How can musical meaning be conveyed without words? Starting with the landscape in which instrumental music developed traits parallel to language, this book explores a performance framework that connects qualities derived from rhetorical and dramatic elements and the model of the singing voice in Classical and Romantic solo piano music. These traditions were shared by composers, performers and pedagogues but have gradually fallen into obscurity. Rhetoric provides a guide for logical organization and persuasion, dramatic plot and character influence form and musical content, while singing offers a natural model for expression and inflection. Historical and aesthetic information along with literary and musical aspects are presented here to inform current performance practice.Composers consciously employed rhetorical figures and expected performers to recognize and apply them in performance. Thinking of music in terms of plot and character cultivates habits of purposeful direction and clear definition of individual thematic material. Literary comparisons inspire the imagination and can be useful in addressing more complex aesthetic issues, such as organic quality in art, the concept of unity in diversity, memory, evolution and incompleteness. The desire to achieve vocal expressivity at the keyboard is a unifying factor that transcends the differences between varying types of pianos across time. These concepts have practical application to modern performance training, and a wider pianistic pedagogical context is explored in the final chapter, advocating for an integrated and meaningful approach to performance.
«Kilpeläinen's engaging journey through Baldwin's postcategorical utopian thought shows how this writer's under-appreciated later works foresee today's heated ideological and philosophical debates. From political unconscious to Afrofuturism, this book maps Baldwin's Black queer wisdom: Labels and essentialized identities easily 'become instruments of power,' dividing and alienating societies, cultures, and individuals.»(Magdalena J. Zaborowska, Professor of American Studies and Afroamerican and African Studies, University of Michigan)«This study is an important and timely analysis of Baldwin's later novels. Kilpeläinen's writing is sophisticated and eloquent, and his critical framework is startlingly clear and illuminating. Seizing on Baldwin's 'incessant urgency,' he advances an authoritative, convincing argument that will add enduringly to our collective appreciation of America's prophetic witness.»(D. Quentin Miller, Professor of English, Suffolk University, Boston)This book examines the dialectic of ideology and utopia in three novels by James Baldwin. Taking Fredric Jameson's seminal theory of the political unconscious as its point of departure, Dr Pekka Kilpeläinen conceptualizes Baldwin's writing in terms of the impulse of postcategorical utopia, where the ideological categorizations based on race and sexuality, in particular, are challenged by the utopian impulse to imagine alternative futures. The readings of three of Baldwin's novels probe into the questions of ideological and utopian spatialities, transgressive interracial and same-sex relationships, and critiques of both Western modernity and its black counterculture. Baldwin's denouncement of the oppressive effects of identity categories penetrates his entire oeuvre, from his early, critically acclaimed work to his later, often ignored novels. Seen through the lens of postcategorical utopia, the urgency of Baldwin's vision gains a new sense of immediacy and relevance.
«In Reflections on the Veracruz son jarocho, guitarist-ethnomusicologist Randall Kohl brings something special to the surging feast of scholarship treating Mexico's renowned regional music, the son jarocho. Part history and part cultural analysis, and both qualitative and quantitative in approach, the book explores music as music, music as business, and music as a dynamic expression of Mexican social history. Professor Kohl of the Universidad Veracruzana in Xalapa interweaves original research with a half century of scholarship to chart key vectors in the evolution of a music, a culture, and a region.»(Daniel Sheehy, PhD, Senior Advisor to the Under Secretary for Museums and Culture; Interim Director, Smithsonian Folkways Recordings; Director & Curator Emeritus, Smithsonian Folkways Recordings)«While most of the recent English-language scholarship on son jarocho has focused on its use as a platform for activism and identity formation in the US, Randall Kohl's Reflections on the Veracruz son jarocho takes a refreshing look at the genre's practice in its home state of Veracruz. This work offers an excellent introduction to the genre for the unfamiliar, including son jarocho's history, revival, style traits, subgenres, and recent fusions with other idioms. This is a wide-ranging and accessible book, and an important contribution to our growing understanding of this rich regional tradition.»(Gregory Reish, Center for Popular Music, Middle Tennessee State University)«Randall Kohl's deep understanding of son jarocho shines through in this book. Built on years of ethnographic immersion in the musical community of Xalapa and its environs, this book expertly traverses the textual, performative and cultural terrain of this important musical vernacular of Mexico. This first book in English on the son jarocho will be an invaluable resource for both scholars and general readers with an interest in the genre.»(Anandam Kavoori, Professor, Department of Entertainment and Media Studies, Grady College of Journalism and Mass Communication, The University of Georgia, Athens, GA, USA)Once associated principally with the Veracruz countryside, the son jarocho music and dance tradition is now establishing itself as a twenty-first-century urban practice caught in a struggle between firmly established customs and newly adaptive strategies. This book presents an overview of the music's history and musical characteristics along with specific looks at its texts, iconography, past and present academic trends and other details. It also examines the recently closed local centro de cultura, La Casa de Nadie, as a focal point for son jarocho activity in the city of Xalapa, Veracruz, Mexico.
