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When John Frankel's ex-wife is discovered dead on the floor of his Manhattan studio apartment, the NYPD Detective instantly becomes the prime suspect in her murder. Then more information surfaces, linking his gun to the fatal bullet, a motive is discovered, and Frankel flees the city, all of which further convinces his colleagues of his guilt. In spite of the mounting evidence, Frankel's bride-to-be, Rachel Grant, and her father, Austin Grant, formerly of Scotland Yard, are certain of his innocence. But with the police under orders to use whatever force necessary to stop what they view as a dangerous criminal, the duo will have to act fast, before the manhunt goes violently wrong. The investigation and relentless chase after Frankel takes them across the country, from the tropical shores of Hawaii to a deadly midnight rendezvous in a cemetery in northern Maine. And as that game of cat-and-mouse unfurls, so too does a complex murder plot with multiple victims-the ultimate solution of which will keep readers baffled and breathless until the very end.The second mystery from Scott Shepherd, the showrunner and screenwriter whose credits include The Equalizer, The Dead Zone and Miami Vice, Should I Fall is a fast-paced and expertly-crafted whodunnit that is as puzzling as it is entertaining.

Christmastime in London. When three seemingly unconnected victims are murdered with matching sequential Roman numerals carved into their foreheads, Metropolitan Police Commander Austin Grant finds his answer in one of the last places he'd expect: the Holy Bible. Each of the deaths correspond to a transgression of one of the Ten Commandments, and Grant must find the killer before the remaining Commandments are commemorated with homicides.Unfortunately for Grant, the next victim with a number on their forehead turns up not in London, but across the pond at the iconic St. Patrick's Cathedral in New York City, turning this English murder case into a transatlantic manhunt spanning two global metropolises, each with its own rich history and culture. Commander Grant must team up with a charming NYPD detective named John Frankel, as well as his own estranged daughter Rachel-a cunning investigative reporter with conflicting feelings about her father.The Last Commandment is the third novel by acclaimed screenwriter and producer Scott Shepherd, whose decades of television writing experience shine through in the swift pace and character-driven storytelling of this devilishly fun, page-turning mystery. Flipping the "buddy cop" story on its head with a touch of Old Testament fatalism, this twisty tale leads from the seedy back-alleys of Piccadilly to the Grande Dame hotels of Midtown Manhattan and back again.

For devotees of the Golden Age mystery, the impossible crime story represents the period's purest form: it presents the reader with a baffling scenario (a corpse discovered in a windowless room locked from the inside, perhaps), lays out a set of increasingly confounding clues and swiftly delivers an ingenious and satisfying solution. During the years between the two world wars, the best writers in the genre strove to outdo one another with unfathomable crime scenes and brilliant explanations, and the puzzling and clever tales they produced in those brief decades remain unmatched to this day.Among the Americans, some of these authors are still household names, inextricably linked to the locked room mysteries they devised: John Dickson Carr, Ellery Queen, Clayton Rawson, Stuart Palmer. Others, associated with different styles of crime fiction, also produced great works-authors including Fredric Brown, MacKinlay Kantor, Craig Rice and Cornell Woolrich.All of these and more can be found in Golden Age Locked Room Mysteries, selected by Edgar Award-winning mystery expert and anthologist Otto Penzler. Featuring a delightful mix of well-known writers and unjustly-forgotten masters, the fourteen tales included herein highlight the best of the American impossible crime story, promising hours of entertainment for armchair sleuths young and old.

For devotees of the Golden Age mystery, the impossible crime story represents the period's purest form: it presents the reader with a baffling scenario (a corpse discovered in a windowless room locked from the inside, perhaps), lays out a set of increasingly confounding clues, and swiftly delivers an ingenious and satisfying solution. During the years between the two world wars, the best writers in the genre strove to outdo one another with unfathomable crime scenes and brilliant explanations, and the puzzling and clever tales they produced in those brief decades remain unmatched to this day.Among the Americans, some of these authors are still household names, inextricably linked to the locked room mysteries they devised: John Dickson Carr, Ellery Queen, Clayton Rawson, Stuart Palmer. Others, associated with different styles of crime fiction, also produced great works-authors including Fredric Brown, MacKinlay Kantor, Craig Rice, and Cornell Woolrich. All of these and more can be found in Golden Age Locked Room Mysteries, selected by Edgar Award-winning mystery expert and anthologist Otto Penzler. Featuring a delightful mix of well-known writers and unjustly-forgotten masters, the fourteen tales included herein highlight the best of the American impossible crime story, promising hours of entertainment for armchair sleuths young and old.

