Böcker utgivna av Pennsylvania State University Press

An English translation of Colloquium of the Seven about Secrets of the Sublime, originally written in Latin in the sixteenth-century by Jean Bodin. Structured as a series of discussions on religion and philosophy. Includes introduction, translation, and annotations.

This is the most thoughtful and intensive analysis of the emergence of a political machine of any written in recent years. McCaffery has mastered the theory and historiography of the political machine in general and applied this to a wealth of sources in Philadelphia. His questions are rigorously formulated, exhaustively researched, and convincingly stated.-Terrence J. McDonald, University of Michigan In 1903, Muckraker Lincoln Steffens brought the city of Philadelphia lasting notoriety as "the most corrupt and the most contented" urban center in the nation. Famous for its colorful "feudal barons," from "King James" McManes and his "Gas Ring" to "Iz" Durham and "Sunny Jim" McNichol, Philadelphia offers the historian a classic case of the duel between bosses and reformers for control of the American city. But, strangely enough, Philadelphia''s Republican machine has not been subject to critical examination until now. When Bosses Ruled Philadelphia challenges conventional wisdom on the political machine, which has it that party bosses controlled Philadelphia as early as the 1850s and maintained that control, with little change, until the Great Depression. According to Peter McCaffery, however, all bosses were not alike, and political power came only gradually over time. McManes''s "Gas Ring" in the 1870s was not as powerful as the well-oiled machine ushered in by Matt Quay in the late 1880s. Through a careful analysis of city records, McCaffery identifies the beneficiaries of the emerging Republican Organization, which sections of the local electorate supported it, and why. He concludes that genuine boss rule did not emerge as the dominant institution in Philadelphia politics until just before the turn of the century. McCaffery considers the function that the machine filled in the life of the city. Did it ultimately serve its supporters and the community as a whole, as Steffens and recent commentators have suggested? No, says McCaffery. The romantic image of the boss as "good guy" of the urban drama is wholly undeserved.

The story of a modern pilgrim's 500-mile walk from St. Jean Pied de Port in France, to Santiago de Compostela, thought to be the burial place of St James. Hoinacki's reflections range from the examination of religious sensibility to analyses of developments in architecture and technology.

Using a new analytic approach, which distinguishes between positive and negative sanctions and between specific and general sanctions, this book aims to demonstrate the importance of economic linkage and to explain the variety of forms it can take.

In The Building in the Text, Roy Eriksen shows that Renaissance writers conceived of their texts in accordance with architectural principles. His approach opens the way to wide-ranging discussions of the structure and meaning of a variety of literary texts and also provides new insights into the famed architectural ekphrases of Alberti and Vasari.Analyzing such words as "plot," "topos," "fabrica," and "stanza," Eriksen discloses the fundamental spatial symmetries and complexities in the writings of Ariosto, Shakespeare, and Milton, among other major figures. Ultimately, his book uncovers and clarifies a tradition of literary architecture that is rooted in antiquity and based on correspondences regarded as ordering principles of the cosmos. Eriksen''s book will be of interest to art historians, historians of literature, and those concerned with the classical heritage, rhetoric, music, and architecture.

A study of art, architecture and literature produced in Portugal and Cape Verde during the period 1933-1948. Documents artistic responses to images of the Portuguese nation promoted by the Salazar government's Office of State Propaganda. Examines the works of Jose de Almada Negreiros, Irene Lisboa, and Baltasar Lopes.

Designed to be a pragmatic approach, based on developments in argumentative theory, and analyzing appeal to expert opinion as a form of argument. The book identifies the requirements that make an appeal to expert opinion a reasonable or unreasonable argument.

This anthology connects recent debates in feminist theory to debates in traditional philosophical aesthetics. Among the topics covered are: gender totemism; the oppositional gaze in terms of the black female spectator; the interweaving of feminist frameworks; and the image of women in film.

This text focuses on the indispensable role of emotion, especially the faculty of empathy, in morality. It contends that moral conduct is severely threatened once empathy is prevented from taking part in an interplay with cognitive faculties in acts of moral perception and judgment.

This work is the story of an aspiring writer who failed and then, desperate for money, tried again and wrote himself out of penny-a-word pulp magazines and into a Pulitzer Prize and a National Book Award. It is based upon Richter's letters, notebooks, journals and private papers.

A collection of essays that discuss the legal and constitutional debates over matters of policy throughout United States history.