Stalin¿s Ghosts examines the impact of the Gothic-fantastic on Russian literature in the period 1920-1940. It shows how early Soviet-era authors, from well-known names including Fedor Gladkov, Mikhail Bulgakov, Andrei Platonov and Evgenii Zamiatin, to niche figures such as Sigizmund Krzhizhanovskii and Aleksandr Beliaev, exploited traditional archetypes of this genre: the haunted castle, the deformed body, vampires, villains, madness and unnatural death. Complementing recent studies of Soviet culture by Eric Naiman and Lilya Kaganovsky, this book argues that Gothic-fantastic tropes functioned variously as a response to the traumas produced by revolution and civil war, as a vehicle for propaganda, and as a subtle mode of unwriting the cultural monolith of Socialist Realism.
«A brilliant, touching and thought-provoking book. Moving Along merges academic research with personal narrative and beautifully rendered drawings to create a one-of-a-kind book that contributes fresh and compelling perspectives. This life-affirming graphic novel is essential reading for anyone interested in Parkinson's and the power of art and community to sustain and nurture the human spirit.»(David Leventhal, Program Director and Founding Teacher, Dance for PD®, Mark Morris Dance Group, Brooklyn, NY USA)«This is a wonderfully accessible book that has been co-created by people living with Parkinson's, researchers and artists. In the true-to-life stories, the anxieties and challenges of living with Parkinson's are explored in evocative cartoons. Yet , as well as talking about the challenges, the book has the joy of dancing at its heart. Dance has proved to be an exceptionally good catalyst for living well with Parkinson's and this graphic novel illustrates individual journeys through Parkinson's and into dance. For anyone curious about dancing who now lives with Parkinson's, or knows someone who does, this book is for you. For anyone interested in graphic medicine, dance for wellbeing, or arts in healthcare, this book is an important addition to the literature. »(Professor Sara Houston, author of Dancing with Parkinson's)Meet Hugo, Karen, Alma, Helene, Anne-Marie, Poul, Lone, and Eskild, who go to Parkinson's dance class together. They are characters in this graphic novel, which is based on many stories about Parkinson's. The stories come from participants in Parkinson's dance who have talked about how dance involves bodily, aesthetic experiences, including the feeling of bubbles in their bodies and flying together. Dancing brings joy, energy, and community, and thereby strengthens the will to live, all important when a chronic illness turns your world upside down.This book, a co-produced research-based graphic novel, is designed for use in the fields of arts and health, medical humanities, graphic medicine, and narrative medicine. It is also written for people with Parkinson's, or other chronic diseases, and their families. The book invites dialogue about the existential dimensions of chronic illness, especially Parkinson's, and long-term caregiving.
