Böcker utgivna av Pennsylvania State University Press

Explores the uses of the abandoned Hudson River docks in New York City by artists and a newly emerging gay subculture between 1971 and 1983.

Considers the development of the pastoral in sixteenth-century Venice as an urban phenomenon specific to the lagoon. Studies Venetian urban gardens as actual places, imaginary spaces, and fantasies of urban planning challenged by ecological concerns.

A collection of essays that examine early American cultural, political, and social history through a material lens, exploring the meanings of objects ranging from artworks and domestic furnishings to Penn's Treaty Tree.

Reconstructs the art collection and material culture around the fourteenth-century French queen Clemence de Hongrie. Examines how she moved her objects in a deliberate strategy to build her identity and create a lasting legacy for herself and her family in medieval Paris.

This volume collects the best of recent research and classic essays on the Primeval History, including several articles that have not appeared heretofore in English. The articles provide students and scholars with easy access to significant scholarship illuminating both the world outside the text and the world within the text.

Examines the aesthetic principles and spiritual operations at work in Hagia Sophia. Drawing on art and architectural history, liturgy, musicology, and acoustics, explores the Byzantine paradigm of animation.

The Royal Inscriptions of Sennacherib, King of Assyria (704-681 BC), Part 1 (Royal Inscriptions of the Neo-Assyrian Period 3/1) provides reliable, up-to-date editions of thirty-eight historical inscriptions of Sennacherib. The texts edited in RINAP 3/1, which comprise approximately a sixth of the Sennacherib known corpus of inscriptions, were inscribed on clay cylinders, clay prisms, stone tablets, and stone steles from Nineveh; describe his many victories on the battlefield; and record numerous construction projects at Nineveh, including the city''s walls and the "Palace Without a Rival." Each text edition (with its English translation) is supplied with a brief introduction containing general information, a catalogue containing basic information about all exemplars, a commentary containing further technical information and notes, and a comprehensive bibliography.RINAP 3/1 also includes: (1) a general introduction to the reign of Sennacherib, his military campaigns, his building activities at Nineveh, the corpus of inscriptions, previous studies, and dating and chronology; (2) translations of the relevant passages of several Mesopotamian chronicles and kinglists; (3) several photographs of objects inscribed with texts of Sennacherib; (4) indices of museum and excavation numbers and selected publications; and (5) indices of proper names (Personal Names; Geographic, Ethnic, and Tribal Names; Divine, Planet, and Star Names; Gate, Palace, Temple, and Wall Names; and Object Names).The RINAP Project is under the direction of G. Frame (University of Pennsylvania) and is supported by the National Endowment for the Humanities.

A collection of essays exploring musical sounds and worship practices within Pentecostal Charismatic Christianity. Combines ethnographic case studies with theoretical reflection informed by social science, musicological, religious studies, and theological approaches, resulting in a multidisciplinary analysis of a global phenomenon.

Explores mid-nineteenth-century American women sculptors who developed successful professional careers in Rome. Draws from feminist theory, cultural geography, and expatriate and postcolonial studies to investigate the gendered nature of creativity and expatriation.

Gathers historians, philosophers, critics, curators, and artists to explore the divisions in teaching, practice, and theorization of art created by the choice between continuations of Modernism, with its aesthetic values, and the many kinds of postmodernism, which privilege issues outside aesthetics, including politics, gender, and identity.

A transcription and annotation of the diary of Emilie Davis, a free African American woman who lived in Philadelphia during the Civil War.

The first of two volumes chronicling the history and role of music in the African-American experience. Explains the historical significance of song and illustrates how music influenced the Civil Rights Movement.

This text is a profound reflection on the "Argentine dilemma" and the challenges that the country faces as it tries to rebuild democracy. Romero reconstructs and analyzes Argentina's tortuous, often tragic modern history, including the "alluvial society" and the Juan and Eva Peron years.

Utilizes the collection of magic texts from the late Middle Ages at St. Augustine's, Canterbury, to examine the orthodoxy of magical approaches to the medieval universe and to show how it was possible to combine magical studies with a monastic vocation.

A collection of essays examining the Australian Citizens' Parliament, a project in deliberative democracy held in 2009. Explores its organization, the deliberation, the flow of beliefs and ideas, facilitator and organizer effects, and its impacts from a variety of theoretical, empirical, and practice perspectives.

A collection of essays analyzing the seventeenth-century British political theorist Thomas Hobbes from a feminist perspective.

A collection of critical essays by leading scholars on British political philosopher Michael Oakeshott. Essays cover all aspects of Oakeshott's thought, from his theory of knowledge and philosophies of history, religion, art, and education to his reflections on morality, politics, and law.

A critical translation of the unabridged Italian text of Domenico Bernini's biography of his father, seventeenth-century sculptor, architect, painter, and playwright Gian Lorenzo Bernini (1598-1680). Includes commentary on the author's data and interpretations, contrasting them with other contemporary primary sources and recent scholarship.

An inventory of the private possessions of Lorenzo il Magnifico de' Medici, head of the ruling Medici family during the apogee of the Florentine Renaissance.

Explores the Byzantine aesthetic of fugitive appearances by placing and filming art objects in spaces of changing light, and by uncovering the shifting appearances expressed in poetry, descriptions of art, and liturgical performance.

A collection of essays examining the various social, cultural, and economic intersections of rural place and global space, as viewed through the lens of education. Explores practices that offer both problems and possibilities for the future of rural schools and communities, in the United States and abroad.

An analysis of the Hebrew Bible's non-Semitic terminology, providing insight into foreign contact in ancient Israel.

Presents a new approach to Jorge Luis Borges' work, exploring dimensions of his literary project involving theology, blindness, literary imagination, gender, sexuality, and suicide.

Provides updated editions of seventy-one historical inscriptions of Ashurbanipal and includes all historical inscriptions on clay prisms, clay cylinders, and wall slabs, as well as on other stone objects (including paving stones) from Nineveh, Assur, and Kalhu.

Examines case studies of popular culture as pessimistic rhetorical artifacts, and how non-traditional modes of argumentation can work rhetorically to overcome biases against pessimistic messaging.

A historical novel, first published in 1842, about vengeance mistaken for religious fervor, set against the Salem witchcraft trials of 1692. This novel was a critical source for Nathaniel Hawthorne's The Scarlet Letter. Introduced and annotated by Hawthorne scholar Richard Kopley.