There are few subordinates better placed to describe the amazing turn in Soviet foreign policy between 1985 and 1991 than Pavel Palazchenko. . . . He has produced a solid, reliable account . . . that will be important supplementary reading for future historians and students of the Cold War.-Washington Post Book World"The historical record is fortunate that a man as gifted and capable as Pavel Palazchenko served as interpreter for Gorbachev and Shevardnadze from 1985 through the fall of the Soviet Union. His is a keen mind, and his recollections and observations add to our understanding of those crucial years."-James A. Baker, III, 61st U.S. Secretary of State "Palazchenko was always more than a gifted interpreter, and his book is thereby an especially revealing account of pivotal events and pivotal people. A compelling read."-George P. Shultz, 60th U.S. Secretary of State"The memoirs of Pavel Palazchenko are remarkably revealing-not in the sense of sensational new disclosures, but in the re-creation of the thinking and decisions of the Soviet leaders, in particular illuminating their relationships with Presidents Ronald Reagan and George Bush and Secretaries of State George Shultz and James Baker. It is a straightforward account by a keen observer at closest hand, full of insight, and makes a real contribution to understanding the history of these crucial final years of the Cold War and of the collapse of the Soviet Union. It is, as well, well-written and a pleasure to read."-Raymond L. Garthoff, The Brookings InstitutionDo Not Use Matlock quote"Pavel Palazchenko has given us a well-written, inside account of Gorbachev's and Shevardnadze's diplomacy. Remarkably objective, it is full of insights, makes fascinating reading, and will also be a prime source for scholars long into the future."-Jack F. Matlock, Jr., George F. Kennan Professor, Institute for Advanced Study, and former U.S. Ambassador to the USSRAs the principal English interpreter for Mikhail Gorbachev and his foreign minister, Eduard Shevardnadze, in the critical period of 1985-1991, Pavel Palazchenko participated in all U.S.-Soviet summit talks leading to the end of the Cold War. This personal and political memoir sheds new light on Soviet/American relations and personalities during that time.Palazchenko focuses on what he saw with his own eyes during important negotiating sessions with world leaders such as Presidents Ronald Reagan and George Bush, Secretaries of State George Shultz and James Baker, and Prime Minister Margaret Thatcher. He shares his impressions and opinions about these leaders as well as their Soviet counterparts and gives a first-hand account of the phase of preparation leading up to important international events, including the process of hammering out positions on sensitive arms control issues. Palazchenko describes the events themselves, such as the summits in Reykjavik, Malta, and Moscow, adding many fascinating details to previous accounts.Palazchenko contends that the peaceful end of the Cold War was possible not because of some behind-the-scenes dealings, but because of the trust that gradually developed between world leaders. He shows us how this developing trust led to the remarkably peaceful transition from the dangerous pre-1985 confrontation to the new relationships between major powers. This book sheds light on Soviet thinking about Soviet/U.S. relations, the Third World, arms control, German reunification, and the Gulf War. It also provides an insider's view of domestic politics and policy during Gorbachev's last year in power and Soviet developments leading up to the collapse of the USSR.

A collection of essays by poet Julia Spicher Kasdor focusing on aspects of Mennonite life. Essays examine issues of gender, cultural, and religious identity as they relate to the emergence and exercise of literary authority.

In the most comprehensive selection of his letters ever published, Norman Gates allows Richard Aldington to tell the story of his life in his own words. Unlike Aldington''s autobiography, Life for Life''s Sake, published twenty years before his death, these letters include those two important decades of his life and do not depend upon memory. Gates provides an introduction to each of the book''s five sections, sketching Aldington''s biography during that decade, but the reader may then listen to Aldington''s own voice speaking through his letters.Richard Aldington was married to the American poet H.D. and was a friend to many other writers and artists at the center of the Modern period. His comments on his colleagues and their work, his efforts to promote their literary fortunes, his passionate love for two wives and two mistresses, are all a part of these letters. So, too, are his experiences on the editorial staffs of the Egoist and the Criterion, which brought him to touch with European and American writers. For a clear picture of the literary world of this time, Aldington''s letters are indispensable.

Ellens is the first historian to tackle a comprehensive history of the church rates question, and he carries it off in a superlative fashion. The church rates issue was the great Dissenting issue during the period, and Ellens reveals with insight and admirable clarity the intricacies of the changing relationships as the Liberal party's support waxed and waned. This book will be required reading for anyone interested in the history of Victorian Britain.-R. W. Davis, Washington UniversityThis book, covering the period 1832 to 1868, describes how the so-called "church rates" controversy contributed to the rise of a secular liberal state in England and Wales. The church rate was an ancient tax required of all ratepayers, regardless of denomination, for the upkeep of parish churches of the Church of England. This meant that Dissenters and other non-Anglicans paid for the support of the established Church. In the 1830s, however, the Dissenters determined to tolerate the situation no longer. The resulting thirty-six-year struggle became the central church-state issue of the Victorian period. Ellens further argues that church rates played a pivotal role in the shaping of Victorian liberalism. Dissenters desired a society in which church and state would be separate and religious affairs voluntary. When Gladstone decided to champion the Dissenters' "voluntaryist" cause in the 1860s, he established the relationship that would give him the solid basis of electoral strength he needed to carry out the great liberal reforms of his governments after 1868. Elegantly written and argued, this book carefully details the process of disestablishment in England and Wales and uncovers an important and little-recognized dimension to the formation of the Liberal party.

French-Cuban author Eduardo Manet's work is acclaimed internationally, though mainly overlooked by French and Latin American critics due to his odd position as a Latin American writing in French. This study includes poetry, plays, novels and films written and directed by this bilingual writer.

Scaramuzza, Scaramouche: the commedia dell''arte figure made a triumphal entry into German literature in the plays of Caspar Stieler (1632-1707). Transformed into a master of language and languages, Scaramutza - social critic, voluptuary, and mouthpiece for his author - ushers in a new type of comedy that depends more on the happy ending than on laughter for its effect. This study should both establish the significance of the long-neglected dramatic works of Caspar Stieler, already regarded as an important lyric poet of the German Baroque, and serve to initiate a reevaluation of German comedy and of the standard definition of the comic genre used by Germanists as Aikin explores the heroic or romantic comedy as a subgenre of literary merit. The study includes a discussion of Stieler''s important contributions to the development of the German-language Singspiel and opera.