«Deeply versed in recent theoretical discussions of the lyric form in general and the elegy in particular, Adele Bardazzi also brings to bear queer thinking on temporarily and philosophical treatments of mourning to shift the understanding of Montale's verse, contesting the division between an early lyrical phase and a later ironic phase. A rich combination of sensitive readings and critical reflection.»(Jonathan Culler, Cornell University, Author of Theory of the Lyric)«In a series of carefully wrought readings of poems in which Montale writes of his lost loves, death, mourning, and his own quite particular vision of the afterlife, Adele Bardazzi both challenges traditional interpretations of Montalian poetic beloveds and offers her own convincing overview of the eschatological dimension of one of the twentieth century's most essential bodies of verse. A surprisingly fresh take on a much-studied poet, this fine book gives new life to the realm of death in which Montale's poetry of mourning is so tenaciously rooted.»(Rebecca West, William R. Kenan, Jr. Distinguished Service Professor Emerita of Italian, University of Chicago) «Adele Bardazzi's book offers an original perspective on Montale's work. The poetics of mourning allows on the one hand to read the text in the light of the theory of the lyric and, on the other hand, to highlight the importance of some figures in Montale's poetry, through an evocative comparison with the myth of Orpheus and Eurydice and that of Persephone.» (Niccolò Scaffai, Associate Professor of Literary Criticism and Comparative Literature, University of Siena) This book is as much about the living as it is about the dead. It investigates how the dead dwell in the world of the living and how that continuing relationship has inspired particular forms of poetic writing. It analyses how poetry assumes the key responsibility of voicing grief and thus creates a unique space in which the dead's presence is sustained, in a constant state of potential transformation and renewal.This monograph explores this topic with reference to one of the most important poets of the twentieth century, Eugenio Montale (1896-1981), and his principal collections, from Ossi di seppia (Cuttlefish Bones) (1925) to Quaderno di Quattro anni (Notebook of Four Years) (1977). These primary texts are enhanced by a critical framework that brings three different areas of enquiry into dialogue: scholarship on mourning, theories of the lyric, and feminist approaches. Questions explored include the following: How does mourning become a crucial creative and ethical force in literature? What kind of poetry draws on, and may even require, the presence of an absent female lyric addressee? How does this affect the nature of poetic discourses on mourning and lyric poetry more broadly? This book offers the first comprehensive study of Montale's poetics of mourning accessible to both scholars in Italian Studies and scholars interested, more broadly, in modern poetry, discourses of mourning, and lyric theory.
This book explores the life and ministry of healthcare chaplaincy within the Irish context. At the heart of the text is the «person» of the chaplain ¿ it is their narrative that remains front and centre here at all times. This in turn, provides us with a unique opportunity to explore key questions around their call to ministry, their understanding of chaplaincy as well as how they posit their faith within such a context (if at all). It also leads us as readers into a conversation with them around how the chaplains try to make sense of human suffering, how they can face into the reality of the human condition each and every day and how they manage to help others to face into, hold and make sense of their own pain, suffering and loss. Here we also converse in a meaningful way with the theological tradition around suffering in order to see what it has to offer the pastoral practitioners dealing at the coal face as well the cultural context within which ministry unfolds. This book is raw, real and cutting edge with much to ponder on for those with more than a passing interest in chaplaincy, suffering or human narrative.
The book is an exploration of the relevance of Indian classical wisdom in reorienting modern management. It highlights the urgent need for facilitating an internally directed spiritual dimension to business management, including management education as an alternative to instrumental rationality and extreme materialistic orientation in today's profit-driven business world.The book presents spirituality or enlightened consciousness as the essence of a transformational or rather transcendental leader to improve the quality of work-life within by creating a humane and enduring organizational culture. It does this by drawing inspiration from modern Indian leaders like Rabindranath Tagore and Swami Vivekananda. It also offers insights into alternative sources and methods of learning in management and life from ancient Indian wisdom and selected European literature to infuse creativity, joy, meaning and purpose into work and life. The book facilitates East-West dialogue on value-based holistic management in a globalized business scenario. In the modern business paradigm dominated by western management principles and practices, the book attempts to offer an Indian model of management founded on spirituality, human values and sustainability to deal with the alarming crises in a pandemic-stricken world by suggesting alternative ways of thinking and living for a sane, happy and sustainable future for both our planet and people.