Jeremy Horton is a man denying his past, haunted by a dysfunctional childhood full of dark secrets-including the suspicious death of his younger sister.Married to lawyer Sarah and with children of his own, Jeremy keeps his eyes firmly focused on the present, never daring to glance in the rear-view mirror for fear of what he might see there. But when a chance encounter awakens the memories he's fought so hard to suppress, and the death of his estranged mother takes Jeremy back to his sleepy hometown and the scene of the family tragedy, he determines to finally uncover the truth behind his sister's death.Villages hold long memories, and Jeremy's presence quickly becomes an unwelcome reminder of nameless cruelties and shameful secrets. The more he learns, the more the stories from his past take on a sinister significance, leading him to question his own innocence. Meanwhile, someone desperately wants him gone, and their efforts to drive him out escalate as Jeremy's anxiety spirals out of control. Do they fear him for what he knows-or for what he's done?

Sometimes, the police aren't the best suited to solve a crime. Depending on the case, you may find that a retired magician, a schoolteacher, a Broadway producer or a nun have the necessary skills to suss out a killer. Or, in other cases, a blind veteran, or a publisher, or a hard-drinking attorney, or a mostly-sober attorney... or, indeed, any sort of detective you could think of might be able to best the professionals when it comes to comprehending strange and puzzling murders.At least, that's what the authors from the Golden Age of American mystery fiction would have you think. For decades in the middle of the twentieth century, the country's best-selling authors produced delightful tales in which all types of eccentrics used rarified knowledge to interpret confounding clues. And for even longer, in the decades that have followed, these characters have continued to entertain new audiences with every new generation that discovers them.Edgar Award-winning anthologist Otto Penzler selects some of the greatest American short stories from the era. With authors including Ellery Queen, Mary Roberts Rinehart, Cornell Woolrich, Erle Stanley Gardner and Anthony Boucher, this collection is a treat for those who know and love this celebrated period in literary history and a great introduction to its best writers for the uninitiated.

Joe is an ex-Special Forces operative with a bad case of PTSD and some substance abuse issues, trying to rebuild a simple life as a strip club bouncer living with his grandmother in Queens. But this simple life is constantly complicated by the fact that, at the invitation of a childhood friend, now a Mafia boss, Joe also moonlights as a fixer for the most powerful crime families in town.In his newest assignment, Joe is sent to take out a shadowy figure named Zahir, the faceless name behind White Angel, a powerful new brand of heroin invading the mob's territories and threatening their sales. Then Joe discovers a link between Zahir and a shady group of private military contractors, and the stakes of his mission become increasingly deadly.Soon the Five Boroughs are on the verge of an all-out drug war, pitting Joe and the crime world's most infamous talents against a ruthless clan of professional killers. Joe's only chance to calm the violence is to intercept the newest shipment of Zahir's product-if his skills as a master thief prove up to the task.A comic caper with heists, car chases, and shoot-outs aplenty, Against the Law is Joe the Bouncer's most exciting outing to date, as humorous as it is thrilling. Gordon's memorable characters, tight plotting, and breathless action sequences make this a standout in the pantheon of the New York crime novel, certain to appeal to fans of authors such as Donald E. Westlake and Elmore Leonard.

From literary icon Joyce Carol Oates comes a brand new collection of haunting and, at times, darkly humorous mystery & suspense stories. These are tales of psyches pushed to their limits by the expectations of everyday life-from a woman who gets lost on her drive home to her plush suburban home and ends up breaking into a stranger's house, to a first-person account of a cloned 1940s magazine pinup girl being sold at auction and embodying America's ideals of beauty and womanhood.Taken as a whole, the collection forms a poignant tapestry of regular people searching for their place in a social hierarchy, often with devastating and disastrous results. Rendered with stylish, fresh writing from an author who continues to push the envelope, the stories deftly weave in and out of a stream-of-consciousness to reflect the ways we process traumatic experiences and impart that uncertainty and uneasiness to the reader.Originally appearing in publications as disparate as Harper's, Vice, and Conjunctions, the stories comprising Night, Neon showcase Oates' mastery of the suspense story-and her relentless use of the form to conduct unapologetically honest explorations of American identity.

The society pages announce it before she even arrives: Griselda Satterlee, daughter of the princess of Rome, has left her career as an actress behind and is traveling to Manhattan to reinvent herself as a fashion designer. They also announce the return of the dashing Montefierrow twins to New York after a twelve-year sojourn in Europe. But there is more to this story than what's reported, which becomes clear when the three meet one evening during a walk, and their polite conversation quickly takes a menacing turn. The twins are seeking a rare and powerful gem and they believe it's stashed in the unused apartment where Griselda is staying. Baffled by the request, she pushes them away, but they won't take no for an answer. When they return, accompanied by Griselda's long-estranged younger sister, the murders begin...Drenched in the glamour and luxury of the New York elite, The So Blue Marble is a perfectly Art Deco suspense novel in which nothing is quite as it seems. While different in style from her later books, Dorothy B. Hughes's debut highlights her greatest strengths as an author, rendered with both the poetic language and the psychology of fear for which she is known today.