. This book seeks to examine his engagement with the poetry of Micheal O'Siadhail and the making of these song cycles. It assesses the joint contribution to Irish art song and seeks to understand its roots in and departure from European tradition.This apograph is the first publication of Bodley's O'Siadhail song cycles and is the first book to explore the composer's lyrical modernity from a number of perspectives. Lorraine Byrne Bodley's insightful introduction describes in detail the development and essence of Bodley's musical thinking, the European influences he absorbed which linger in these cycles, and the importance of his work as a composer of Irish art song. She asks an array of questions: Does song play a new role in twentieth-century music or was this the age, as many have insisted, that bears witness to the «death of song»? How does contemporary Irish art song inscribe individual concerns and mirror the influence of dominant social trends through its music and its texts? She demonstrates that the answers to such questions illuminate the context in which these cycles were created, and how they were valued and viewed. Through a blend of close analysis of Bodley's songs and wide-ranging engagement with both poetry and music, this book sheds new light on Bodley's integral part in fashioning Irish art song. It analyses the way Bodley's song has been harnessed both to legitimate and to challenge national art song. And it identifies elements of Bodley's musical style which are shaped by European tradition.Beyond such musico-poetic analysis, Lorraine Byrne Bodley's reading of the threefold roles of continuity, gradual change, and revolution opens up a «braided history» of Irish art song, where song is not an aesthetic given but a means to understanding the changing patterns of life. She argues convincingly that an understanding of the way in which Irish society has perceived song in recent centuries is available through a consideration of song as social document, and in her appraisal of Bodley's O'Siadhail settings she considers the importance of these song cycles as a reflection of Ireland's rich cultural history.

This is the first book-length study to examine the predicaments and achievements of mid-Victorian war poets. Confronted with news of suffering soldiers during the Crimean War (1854-6), these 'armchair poets' engaged with the politics of war by composing lines of verse at home, reworking established traditions of war poetry.

In a modern Christian conception of God, however, God is no longer seen as a lawgiver outside the cosmos but as dynamic fundamental love, whose dynamism is manifested in cosmic evolution. Precisely this drive forms the root of the ethical imperative.

In The Worlds of Mia Couto a diverse group of literary experts sets out to explore Mia Couto's oeuvre in relation not only to the imaginary worlds created by the author but also to the complex geographical, cultural and literary contexts that are woven into the texture of his work.

This book interrogates the notion of belonging through musicing rituals in the South African context. The authors raise questions such as "What can we learn from musicing rituals?", "What does it mean to belong through musicing?" and "In what ways could musicing address marginalization and transform a broken society?"

This book is the first translation into the English language of a comprehensive study of opera and its constituent parts by an accomplished writer of the Eighteenth Century. Francesco Algarotti was concerned with developing opera as drama and a move away from the elaborate formality of the Baroque to a more naturalistic style.

These essays by leading scholars examine the power of serendipitous encounter between artists, thinkers and artistic media as well as the importance of creative interjection in the arts and humanities. They bring texts and artworks into relation in order to amply demonstrate that relation itself is a form of thinking

This book explores the historical and artistic value of three bande dessinee (BD), French-language comics, that depict the lives of Existentialist thinkers Jean-Paul Sartre, Simone de Beauvoir and Albert Camus. The work is the first to analyse biographical BD through the lens of Existentialism, offering a new theory of reading biographical comics.

With a global view and a vision of our digital future, we should move forward with an understanding of data rights legislation at pace. The earlier we set the value norms around data in this digital long distance race, the more likely we will grasp the opportunities therein and embrace a future of commonly understood values. With a view to the future, the branch of Chinese law that is most likely to lead the world is that related to the digital economy. At the same time, if China wants to be amongst the world¿s leading digital economies, the basics to be understood and promoted most are higher quality, fairer and more sustainable institutional protection for data rights and subject-relevant interests, and the ability to offer systematic and accurate legal rules within the various digital disciplines.