This volume addresses how spatialized identities, belongingness and hospitality are interrogated in British and Irish contemporary art (painting, installation, video, photography, new public art) at a time when economic and political crises tend to encourage individual or exclusive usages of space. It sketches a cartography of encounters encompassing the home, the neighbourhood, the village or city, and the nation. Artists interrogate how intimacy is both facilitated and threatened by spatial devices, how space fashions our perception of gender, social or ethnic identity and activates power relations. They explore the need for a home or a homeland and the various forms exile or placelessness can take. They may also take part in the restoration of the Commons and the constitution of alternative communities. Whether the analyses focus on the private sphere (in urban, suburban or rural contexts), or on shared communal spaces, they ponder the mechanisms of inclusion and exclusion at work in human encounters and shed light on how artistic apparatuses make the tensions between openness to the other and rejection or withdrawal perceptible. The approach, borrowing from art history as well as anthropology, lays emphasis on context, situationality and field work; it proposes to repoliticize relational art and concludes on the dialogical positionality which lies at the core of art.
This book reconstructs the history of Italian electronic literature, looking at creative practices across literature, electronic and digital media from the early days of computers to the social media age. Topics include criticism of mass media, globalisation, information society and late capitalism as well as the enhancement of language itself.
This book provides a comprehensive study of educational policy reform as growing calls for further reducing the role of the Catholic Church in Irish primary schools gains traction in a rapidly evolving Irish society. Drawing upon lessons from the same-sex marriage and abortion reform campaigns, this study provides several policy case studies that demonstrate how the interplay of civil society activists and organisations, the media, public opinion, and political parties and elites determines how policy reforms live or die. The book contains a rich and novel set of data, including interviews with leaders and elites from the major actors and institutions, numbers and trends from previously unreleased data from the Church and Department of Education, evidence from the authors¿ originally designed and implemented parliamentary surveys, an original analysis of media coverage of educational issues and actors involved in the main educational reform debates, and detailed case studies of divestment, admissions, and curriculum policy reforms. Scholars, policy gurus, activists, politicians and teachers, students, and parents each have something to learn from this compelling study.
The Kindertransport, a rescue operation during the Second World War, is the subject of this study of memoirs and autobiographical fiction by survivors and recent fiction by authors with no experience of the Kindertransport. Genre is shown to influence the nature of the representation, which has repercussions for studies of Holocaust remembering.
Addresses the silence in current literature on the perspective of African asylum-seeking families in Ireland. The book allows the voices of those on society's margins to be heard and the author employs a progressive approach to develop understanding of child protection issues within the context of asylum-seeking communities.
Paulo Freire's work is always animated by a strong and fundamental affirmative spirit which calls on people to join together to make change, as opposed to simply waiting around for it to happen. This text on his contemporary importance includes essays by established and new thinkers in the Critical Pedagogy perspective.
Over the last twenty years Deirdre Kinahan has emerged as a significant and original female voice in Irish theatre, with her plays produced in Ireland, the UK, the USA and across mainland Europe. Her work explores issues of personal and communal identity, bringing forward the difficulties that arise for individuals when accepted narratives of identity diverge from contemporary experience. In this collection of ten original essays, and an interview with the playwright, the authors address the ways in which Kinahan¿s plays interrogate and seek to renegotiate value systems of family, class, ethnicity, age and gender in the 21st century neoliberal, secular state, with an emphasis on experimental forms and the renewal of the genre of the family play. Theoretical frameworks rely on feminism, intersectionality, genre studies, and age studies, among other approaches, by authors from Ireland, the UK, Hungary, the USA, Nigeria, Canada and Taiwan.
Otto Dix (1891-1969) was a leading figure of the Neue Sachlichkeit, or New Objectivity, movement in painting in 1920s Germany. This groundbreaking study analyses for the first time the relationship between Dix's verist-realist portrait paintings and the rapidly expanding mass media culture of the Weimar era that surrounded it.
This book explores how the Chilean "transition to democracy" has been narrated in film, focusing on the imaginative afterlives of anticapitalist and antidictatorship resistance. Documentary and fiction films which explore "haunting" in the present past are analysed, contributing to a field of research on post-conflict transitions.
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